How Copyright Litigation Over Anne Frank’s Diary Could Impact The Fate Of VPNs In The EU
from the copyright-gone-mad dept
“The Diary of a Young Girl” is a Dutch language diary written by the young Jewish writer Anne Frank while she was in hiding for two years with her family during the Nazi occupation of the Netherlands. Although the diary and Anne Frank’s death in the Bergen-Belsen concentration camp are well known, few are aware that the text has a complicated copyright history – one that could have important implications for the legal status and use of Virtual Private Networks (VPNs) in the EU. TorrentFreak explains the copyright background:
These copyrights are controlled by the Swiss-based Anne Frank Fonds, which was the sole heir of Anne’s father, Otto Frank. The Fonds states that many print versions of the diary remain protected for decades, and even the manuscripts are not freely available everywhere.
In the Netherlands, for example, certain sections of the manuscripts remain protected by copyright until 2037, even though they have entered the public domain in neighboring countries like Belgium.
A separate foundation, the Netherlands-based Anne Frank Stichting, wanted to publish a scholarly edition of Anne Frank’s writing, at least in those parts of the world where her diary was in the public domain:
To navigate these conflicting laws, the Dutch Anne Frank Stichting published a scholarly edition online using “state-of-the-art” geo-blocking to prevent Dutch residents from accessing the site. Visitors from the Netherlands and other countries where the work is protected are met with a clear message, informing them about these access restrictions.
However, the Anne Frank Fonds was unhappy with this approach, and took legal action. Its argument was that such geo-blocking could be circumvented with VPNs, and so its copyrights in the Netherlands could be infringed upon by those using VPNs. The lower courts in the Netherlands dismissed this argument, and the case is now before the Dutch Supreme Court. Beyond the specifics of the Anne Frank scholarly edition, there are important issues regarding the use of VPNs to get around geo-blocking. Because of the potential knock-on effect the ruling in this case will have on EU law, the Dutch Supreme Court has asked for guidance from the EU’s top court, the Court of Justice of the European Union (CJEU).
The CJEU has yet to rule on the issues raised. But one of the court’s advisors, Advocate General Rantos, has published a preliminary opinion, as is normal in such cases. Although that advice is not binding on the CJEU, it often provides some indication as to how the court may eventually decide. On the main issue of whether the ability of people to circumvent geo-blocking is a problem, Rantos writes:
the fact that users manage to circumvent a geo-blocking measure put in place to restrict access to a protected work does not, in itself, mean that the entity that put the geo-blocking in place communicates that work to the public in a territory where access to it is supposed to be blocked. Such an interpretation would make it impossible to manage copyright on the internet on a territorial basis and would mean that any communication to the public on the internet would be global.
Moreover:
As the [European] Commission pointed out in its written observations, the holder of an exclusive right in a work does not have the right to authorise or prohibit, on the basis of the right granted to it in one Member State, communication to the public in another Member State in which that right has ceased to have effect.
Or, more succinctly: “service providers in the public domain country cannot be subject to unreasonable requirements”. That’s a good, common-sense view. But perhaps just as important is the following comment by Rantos regarding the use of VPNs to circumvent geo-blocking:
as the Commission points out in its observations, VPN services are legally accessible technical services which users may, however, use for unlawful purposes. The mere fact that those or similar services may be used for such purposes is not sufficient to establish that the service providers themselves communicate the protected work to the public. It would be different if those service providers actively encouraged the unlawful use of their services.
That’s an important point at a time when VPNs are under attack from some governments because of concerns about possible copyright infringement by those using them.
The hope has to be that the CJEU will agree with its Advocate General’s sensible and fair analysis, and will rule accordingly. But there is another important aspect to this story. The basic issue is that the Anne Frank Stichting wants to make its scholarly edition of Anne Frank’s diary available as widely as possible. That seems a laudable aim, since it will increase understanding and appreciation of the young woman’s remarkable diary by publishing an academically rigorous version. And yet the Anne Frank Fonds has taken legal action to stop that move, on the grounds that it would represent an infringement of its intellectual monopoly in some parts of Frank’s work, in some parts of the world. The current dispute is another clear example of how copyright has become for some an end in itself, more important than the things that it is supposed to promote.
Follow me @glynmoody on Mastodon and on Bluesky. Republished from Walled Culture.
Filed Under: anne frank, anne frank's diary, cjeu, copyright, diary of anne frank, geoblocking, netherlands, public domain, vpns
Companies: anne frank fonds, anne frank stichting


Comments on “How Copyright Litigation Over Anne Frank’s Diary Could Impact The Fate Of VPNs In The EU”
The lower courts were correct. Just like the Dutch can use a VPN to circumvent the geoblock, they could also use a cell phone pinging off a tower across the border. Or, the people could drive across the border and access the content.
The geoblock is doing the right thing, preventing access from within the country. VPNs do the right thing, allowing someone to travel virtually to a remote location without having to leave their home.
Anyone wanting to circumvent the copyright controls could already do so; “with a VPN” just adds a new method of doing what was already possible.
The one place where banning VPN access makes sense is where a citizen CAN’T accomplish the same task by other means — which would be in a country that curtails freedom of movement or has a national firewall preventing access to outside Internet content. In these places, curtailing VPN use would be consistent. Everywhere else… this is essentially the end result; curtailing freedom of movement and/or freedom of information. And people who value those things should reject VPN restrictions (which would be impossible to enforce anyway).
Re: The Irony
Imagine protecting the works of the oppressed only to side with the oppressors.
Re: Smuggle it!
In the days that books were printed on dead trees one would need to take either the train, car or bicycle from the Netherlands to hop over the border and obtain a printed version from a Belgian bookstore. You would then have to smuggle it back over a border where passport and import inspections had been abolished.
