To be clear, News Corp. is not Fox News Network, LLC. They are separate and distinct legal entities, and to equate them as one in the same because one may be the corporate parent of the other is a mistake.
Interesting. So you are saying that if News Corp. doesn't hold the copyright on either the Fox News Network or Sky Network broadcasts? That if someone infringed on a broadcast from one or the other, News Corp. wouldn't have standing to sue?
If not, then your point is irrelevant. If News Corp. is the copyright holder of both broadcasts, they DMCA'd themselves.
it has rejected 43% of the DMCA notices it has received as either incomplete or abusive.
That's actually at the low end of the spectrum. If you consider an "invalid notice" to be a notice on content that has already been taken down, that figure jumps to 57%.
It shows, in no uncertain terms, that DMCA abuses are not "outliers."
Now, to find out if other service providers or search engines (like Google or Bing) are taking down/delisting those same abusive notices. This should be possible if they send those notices to Chilling Effects.
Re: Could be worse, they could be dealing with Google's competition
I still do not understand why they think that google's competition, Apple and Microsoft, would be any easier to deal with.
Because they are already working with Google's competition.
The MPAA is singled out here - and it's justifiable, since they're the worst offender - but they didn't act alone in bribing Jim Hood to go after Google.
Another partner in Project Goliath was an organization called FairSearch. This is an anti-Google coalition started by competing search engines (Expedia, TripAdvisor, etc.), Oracle, and Microsoft. They're also the ones who are behind the Google antitrust case in the EU.
And, there's also organizations like Arts+Labs. It is funded mostly by major telecoms, and was later joined by music organizations like BMI and the SGA. It was set up as an anti-Net Neutrality organization, and later went on to support SOPA.
Here's an interesting tidbit: Chris Castle (of Music Technology Policy/Trichordist infamy) being interviewed as part of Arts+Labs, pretty much admitting that they're an astroturf organization: https://www.youtube.com/watch?v=bXIoJVFmKvQ
Of course, like a classic astroturf group, they seem to have disbanded after their policy advocacy failed; their site is offline.
...There's a lot more of course, but I think you get the idea.
Re: This anomaly probably due to automated skimming, such as of publicly available "hosts" files that blacklist: "127.0.0.1 piratesite.com",
what would Techdirt do without anomalies to be used against copyright?
Yet if a UGC site has as many infringing files as there are these DMCA "anomalies," rights holders would successfully sue them out of existence.
Funny how you consider "oh, it's a mistake that got through our system" to be a valid defence when censoring protected speech, but when the censors use that excuse, you defend them to your dying breath.
Sad, because I have always found that a discussion involving seemingly incompatible and diametrically opposed views are the ones that provide the greatest opportunity for actually learning about a subject and all its nuances.
Well whaddaya know, GamerGate folks aren't the only ones into sea-lioning.
Re: Re: Out of the frying pan, into the fire(but now with self-righteous satisfaction as you roast)
Piracy is just another word for stealing when used in the framework of economics.
Absolutely false. In the framework of economics, piracy is the same thing as perfect competition.
And the rule of perfect competition is that the product's price naturally gravitates towards its marginal cost - the cost to make one more copy. In the case of a digital file, the marginal cost is zero.
Rather surprised Google has only payed off 10 state ATs...
It's the other way around. From the leaked emails, it was the MPAA that was (is?) funding multiple AG's across the country.
Jim Hood was just the most prominent. Also, at the time, Hood was the president of the National Association of Attorneys General. He set the tone for the rest of the state AG's. (His Presidential Initiative? "Protecting Our Digital Lives: New Challenges for Attorneys General.")
So, it's hardly a surprise that stat AG's would stand behind their leader.
allowing one client to work with another one behind the scenes
That's not quite what an API is. An API says something like: "if you have an instance of a class called Stack, and invoke a method called pop() on it, it will remove and return an object (of a specific type) that is semantically on the top of the stack."
Obama's administration is littered with ex-Google types. The infestation is so complete that they dodged a US anti-trust lawsuit because of it.
This is pretty obviously bullshit. If the Obama administration is "littered with ex-Google types," it's only because Google is a big company that has hired lots of smart people, and the administration wants smart people.
But that "if" is wrong. The "ex-Google types" that are in the administration are far, far outweighed by the "types" that were previously lobbyists for big media companies.
