How Robert Iger Pissed Off Everyone So Quickly

from the that-takes-talent dept

Robert Iger only took over Disney recently and he’s already managed quite a feat: pissing off just about everyone in Hollywood. While he restored Disney’s relationship with Steve Jobs by agreeing to offer downloadable TV shows, we noted that this caught all the ABC affiliates by surprise, and they freaked out at the thought people might just download the shows instead of watching them on TV (despite, of course, the cost advantage to watching them or recording them off the TV). Turns out it wasn’t just the affiliates that Iger forgot to let in on the secret. Actors, writers and directors are all up in arms and are collectively demanding that they get a piece of every $1.99 for every TV show sold through iTunes. In other words, even if Apple is actually making any money at $2/show, it’s unlikely to last very long. Of course, all this means is that the price will get driven up, and people will say it’s not worth it when they can record it or download it for free from elsewhere.


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Comments on “How Robert Iger Pissed Off Everyone So Quickly”

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18 Comments
Deva says:

Re: Re: Heinz Baked Beans

Paid content might make a profit for the distributors, but ad money, which is probably much more, will always be more important to them, I think. Paying for content seems to be a pretty shallow goal, considering the benefits of having masses of people directed to purchase things. We geeks have been away from ads for too long 🙂

Also, most people like to have their content fed to them, instead of clicking around for it and giving their credit card numbers to the magical compooter machine, so I don’t think we should be taking the geek viewpoint too seriously anyway – This kind of content is targeted towards completely different audiences

Aleks Y. (user link) says:

That would be just right!

Ofcourse $1.99 per show isn’t that bad if you’re rich and don’t know where else to get it for free or don’t have the time to tape it from TV. My boss downloads $.99 a song from Itunes, simply because he doesn’t know that his CD collection can be turned into mp3 galore within 3 or 4 hours. $1.99 a show isn’t a bad idea, especially if you’re into those shows and you really hate to sit enfront of tv and watch it, you can just watch it on the train. Great stuff. But nevertheless, once everyone who was watching those shows on tv starts downloading them – there goes the neighborhood. Kiss $1.99 goodbye.

harry says:

Re: Do the math, not so bad

The Math is even better..

Most TV ads cost $10 to $20 per 1000 viewers. Superbowl ads are cheaper, some top top show much more. Let’s use $20 as the example here.

That means each ad shown to the total # of viewers as estimated by Neilson. 5 people @ one house watching would count 5 times. We will assume since the Ipod is a personal device, one viewer.

That means each ad costs 2 cents ($20 / 1000). Assuming there are 40 ads per show, you get 80 cents per show in ad income. So for $1.99 there is plenty of room to pay all the actors and everyone else all of their normal fees. [The point is that the amount of $$ per show generated PER viewer is small and easily covered by Apple’s fee!]

A 1/2 hour show would have less than 40 ads (typically ads can be 60 sec, 30 secs, 20 sec and even 5; i’m just using average prices. A 20 sec ad costs less than a 60 second one, of course.)

anonymoustroll says:

Re: Re: Re:2 Do the math, not so bad

Uh, actually if you look at it from an “area under the curve” prospective, Superbole ads are more expensive. Most ad campaigns require reptition to be effective. It’s a multi-dimensional, stochastic psychology problem, so just about any “answer” can be defined as correct

DMA says:

Income-to-quality will drive price

I think the demand will boil down to a quality/price ratio, if the ad revenue allows the quality to create demand, ad-driven product will survive. If the pay-per model can produce the revenue to produce acceptable quality to produce more demand than the ad-driven product, it will win. I think assuming the model in and of itself will drive demand is short-sighted, the product-to-price acceptance will drive demand, and the model that produces the acceptable ratio will survive.

crystalattice (user link) says:

I thought they already got paid.

Don’t all those people already get royalties based on reruns and other broadcasts? Then they should already be getting the money for these shows. If Apple is paying for the rights to use the programs in iTunes, then ABC et al. are getting their fair share; it’s up then up to ABC to pay the royalties out of the money they’ve already received. Apple shouldn’t be bothered by the unions and guilds since it’s not their responsiblity.

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