We've previously pointed out how some charities might need some changes to improve their reputation, public image and effectiveness. Some charities have been vilified for million-dollar CEO salaries or inefficient operations, but in the end, everyone wants to see more net good come from their donations than would have happened by doing nothing, right? Here are just a few examples of charitable organizations getting some good results -- even if their methods may still be debated.
Here's an idea: if a for-profit business wants to build up a little positive publicity by promoting a public health campaign utilizing a group of hip street artists, that company shouldn't then go on the muscle bullying other art projects over something as dumb as a hashtag it has claimed to have trademarked. This is doubly so when that hashtag is something completely tangential to the company's brand. And yet...
That’s a lesson being learned by Wat-aah, a bottled water company that enlisted street artists in a health-awareness campaign to encourage children to forsake soda for water. Some of the artists designed labels for the brand, while others painted murals or donated artwork for a recent auction to benefit the Partnership for a Healthier America. Many participated in exhibits, including one that Michelle Obama attended in February 2014 at the New Museum in Manhattan.
“It was a common-sense campaign,” said Damien Mitchell, an Australian artist who did a mural in Upper Manhattan. “I didn’t think you needed to have one, especially for water. But, here we are, in America.”
His feelings about the campaign changed in September when he learned that a lawyer for the water company sent a cease-and-desist letter to the Little Italy Street Art Project, a community group that has sponsored dozens of murals in Manhattan’s Little Italy neighborhood.
The dispute was apparently over a hashtag both the health campaign and the Little Italy Street Art Project used: #takingbackthestreets. Little Italy had been promoting itself through social media circles using the hashtag when they received the C&D claiming that said hashtag had been trademarked by Wat-aah and oh my god this world is a really stupid place. Wat-aah (sigh) claimed in its letter that because both the campaign and Little Italy's group used murals to get across their messages, customer confusion would ensue, the sky would fall upon all of us, and all the rest. When contacted, Wat-aah (waaaaaat-aaaaaaaah!) claimed that, hey, we're cool, man, we didn't actually sue them or anything, so chillax, yo.
Dezmon Gilmore, a spokesman for the company, said the Taking Back the Streets campaign, sponsored by a foundation affiliated with the company, was advised to send the letter to eliminate confusion. It was not meant to be malicious, he said, but precautionary, and no further action had been taken.
Meanwhile, a pissed off Wayne Rada, the man behind the Little Italy project, is complaining that if the company had simply asked politely he would have happily stopped using the hashtag because it's just a god damned hashtag and why are we doing this? Since getting the letter, he's complied with the request, explaining that his art project doesn't have enough money to go to battle with a corporation that apparently thinks it owns hashtags.
In the end, there are a great many ways to arrive at the proper behavioral decisions one should make in a given situation. Listening to trademark lawyers who tell you to go after a small art project over a hashtag with claims that are probably baseless is one moral code to live by. Me? I prefer the only single commandment worth following and I'd suggest Wat-aah follow it as well.
There seems to be an increasing number of discussions on how to end poverty using evidence-based methods. Obviously, no one has found the cure for poverty just yet, but applying some rigorous analysis for charitable performance might result in better outcomes (rather than relying on gut instincts and good intentions). Here are just a few approaches for reducing poverty that hopefully work out someday.
The TSA undoubtedly has several problems, chief among them being charged with providing an expensive, interactive theater program aimed at putting travelers' minds at ease while simultaneously putting their nether regions through a rigorous groping regimen. The exposure of documents stating its all-important job isn't actually that important certainly doesn't help. As it stands now, the TSA is just another government institution, destined to be funded in perpetuity, even as its relevance continues to erode.
Last year, the Transportation Security Administration collected $531,395.22 in change left behind at checkpoints.
Federal law requires the TSA to report the amount of unclaimed money they keep every year to Congress. The fiscal 2012 report, obtained by The Washington Post, shows the agency collected about $499,000 in U.S. currency, and another $32,000 in foreign currency, at their checkpoints.
While this amount is literally small change compared to the agency's ~$8 billion annual budget, it's still too significant an amount to ignore. This unclaimed change is earmarked for "civil aviation security" -- you know, the main thing that the TSA does. The agency is supposed to put the money back into the company, so to speak. But, if the following figure is accurate, it would appear the agency is operating at peak (in)efficiency.
[T]he TSA has only spent about $6,500 of the money it collected last year.
Well, if the agency can't use it, maybe it could pass it on to those who could.
On Tuesday, the House passed H.R. 1095, sponsored by Rep. Jeff Miller (R-Fla.), which would require the TSA to fork that cash over to nonprofit organizations that provide travel-related assistance to military personnel or their families.
