Sony Music Issues Takedown On Copyright Lecture About Music Copyrights By Harvard Law Professor
from the getting-meta dept
Oh, the irony. First pointed out by Mathias Schindler, it appears that a copyright lecture about music copyright done by famed copyright expert and Harvard Law professor William Fisher has been taken down due to a copyright claim by Sony Music.
The lecture itself appears to be a part of his online course, CopyrightX, which is available under a Creative Commons Attribution 4.0 License. Thankfully, on the CopyrightX website, there are downloadable versions of the lectures, so I was able to download and watch the full lecture to see what the takedown was about. If you want to follow along at home, the lecture is the third one in section 3. Section three goes into detail on the "Subject Matter of Copyright," and the third lecture is about... "Music." You can download it here.
The lecture itself is 24 minutes long, and the vast majority of it is dedicated to creating and explaining this chart, which shows (partially) the messy nature of music copyright licensing today (as a side note, I really appreciate that Fisher is so thorough as to include under the table "payola" as a part of this chart):
Let's be clear here: this is unquestionably fair use. It's not entirely clear to me if this was an explicit takedown or merely a YouTube ContentID match, but either way there is no reason for YouTube to have allowed this to be blocked. If you run through the four factors test of fair use, all four suggest that it's fair use. The purpose and character of the use is clearly for educational purposes, which the fair use part of the law explicitly calls out as an example of fair use. The "nature" of the work is a song, but that seems to have little bearing here on the fair use question. The amount and substantiality of the portion taken was fairly small -- basically just enough for Fisher to make his point showing the differences between the songs and how that applies to the compulsory licenses issued for cover songs. And, finally, the effect of the use upon the potential market is nil. No one is listening to Fisher's lecture as a "replacement" for going out and getting the Hendrix song, or any other version of Little Wing. And I don't think there's a huge "market" in "licensing music to copyright lectures."
In fact, considering how frequently we hear the RIAA and other copyright system supporters (especially within the recording industry) arguing that what the world really needs is better education on copyright issues so that the public better understands it, it seems particularly stupid to issue a takedown over a free lecture explaining music copyright. But, of course, no one ever suggested that the recording industry is particularly intelligent in how it goes about fighting its peculiar war.
This story is reminiscent of when Warner Music issued a DMCA takedown on a presentation by another famed Harvard Law professor, Larry Lessig. Similar things have happened a few times to Lessig, including one case where Lessig sued in response, seeking a declaratory judgment of non-infringement along with damages under DMCA 512(f), which forbid "misrepresentations" in filing DMCA notices. That case eventually settled, with the record label (an Australian label called Liberation Music) paying a sum of money that went to the EFF. It's unclear what Fisher will do in this situation, but I imagine that as this story begins to get attention, both Sony Music and YouTube may want to reconsider the original move to take down the video.
Filed Under: contentid, copyright, dmca, education, lesson, music, streaming, subject matter, takedown, william fisher
Companies: harvard, sony music, youtube
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99.9% accuracy... .01% of the time
Those that object to their actions and methods don't do so because they're siding with the pirates, as the maximalists like to claim, but because the maximalists have shown time and time again that they have no interest in avoiding collateral damage. If protecting 'legitimate' speech requires 'protecting pirates', as is the case, then the maximalists have only their complete indifference to accuracy to blame.
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Re: 99.9% accuracy... .01% of the time
The problem with it as an affirmative defence is that engage to protect this involves lawyers and lawsuits to get content unblocked and that, to date, this has not resulted in fees.
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Re: Re: 99.9% accuracy... .01% of the time
More to the point, the labels are well versed in using the legal system to bankrupt people while losing the case and every appeal. Challenge the labels, and they will likely take you to court, at which point you can give in to their demands, or spend all your money on layers, but in either case you likely end up bankrupted.
