Jamaican Government Steals Years Of Public Domain Works From Its People
from the jammin'-the-jammin' dept
Just under four years ago, Techdirt reported that Jamaica was planning something extremely foolish: a retroactive extension to its copyright term. As that article noted, when the European Union did something similar, the European Commission’s own figures showed that the move would cost the EU public around one billion Euros, and it was inevitable that the Jamaican people would also lose out if the move went ahead.
The fact that we’ve heard nothing for four years might have nourished the hope that the Jamaican government had come to its senses, and thrown out any plans it had to short-change its own people in this way. No such luck, of course. Indeed, a depressing post from the EFF reveals that the recently-passed legislation is down there with the worst:
The copyright term in Jamaica is now 95 years from the death of the author, or 95 years from publication for government and corporate works. This makes it the third-longest copyright term in the world, after Mexico and Côte d’Ivoire respectively with 100 and 99 years from the death of the author.
But there’s more:
The extension was made retroactive to January 1962. Besides being the year when Jamaica attained independence, 1962 also just so happens to have been the year when Jamaican ska music (a popular genre in its own right, but also a precursor of the even more popular reggae) burst onto the international music scene. The parallels with the extension of the U.S. copyright term in the “Mickey Mouse Protection Act” are quite eerie. But, worse than what happened into the U.S., the retrospective effect of the law means that works that have already passed into the public domain in Jamaica are now to be wrenched back out again.
Under the new copyright law, foreign users of Jamaican copyrights are not bound by the extended copyright term, and yet Jamaicans are obliged to honor foreign copyrights for the full extended term. As the EFF notes:
all that this measure has accomplished is that citizens of Jamaica, a developing country, will be paying more money into Hollywood’s coffers, while Jamaica’s own rich cultural heritage draws in not a penny more in return.
What’s especially ridiculous here is that Jamaica’s own ska and reggae success owed much to the lack of copyright protections at the time. It was that lack of copyright enforcement that allowed the music to spread and become a global phenomenon.
This law is so bad that you might hope a future Jamaican government would simply repeal it. After all, there is no rule that says copyright can only be extended, never shortened — that it is subject to an irreversible ratchet. But imagine what would happen if this were proposed. Copyright companies and artists would be apoplectic, and doubtless start screaming that their rights and property were being being “stolen,” because something they had would be taken away from them under the change.
But the same logic applies to situations where copyright is extended, and the passage of works into the public domain delayed, especially if works that are already in the public domain are actively removed from it. In this case, the public has inarguably had something taken away from it — a right to use a huge number of works in any way without needing to obtain a license from somebody. And that, of course, is exactly what has happened in Jamaica, thanks to the introduction of this retroactive 45-year term extension. It’s a perfect example of real copyright theft, not the fake kind claimed so often by fans of a greedy intellectual monopoly that always wants more.
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Filed Under: copyright, copyright term extension, copyright terms, jamaica
Comments on “Jamaican Government Steals Years Of Public Domain Works From Its People”
Oh look, it’s theft again. They stole from people. This is stealing.
Re: Re:
You don’t see a difference between infringement and wholesale removal of equal legal access to everyone?
Re: Re: Re:
I think you’ve missed the AC’s point – that this is actual theft, by the Jamaican government, from the people.
Re: Re: Re: Re:
correct it just happens to be legalized theft.
When the government does it, you either fight back with enough people or you just learn to deal with it.
What was the term previously? 70, 80 years I’m guessing?
Re: Re:
“retroactive 45-year term extension”
so I’m guessing it was 50 years
Whew
That was close, can you imagine if the corpses of all those musicians stopped getting their royalty payments? What possible incentive would they, or anyone, have had to create anything at all if you only got paid for it five decades after you died, rather than nine and a half?
It was close, but it looks like creativity has been saved, at least in Jamaica, for several more years.
Re: Whew
They would have decomposed.
Legal Question on Derivative Works
Since these works were already in the public domain, I am sure that many derivative works have already been created based on them. I wonder whether anyone with knowledge of the newly passed law can comment on how it affects these already-existing derivative works.
Re: Legal Question on Derivative Works
It would likely depend on whether Jamaica has any fair use laws, and if so how robust they are. It they don’t have fair use though, I imagine some people might be facing some nasty threat letters to ‘pay up’ fairly soon.
Re: Re: Legal Question on Derivative Works
Not even that, I’m afraid. For example, a “robust” fair use policy might well cover short samples or non-commercial usage (depending on your use of the term, of course). If an artist has covered the entire song for commercial reasons, as an example, then even with fair use protections their song has gone from perfectly legal to absolutely infringing overnight.
Then, of course, how do the courts view the change in copyright ruling? If the retroactive nature of the copyright change is deemed to include royalties, a lot of people may well be in trouble despite having followed the law perfectly at the time they created their own work.