Good idea, one would think. But that would be before hearing how expensive giving money away can be when the TSA handles the job.
The Congressional Budget Office estimated [pdf] that collecting, accounting for and transferring the money to the USO would cost $1.2 million — $700,000 more than the actual amount collected.
The CBO's two-page estimate is woefully light on details on how it arrived at its $1.2 million figure. It just sort of claims the costs will exceed $1 million, extrapolates this income/expenditure over a decade and states the whole thing will be a wash, even if the TSA's spending steadily declines. To sum up: nothing ventured, nothing lost.
It seems there would be a very inexpensive way to route this money to charity. First off, each airport's security team could designate a charity to route the funds to. Then… nothing. The TSA simply collects the change as usual and dumps it into the proper receptacle. The designated charity could pick this up quarterly (unintentional pun), count it themselves and turn over a receipt for record keeping to the TSA -- all on their own dime (slightly less unintentional pun). Total cost to the TSA: nothing more than the hourly wage it already pays to have someone scoop up and store abandoned change.
End result? PR wins all around (especially if local charities are used) and the agency won't be spending money to reroute money. In fact, donation boxes for the selected charity could be set up right past the scanners, allowing people to toss the change in themselves and restore a little faith in humanity after a trip through the TSA's dehumanizing theatrical production.
Income inequality is a topic that has been circulating recently (partially from Robert Reich's movie "Inequality for All"), and as stats about income growth/stagnation are thrown around, there have been a few examples of corporate leaders trying to recognize their employees' hard work. Here are just some of the rare CEOs/founders who have taken a small stab at wealth redistribution from their own personal pockets.
There must be something about the band Queen that makes people go IP crazy. A while back was the hilarious news about a drunk Canadian singing Bohemian Rhapsody, with EMI taking the video down before relenting amid the backlash. How could you get more bizarre than that, right? Well, first you'd have to come up with two unrelated charities, the only common denominator being that each has something to do with the band Queen. Then you'd have to introduce a fiberglass gorilla painted to look like Freddie Mercury, long-dead lead singer of the band. Finally, you'd have to make sure that said Freddie Mercury gorilla was removed from public view over a copyright claim.
Look, I know what you're thinking. No way did a Freddie Mercury gorilla get removed via a copyright claim. Didn't happen, you're thinking. Couldn't happen. Sorry, folks, it happened -- whether or not the copyright is valid. At the very least, the threat of copyright action has resulted in the removal of the gorilla.
Mercury Phoenix Trust contacted Wild in Art, the company that supplied the gorilla glass-fibre canvases, according to director Charlie Langhorne.
"They just said that they own the copyright on the suit and asked us to change it," Mr Langhorne said. "That's being sorted. To save any bother we will change it."
Mercury Phoenix Trust is an AIDS charity constructed in the name of Freddie Mercury, who died of the disease. Go Go Gorillas, the charity that commissioned the Mercury gorilla, is supported by Brian May, former guitarist for Queen. Go Go Gorillas is running the gorilla campaign to raise awareness and funds for conservation efforts in the Congo. All laudable goals made petty via the use of copyright laws to take down the Freddie Mercury gorilla and replace it with a newly painted version.
Whether or not there's a legitimate copyright claim in the "jacket" from Mercury Phoenix Trust seems like an open question (and it's pretty easy to argue that the copyright claim is highly questionable). But, really, does that even matter when the mere threat of a copyright claim is enough to have the statue pulled?
The whole situation seems rather ridiculous.
Martin Green of Break, one of two charities that will benefit from the auction of the gorillas once the exhibition is over, said: "It's a disappointing position they have put us in.
"Freddie is one of our most popular gorillas on the trail and now we've got to remove him from the streets, but we're respecting the wishes of another charity."
So thanks a lot, copyright. You've been used as a pawn in a needless battle between two charities with far greater work to do, all the while depriving me of a gorilla that looks like it's about to sing We Will Rock You to anyone within listening distance. Personally, I can't think of a greater crime against humanity.
When we donate to charities, it's never clear exactly where the money goes and whether our donations actually benefit the people they're supposed to help. Many donors are often shocked and outraged when they learn that some executives at nonprofit charities are being paid salaries exceeding $1 million. But activist and fundraiser Dan Pallotta thinks this anger is misplaced and could damage charity fundraising, pointing out that people blame capitalism for creating inequities in our society, but then they refuse to let nonprofits use the tools of capitalism to fix the problem. Here are a few more things to think about when it comes to charities.