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Re: Re: 99.9% accuracy... .01% of the time
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Re: Re: Re: 99.9% accuracy... .01% of the time
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Re: Re: Re: 99.9% accuracy... .01% of the time
If the courts were to be logically and legally consistent, they would either require a consideration of fair use or allow bots to file DMCA/infringement claims, not both. You cannot have one if you have the other, unless the bots are only used to spot potential infringement, and the actual claim is made after a living being looked over the potential infringement and made the infringing/non-infringing decision.
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it is an act of censorship
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Re: it is an act of censorship
Note: I already had © on my clipboard so why not use it in a lame pun, no?
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Re: Re: it is an act of censorship
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Re: it is an act of censorship
Was Sony ever charged for the criminal act of infecting millions of computers by distributing malware on an audio CD?
If you or I put malware on a single CD and distributed it, we would end up in prison.
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Who knew Skynet would originate from bad copyright law?
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Well, it had to originate from something truly evil. The story writers just picked the wrong evil.
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Fair use
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Re: Fair use
Not just on days when you feel like it.
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Re: Fair use
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SME
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Re: SME
Then Sony pretended like it all was no big deal.
It makes me glad I was using Linux back then. And glad I did not buy Sony music CDs. Sony was only punishing legitimate purchasers for being stupid enough to buy their CD.
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Bzzt.
Yes, let's all pretend this guy wasn't aware that playing that long a clip would trigger YouTube's content ID...
LOL
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Plus considering the guy did it purely hoping for controversy about his subject matter, makes it even more of an eye-roller.
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Considering that satire/parody is normally considered to be covered by fair use, I don't think that hoping for controversy (even if that is the case here) forms any part of a ruling against fair use.
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Just saying that the content ID - system isn't the best you can get at making legal distinctions on such a volatile and low enforcement area of law. Besides, Content ID represents content ID, but not legally. I would assume the owner of content ID could be in trouble with the law since the day it was born...
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LOL.
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Todays Lesson
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Re: Todays Lesson
Corollary: Copyright is censorship. Censorship is broken.
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Re: Re: Todays Lesson
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Re: Re: Re: Todays Lesson
Hey future lawyers: the real lesson here is not on the contents of that lecture you can no longer see, but in how quickly and easily we can take down anything we want, any time, any where. Tomorrow's lesson will be that it is not even necessary to use a clip of Sony's music. Even a nature recording can be taken down by a bogus DMCA takedown.
Future lawyers, there is a large market for your services to censor all sorts of things. Copyright should be the natural tool you think of when it comes to censorship.
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William Fisher missed something huge
Publicity rights!
While Google paid handsomely to secure the proper licensing to the marshmallow song, the singer of that song has now decided that vocalists should have a new imaginary right not covered under all existing music licensing. Publicity rights. And thus Google finds itself in a lawsuit with the vocalist of music they properly licensed.
I hope William Fisher can update his chart.
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Another case of the harm of zero tolerance
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I'm referring to the point where Mike points out that the professor uses 40 seconds of a song in the lecture/video, which clearly violates copyright law. Not only that, but Mike goes on to further point out that this is 'fair use'.
UH, SAY AGAIN?
Either Mike forgot to read the crap he was writing or he forgot that copyright law clearly indicates that websites may preview less than 30 seconds of any song without needing a copyright license in order to stream or preview that song.
Let me say this again, and this is a direct quote from Mike's article above:
35 seconds of a version by Stevie Ray Vaughn, and finally about 40 seconds of a version by The Corrs
That violates copyright law and the professor was required to obtain a license for each version of the song. Either this was a lapse in judgment when the article was written or he's trying to apply 'fair use' to "any duration of any song that anyone wants to use".
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The 30 second previews you talk about are not fair use, and I'm not sure there's even a law like that. More likely, it's just an agreement between the labels and the streaming site (i.e. not a law).
But thanks for trying to sling out insults.
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Kind of hilarious.
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I'll bite. Where exactly in copyright law does it say that? You say that the law clearly indicates, so where does it clearly indicate?
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17 USC § 110 may be an applicable statutory limitation. It explicitly allows these types of course materials, without regard to the amount of the work being used. However, the fact that the lecture was available on YouTube to people outside the course may be a problem.
