Colbert Takes On SOPA
from the can-we-get-some-internet-policement dept
By the way, I wanted to embed the clips of Colbert’s show in this post — as is clearly allowed by the site. But because Viacom is crazy, they appear to set the embeds to autoplay as soon as you load up the page. And that’s freaking annoying. I tried to find hidden variables to stop the autoplay… and nothing worked. So, sorry, no embeds. Meanwhile, Colbert: please, please, turn off autoplay, or at least make it an option. Thankfully, a few folks sent over the secret code to make it work…
Want to see just how mainstream the issues of SOPA and PROTECT IP are becoming? Last night they made it on to The Colbert Report, where he had a bit of a debate about SOPA, between record label owner Danny Goldberg and Harvard professor Jonathan Zittrain. It kicked off with a short segment, where Colbert explained the issue.
<embed style='display:block' src='http://media.mtvnservices.com/mgid:cms:item:comedycentral.com:403466' width='560' height='313' type='application/x-shockwave-flash' wmode='window' allowFullscreen='true' flashvars='autoPlay=false' allowscriptaccess='always' allownetworking='all' bgcolor='#000000'></embed>
As a content provider, I am wholeheartedly against the infringement of copyright… so much so that I had that phrase trademarked and then I had it emblazoned on a Mickey Mouse doll
Which, of course, he then shows to the audience.
But the awesomest part? He quotes the famous $200 to $250 billion in losses claim that always gets thrown around… but then immediately says:
That is a shocking number. Especially when you realize the FBI admits it has “no record of source data or methodology for generating the estimates and that it cannot be corroborated.” Now folks, that’s what happens when the FBI buys bootleg reports off a card table in Chinatown.
Honestly, this might be the first time I’ve seen mainstream media — and a Viacom-owned property, no less — call out the bogus numbers for being bogus. He finishes by pointing out that YouTube, Twitter and Facebook could be in trouble under the law, and that people uploading infringing videos may face problems as well.
From there, he went into the debate. In his typical satirical way, he introduces Zittrain by claiming he was here to “defend thieves & pirates,” and asks him “why do you want artists to starve?” Zittrain did a great job:
“I want artists to thrive. The internet allows artists to find their audiences. When Justin Bieber started singing his favorite songs on YouTube, he got discovered because of the internet. And the odd thing is, under this law, SOPA, the behavior of Justin Bieber, singing his favorite songs, without authorization, over the internet, could make him a felon, in jail for three years.”
It’s actually five, but close enough. Goldberg, of course, says this is all an exaggeration, and then claims (incorrectly) that the bill only targets foreign sites. Zittrain did note that there were different parts of the bill (but leaves out that many of them target US companies), but then makes the second key point, about how this law uses the same mechanism that China & Iran use to censor the internet there. To which Colbert replies: “I don’t know about Iran, but China is kicking our ass in business right now. Wouldn’t it be good for American business? Because if we shut down parts of the internet, won’t people at work actually do the work they were hired for?”
Goldberg continues to play the “but something must be done” line, leading Colbert to make his alternative proposal: “What if the artist gets something from the company stealing from them? An eye for an iPod?” to which Goldberg says “it’s a good line, but…” and Colbert points out, “it’s an excellent line, not a good line” and then threatens to sue anyone who “steals” it.
Wasn’t expecting much for an under 5 minute interview, but overall Zittrain did a great job, and got in a few key points. The Bieber point is a little exaggerated, because Bieber would have to do a few more things (such as embedding the videos on his own site), but the overall point he’s getting at is clear: the bill is overreaching and will harm legitimate activities which artists rely on today.