Major Labels Back To Going After Vimeo For Its Lipdubs
from the promoting-music-is-piracy! dept
You may recall that, back in 2009, a bunch of the major labels filed a copyright infringement lawsuit against online video site Vimeo, paying particular attention to the fact that the site had popularized “lipdubs” in large part due to this quite popular lipdub by Vimeo’s own staff of the song Flagpole Sitta by Harvey Danger.
Either way, that lawsuit sat on the shelf for a while, as the judge suggested that it ought to await the outcome of the somewhat similar Viacom/YouTube lawsuit. After that lawsuit got sent back to the district court by the appeals court, the major labels are apparently getting restless and have sought to revive the case against Vimeo, by seeking a summary judgment in their favor.
The case is a bit more complex than the YouTube case, which may spell trouble for Vimeo (and owners IAC), but that doesn’t mean that the labels are staying away from a whole bunch of absolutely preposterous arguments. The best thing that the labels have going for them in their argument is the fact that Vimeo employees posted videos that had infringing content. The DMCA safe harbors protect a website from user behavior, but not their own. So, legally, their argument seems a bit stronger on that front, but culturally, it still seems like a dumb argument, as highlighted by the singer’s comments above. Most people don’t think lipdubs should be illegal, because that seems silly. Lipdubs are about people celebrating and promoting the music they love in creative ways.
Really, that’s the crux of this lawsuit. While Vimeo may be in legal trouble, it really highlights the basic cultural divide at issue here. People who put together lipdubs spent a ton of time and effort to creatively enhance the music they love and share it with the world in a cool manner, which does not replace the music, but tends to advertise it. For those unfamiliar with the basics of copyright, saying lipdubs are illegal just feels wrong, even if there may be some legal backing to it.
Making things perhaps somewhat trickier for Vimeo is the fact that it does somewhat aggressively monitor the content on its site for other issues, and doesn’t allow a variety of other types of videos. The labels use this to imply that it is actively ignoring music copyright while blocking all sorts of other content:
Except for music, Vimeo strictly controls, monitors, and curates (in its words) the audiovisual works it copies, performs, and distributes. It prohibits – and uses its personnel and tools to review, monitor, and delete – all sorts of videos, including television programs, movies, and movie trailers, as well as “gameplay videos,” “commercial” videos (such as product promotions or real estate tours), “sexually explicit” videos, and “fan vids,” among others…. It enforces its discretionary and subjective guidelines to eliminate content that is not “Vimeoesque.”… All in order to mold its website and control its image…. Despite its pervasive involvement in and control of the content on its website, Vimeo does nothing to limit the infringing use of music on its website.
That may sound damning, but it’s not as strong as it sounds. Determining whether or not a video includes infringing music is not as simple as the paragraph makes it sound. Vimeo has no way of knowing whether or not the video maker properly licensed the song in question in most cases. The other things it monitors for are much easier for it to determine. This is a major issue that supporters of copyright law often ignore.
The labels’ attack on lipdubs is really kind of ridiculous when you think about it:
One of the early “creations” by Vimeo’s founder was a video format in which he “lip synched” to a commercial, copyrighted recording, synchronized the recording into the video during editing, and uploaded the video, making it available to every Vimeo user…. He named this “a lip dub,” and it was promoted as the “signature” Vimeo video genre, something that “put us [Vimeo] on the map.” …. As Vimeo and its users know, these popular lip dub videos, by definition, copy and incorporate copyrighted music without consent or license. … (If Vimeo “suddenly started to ban videos with copyrighted music, like lipdubs, then I would be pissed but I would have to realize it’s their final decision.”) That also is apparent from Vimeo’s instructions on its home page on how to create lip dubs…. (“Like a music video. Shoot yourself mouthing along to a song then synch it with a high quality copy of the song in an editing program.”).
Lip dubs were heavily promoted. Vimeo provided a “Lip Dub Stars” channel, labeling it a channel “we like” and securing commercial sponsorship for it…. Lip dubs were featured as a “Vimeo Obsession” on Vimeo’s home page…. “Lip dub” became one of the top seven key words that drew visitors to Vimeo …, and appeared (in several variants) in an internal chart of top “searches per day” on the Vimeo Website
Of course, one could make an argument that many lipdubs could be considered fair use, as being transformative. But, the labels assume that, by default, they all must be infringing.
Furthermore, among the more dubious arguments made by the labels is claiming that Vimeo’s decision to not use a tool to filter out copyright infringement is the equivalent of “willful blindness.” This is wrong. The law does not say that sites need to make use of filters and other tools to find possibly infringing works — in part because a tool cannot properly assess if a work is infringing. They also make the argument that because Vimeo put “lip dub” in meta tags it’s proof that they were promoting infringement. That seems very weak for a number of reasons, not the least of which is that search engines haven’t used meta tags in ages. Also, the labels argue that because Vimeo offered licensable songs for sale to videomakers it knew that it was committing and encouraging infringement. This seems particularly bizarre. It’s attacking Vimeo for actually doing the right thing and helping its users license music. But, just because they do that, it doesn’t give them direct knowledge of whether or not users licensed music elsewhere. Oh yeah, the labels also — ridiculously — claim that pre-1972 songs are not subject to the DMCA, despite multiple courts rejecting this argument.
All that said, it still seems likely that Vimeo may have an uphill battle here. The fact that employees uploaded infringing works is going to make the case difficult, even if there are reasonable arguments for why they did it. The filing also has a bunch of quotes suggesting general awareness of infringement on the site, but “general” awareness is not enough to lose DMCA safe harbors. You need to be aware of specific infringement, and it’s not entirely clear that that’s true. There’s one example of someone saying they weren’t sure if something was licensed and offering to make a copy without music just to be safe, but that’s not the same as knowing that the effort is definitely infringing. The other part that might come back to bite Vimeo is the lack of having a “repeat offender” policy for its DMCA takedowns. This is something that has tripped up others as well. The law requires such a policy, but it’s unclear if Vimeo actually had one until about the time it was sued.
Still, it really does seem like this is yet another example of the labels fighting against how people enjoy culture today — and how they help spread it. It’s really shameful to see them on the attack, rather than figuring out ways to support it.