Artists Who Use AI In Their Work Ask Congress Not To Kill AI

from the regulating-art dept

As the US government stumbles around to try to come up with an AI regulatory policy, it seems like they’re focused on trying every bad idea on for size. You may have heard how Senator Schumer just had the first of his AI Summits, including a bunch of big name folks, who probably are not the right people to be in that room. I mean, you had Elon Musk, who has been bitching and complaining about the administrative regulatory state for years… asking for an administrative regulatory agency to regulate all AI. It’s almost like he knows (from experience) that when he’s in a regulated industry, it wipes out much of the competition and opens up billions in contract dollars for himself.

The full list of attendees seemed almost perfectly designed for a Senate event designed to make it look like you were doing something important while actually doing nothing useful. It was full of big names — Elon! Bill Gates! Eric Schmidt! Zuck! Satya! Sundar! Sam Altman! — who are likely to spout mostly PR-driven nonsense, pushing for their own corporate interests (see, Musk above), a very small number of thoughtful AI thinkers (Rumman Chowdhury, Deborah Raji) so they can pretend this is a serious discussion, and a bunch of randos they need for political reasons (MPA CEO Charles Rivkin, AFL-CIO President Meredith Stiehm).

There… are a lot of useful people missing from that list. There are tons of academics and civil society folks who have been studying this, and they’re mostly missing. And then there are the folks actually using AI daily (not just the CEOs of the companies trying to get rich off of it).

So it was great to see Creative Commons recently release a letter to Schumer from a bunch of artists who are actually using AI in their work, asking Schumer not to mess things up. Rob Sheridan, who came on our podcast last year to talk about AI and art, and how artists can learn to embrace and use the technology, is on the list, among many other artists as well.

We write this letter today as professional artists using generative AI tools to help us put soul in our work. Our creative processes with AI tools stretch back for years, or in the case of simpler AI tools such as in music production software, for decades. Many of us are artists who have dedicated our lives to studying in traditional mediums while dreaming of generative AI’s capabilities.

For others, generative AI is making art more accessible or allowing them to pioneer entirely new artistic mediums. Just like previous innovations, these tools lower barriers in creating art — a career that has been traditionally limited to those with considerable financial means, abled bodies, and the right social connections.

Unfortunately, this diverse, pioneering work of individual human artists is being misrepresented. Some say it is about merely typing in prompts or regurgitating existing works. Others deride our methods and our art as based on ‘stealing’ and ‘data theft.’ While generative AI can be used to exploitatively replicate existing works, such uses do not interest us. Our art is grounded in ingenuity and creating new art. It is well known that all artists build not only on the previous ideas, genres, and concepts that came before, but also on the culture in which they create. Unfortunately, many individual artists are afraid of backlash if they so much as touch these important new tools.

We are speaking out today to advocate for a future of richer and more accessible creative innovation for generations of artists to come. Artists breathe life into AI, directing its innovation towards positive cultural evolution while expanding the essential human dimensions it inherently lacks.

It seems like some of the people from that list should have been at the forum, rather than people like Tristan Harris, who seems to be making a career out of pushing whatever tech moral panic he can find, no matter how misleading.

It seems that Schumer hearing from someone like Sheridan would be a lot more valuable on this particular subject than yet another screed about how AI is going to destroy careers. In a statement with the letter, Sheridan laid things out in a very useful framing:

“As a 25 year professional artist and art director, I’ve adapted to many shifts in the creative industry, and see no reason to panic with regards to AI art technology itself….I fully understand and appreciate the concerns that artists have about AI art tools. With ANY new technology that automates human labor, we unfortunately live under a predatory capitalism where corporations are incentivized to ruthlessly cut human costs any way they can, and they’ve made no effort to hide their intentions with AI (how many of those intentions are realistic and how many are products of an AI hype bubble is a different conversation). But this is a systemic problem that goes well beyond artists; a problem that didn’t begin with AI, and won’t end with AI. Every type of workforce in America is facing this problem, and the solutions lie in labor organizing and in uniting across industries for major systemic changes like universal healthcare and universal guaranteed income. Banning or over-regulating AI art tools might plug one small hole in the leaky dam of corporate exploitation, but it closes a huge potential doorway for small creators and businesses.”

There are, clearly, challenges in how artists make their livings. Art has always been challenging for all but the most successful creators. But the idea that “AI” represents some sort of new and existential threat on that front is really trying to distract from other, larger, systemic issues, that creating an “FAA for AI” are not going to solve at all.

