Winnie The Pooh Escapes Copyright Hell, Grabs Some Weapons, And Immediately Gets Kicked Out Of Hong Kong

from the didn't-see-that-twist-coming-tbh dept

The life-plus-seventy-years sentence imposed on Winnie the Pooh by Cher’s ex-husband is finally over. Petitions for an early release went unheeded, forcing the butt naked childhood icon to perform tricks for the heirs of its creator’s estate until it was finally allowed to roam free — nearly 40 years after the bear’s sentence should have been commuted.

Pooh’s freedom prompted questions about what he might do following his release, the best of which was posed by comic artist Luke McGarry. McGarry suggested the future would bring us a far less innocuous Pooh Bear in this extremely prescient tweet:

Less than a year later, the question posed by Christopher Robin had been answered in the affirmative. A horror film utilizing characters from A.A. Milne’s creations debuted. Entitled “Winnie the Pooh: Blood and Honey,” the horror film turns Pooh and Piglet into partners in slashy crime, presumably much to the chagrin of the former rights holders. And definitely to the chagrin of critics and audiences alike, who possibly wouldn’t have minded a more transgressive Pooh Bear, but desired something far more clever and watchable than this hustled-into-existence transformative work.

While we await the inevitable horror variation of Disney’s prime mover sometime in the next couple of years, we’ll have to make do with Winnie-the-Murderer. Well, some of us will. The film has been booted out of Hong Kong, but not necessarily because it turns a comforting childhood icon into a kill-crazy murderer.

Film distributor VII Pillars Entertainment announced on Facebook that the release of “Winnie the Pooh: Blood and Honey” on Thursday had been canceled with “great regret” in Hong Kong and neighboring Macao.

In an email reply to The Associated Press, the distributor said it was notified by cinemas that they could not show the film as scheduled, but it didn’t know why. The cinema chains involved did not immediately reply to a request for comment.

The problem here likely isn’t the bloody content or the lazy subversion of childhood innocence. No, the problem here is most likely China’s president, Xi Jinping. Critics and shitposters in China (and China’s newest subservient domain) have deployed plenty of memes depicting President Xi as Winnie the Pooh due to his passing resemblance to the notorious honey fiend.

This has resulted in some seriously weird censorship efforts and this ejection of the Pooh-based horror film appears to be a continuation of that censorship theme. Allowing Hong Kong residents to view content that might mentally link the president to a surprisingly violent stuffed animal is the sort of the thing that simply can’t be allowed, especially since this comparison is far more apt than merely noting a facial resemblance between Xi and a child’s harmless imaginary friend.

The crackdown continues. And the Hong Kong government is trying to alter the narrative by claiming (without a shred of credibility) that theater owners arrived at this decision on their own.

The Office for Film, Newspaper and Article Administration said it had approved the film and arrangements by local cinemas to screen approved films “are the commercial decisions of the cinemas concerned.” It refused to comment on such arrangements.

A screening initially scheduled for Tuesday night in one cinema was canceled due to “technical reasons,” the organizer said on Instagram.

I supposed a forced cancellation could (very charitably) be called a “technical reason.” No one really believes these statements from the government’s censors, not even the censors themselves. But they’re the ones with power, so everyone just has to pretend theater owners decided, independently, to cancel more than 30 planned showings, all within hours of each other. There’s a murderous Pooh Bear still wandering the streets of Hong Kong, if only in spirit. But it’s not the protagonist of the film the government won’t allow to be shown.

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Comments on “Winnie The Pooh Escapes Copyright Hell, Grabs Some Weapons, And Immediately Gets Kicked Out Of Hong Kong”

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20 Comments
David says:

Re: Re:

De Santis isn’t losing in the court of public opinion (or at least not enough to turn him into history), and the real courts follow the court of public opinion eventually via the election of lawmakers as well as judges.

China has just streamlined the process by not waiting for the propaganda to take hold before appointing their leaders.

PaulT (profile) says:

Re: Re: Re:

“De Santis isn’t losing in the court of public opinion”

That remains to be seen. He may or may not be winning among his base, but until the next election it’s not clear how popular it is overall with the people of Florida, it’s just that as ever the fascists are also the loudest and overrepresented. Also, if you extend that nationally, the Republicans have rarely won the popular vote in any Presidential election over the last few decades, and this culture war nonsense doesn’t seem to be a vote winning strategy with people outside of that party.

The jury’s out till 2024 I suppose, but I don’t see that he’s “winning” so much as able to ignore or drown out opposing voices.

Tanner Andrews (profile) says:

Re: Re: Re:2 very popular

it’s not clear how popular it is overall with the people of Florida

Pretty clear, actually. He won re-election by a wide margin in 2022, and he was able to do it without my help.

It is true that he is generally on shaky ground. And his atty’s definition of ``woke” seemed pretty good to let us know what he is fighting.

PaulT (profile) says:

Re: Re:

Assuming you mean Winnie The Pooh: Blood And Honey, it seems the title is all it has going for it, sadly. The people behind it are a British peddler of poor quality low budget horror movies (this one is their highest budget), with titles like The Curse Of Humpty Dumpty, Jack Frost, Jack And Jill and Easter Bunny Massacre. So, they make crap that’s sold mainly on its title and associated tabloid outrage about them turning childrens’ stories into slasher movies (itself a very long-running tradition, it’s almost impossible to find a well-known kids story that’s out of copyright and not related to an exploitation revision).

Upcoming from that producer – Bambi: The Reckoning and Peter Pan’s Neverland Nightmare. They’ve found their niche and they’re running with it…

Nemo says:

A better movie could be made with Pooh doing all he can to prevent Xi Jinping from being mentioned or depicted because he’s embarrassing Pooh with his resemblance and speech, preferably using every nefarious trick China likes to play.

Chinese animals as Pooh’s secret police, maybe?

Anyway, it’d get banned in China, but if it was a successful movie, it would find its way into China anyway. What the hell, it could even be better than a lot of what studios are cranking out, these days.

PaulT (profile) says:

Re:

“Not that kind of slashy, I bet”

Give it time. There’s already a niche market for “porn parodies” of copyrighted works, I’m sure someone will do something like that with public domain stuff if the market presents itself.

But, there wouldn’t be the same kind of outrage. The issue here seems mainly due to the fact that the producer of this title somehow managed to get theatrical distribution instead of going straight to DVD/streaming like their other titles did. Same thing happened back in the day with horror versions of Santa Claus – there were several Santa slashers that preceded it, but people lost their minds over Silent Night Deadly Night because it had a more effective ad campaign.

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