The War On Fan-Subtitles Comes To Australia in The Form Of Site-Blocking

Copyright

from the block-party dept

One of the more curious fronts in the never ending copyright wars is the one launched against fan-made subtitles. The theory from the entertainment industry goes something like this: these subtitles allow pirates to download movies in foreign countries and then apply the subtitles to view them coherently, therefore it’s all copyright infringement. It’s a dumb argument on many levels, but chiefly because it’s inescapably true that the entertainment industry has done an absolutely terrible job of making sure it releases its own subtitled movies in these same countries and in these same languages. In other words, the entertainment industry isn’t going to serve you foreigners, and we’re not going to let anyone else serve you either. To date, much of this front of the war has been fought in Europe.

But now it’s poised to make landfall in Australia, where a site-blocking request lobbed by a group of entertainment industry players has, for the first time, included fansub sites.

Together the companies filed an application for the broadest-ever blocking injunctionat the Federal Court in Australia. If successful, it would compel Australia’s ISPs to block a record-setting 151 domains related to 77 ‘pirate’ sites.

The list of ISPs in the case is familiar. Telstra, Optus, Vocus, TPG and their subsidiaries are all named as respondents in the case with the addition of Vodafone, which was added after recently entering the fixed-line broadband market.  What is notable about the list is the inclusion, for the first time, of sites such as Subscene, Subsmovies, YIFYSubtitles. As their names suggest, these platforms offer subtitles for the latest movies and TV shows, something that doesn’t sit well with any of the companies involved but particularly Madman Entertainment which specializes in Japanese anime.

Let’s be clear about what this represents. The entertainment industry wants entire websites blocked for helping viewers understand what is being said on in their own native languages. If that doesn’t smack of overreach, it’s hard to imagine what would. This isn’t to say that fansubs can’t be used in combination with pirated movies and shows. They sure as hell can, but that isn’t the only application. The other is that entertainment fans buy the products legitimately, rip them, and then apply the fansubs so they can enjoy what they bought. The fact that such a market even exists makes the obvious point that the entertainment industry is failing at giving customers what they want or, in this case, need in order to enjoy those products. And yet the end result here is bans on entire sites?

Fortunately, the judge overseeing all of this appears to be fairly sober on how big a shift this represents for site-blocking.

As a result, the ever precise Justice Nicholas told the parties to ensure that no stone is left unturned in preparing evidence for the Court.

“You better make sure your evidence in relation to that is particularly thorough,” the Judge said. “There’s some creep here occurring – I don’t say that critically… [but] it’s a new angle so I’ll need to look at that closely.”

That sure sounds like a judge telling the industry that it sure better have the goods if it expects the court to go along with any of this. That isn’t to say Nicholas can’t be convinced with a sub-par response to his request. Perhaps he will be. But from the outset it’s good to see Nicholas realize the importance of this shift and the industry’s creep into areas of site-blocking.

In the end, as is always the case, the bigger point is that attacking fansub sites is dumb. All the recent evidence seems to show that good legal alternatives are the recipe for stamping out concerns over piracy. Site-blocking those actually providing those alternatives, on the other hand, is not.

Filed Under: australia, censorship, copyright, fan subs, site blocking, subtitles