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Comments on “Artists Who Use AI In Their Work Ask Congress Not To Kill AI”

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This comment has been deemed insightful by the community.
Ninjasaid (profile) says:

Re: Re: Re: Open a history book

People thought the camera was automating creative work in the 19th century, it just turned out that they have a narrow idea of what is creativity, if you think AI Art is automating creativity, the same thing applies, you have a narrow idea of what creativity is.

Erixdiego says:

Re: Re:

It looks like you never performed any art. We don’t like “hard work”, art is actually an escape from drudgery and routine labor.

We fine pleasure in the process, and the style is just a reflection of each artist personality. Not only with painting, but also playing a music instrument or performing arts.

That’s why creative work is special. Capitalism programmed us to see everything as final results, as products to be sold.

Some of us are digital artists just because is faster than traditional, and easier to modify, not because we want a machine paint for us.

Rocky says:

Re: Re: Re:

I don’t do art, but I like being creative and I get to be that at my work which I find to be pleasurable. Millions of people who aren’t artists also find pleasure in what they do and in their work, suggesting otherwise because you think what artists do “are special” is fucking condescending and elitist in the extreme to every other person.

Contrary to your belief, your shit doesn’t actually smell of roses.

Anonymous Coward says:

Re:

How many musicians made a living from recording, and how many made their living from live concerts, and very little from their recording contracts? How will AI give a live performance?

Also consider that AI will not end human creativity, just make it harder to make a living from creativity, and maybe eliminate jobs like drawing tweens and other creativity related jobs where technical skill rather than creativity are what is required.

mick says:

Re: Re:

No one making serious money from creating music today is doing anything other than paint-by-numbers stuff that AI could easily do just as well.

Those few creatives left in music are independent artists and are doing just as well as independent artists have always done, which isn’t that great.

Does anyone honestly believe that the Billboard Top 100 in any genre would sound even a little bit different if every song were created by AI with no human intervention? If so, then you’re not a musician, or even a music-lover.

Anonymous Coward says:

Re: Re: Re:2

The record labels, jedge fund managers and owndlers, the NFT grifters, publishers of all stripes and the, yanno, owner class don’t give a fuck as to who’s a real musician or a procedural content generator, as long as the “content” flows, consumers uncomplainingly consume and cheerfully march off to their deaths in useless wars.

That is, we’re the ones who get fucked while the owners are shielded from their actions…

Anonymous Coward says:

Re: Re:

How many musicians made a living from recording,

That depends on your definition of “recording”.

Musicians can, in theory, make music and publish their works on the Internet. And profit from their music that way. They can also choose to use a variety of storefr9nts to do so.

Or, they could use to livestream the process. Oh, and monetize the stream.

and how many made their living from live concerts, and very little from their recording contracts?

All of them. Especially those under recording labels. Yes, I’m gonna include live streaming the creation process as well.

How will AI give a live performance?

So, there’s this Vtuber on Twitch called Neuro, and… yep, she’s the closest thing we got to a functioning AI performer.

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Automation Engineer says:

Re:

Automation almost never removes humans from a process entirely, it just changes how they interact with the process and usually for the better. Companies that look to automation to reduce their labor force instead of using it to improve their processes tend to fail. Recent error-plagued articles written entirely by AI are a great example of this.

Anonymous Coward says:

Re: Re:

Nah, it’s more “Hey Luddites, stop demanding a fair wage and stop telling people the power looms will use child labor and lower fabric quality or we’ll fucking use the army to put down your rebellion. Fatally.

If the Luddites weren’t allowed to demand fair pay and fight for their jobs…

Well, hope you enjoy dying in a place you have no idea existed for a cause you never supported, because that’s where we’ll eventually head towards.

After all, if Russia can do it, China will, and every country with either military might or aren’t able ot willing to negotiate will join in the forever wars.

I’m sure we’ll meet somewhere in the forever wars.

Rocky says:

Re: Re: Re:

Nah, it’s more “Hey Luddites, stop demanding a fair wage and stop telling people the power looms will use child labor and lower fabric quality or we’ll fucking use the army to put down your rebellion. Fatally.”

If the Luddites weren’t allowed to demand fair pay and fight for their jobs…

You are glossing over several important facts here. The Luddites attacked and destroyed several mills, they also sent death-threats to mill-owners and government officials. This kind of set the stage for a reaction and given the times (early 1800’s), that reaction would inevitable be violent – you don’t threaten the government or well connected rich people in addition to sabotaging and destroying factories without consequence.

In regards to child labor, it was the norm back then, child labor was prevalent everywhere.