I’m sure we’ll find out before too long, and if nothing else this will be an interesting test given the history and worldwide appeal of Jamaican music.
Re: Legal Question on Derivative Works
The lawyers will make lots of money.
Re: Re: Legal Question on Derivative Works
Lots of people will make money. The politicians and judges have their bribes and will soon be buying new boats, planes, and real estate, renovating their palaces, and padding their retirement packages. Performance rights orgs will have a field day shaking down small business. The tax man may make some too, but considering how corrupt these people tend to be, likely not much (just like the bribed politicos who sell out for peanuts).
I doubt much will wind up enriching artists though. Good job, MafiAA!
Re: Legal Question on Derivative Works
Good point, and it also bring up the question of orphaned works yet again. If something was legal upon its creation (or expected to be public domain by this point in time) and the rules change, whose responsibility is it to make sure it’s not suddenly infringing? Therein lies one of the major problems with retroactive changes in the law. After all, an artist can only deal with the law at the time he created his music.
I fear that the real answer will be – is the work owned by or deemed profitable for a major corporation? If not, they will likely be deemed illegal. Although, I hope someone with real knowledge turns up to explain things properly.
Copyright poisons everything, including the public domain.
now is the time
It’s now time to kill your government, american idiots, jamaicain fuckwits, european cunts all should die from bullet wounds to their cunts all of the fucking cunts.
“I have public domain.”
*Law is made*
“It’s just been revoked.”
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Or to paraphrase Chancellor Palpatine, “I will make it illegal!”
Perpetual copyright
I wonder what country will be the first to pass a law making copyright a perpetual thing.
Must see if Paddy Power is giving odds…
Re: Perpetual copyright
The United Kingdom, during the rule of King James in 1775. Needless to say this as been repealed.
Re: Re: Perpetual copyright
The U.S., during the rule of Mickey Mouse in 1976 and 1998. It’s the same kind of theft, just with a perpetual “we’ll give it back the day after tomorrow” promise attached.
Re: Perpetual copyright
As long as ‘effectively perpetual copyright’ counts, then any country with life+ duration copyright already has.
If the duration of something lasts longer than your lifetime, then whether it’s 5 years after you die or 5,000 doesn’t really matter, it’s effectively eternal.
95 years.. lmao, I see a musical liberation coming where no one cares about copyright .. oh wait most people don’t care because they realize the law doesn’t take into consideration the will of the people only the greedy and lawyers,which are one in the same for the most part.
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That. 95 years is a travesty. Copyrights were supposed to promote creativity. Dead people don’t create for God sake…
Yes there is: International treaties. You can’t just let countries shorten copyright terms! The corporations will see to that!
Copyright This
As I watch governments around the world abuse their power to appease greedy corporations I gain less respect for copyright all the time.
Re: Copyright This
As I watch governments around the world abuse their power to appease greedy corporations I gain less respect for copyright all the time.
You’re still gaining respect for copyright at this point?
😉
Re: Re: Copyright This
Gaining negative respect counts, right?
I thought there were only pirates in Jamaica
Since it costs a month’s income to purchase a legitimate blu-ray movie or computer game, the notion of actually purchasing a thing from a legitimate source is ridiculous.
Maybe a maximum of 70 years
The Constitution says that copyright shall be for a limited time. I’m not sure how copyright lasting longer than 100% of the population is a limited time.
I like a maximum of 70 years.
14-year initial term.
4 non-automatically renewing 14-year terms.
28 years was the initial term for copyright in this country. I’d prefer to see 28 years, but that would cause apoplectic fits.
Just imagine if patents lasted as long as copyright. Any Henry Ford patents on the automobile would still be in effect.
So would the public be able to sue under Corporate Sovereignty provisions for this unlawful taking?
Couldn’t the Jamaican artists who don’t agree with this just say they waive the extension for anything they personally created, instead forbidding anyone from “protecting” their work without asking them first?
Re: Re:
There was an idiot or two here just last week who refused to believe Dan Bull still controlled his copyrights once he told anybody who wanted to use his stuff to have at ’em for free.
Then again, he’s an artist/creator, so why would they care about his opinion? It’s not going to fill their wallets.
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Only if they have not transferred their copyrights to a music label or other publisher, and those entities won’t waive a millisecond of the copyright term, unless it is the last millisecond of an infinite term.
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Because a great many of those artists will not be in a position to do any such thing (they’re dead, they signed their copyrights over to a corporation, etc.).
Besides, this isn’t about whether individual artists agree. It’s about decades of history that has or should be public property being retroactively taken from the public. Even if all the artists agreed in some fashion, it’s still a gross violation of the agreement they had at the time the works were published.
Looks like Jamaica is about to get a Pirate Party of it’s own. ;]