Singing The Same Song: 1962 Article Demands Stricter Copyright To Stop Jukebox Loophole

from the sound-familiar? dept

With the news of the latest push by the RIAA to close the “radio loophole” to squeeze more money out of their music, it’s worth noting that this is really nothing new. The industry has been doing it for ages. Thanks to Tim Lee and Matthew Yglesias for pointing to an article from 1962 where (oh no!) the industry was claiming that copyright law needed to be strengthened to deal with greedy business owners who weren’t paying their fair share every time their jukeboxes played a song. Apparently there was something of a “jukebox exception” in royalty rates, where jukebox owners only needed to pay for the records they bought, and not each time they were played. Luckily, the law was changed in 1976, allowing the recording industry to survive. Otherwise, it surely would have perished.


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Comments on “Singing The Same Song: 1962 Article Demands Stricter Copyright To Stop Jukebox Loophole”

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19 Comments
Dave (profile) says:

Re: Re: Re:

Maybe you can find several jukeboxes “all around” your town, but I can only think of one bar of the many I frequent in Atlanta that has a jukebox. Weren’t these EVERYWHERE years ago? You would think that technology would make digital jukeboxes more affordable and more attractive with larger catalogs available, but they seem to be more of a novelty now, and more expensive to play than it’s worth.

Anonymous Coward says:

Re: Re: Re:

Yet, you can still find several digital/CD jukeboxes all round town, located in sports-bars, pool-halls and even some restaurants.

You must be too young to remember how jukeboxes used to be much more common than they are now. And it was in the late 1970’s when they started disappearing in large numbers.

Anonymous Coward says:

Re: Re: Re:

Yet, you can still find several digital/CD jukeboxes all round town, located in sports-bars, pool-halls and even some restaurants.

You must spend a lot of time hanging out in bars too cheap to hire bands because that is about the only place to find a jukebox anymore. Jukeboxes used to be standard equipment in family burger joints and the like. Not any more.

Steve R. (profile) says:

While copyright owners are entitled to certain privileges so that they can make some money, the word “strengthening” when applied to copyright is doublespeak for aggrandizing the privileges of the copyright holder by depriving the content users of their privileges. I wouldn’t be adverse to “clarifications” that better define how the monetary (not privileges) pie is to be sliced between the content producer and use.

ScaredOfTheMan says:

Why can't

Some university researcher do his/her thesis on the RIAA / MPAA and their response to every new technology in the last 50 years (oh however long they have existed) I think it would be interesting reading. First the Jukebox, to VHS to Radio, to MP3 players (least we forget the RIO and Diamond Multimedia) to XM, to p2p.

I think the theme would be, they cry, scream and sue every time anything that remotely has the wiff…. of being in contact with… anything that may or may not threaten ‘the Artist’ (Read:their monopoly).

Then submit it to congress or something…just a thought

rEdEyEz says:

Rockin' (and rumblin') around the Clock

…How many times in the media have you seen the tired, hackneyed, barroom brawl, in which the only real casualty/victim of the violence is the “innocent” little jukebox, setting in the corner?

Well, now all of that has changed! (innocence, that is)

Coming to a jukejoint near you…

The RIAA Teamsters vs. The Jukebox Syndicate!

***LIVE on pay-per-view***

Don says:

Another point not often brought up is that the economic balance has shifted. Back in the early days (say the 50’s and 60’s) there was a relatively small legion of bands and musicians competing for an rapidly growing market of consumers. Now that music is “big business” there are tens, maybe hundreds, of thousands of artists competing for a relatively fixed consumer base (with a correspondingly relatively fixed amount of disposable income). If, for example, Mary Wilson of the Supremes can’t live off of the welfare system the are continually trying to turn copyright into because I instead choose to spend my money on someone like Disturbed, or let’s say even Carlos Santana, who are actively working for their livings, that’s her problem.

The entertainment industry also needs to understand they aren’t just competing amongst themselves, but with other industries as well. I read somewhere that food prices have risen 4% in the past month. And gas has risen over $1 since the election in November. That’s an extra $15 every two weeks the oil companies are getting of my money. $15? Hey isn’t that the price of a CD? I could be buying an extra CD every two weeks if the oil companies weren’t gouging the consumers at the pumps.

And I for one (and most people I know as well) are not going to work lots of overtime to earn that money back to spend on someone who wants to live off of work they did 30 years ago (or whom merely can’t compete in the marketplace anymore). There’s no law saying you get the privilege of making a living doing what you like to do. Try getting a job at Walmart. I can guarantee most of the people working their aren’t doing so for the sheer pleasure of it.

Here’s an idea: Maybe the RIAA should sue Exxon for taking money away from them by jacking their prices. Now that would be amusing.

Anonymous Coward says:

Thieving Pirates of '76

Apparently there was something of a “jukebox exception” in royalty rates, where jukebox owners only needed to pay for the records they bought, and not each time they were played. Luckily, the law was changed in 1976, allowing the recording industry to survive.

And then came the Pirates of ’76. Beginning in 1976 a new breed of pirate was born. These thieving pirates would hang out in places where jukeboxes were know to be located. Then they would just hang around and listen to the music that others paid for for FREE! That’s right, they listened without paying! Now, as the RIAA tells us, we all know that if you didn’t pay for it then you stole it. So just remember, if you ever find yourself in a place with a jukebox (not that common anymore) and a song comes on that you didn’t pay for you are morally obligated to either cover your ears or leave. Unless, of course, you’re a thieving pirate.

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