Duration does matter, but not in the way you think. In U.S. common law there is the doctrine of de minimis, which applies more to the melodic part of the composition rather than the recording (e.g., two or three notes aren't copyrightable). But contrary to your belief, there is neither a statute nor a "bright line" ruling which says 30 seconds of "preview" is fair use while 31 seconds is not. Although widely-believed, this is a myth based on a widely tolerated norm.
Fair use involves several tests, not the least of which is the context in which the otherwise-infringing use occurs. When used as an example in an academic discussion of copyright by a formal educational institution, the use of almost any unlicensed third-party material would likely be fair use, even if used in its entirety (as photos often are), provided the other tests are passed as well. The other tests amount to "how much is too much", and the guidelines are deliberately vague. What is too much in one situation is perfectly reasonable in another. If the video lecture were undermining the market for those songs, it's probably not fair use. It's doubtful that 40 seconds of a 261-second recording, buried in (and essentially inseparable from) a lecture, would be considered too much.
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Using the pages of a copyrighted work as toilet paper is most usually not a licensed use. Neither does it seem to readily fall within fair use or common-law limitations. Instead, I would regard that use as simply outside the scope of copyright.
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If you mean just tearing out the pages from a book and wiping your butt with them, sure. That's not a copyright issue. But if you mean making toilet paper with copyrighted text printed on it without a license, unless it's considered parody that would be infringement.
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Classier outhouse may have had magazines, for all I know, but I don't recall seeing them myself.
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Either Mike forgot to read the crap he was writing or he forgot that copyright law clearly indicates that websites may preview less than 30 seconds of any song without needing a copyright license in order to stream or preview that song.
As plenty of others have noted, your claim here is incorrect. There is nothing in the law that says there is a 30 second rule for music.
Nice try though.
That violates copyright law and the professor was required to obtain a license for each version of the song.
That is false. Fair use is context specific, and in this context, the amount of the song used is almost certainly fair use.
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I'm not sure which is worse, his ability to form useless defenses against strawmen that don't exist because he didn't read the article first or because he operates under half baked ideas, claiming the authors as well as the topics are grossly slanted. Then too, when you start out with an assumption and a bias, it don't get better from there.
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File a Legal Complaint
https://www.youtube.com/watch?v=2GGE_ToREPw&feature=youtu.be
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Especially if said corporation is paying them.
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But don't blame YouTube. Blame the DMCA.
It could have been much, much worse with SOPA.
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It is being used to censor, and youtube is supporting this by taking their word for it without looking into it. If they incapable of looking into so many takedown requests then the solution is not to let them all pass.
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Creative Commons?
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Re: Creative Commons?
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Re: Creative Commons?
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Not afraid of Piracy but of Competition!
It is simply the ongoing effort of the legacy media publishing houses to undermine every distribution channel other than the ones they control directly.
"If anyone puts up content anywhere except with us, we will sabotage it, without repercussion. If you want to have your content distributed without the fear/risk of having it taken down on a whim, publish it through us (for a hefty fee)".
"Piracy" is just the excuse to put more and larger hurdles in the processes of other distribution channels, making it ever more difficult for new startups to enter the market.
The 'big ones' don't want to protect against piracy! They want to protect against competition!!
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Re: Not afraid of Piracy but of Competition!
At no point, after a work has entered the public domain, is the original author/creator prevented from making money from his or her work. They may, however, have to compete with other distributors. Well that's how a free market is supposed to work.
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Unblocked
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How would fines alter this behavior?
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Re: How would fines alter this behavior?
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Update
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/r/LateStageCapitalism
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Takedown
The whole music industry needs to wake up and realize the days of making big $$$$ for a few hours work has ended.
It will never return. Those days of multi million sales of vinyl and plastic for a very small percentage of artists is history.
My grnad children will probably ask, "What is a Sony"
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I haven't found any coverage of later developments in this incident or in the takedown's reversal, but apparently it has been dealt with.
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