Now, if you want to yank events out of a historical context without taking that into consideration when making your argument, it comes across as hysterical and disingenuous.

Well, hope you enjoy dying in a place you have no idea existed for a cause you never supported, because that’s where we’ll eventually head towards.

You do seem to have a flair for histrionics.

Anonymous Coward says:

Re: Re: Re:2

Now, if you want to yank events out of a historical context without taking that into consideration when making your argument, it comes across as hysterical and disingenuous.

And look at how weell being open and thoughtful worked. It didn’t. So forgive me if I have to resort to the tools of the assholes to get things done.

You do seem to have a flair for histrionics.

Automation DID displace jobs. And there’s a hot fucking war going on now.

Don’t like that future? Good thing the future isn’t set in stone and the future I laid out can be changed.

Anonymous Coward says:

Re: Re: Re:4

What war?

Oh, just the one going on in Ukraine right now.

The one the Russians are having a hard time actually trying to win.

There’s also less… intense conflicts in SouthEast Asia regarding territory that have a low possibility of going hot.

Again, the future is not set in stone and to hope for world leaders to be rational is… folly at best.

Anonymous Coward says:

Re: Re: Re:6

While the world is quite fortunate that waging war today is several magnitudes costlier than in the past (and Russia is being bad at this war stuff), all it takes is one non-NATO aligned success and everyone will emulate that. (No one wants that)

And, remember this. Corps hate employing people. They’ll do anything AND everything to remove humans from the process.

Eventually, even the shit jobs will be gone. And the only jobs left will be the armed forces. And what do you do with a disgruntled, jobless population?

The world is watching what China will do. And I’m not gonna hope for the best.

Anonymous Coward says:

Re: Re: Re:2

Oh no, they destroyed the factories of a bunch of rich scumbags and sent death threats to rich industrialists who don’t even see workers as human! Truly, they were the worst. /s

The Luddites were correct in their positions. Child labor was the norm because industrialists wanted to exploit every single person they could. Children losing their limbs or lives in the mills was seen as the cost of doing business by the industralists.

You… do know that child labor back then was a bad thing, just like it is today, right?

Rocky says:

Re: Re: Re:3

Oh no, they destroyed the factories of a bunch of rich scumbags and sent death threats to rich industrialists who don’t even see workers as human! Truly, they were the worst. /s

Don’t be a drama-queen, learn to understand context.

The Luddites were correct in their positions.

I never said they were wrong, but if you are incapable of understanding me giving the context for what happened and think it’s some kind of defense of it perhaps you better just keep to stupid and simple one-liners of historically important events so you can use stupid generalizations.

Child labor was the norm because industrialists wanted to exploit every single person they could. Children losing their limbs or lives in the mills was seen as the cost of doing business by the industralists.

So child labor never existed before the industrial revolution?

TL;DR: Using bad generalizations of what happened to the Luddites as an argument that AI will make those who got displaced end up as cannon fodder in wars are just stupid hysterics. If you refuse to understand what actually happened, how do you think you can translate that to what might happen today?

Anonymous Coward says:

Re: Re: Re:4

Don’t be a drama-queen, learn to understand context.

Gimme a sec.

The Luddites smashed power looms and burned factories because their voices were not heard. Partly because labor organizing was illegal at that time, but also because the government was captured by the wealthy industrialists of the time.

…Which is a common thread with a lot of things Techdirt covers.

I never said they were wrong, but if you are incapable of understanding me giving the context for what happened and think it’s some kind of defense of it perhaps you better just keep to stupid and simple one-liners of historically important events so you can use stupid generalizations.

Unfortunately, the pro-AI side is allowed to dictate the terms of the debate, and if I’m not allowed to use their tricks and “be the better man”, then, here’s a hint: I’m not supposed to be heard in the first place.

Which, generally, is what is happening now with these “AI townhalls”. Schumer inviting fucking Elon should have clued EVERYONE in.

If you refuse to understand what actually happened, how do you think you can translate that to what might happen today?

I do, incomplete as my understanding is. Thing is, I usually default to the worst possible future, mostly because of personal experiences.

SAG-AFTRA is doing a far better job of taking up the Luddite cause without resorting to violence… yet. But Schumer’s actions are NOT very encouraging, and I fear that the worst is yet to come.

I wish I was that crazy enough to be that lazy.

ie, yes, I’ll admit to using histrionics, but I am unfortunately not crazy enough to go full Hyman Rosen, making different personas to harass people.

