As I read this article, I re-read the blog post I have printed out and posted on my office wall:
http://www.marksonland.com/2010/03/note_to_entrpreneurs_its_your_1.html
The other good news is that you got paid for the work that you did for that former employer. I don't see that the former employer continuing to use what they paid for as ''bad'' in any way.
Suing kids for sharing music is unethical whether it's less than 14 years after publication or 140.
Though I agree with the sentiment, on what grounds do you base your unethical comment? Those who feel their ''rights'' have been infringed will likely not agree, so what is your justification for that?
If you deny the historical purpose of copyright or say it isn't relevant, than you've already dismissed out of hand your detractors. This doesn't give your stand much weight amongst those who you need to sway (since they currently hold the powers).
Maybe the sudden recall of Congress was an indirect stimulation to the travel industry? Last minute business class tickets tend to be costly.
You miss the point where, even if they are playing CC-licensed music, the collection agencies are still coming and knocking on the doors. Your comment assumes a few things:
ex-tor-tion?[ik-stawr-shuhn] -noun
the act of securing money, favours, etc. by intimidation or violence; blackmail
Small business owners are very busy people. They don't have the time to deal with the hassles that BMI and friends provide them. And if you think a restaurant owner saying "but I have a license for everything we play" is going to make BMI go away, you haven't been paying attention. These organizations believe that they own every sound a person hears, and those that their horses hear...
For authors, the creation of the product (the book) isn't a marketable commodity. Unless watching someone write or type becomes something of interest to people.
So change the model. Why are they authoring before getting paid (or a contract to get paid)? I don't go to work each day without that promise, so why are authors?
In the past, they leveraged the scarcity model by selling physical goods through distribution channels.
Today, the need for inefficient distribution channels is nearly eliminated and the scarcity is superseded by technology. So authors need to adjust their business model, fight the hopeless fight for return to yesterday, or pack up shop now.
Good business people adjust to the times and/or diversify. Bad business people go out of business.
And look how much trouble that got the church into! Things were So Much Easier when the only ones who could read were the ones at the front of the congregation.
This guy has been on this Craigslist rampage for quite some time. Isn't it about time that one of his rivals points out how ineffective he's been in getting Craigslist shut down?
Radical or revolutionary is not necessary. That is the "or" between "incremental emergent" and "radical and revolutionary".
Innovation is doing something to attract the market. If it is simply a different color, and that is what the market goes for, then it is innovative. If everyone else is already offering different colors, then it is simply copying. Straight-out copiers rarely (ever?) win the market. You need to do something to distinguish yourself from the competition (i.e. innovate).
Every other one is competing. They innovate by adding different features, better quality, more efficient (cheaper) manufacturing process, whatever.
This is innovation. It is not invention (though one might argue that the cheaper process is invention, but the invention is not being brought to market, the innovation of a lower price on that particular invention is).
You point out the problem with considering invention and innovation as being the process of coming up with a new "thing".
This is why Mike has written many articles in which he describes invention as the process of coming up with that new "thing", distinct from innovation which is bringing a "thing" to market. The really hard work is often in the latter.
Otherwise your example of the CRT vs TV as invention vs innovation is now a completely subjective definition. How much does one need to add to an "invention" for it to become a new "invention" rather than simply being an "innovation"?
Taking an invention off the workbench as it is to market often fails. Quite often that invention needs some modifications for it to be appealing to the marketplace. It is this modification that is innovation: the process of building marketing, packaging, materials selection, pricing, distribution, etc...
"Innovation [is] a change in the thought process for doing something or "new stuff that is made useful". It may refer to an incremental emergent or radical and revolutionary changes in thinking, products, processes, or organizations."
http://en.wikipedia.org/wiki/Innovation
In my class, the right answer is worth 1 mark. For non-trivial questions, showing your work is worth 3 to 5 marks depending on the difficulty of the question.
Why are we trying to bind copyright to a revenue stream? This is one of the things that led to our current problems.
What if an "author" decides to maintain control of copying, but is giving away those copies at no charge? And what does "producing copies" mean in the digital era?
In addition, what if the author has relinquished copyright to others, possibly to multiple parties? Or what if the author is already multiple individuals/companies (look at the fights between the members of Pink Floyd)?
I understand your point of view that higher value would give the optics of higher incentive. However, take this concept out beyond that first work and you see that at some point a high value becomes a disincentive to do future work.
Take, for example, a job that pays $10m for a year's work. For some, that would lead them to work hard so that they get a higher salary the next year ($11m!!). But for many others, they'd work hard enough for that first year...then retire! Why work any longer than they need to? Most people I know don't want 10 houses and 30 exotic cars. They'd be happy with a nice house, the ability to travel a few times a year, and a golf club membership. They have no need to work beyond that $10m.
Going back to your take on NPV, if copyright is extended to a point where NPV puts enough money in an artists pocket on the first go, then why bother with future work?
PS: no threadjacking going on, I welcome any and all healthy discussion!
BTW: that video is great! I hadn't watched it before.
The use of "copywrong" makes it really hard to take your comments seriously. Seriously.
Re: Re: Re: Fascinating but worthless
Ask yourself this: why would people go to BoingBoing instead of WaPo to get an article/story/scoop that WaPo originated?
What is it that BoingBoing is doing to attract users that WaPo is not doing? And no, "stealing content" is not the answer because they both have the content.
If BoingBoing is being successful simply by "stealing" from others, then why doesn't WaPo become successful by "simply mimicking" BoingBoing?