Anyway, all of this ruckus is good advertising for a diary whose contents become more and more relevant for today’s USA.
Let’s ask the author which of these rightsholder vs humanity positions benefits her the most.
Oh wait.
also Edgar Rice Burroughs Mars books
There was a period not that long ago when the ERB Mars books were out of copyright in Canada but still in copyright in the US. Google search in the US took one right to the Canadian archives. I know the ERB folks guard their IP fairly jealously, but I’m not sure what they thought of this situation.
Re:
I don’t know whether Project Gutenberg was involved with those particular books, but its Australian sister project was known for having books that the main U.S. organization could not legally distribute, such as those by Lovecraft and Orwell. A Canadian P.G. was launched later and has a similar situation.
As if copyright weren’t evil enough already, it’s now being used against holocaust education.
Re:
Both organizations in this conflict have Holocaust education as their stated goal.
It’s probably just about money.
more at stake here than copyright
If blocking users in other countries is not sufficient shielding from their laws then the internet becomes regulated by the most restrictive country. Any country could insist that the internet comply with their laws.
Re:
It won’t be the most restrictive country. (Eritrea maybe) It will be controlled by competing spheres of influence and arms races. Not every country is really equal.
Re:
But that is what precisely the UK are trying to do with the Online Safety Act. Ofcom are claiming an extraterritorial right to dictate what American services host, e.g. 4chan (who have ignored all Ofcom demands so far). Wisconsin have even passed the Granite Act prevent American companies complying from complying with foreign censorship requests. Ultimately, I think this is pointless as what will happen is that the internet in the EU will split off from the American one as will others in China & Russia. Even the US is going down the age verification route.
Threats on making geo-blocking legally enforcable have happened in 2015
This: https://en.wikipedia.org/wiki/Geo-blocking#New_Zealand
“This content is not in your country” is annoying. A law assisting it by making it outright illegal even when you didn’t actually pirated the content for free is even worse.
Europe is where the concept that copyright is based on moral rights, not to promote the arts and sciences, came from. Thanks for screwing up our good time a**holes. I think we should ditch the copyright law surrender we did on behalf of foreigners and the entertainment industry and let them fight about who has the moral right to (tragically) dead Jews without us.
It’s a miracle that Anne Frank wrote it at all, because back in the 1940s the copyright term was a measly 50 years after the death of the author.
Copyright, doing nothing but protecting the pedophiles funds of some rich bastard.
Imagine being such a sick, lazy, useless fuck, that you are trying to profit off your dead family member this way.
Re:
Copyright should end with the death of the creator/rightsholder and not one second later.
Re: Re:
I was all set to go with a knee-jerk “but what about leaving a source of income for your children?” reply but – you know what? – no.
If I work in an office all my life, earning a pay-check, when I die my children don’t keep getting paid by the office for decades after my death.
I’m with you. “Not one second later.”
Re: Re: Re:
But, in fact, it’s actually quite common for people to get paychecks related to dead relatives. If you die while employed and young, some relative is probably gonna get a life insurance payout. And when a retired person with a pension dies, a surviving spouse usually keeps get some or all of the previous pension amount. The payout can last for decades, or in rare cases more than a century.
The important difference is that these payouts are funded by the employee while still alive, and by their employer, not by general public subsidies—although the employer or pension provider might be the government.
If some copyright holder wants to leave money to their kids, they can set that up like the rest of us, and/or save money for inheritances. We shouldn’t be giving them special subsidies. (Although, if there’s no good private insurance available, the government could act as a normal unsubsidized insurance vendor.)
Even letting copyright go for the rest of an author’s life is excessive (has anyone yet written a novel about how it’s a perverse incentive to murder authors?). I’m not still getting royalties for a plumbing job I did 40 years ago, but so what? I think the optimal length is precisely zero; restricting the general public is unjust and unnecessary.
Re: Re: Re:2
Well, I can claim to have written a piece of flash fiction under the pseudonym on my birth certificate, where the author who gets shot is the very serious law professor who’s written a book titled “Perverse Incentives of the Current Copyright Regime” – which the assassin confesses not to have read. It’s somewhere in the archives of antisf.com, but I’ve forgotten what year. I suppose I could turn it into a novel, if you think it would sell, and actually get published. I do think the current set of copyright maximalists in the publishing world would look askance at anyone proposing they publish a book that takes the mickey out of them.
Re: Re: Re:3
I couldn’t find that story via a search. Anyway, ideas are easy. I have no idea what would sell, nor whether this is enough of an idea to be anything more than a gimmick in a full-length story.
But I can’t endorse the idea of supporting the current copyright regime by getting involved with a publisher. Especially given what they’ve tried to do to libraries, including the Internet Archive. Unless someone knows of a good anti-copyright publisher.
Because having copyright enabled Miss Frank to profit off of her work; so encouraging the arts.
When the time comes to choose between observing copyright laws and serving humanity, I’ll go with serving humanity.
Exactly the same reasoning could be applied to the Europe-wide train, bus and airline networks. They could be used to circumvent copyright by travelling from a copyright-maximimal country to a lesser-maximal copyright country, therefore trains, buses and aircraft should be illegal. Anne Frank Stichtung should ask the judges of this case that question – I permit them freely to use my infinitely valuable intellectual property in this argument, in a court of law, and they should be grateful that precedent is not YET protected by copyright, or not even in a civil law jurisdiction which places less emphasis on precedent under the name of “jurisprudence”, would cases be able to be argued.
Somebody mentioned something about “eating your own dogfood”? It appears the copyright maximal folk are intent on eating their own dogfood, heavily and duly processed by said dog.
Imagine being so selfish that you work to limit access to one of the most important literary works of it’s time, something whose message should be learned by as many humans as possible for the good of all mankind, for personal gain.