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Anonymous Coward says:

When politicians who know nothing about technology talk to captains of Industry, who also little about the technologies their companies make and use, the resulting laws are likely to be awful. The politicians should speak to the academics and users of technology, who have an understanding of what the technology can and cannot do, rather than the captains of industry who are looking to create and protect large scale making opportunities. However, politicians view the captains of industry, who like them talk and push paper as their peers, while those who get their hand dirty are not important people.

Stephen T. Stone (profile) says:

Re: Re: Re:5

People who learn from other artists tend to take small bits and pieces of what they’ve learned, meld it with other bits and pieces from elsewhere, and use the result as inspiration for their own art.

An AI generator is literally just an autocomplete function that uses other people’s art wholesale to fill in the blanks.

I can’t fathom why people think AI art is some grand help to artists. It actually reduces the drive to create art down to a fucking prompt for a machine to spit out a collage of bits and bytes with no rhyme or reason for why those bits and bytes are placed where they are. Who the fuck ever needs to draw again, to commission an artist again, when some jackoff can put a prompt into some AI art generator and get a picture made in the style of their favorite artist within a few minutes?

God, it’s people like you who make me never want to do anything creative ever again.

Anonymous Coward says:

Re: Re: Re:6

I can’t fathom why people think AI art is some grand help to artists.

Have you ever even played with a generative AI for a few minutes? I don’t know how you could and not recognize the value as an artistic tool. Even if it were as bland as you make it sound, it would eliminate a lot of busywork, eg stock assets for a larger creative work.

Anonymous Coward says:

Re: Re: Re:7

It does in some incredible niche applications, like props in a movie.

But very few people would want to automate creativity, and these procedural content generation models are definitely far away from being able to replace humans.

No one denies that these things do reduce a lot of the busywork (see also: Content-Aware Fill). People, and even Rob Sheridan here, outline their real concern: Being replaced with shoddy procedural content generators. I’ll even quote the relevant lines:

we unfortunately live under a predatory capitalism where corporations are incentivized to ruthlessly cut human costs any way they can, and they’ve made no effort to hide their intentions with AI

It’s been like this since forever. At least since Thatcher killed the coal unions.

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Anonymous Coward says:

Re: Re:

How many creative people trained themselves using the works of other creatives without their knowledge or consent? How many college courses in the creative arts have the permissions of the creatives whose works they use as teaching material?

Stephen T. Stone (profile) says:

Re: Re: Re:

How many creative people trained themselves using the works of other creatives without their knowledge or consent?

People learning from other artists and their styles, then adapting what they’ve learned and turning that into their own personal style, isn’t even remotely the same thing as a computer doing an autocomplete while using someone else’s work as the basis for filling in the blanks. That you see the process of learning one’s own limits and tastes as the equivalent of plugging someone else’s work into an AI and saying “replicate plz” doesn’t speak well of you⁠—or of AI.

Anonymous Coward says:

Re: Re: Re:5

There is a difference between personal downloads of entertainment material (which the big entertainment assholes hate because no money goes to them), the public domain, and what the NFT Grifters are doing, ie, abusing loopholes in the law to gather human work for their for-profit machine learning models through the use of “research entities”.

The McCarthyist slur is not appreciated.

Anonymous Coward says:

Re: Re: Re:5

You shared it online for people, you can’t pick and choose how people will use it.

A Terms of Service isn’t the most legally enforceable thing, but we can start from there.

Most artists also have their own rules regarding works for hire and usage of their art.

That’s an imposition beyond the rights given to you legally.

And which rights are that?

Because 1A also involves the right to associate, and there’s people who publucly have said they do not want their art to be used in Machine Learning models.

Mind you, if there was an ethical way to source for learning materials for these procedural content generators, along with a way to opt-out, I’d be happy to support that.

Right now, though? All I see are NFT grifters trying to sell a concept that seeks to create a massive pool of warm bodies for bullshit forever wars.

Ninjasaid (profile) says:

Re: Re: Re:6

A Terms of Service isn’t the most legally enforceable thing, but we can start from there.

I’m sorry but a terms of services can’t add new rights beyond which you were given legally.

Because 1A also involves the right to associate, and there’s people who publicly have said they do not want their art to be used in Machine Learning models.

That has literally nothing to do with 1A.

And which rights are that?

Copyright Law has it that you don’t 100% of your art, you don’t own the color, if someone else uses your color you can’t say “Hey! you’re stealing my colors” and you can’t do the same thing with styles or any element of the art.
You’re claiming copyright over the elements in your art which anyone can legally use as long as it doesn’t copy the overall tangible expression.