Somaliland's success could be partly due to its lack of foreign assistance. Somaliland has been operating successfully as an independent country since it seceded from Somalia in 1991. Since Somaliland isn't recognized as a country by the rest of the world, it hasn't been able to receive foreign aid. As a result, it has been surviving by raising local tax revenues, which its citizens have been using as leverage to make the government more accountable.[url]
It's sometimes difficult to verify economic theories in the real world because it can be expensive to "test" really important policies. But as more and more people play increasingly realistic video games with active marketplaces, there may be ways to observe real economic phenomena in virtual economies. Here are just a few interesting observations on the topic of scarcity.
Another day, and still, Charles Carreon keeps digging. In case you just woke up from a coma, here are all the earlier posts on Carreon. The latest is both a bizarre semi-backtrack, as well as another case of him feverishly continuing to dig that Carreon Effect hole deeper and deeper.
The "backtrack" comes to us via Popehat, pointing us to an interview with Carreon in which he admits that the letter he sent to kick off this whole mess... was a mistake. Yes. You read that right:
Ironically, the threat of the first lawsuit [Funnyjunk suing Inman] never materialized. Carreon admits he was misinformed: Before demanding the $20,000, which was based on FunnyJunk's "estimate of advertising losses sustained due to the taint of being accused of engaging in willful copyright infringement," Carreon was told that all Oatmeal comics had been taken off the FunnyJunk site, even though they hadn't. "If I had known... no demand would have gone out," he says.
You would think that, upon realizing this -- that the entire premise of his letter which kicked off this entire thing was wrong -- he would think better off pursuing a separate strategy in response to the backlash for what he now admits was in error. But, no. Also, as Ken at Popehat points out, saying these things could be construed as "revealing a confidential attorney-client communication between himself and FunnyJunk in order to make himself look less ridiculous."
And then he continues to dig, dig, dig, dig dig.
You see, in another interview (dude gets around), this time with Ars Technica, Carreon
trots out his latest bizarre theory of liability for Matthew Inman. In the lawsuit, he claimed that he thought Inman might keep everything raised above the target goal of $20,000, even though Inman never made any suggestion that was true, and in fact, Inman had said quite clearly (way before Carreon's rampage and lawsuit) that he was going to donate 100% of everything raised to charity. But Carreon says it doesn't matter:
“It sounds like he stands to make $180,000,” Carreon said. “He’s the authorized agent of IndieGoGo. I know this shit is hard to put together. That’s why we hire lawyers, because we read the statute and we take the risk.” (“Inman's commitment after the fact is not evidence of his original intention," Carreon clarified later by e-mail).
It should be noted, of course, that it does not appear that Carreon has "hired a lawyer" since he filed the case pro se (representing himself). The whole "authorized agent of IndieGogo" thing seems to be an astoundingly weak attempt to twist what IndieGoGo does and what Inman did to fit it under the California law on commercial fundraisers.
But, here's where Carreon goes really far out on a limb. On the very same post where Inman tells everyone that 100% of the money is going to charity, he also points out that he is going to add some other charities to the list. Nearly everyone thinks this is a really good thing. More money going to more charities. Awesome. But, no, not to Carreon. Apparently this is evidence of a nasty "bait & switch"
“Inman's idea to add two more charities is another act that shows the risk of money being raised for one purpose to be diverted to another. For example, I raise money for an Israeli charity to pay for trips to the Holy Land, but then decide that half the money should go to Palestinian orphans, or more disturbingly, to Hezbollah, which also has a charity wing. It's one more reason why IndieGoGo should not contract with agents like Inman who do not know that ‘adding charities’ to a campaign is obviously ‘bait and switch’ false advertising.”
Yeah, because everyone is just so sure that Inman's now going to add two charities that involve speeding up cancer causing agents and killing off bears to counter his original two charities.
Earlier this morning we wrote about Charles Carreon suing Matthew Inman, IndieGoGo, the National Wildlife Federation and the American Cancer Society. At that time, all anyone had was the summary of the lawsuit as written by Courthouse News Service. Now, Carreon has posted the filing to his own website (with portions redacted) and the full version is now available via PACER. I've attached the officially filed version below. Rather than reveal new theories that we had missed in our original analysis, it would appear that our initial thoughts were dead on. This case is just begging to be anti-SLAPPed out of existence, in which case Carreon may find himself on the hook for significant legal fees.