Sun Microsystems wrote the APIs (now owned by Oracle) which were specifically designed for the sandbox compiler.
This is actually the crux of the issue. Oracle's license specifies that the Java bytecode that is produced be compatible with the JVM. (I don't know if it was the same under Sun.) Google actually implemented their own VM (Dalvik), and much of its bytecode was incompatible with the JVM - which is unsurprising given the need to run efficiently on mobile devices.
Google should have written its own APIs, even if they performed identically to the Java APIs.
This would be disastrous, especially for open-source projects. For example, it would require that Mono write its own API's. This would defeat the entire purpose of Mono, and force everyone who used the C# API's to use the Windows CLR (and possibly pay royalties to do so). Likewise, Unix could copyright what is now the POSIX standard (it's an API, after all), which would make other implementations of this standard be unlawful without a license.
By stripping out the APIs to make another OS is nefarious. I didn't say it was wrong, but damn, does it cross an ethics line.
I don't see why. For example, Linux could feel free to not implement some of the POSIX system calls, and I don't think there would be anything nefarious about it.
Also, the parts of the API that Google stripped out are the parts that were not relevant to a mobile language (like the Swing API).
As a reminder: Google forked Linux for its kernel, but it's still called Linux. Not the same for Java, which is now Android.
First: Java is a programming language, not an operating system. Android is an operating system, but applications for it are written in the Java programming language, using the Android API's to communicate with the OS. (Or not, if you use something like PhoneGap.)
Second: the OS is called Android, just as Ubuntu is called Ubuntu. The kernel may be a fork of Linux, but the kernel is not the entirety of the OS - at least, not how you define it. (The technical definition is that the kernel is the OS, and toolkits or software packages are not part of it. For example, the Bash shell is not part of the Linux OS.)
the author was required to get permission from the couple if he was going to sue that image to make money.
If the use of the image is fair use, then the author of the book does not need to get permission.
Even if they did need to get permission, they would need to get permission from the photographer, not the subjects. Copyright accrues at fixation, and it accrues to whoever initially fixated the work - in the case of photographs, that would be the photographer.
Fair use rights are not absolute and they are not unlimited rights.
Actually, copyright rights are not absolute, and they are not unlimited rights. Fair use is one of many limitations on those rights. For example, if someone uses parts of your work in a review, you can't exercise your rights over that use of your work, because you don't have any rights.
The author screwed up and he put online retailers in the cross-hairs.
Even assuming the use was infringing (and not fair use), which I doubt, that doesn't mean that the online retailers should face liability. They did not create the infringing work, nor directly assist in the infringement (assuming it even happened).
If they follow the Section 512 procedure, then they are automatically exempt from all infringement. If they did not, then they can only be liable for secondary infringement- which, under traditional copyright case law, they would not be.
Even if the author of the book "screwed up" (which I don't think they did), there is no way he "put online retailers in the cross-hairs." At least, not in the legal sense.
Actually, that's wrong: wavelength = c / frequency, where c = the speed of light. The speed constant is different for different materials (e.g. the speed of sound in air), but no matter what, they're inversely proportional.
Given two waves of the same amplitude, the wave with the lower frequency (longer wavelength) will generally travel farther. On the other hand, Wi-fi signals and TV/radio transmitters send out waves at very different amplification levels, so they can't be compared this way.
I guarentee that if you tested Albini on this, say, by releasing your own CD of Albini's Greatest Hits - because why not, I can do what I want with them. He would be the first one lawyering up to try and stop you.
Probably not, because he's come out before as saying he doesn't care about sites like The Pirate Bay. And I'm sure at least some of the torrents there are of the "Greatest Hits" variety.
Of course, if you're talking about commercial piracy (releasing that CD for sale), then you're arguing a completely different point than Albini was. He was talking about using copyright to control "anyone else that wants to use it or see it," meaning fans and "consumers" - a.k.a. the audience.
Here's the quote in context:
The old copyright model – the person who creates something owns it and anyone else that wants to use it or see it has to pay them – has expired in the same way that around the world you’re seeing structures and social norms [lapse] that were standard for many years.
It’s going to take a lot for the business to catch up to where the audience is, in the same way it takes a while for the church and the laws to catch up to where the people are.
But there is no longer the possibility to exclusively control music through copyright.