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AbolishDisney (profile) says:

Re: Re:

Fun question for you to consider: How many AI models are trained on works by creators who actually, fully, and knowingly consented to having their work used to train AI models?

A year ago, you said you wanted to “kill” copyright. Has your view changed since then, or do you only support copyright when it can be used to justify banning AI?

Anonymous Coward says:

Re: Re: Re:

Can we not use words said against known copyright maximalist and wannabe NFT grifter Tero Pulkinen against anyone?

And if we’re really going there, Mike has said that he has no love for unions as well, back in 2009. Has he changed his opinions since then? Especially after he’s been exposed (hopefully) to people in SAG and AFTRA?

Frustrated attempter says:

Re: Re:

I feel like problem though of “ethical ai” is that in practice ai doesn’t learn from one image, but a general pattern from a hundred. It learns more like a person guessing what “Helado” but that means instead of needing to learn off one example it might need to learn like a person learning a new language over 1000s or even millions.

This means that for compensation, you might literally have thousands or hundreds of millions of people who each believe they taught the idea.

But if you say, have 10 million people who each believe they should be entitled to 100$ to 1000$ to 10,000$ for a single picture of a ice cream cone. But you say only made even a generous 10,000$ total split over 10 million people. All you can pay them is a fraction of a cent.

I remember many people said that and a few people did get 300-1000$s. But it was a small portion, under 1%, and many people actually produce work that nobody might have wanted to pay 100-1000$ use such as MS paint art.

People call a as thiefs, yet even other artists have gone gone to services like fiverr and found grifter photobashing other people’s drawn art for 80-500$ “oil paintings” that turned out to be ripped images from others with a generic paint.net oil painting 5 minute filter.

People call the ai side grifters, but seem to have very few, if any problem holding their own side often accountable. Harassment campaigns are frequent. Bad faith campaigns are common. Nobody is saying that there shouldn’t be some fair faith regulations on it but even “ethical” ai has raised a lot of questions on both sides.

People did legitimately try out the ethical ai part, but as mentioned people over estimate how much impact a single image or person with 5 images of 5,000,0000/+ might have. We’ve seen that the whole thing would need fair faith to work.

But even many so called pro ethical ai proponents say that the point might be to intentionally create a unfunctional system. If the payouts can’t be thousands of dollars times millions of people for $10,000,000,000 of payouts for 10,000$ in revenue, that it shouldn’t exist.

This is to me like if every walmart clerk announced that self checkout was paid the gross sum of millions of dollars for not sitting in a chair. calling themselves a the victim, and then setting up group harassment campaigns and deliberately trying to set up the system to fail.

Maybe its not within their interests from their pov to have it succeed without either ludicrously unrealistic payments for A, or bankruptcy for B.

But as someone who tried to make it work, it feels blatantly like attempts at good faith “ethically” are being made impossible by intentionally unrealistic. Unreachable, 1000$s for nothing goals from sometimes literal 14 year olds with limited real life experience.

We are going through a ukraine war, thousands of hard working people have gone to the streets due to covid. You have injured veterans who get nothing, people in the restaurant/wait staff industry who lost thousands when covid took out dining rooms.

Yet while this not be a pr correct move, I’ve never seen so much apathy or uncaring hypocrisy done so casually. Many so called artists actively band to harass others, wishing harm on others, insulting, and flat out when ethical ai is tried. Its deliberately made impossible.

It’s not that the proper avenues are reachable. But its like trying to go to work with a person who fucking wants to sabotage every effort. Use and abuse every ounce of what you try.

Make you throw away your time for A flailing 14 year old child with a god complex for me paint pokemon furry porn. And then constantly hurl insults, make you out to be a monster, and then realize unintentional or not that when fair faith methods are shown not to work.

It’s like expecting you’ll try to do your best within reason and instead getting a person who’s life goal is to set it up for self destructive failure. But if many still need every dollar to eat(even if they want to or not), how the fuck will ruining it for everyone else make the other person feel their time for “ethical ai”. Was nothing but a good idea ruined by Trojan horse sabotage?

We can all agree job loss, worries about competition, or even creative’s who’ve done both traditional and ai faithfully agree that fun or not, corporations constantly cutting corners to make record profit, (at the expense of workers) is a problem.

The expectations on paper seemed to be that with cooperation, both sides could make a win win.

In practice, the money demanded isn’t being seen as feasible. Companies are shifting ” ethical ” to “by using our site we automatically own all your data”. And I feel like essentially a good idea is being ruined by sabotage.

