Two years ago, we posted about
Malcolm Gladwell's fascinating New Yorker piece rethinking the concept of plagiarism
. After he found out that an article he had written had been plagiarized as part of a play, he went through a series of emotions -- at first, claiming that such plagiarism was "theft." However, he quickly regretted that feeling (and the fact that he dashed off a fax to the author saying exactly that), and slowly began to change the way he felt about plagiarism. He noted that, especially in a case like this, his words had been transformed into something totally different, and that while the words were the same, the product was totally different. He read the play, and found it fascinating, and realized the value of derivative works, even if it borrowed liberally from his own. After that, he couldn't understand why people often get so upset about plagiarism. A couple weeks ago, we noted that plagiarism was incredibly common
-- and not everyone agreed what counted as plagiarism. In that article, it was predicted that Google's book scanning and search product would like reveal much more plagiarism, perhaps from some famous authors -- and raised the question of whether or not that was really such a big deal. Not long before that, we pointed to
an entire article on plagiarism that was, itself, plagiarized.
Now, John Bennett
points us to yet another article on the topic, this time at the NY Times, that talks about the standard reaction to plagiarism may be heightened these days
by a culture that is so overly focused on ownership of ideas and the "story" of our lives. The article talks about the rise of reality television and the idea that the story of your life now has much more potential to become a commercial property -- leading many to worry that others might "steal" it somehow. It certainly raises issues about the separation between full on plagiarism, such as copying an entire piece of work, as compared to more "inspirational" plagiarism that is more based on taking a basic idea from someone and creating a derivative work -- perhaps using someone's real-life experiences to make a fictional story seem more true-to-life. Either way, all of these stories help raise questions about what specifically should count as plagiarism, and how serious an issue it really is.