Actually, you bring up an interesting subject. In lots of cases it's not the actual artists that sue for infringement, but the estates.
"Dude, you have to hear this awesome song."
"Cool, play it."
"No, you have to buy it first."
The "detective" is the pirate, not the printer!
So if I get caught selling drugs to a cop, can say I was "testing" them?
NYT, and others, keep forgetting that viewers are a good thing, and the more viewers (hits and clicks) the more valuable advertising space is. That business model has not changed.
The industry will hang on to their outdated income streams for as long as they can.
And as long as the industry has insiders as government officials, this will be for a while longer.
It's true. Microsoft and Apple know this, that's why they push X-Boxes and iTunes so hard. No one wants physical media anymore, except for the hold-outs, but they're still spinning vinyl and rolling in Super-8, they stopped factoring them in 1995.
Is it possible, given your higher-than-usual-profile-especially-regarding-the-media-industry-business-model-criticisms, that there were industry shrills planted to disrupt you when you speak?
Isn't "selling music" more than just a copy of the CD, or a concert ticket? I think it's great and important that an artist can "make a living" from their art, and I will always find it bothersome when an organization who's whole purpose is to "make a buck" is the one "defending" the old business models.
Sounds like Blackmail to me, isn't _that_ illegal?
Um, isn't OTA TV and Radio based on this model?
... but using cars instead. It's like suing (or blaming) the car industry for making vehicles that can be used as get-away cars (i.e. crimes.)
Hey BPI (and RIAA/MPAA for that matter) UR DUING IT WRONG.
Don't they have advertising? It's not enough?
Do they, or don't they want us to watch their shows?
Why can't they replicate the content online as they do over cable? And pass the costs over to the advertisers... you know, the whole point of advertising in general.