I’m not saying all concerns are invalid. But the feeling of attempts to reach out feeling a invitation for people who only want to use you for monetary gain seems mutual. Most people are not evil mustache twirling villains who hope for your death but frustrated triers who still have their own family, people and community to care for first.

I’ve spent hundreds to thousands on the art community before not for the art but because i thought i was supporting a good close knit local community.

Now i feel jaded, like it’s a bunch of frankly money obsessed people who’d never DO for others what they would demand from us.

And when cooperation isn’t shown to work. A fair many are just going to stop caring, pass them by, and let life stomp over them. Even if that results in them starving, or being forgotten by life.

And then you’ll be demonized and its just the most rancid experience trying for the other person. Why will anyone try cooperation if many of the people asking for it are already admitting they plan to sabotage it?????

It’s like a kid breaking their own 70 hr week working parents windows, house, furniture and photos over wanting a personal mansion and butler. They’re using impossible and unrealistic expectations to destroy and set cooperation up for failure while other people might just threaten to disown the child.

It doesn’t matter if you’re right on Twitter if it would leave two people homeless, with limited job prospects, or turn unrealistic fantasy into the enemy of feasibly.

I know this will probably draw ire but it’s a massive elephant in the room we ignored for several months. If we want people to be fed, how the honest fuck do we do it without a matching income source 1000x larger then what we currently see(???),

And if resources are limited, then why do literal fanfic artists deserve more thousands of dollars for drawing than our war vets, disabled, work injured, and struggling savingless retirees?

Why is a person who’s ‘worst case’ is being reduced to a normal person with the same job opportunities as everyone else? Is it because they go from hero worship to average joe? Is it because they want pay for doing nothing? But WHO is going to pick up the check that doesn’t exist?

Is it they want to make a living doing what they love? Then why are the people they constantly love to HATE, always expected to pick up the bill for the person rewarding it with it by SCREAMING at them???

Maybe this is bombastic. But we’ve spent 7 months beating around the brush. How is compromise supposed to work if over the last several months both sides now feel like the other uses them, despises them, sabotages them. And mutually sets up the other for failure.

Nobody is happy. But it wasn’t like nobody tried…..

Anonymous Coward says:

Re: Re: Re:

Make you throw away your time for A flailing 14 year old child with a god complex for me paint pokemon furry porn. And then constantly hurl insults, make you out to be a monster, and then realize unintentional or not that when fair faith methods are shown not to work. And if resources are limited, then why do literal fanfic artists deserve more thousands of dollars for drawing than our war vets, disabled, work injured, and struggling savingless retirees?

Because I can’t fap to veterans.

When they start allowing me to crawl up their anuses and give them a rimjob while I suffocate you let me know.

nerdrage (profile) says:

Re: Re: I can name one

Adobe is developing AI for its stock art and photography service, which will use only art and photos from artists who consent to have their art included. I imagine an extra payment will be added as an incentive.

Then people who are looking for a wider selection of stock imagery will have expanded options and the artists will get paid.

I’ve checked out the beta of the Adobe AI project and ehhhh they’re not quite there yet. The problem with AI art is that it’s weird and the weirdness has a certain sameness that makes it identifiable as AI ugh.

Stephen T. Stone (profile) says:

Re:

Y’know what? I know this is a pot shot at me. And I could go on and on and on arguing about this, but it’s clear that I’m in the minority when it comes to AI and replacing human creativity and all that. I mean, what’s the point of trying to argue in favor of human creativity if everybody else is so willing to turn it into an automated computer process.

So fine. Fuck it. I’m done arguing, done trying to make my case, done trying to stand against the tidal wave of AI art. Y’all win.

👋

Anonymous Coward says:

Re: Re: Re:

It largely boils down to the volume of work produced, not the means of publication.

We ARE seeing this problem in Japan. Where a bunch of “AI artists” have flooded Pixiv with procedurally generated anime art.

Oh, and these people have the gall to monetize said art. To the point where even Pixiv had to issue new rules regarding the monetization of “AI art”.

I suppose being spammed out of an industry where procedural content generators eliminate exposure of human artists might be a good thing?

I suppose humans have just got to “get with the times” and march off to a recruiting center then, for the only way to pay the bills is to die in a foxhole in a place you don’t even know, because your leaders wanted to wage war on an enemy that simply said mean words then.

