Economists Realizing That Current Music Industry Structure Leads To 'Sub-Optimal Outcomes'

from the you-noticed? dept

The music collection society MCPS PRS in the UK apparently had three economists coming from different viewpoints work together on a paper concerning the economics of the music industry on the internet today. It includes an economist from the collection society, one from the internet industry and one from the music industry. While the resulting paper does have some good points -- such as being one of the few industry produced papers that doesn't try to ignore the fact that file sharing directly competes with things like iTunes -- it appears to have some weaknesses as well.

The paper basically tries to describe the overall landscape for music on the internet, dividing it into three units (reflecting the three people working on the report): Music Service Providers (MSPs) such as Kazaa or iTunes (and, yes, it's impressive that they directly lump the authorized and unauthorized players together), Music Rights Providers (MRPs) such as ASCAP or other collections societies, and ISPs. The paper then uses some basic game theory to note that the interactions between these three players will often lead to "sub-optimal outcomes." No, really?

Instead, they suggest that the entire incentive structure of the industry should be reconsidered -- which is something I clearly believe as well. However, from the article, it looks like the approaches they line up don't do enough of that reconsidering. Why? Because they don't even seem to take into account the idea that (a) there are other players in the market that should be considered in the ecosystem and (b) one of the three legs of the stool set forth in the premise (the collections societies) may not be needed. If you take them out of the equation, but plug in other components of the market (say, the musicians themselves) you can quite easily see the model working quite differently than what's described in the report. Indeed, the options for creating win-win solutions become much clearer. In ignoring the other aspects of the market, while not considering that these so-called MRPs may not be necessary in today's world, the report falls well short of actually laying out optimal solutions in the market.


Reader Comments (rss)

(Flattened / Threaded)

  1.  
    identicon
    Anonymous Coward, Oct 31st, 2008 @ 11:44am

    Who cares what you think...I wish I could have my minute back.

     

    reply to this | link to this | view in thread ]

  2.  
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    Anonymous Coward, Oct 31st, 2008 @ 11:52am

    Re:

    Here you go:

    Coupon for 1 min.....

     

    reply to this | link to this | view in thread ]

  3.  
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    Anonymous Coward, Oct 31st, 2008 @ 12:39pm

    Re:

    Seriously, do jackholes like you reach orgasm by repeatedly reading blogs you don't like, then bitching about the time you "wasted" reading it? Talk about wasting time . . .

    If you don't like what's said here, try this: DON'T FUCKING READ TECHDIRT. GO AWAY. STAY AWAY.

     

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  4.  
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    Norm, Oct 31st, 2008 @ 1:09pm

    Re:

    You are the epitome of your moniker.

     

    reply to this | link to this | view in thread ]

  5.  
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    bulkhead, Oct 31st, 2008 @ 1:21pm

    I don't understand point b, ASCAP, BMI and the like represent the "musicians themselves" not ISPs or itunes. If you take them out of the equation, the artist that created the product will have very little leverage to get paid.

     

    reply to this | link to this | view in thread ]

  6.  
    identicon
    Kyle, Oct 31st, 2008 @ 1:32pm

    Re: bulkhead

    The point is that modern distribution technologies don't require the same kind of involvement from ASCAP, etc. These agencies were needed for keeping track of physical media sales and collecting the associated fees(which aren't paid when media is sold to retail outlets, but only after sale to a consumer); however, they add no value to electronic sales monitoring and fee collection. iTunes (and other legal electronic distributors) can fairly easily pay artists directly on a per-download basis.

     

    reply to this | link to this | view in thread ]

  7.  
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    javaholic, Oct 31st, 2008 @ 1:33pm

    all of these folks in this equation have left out the most important part of the equation and who actually runs the music industry.......

    The Buying Public....can make it or Break it

     

    reply to this | link to this | view in thread ]

  8.  
    identicon
    javaholic, Oct 31st, 2008 @ 1:40pm

    all of these folks in this equation have left out the most important part of the equation and who actually runs the music industry.......

    The Buying Public....can make it or Break it

     

    reply to this | link to this | view in thread ]

  9.  
    identicon
    Anonymous Cowherd, Nov 1st, 2008 @ 3:22pm

    The first step

    Well, you know what they say: the first step is admitting that they have a problem.

    Now they've taken that step. Only 11 more to go.

    It's a start, anyway...

     

    reply to this | link to this | view in thread ]

  10.  
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    Mike (profile), Nov 1st, 2008 @ 5:10pm

    Re:

    I don't understand point b, ASCAP, BMI and the like represent the "musicians themselves" not ISPs or itunes

    They're supposed to, but they rarely do. What they really represent is anything that lets them collect more royalties. Thus, business models that don't involve royalties, even if they make musicians better off, are not even acknowledged.

     

    reply to this | link to this | view in thread ]


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