When I was writing about the original case, I went looking through California's regulations on charities, and couldn't find anything that would impact Inman or IndieGoGo and all I came across was this law from this page on the California Attorney's General website. But I couldn't see how that specifically applied to Inman or IndieGoGo, since it seemed to be focused (a) on charities themselves or (b) on professional fundraisers (i.e., people hired to fundraise on a charity's behalf). It did not seem to apply to people who just tried to raise money which they promised to donate to a charity. However, that is the law that Carreon is relying on. Carreon seems to try to twist the definition of a "commercial fundraiser" to make it apply to Inman and IndieGoGo, but it's a pretty massive stretch. Inman isn't doing this "for compensation," so the law doesn't seem to apply to him. IndieGoGo is just the platform, but isn't doing the soliciting or directly touching the funds. The law is designed for an entirely different purpose.
And even if, somehow, a court actually believes that this law applies here, you might wonder how it's possible that Carreon has any standing to sue whatsoever. The fundraiser has nothing to do with him (it was about Funnyjunk, but remember that Carreon is suing on his own behalf, not Funnyjunk's.). Carreon appears to just be suing because he's pissed off. Except, that Carreon thinks he found a loophole. He donated to the campaign himself in order to create standing:
Plaintiff is a contributor to the Bear Love campaign, and made his contribution with the intent to benefit the purposes of the NWF and the ACS. Plaintiff is acting on his own behalf and to protect the rights of all other contributors to the Bear Love campaign to have their reasonable expectation that 100% of the money they contributed would go to a charitable purpose. Plaintiff opposes the payment of any funds collected from the Bear Love campaign to Indiegogo, on the grounds that the contract between Indiegogo and Inman is an illegal contract that violates the Act, and its enforcement may be enjoined. Plaintiff opposes the payment of any funds to Inman because he is not a registered commercial fundraiser, because he failed to enter into a written contract with the Charitable Organization defendants, because the Bear Love campaign utilized false and deceptive statements and insinuations of bestiality on the part of Plaintiff and his client’s “mother,” all of which tends to bring the Charitable Defendants and the institution of public giving into disrepute.
Yeah. Once again, Carreon contributed to Inman's campaign for what appears to be the sole reason of using that as a way to get standing to sue. I'm somewhat stunned.
Also, how can he possibly blame the charities? Well, Carreon's lawsuit fails in that it never actually states a claim against the charities. Seriously. At one point in the explanation of the lawsuit, he does state the following, but never actually includes the charities in any of the actual claims:
Although the Charitable Organization defendants have notified by Plaintiff in writing about the fact that the “Bear Love” campaign alleged infra is being conducted by Inman and Indiegogo in violation of the Act, and that the campaign is being conducted in a manner that could cause public disparagement of the Charitable Organization defendants’s good name and good will, neither the ACS or the NWF have acted to disavow their association with the Bear Love campaign, thus lending their tacit approval to the use of their names to the Bear Love campaign.
Again, just for emphasis, I'll point out that even with this paragraph, Carreon fails to name either charity with any of the actual claims in the lawsuit. He does include them in part of the claim, by stating that they "have failed to perform their statutory duty to exercise authority over the Bear Love campaign," but still fails to directly assert the claim against them. Even if he somehow figured out a way to work them into one of the claims, this particular legal theory of not disavowing "their association" with Inman's campaign leading to "tacit approval" is pretty ridiculous as well, and not something I could see standing up in court.
Meanwhile, Carreon's theory that Inman "disparages the image of charitable fundraising" again seems to stretch all kinds of definitions and understanding of the internet. Basically, he relies on the fact that Inman likes to mock people he doesn't like. But that's entirely unrelated to the issues at hand. Furthermore, despite Inman and Inman's lawyer explaining (in great detail) to Carreon, earlier, that Inman has an ASCII pterodactyl on all pages of The Oatmeal's source code, Carreon spends an inordinate amount of space talking about how awful this is.
Inman has announced his vindictive response to his real and imagined enemies by posting, within the source code of all of the webpages on his main website, www.theoatmeal.com, the following image and text, depicting himself as a pterodactyl that will “ptero-you a new asshole.” A screencapture of the core of the source-code appears as follows:
Following the link to http://pterodactyl.me leads the Internet user to a page on TheOatmeal.com where a video created by Inman and Sarah Donner depicts Inman, in his character as a carnivorous, prehistoric flying reptile that first rips the intestines out of a man's anus, then flogs him with his entrails, then steals a pineapple from a boy, tears his head off, flings it a girl and knocks here head off, then grinds up the girl’s head up in a wood-chipper, blends it with the pineapple, and drinks the grisly cocktail
The filing then shows screenshots from the video in question, which we'll just embed here for your viewing pleasure:
Carreon tries to claim that these images actually incite Inman's followers into action:
Inman’s followers are by and large with technologically savvy young people eager to follow the
latest trend, who embrace Inman’s brutal ideology of “tearing you a new asshole.”