Anonymous Coward says:

Re: Re: Re:2

AI generators will make little difference to the problems of artists escaping obscurity, the internet is full of more content than any individual can catalogue. Also, it has always been the fate of creative works to die in obscurity. At one time it was when the creators house was cleared out, and that trunk load of paper was discarded, while now it is when a file on a server dies from bit rot, or the hosting company going out of business.

Don’t think that great works, by whatever means you define great, always find an audience, as J.K. Rowling was almost ignored by the publishers, and got her chance because her manuscript was the chance manuscript grabbed to entertain someone child.

Anonymous Coward says:

Re: Re: Re:3

I’m saying the volume of content from these procedural content generators will only make the issue of discovery worse. Ask Japan how that went.

Oh, and believe me, not everything from the past was preserved in some form. Hell, not everything from the past was at the Library of Alexandria (or its other similar libraries throughout the Roman Empire) and even works from the most famous people of the past were… discarded.

Anonymous Coward says:

Re: Re: Re:4

Japan is embracing AI generated images.

Pixiv is a thriving creative hub, where both traditional and AI artists are flourishing. Your scare-mongering narrative about AI images drowning out the hand-made ones is not borne out by reality. Pixiv has features to filter out AI images across the whole site. One little checkbox, spam solved. Not to mention that algorithmic recommendation engines had this problem solved years ago, which Pivix also uses.

You’re pearl-clutching over a problem that’s already been solved, citing a site that has already solved it.

Anonymous Coward says:

Re: Re: Re:5

It was a “solved” issue precisely because of those issues I mentioned. Artists in Japan using Pixiv were raising those issues precisely BECAUSE they were being overcrowded by those procedural content generators.

Just like how EVERYONE overregulated on CFCs back then.

We can only wish that the rest of the world were as… proactive.

nerdrage (profile) says:

Re: Re: Re: my bet about AI

A big use of AI will be to expand the whole fanfic/fanfilm world massively. Instead of people complaining about how bad GoT S8 was, and describing what they’d do, even making YouTube videos about it, the YouTube videos will be their own version of S8, so we can judge for ourselves how badly their version sucks too.

There will be 10,000 videos like this once it’s easy, most will suck, but some will go viral due to quality, audacity, pushing fan buttons (Daenerys wins etc) and of course satire. And all the porny versions. Well that depends on YouTube’s tolerance level or people’s ability to find less prissy sites.

Bloof (profile) says:

Re: Re:

For way it’s worth, I agree with you, but people are going to keep on shouting you down in places like this until the tech, or rather the assholes applying it, directly impact their ability to make a living wage. ‘Fuck artists, I’ve got mine… Wait, what happened to mine!? Who could have seen this having wide ranging impacts and my lack of support for people pushing back because of the obvious human cost possibly coming back to haunt me?’

It’s the same as people who went ‘eff unions!’ in the 80s who now get to see their job vanish and their kids and grandkids driving gig economy taxis with no hope of ever supporting a family on a single wage, nevermind owning a home.

Bloof (profile) says:

Re: Re: Re:2

You mean the ones who scraped the works of millions of artists, built art generators lifting massively from works they had no part in creating and no permission to use that will inevitably use hearings with lawmakers and millions of dollars worth of lobbying to push to get laws changed to enable them to copyright AI created works? Corporations like Disney and Amazon who have already started using AI in their media that have consistently weaponised the copyright and trademark systems to crush artists?

nerdrage (profile) says:

Re: Re: Re:3 my bet about the law and AI

I’ve already seen professional software like Adobe cleaning up their act in terms of copyright. Their stock photography/images service is adding AI as a filtering mechanism but they’re only scraping the works of artists in their own ecosystem who have agreed to this, and are being paid more as a result.

Companies above all want to stay out of legal trouble. So professional use of AI will be a lot more scrupulous than the other big use, which will be fan productions that aren’t intended to make money (other than some ad money for YouTube, which mostly will go to YouTube).

Just wait’ll we get copious videos of Kirk and Spock consummating their passion at long last. Paramount lawyers can play whack-a-mole to try to stop this but trust me, it’s going to be unstoppable. The next time there’s a big “Game of Thrones S8 sucks” kerfuffle, it will be accompanied by 10,000 better versions of S8, from which we can choose. The virality process will help us filter and the lawyers will be swamped.

This comment has been deemed insightful by the community.
ke9tv (profile) says:

I see very little difference between this argument and many others in our history. Photography was debasing painting, or digital photography was corrupting analog photography (as if photographers hadn’t been dodging, burning and airbrushing for decades before photography went digital). Collage was theft of the original artwork. Broadcasting or recording was theft of the original performance. Movies were destroying the stage.

Somehow, both life and art have cone on.

Anonymous Coward says:

Re:

And again with Photoshop.

Artists always have adapted, even in the age of Content-Aware fill.

No artist is gonna be against technology that makes their job easier, and I think that there are uses for procedural content generators that could aid artists, writers and creatives in general.

However…

we unfortunately live under a predatory capitalism where corporations are incentivized to ruthlessly cut human costs any way they can, and they’ve made no effort to hide their intentions with AI

Rob Sheridan’s words.

Never forget that the Line Goes Up mentality that seeks to enshittify everything is the real threat here.

Not the tech, which has been proven to help artists in some very niche applications. And if the tech continues to develop in a way that enriches the creative process? I’m all for it.

Ninjasaid (profile) says:

Re:

Do you have any evidence that livelihood will be destroyed?

https://www.bls.gov/opub/mlr/2022/article/growth-trends-for-selected-occupations-considered-at-risk-from-automation.htm

Statements like “livelihoods are likely to be destroyed” are impressionist than reality.

“There is little support in U.S. Bureau of Labor Statistics data or projections for the idea of a general acceleration of job loss.”

Anonymous Coward says:

Re: Re:

Who were the Luddites? They sure as fuck weren’t tech-hating loom smashers. They were weavers who knew that the rich were gonna replace them with child labor.

Unfortunately for them, they didn’t get the memo that they were supposed to be good British citizens and die for the Kingdom, so the government mustered to troops to kill them all.

Took the country a decade to realize that the Luddites were right in every sense of the word.

What were Britain’s coal unions? Now, I don’t have as much info on them, but I’m gonna wager that Margret Thatcher broke them up as sacrifices to the gods of neoliberalism and late-stage capitalism.

Sure, not AI, you may say, but history suggests that when you try to demand for your rights…

Bloof (profile) says:

Re: Re:

‘Well, it hasn’t caused mass unemployment in creative fields yet, therefore it never will! Sure we’ve seen countless industries hollowed out by things that totally weren’t going to cause mass layoffs so the CEO class can make a couple of extra bucks, we’re already seeing Hollywood studios use AI in place of actual human VFX artists and try to starve unions into accepting the use of AI actors and writers to replace humans, but we aren’t feeling the full effect of that NOW guys! Clearly there is nothing to worry about and my shiny toy is more important than people.’

Automation Engineer says:

Automation almost never removes humans from a process entirely, it just changes how they interact with the process and usually for the better. Companies that look to automation to reduce their labor force instead of using it to improve their processes tend to fail. Recent error-plagued articles written entirely by AI are a great example of this.

Anonymous Coward says:

For others, generative AI is making art more accessible or allowing them to pioneer entirely new artistic mediums.

What new artistic mediums? It’s just bad “drawings”, bad “animation”, and bad “music”, and bad “writing”.

Unfortunately, many individual artists are afraid of backlash if they so much as touch these important new tools.

Good. Keeping them afraid is good.

The key issues at play are that AI is in fact taking the place of artists where they can be paid, and creating a flood of AI garbage that removes the ability of real art and artists to be seen. Universal basic income and Universal healthcare would be nice. They are also perpetually 5-10 years away, just like Cold Fusion.

There are so many mobile games using AI art now when they could hire real artists with all the microtransaction money they get coming in. Where are these pro “artists” that use AI gonna be finding jobs when the only people that companies from mobile games to animation studios want to exploit are gig workers who’ll be touching up and editing AI imagery? Disney using AI generated images for Secret Invasion’s intro when they’re a kajillion-dollar corporation with swathes of talented artists showed loud and clear what they want to do.

Websites like DeviantART are awash in AI trash now, drowning out all the real art that still gets uploaded there.

Banning or over-regulating AI art tools might plug one small hole in the leaky dam of corporate exploitation, but it closes a huge potential doorway for small creators and businesses.

Playing the “small businesses” and “over-regulating” card is something that the last decade/decade and a half of politics has taught me are huge red flags in peoples’ motives. AI “art” hurts small creators and businesses more than it helps via drowning out their content with machine-generated chaff.

Art has always been accessible. Thanks to Internet tutorials, it’s more accessible than it’s ever been before. The people acting like AI will “democratize art” are the same people who lied about NFTs and cryptocurrency helping bring financial independence and stuff to the masses. Interestingly, I looked up “Rob Sheridan NFTs” and the results came back that Sheridan has a lot of NFT garbage going on on his Patreon and elsewhere. So yeah, that speaks worlds about the kind of people hyped for AI imagery…

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