Seriously? Carreon is literally arguing that fans of a silly comic with cartoonishly ridiculous violence leads them to "embrace" this "brutal ideology?" Carreon really ought to spend more time online. Carreon repeatedly makes incredibly weak connections between Inman's cartoons, his online persona and the later hatred directed his way, but without any actual evidence.
Later in the lawsuit, Carreon again claims that Inman's statement that Funnyjunk "stole" images is "false and misleading." Whether or not that's true, it's irrelevant here. Funnyjunk is not a plaintiff in the lawsuit. He also goes off on Inman for "fighting
words, and incitements to commit cybervandalism, none of which are entitled to constitutional
protection." Neither of those make sense. It's nearly impossible to see how Inman's cartoons, as sophomoric as they might be, qualify under the standard legal definition of "fighting words" or any kind of incitement to violence. In fact, Inman has made no references inciting his audience to do anything other than give money to charities (which most people would consider a good thing).
Moving on... we've got the trademark and publicity rights claim. As expected, Carreon is asserting that various actions violate the trademark on his name and his publicity rights. The key is that someone set up a fake Twitter account in his name and tweeted various statements that might make Carreon look silly. Of course, reading some of the tweets, it seems rather obvious that the account is fake. For example, one of them talks about "backtracing" Inman's IP -- a rather obvious reference to the famous ya dun goofed internet meme. Also, as he had suggested in an interview on Friday, Carreon makes interesting leaps of logic in suggesting that Inman himself may have set up the fake account.
Then, finally, we have the "inciting and committing cybervandalism in the nature of trespass to chattels, false personation and identity theft." Here, he claims that the fact that his email address was made public was part of that incitement, claiming that he never made it public:
As noted above, Doe1 or Inman proliferated Plaintiff’s email address via a fake tweet made by “@Charles_Carreon.com.” Plaintiff had not posted the email@example.com email address anywhere on the Internet except where required by law and Internet regulations. (The email address appears on legal papers in PACER filings in cases where required by the rules of this and other U.S. District Courts; however, these filings are viewable only by PACER users. The email address was also used in the Whois registration database for various websites Plaintiff has registered for his benefit, and as by the authorized registrant/agent of various legal clients.) Inman or persons incited by Inman also proliferated the email address and Plaintiff’s home address on social networking websites, again for the malicious purpose of enabling cybervandalism.
Except... court filings are not only viewable to those with a PACER account. Filings with the court, if not under seal, are considered public documents and are often available from a variety of sources, including the Internet Archive and other places as well. Separately, if he didn't use an anonymizer, the whois info that includes his email address is public info. Furthermore, his address is available elsewhere online as well, including (um...) both the websites for the State Bar of California and the State Bar of Oregon. Oh, and the email address is also clearly stated in the version of the legal filing that Carreon posted to his own website. While he redacted his email address in the header, he did not within the text of the complaint. In other words, that address was widely available to the public already.
His second claim of cybervandalism was that someone tried to reset the password on his webhosting account:
On June 13, 2012, at 9:28 p.m., either Inman or one of the persons named as Does 1 – 100 engaged in the act of trespass to chattels, cracking the password on Plaintiff’s website at http://www.charlescarreon.com and requesting to reset the password. Fortunately, the intrusion discovered instantly by Plaintiff who was sitting looking at his computer screen when he received an email from the website software system, and was able to retain control of the website by immediately changing the password using the hyperlink in the email.
First of all, merely requesting a reset password is not "cracking the password." It's requesting a new password, which the user would not be able to act upon unless they had access to Carreon's email (and there is no indication that that happened). In fact, it appears that the password reset system worked as designed, in that Carreon was warned that someone wanted to reset the password. And, actually, the fact that Carreon admits to "using the hyperlink in the email" suggests that that could have been the real hack attempt. You should never change your password using a hyperlink sent to you in an email. You should always go directly to the site yourself and login and make the change. Normally, if you receive one of those reset emails and haven't tried to reset your password, you're supposed to ignore it so that the password doesn't get reset. Clicking on the link and changing a password that way makes one susceptible to phishing attacks.
Finally, Carreon notes that some idiots online have signed his email account up for various spam emails/newsletters. If true, that's pretty stupid on whoever signed him up for those kinds of things, and people really shouldn't do that. But claiming that's "cybervandalism" or anything that can or should be pinned on Inman (again, whose target was Funnyjunk, not Carreon) seems ridiculous in the extreme.