Study Shows How Notice-And-Takedown Reduces Transaction Costs In Making Works Legally Available
from the so-of-course-the-entertainment-industry-wants-to-kill-it dept
We’ve written a few times in the past about research done by Paul Heald on copyright and its impact on the availability of certain content. He’s recently published an interesting new study on how the DMCA’s notice-and-takedown regime facilitates making content available by decreasing transaction costs among parties. As we’ve discussed at length, the entertainment industry’s main focus in the next round of copyright reform is to wipe out the notice-and-takedown provisions of the DMCA. The legacy recording and movie industries want everyone else to act as copyright cops, and hate the idea that notice-and-takedown puts the initial burden on themselves as copyright holders.
However, Heald’s research looks at music on YouTube and concludes that the notice-and-takedown system has actually enabled much greater authorized availability of music, by reducing transaction costs. The idea is pretty straightforward. Without a notice-and-takedown provision, someone who wants to post music to YouTube needs to go out and seek a license. Of course, getting permission from all the various rightsholders is frequently impossible. The transaction costs of getting permission make it such that it’s way too high. Yet, with notice-and-takedown, the person can upload the content without permission, and then the copyright holder is given the option of what to do with it. On YouTube, that includes the option of monetizing it, thus “authorizing” the use. That creates a natural experiment for Heald to explore, in which he can see how much content is “authorized” thanks to such a setup. And the result, not surprisingly, is that this system has enabled much greater authorized (and monetized) access to music than an alternative, high transaction cost system, under which uploaders must first seek out permission to upload everything.
In fact, the analysis shows a tremendous number of popular music hits from the US from 1930 to 1960 are available in what’s likely an authorized (i.e., monetized) fashion, even thought nearly all of it was almost certainly uploaded by those without permission. Under the system that the RIAA and MPAA would like, this would be next to impossible. Instead, they’d want to negotiate deals first, making it nearly impossible for such works to be available, and meaning that both the availability and monetization of those works wouldn’t be happening. As Heald concludes:
Congress should resist calls to dismantle platforms like YouTube which take advantage of current limits on secondary liability to create a marketplace that radically reduces the high cost of negotiating over rights to music and visual content. The access YouTube provides to valuable cultural products is far from perfect, but it provides a partial solution to the problem of disappearing works, at least in the music context. In any event, no new legislative initiative should proceed in the absence of concrete data testing the claim of copyright owners that their proposals make works more, rather than less, available to the public.
Filed Under: content id, copyright, dmca, efficiency, markets, notice and takedown, paul heald, transaction costs
Comments on “Study Shows How Notice-And-Takedown Reduces Transaction Costs In Making Works Legally Available”
If copy protection length lasted a reasonable period of time this wouldn’t be an issue. But thanks to distributors (not authors) with no morals, copy protection length extensions prevent anything from ever entering the public domain.
Still not the best solution
I think it should’ve been made clearer that this doesn’t in anyway reduce the awfulness of the current notice-and-takedown system, it merely points out that the content industry’s proposed alternative is far worse. A notice-and-notice system would provide the same (probably more) incentive to make works available, while reducing the crazy levels of abuse of the notice-and-takedown system.
Why ‘these’ people don’t simply thank their lucky stars anyone cares about their shit is beyond me. Look at the views and determine how to incentivize via deep analytics “OF” the viewz, call Ian at beats and figure some shit out, fractionalize the pie payoff and everyone in congress can do themselves and others a favour by saving more time for “noT” thinking about “what” should be done, even though congress is just doing what the owners who could make more money this way don’t “yet” understand…YET.
Correct me if I'm wrong...
…”In fact, the analysis shows a tremendous number of popular music hits from the US from 1930 to 1960 are available in what’s likely an authorized (i.e., monetized) fashion, …”
Would those be music hits from before 1972? Oh! So they are. Now I wonder why they’re not being challenged…
it has never been about the money, it has and always will be about the control. people are now starting to realise that the entertainment industries want full control of the internet, simply because it gives the best contact to the most customers whenever the industries decide to let something be available and it costs nothing to use the best distribution method ever invented. that goes as well for the post here. they want any and all costs to be to customers and every and all profit to the industries. never before has any industry been so obsessed with control and profit, that it will do anything it can, legal or otherwise, to achieve absolute control of something and every government and all lawmakers are doing whatever they can to help while going against the people whenever they can
I think you are wrong, they want to destroy the Internet because it allows people to self publish, which destroys their business models. Further it is putting huge pressure on timed and regional releases, and regional distributors, which the publishers have manipulated to maximize their profits.
This is still not a reasonable system, due to the arbitary nature of decisions about ‘infringing’ content. It allows amateurs to gamble on a video staying up, and the studios to carry on with their expensive licensing arrangements. It does however make it very difficult for low budget professionals to publish works, as they cannot afford the license negotiations or the loss of revenue if the video is taken down or monetized by someone else.
One of the major flaws of the system is that it does not allow for fair use properly, by making the defense of fair use too expensive, which hurts in particular documentary video making, and videos of real life, like dancing babies, or other interesting or amusing things that people capture on video.
Re: Re:
I think that’s partly true. I also think that the apparent lack of (preferably severe – my opinion) consequences to copyright holders bogus take-down notices and baseless litigation are factors, together with similar lack of consequences to web sites for cooperating with bogus take-down notices are not helping. Sadly, that seems to point in the direction of courts not applying the law as written.
Do we need new law, new precedent, or maybe some of both? That is a question I don’t have an answer for.
Re: Re: Re:
A huge chunk of the problem would go away if the penalties already in place were simply enforced.
Technically, filing a false or bogus DMCA claim is supposed to be treated as perjury, a crime that carries a jail sentence to it. The problem is, an already weak law has been weakened even more over time, such that the idea of anyone but an individual filing false claims against content owned by the big companies, for whatever reason, actually being punished for it… yeah, not going to happen.
And since there’s no punishment, there’s no need for accuracy, so they just submit claims on everything and anything.
Introduce potential jail time to the mix though, and you can be sure that they’d be a lot more careful of submitting claims, and actually check before just hitting submit.
Re: Re: Re: Re:
Technically, filing a false or bogus DMCA claim is supposed to be treated as perjury, a crime that carries a jail sentence to it.
I think it’s only perjury if they knowingly file a false claim. As it’s written now, they can just say “oops” and they’re off the hook. Except there is no hook because perjury is a crime, so a District Attorney / US Attorney would have to file charges, and as you say that isn’t going to happen.
Re: Re: Re: enforcing Jail time ...
With the coming decriminalization of MJ in more and more states the various private penal institutions need to find a replacement customer base.
Enforcement of this penalty would replace the current client base with one willing and able to pay for upgrades to their designated stay. The added benefit would be more openings for new law and MBA graduates.
Why is it these poor put upon corporations should have to spend any of their record profits to protect their monopolies?!
They already a spending as little money as possible on their failure of a program to stop piracy by flooding 3rd parties, not actually hosting the content, with wild demands that things be magically removed.
They are fighting so very hard to keep time from moving forward and hold onto the glory days of the past, convinced that there is no money in digital, completely ignoring the record profits coming in from digital sales.
I mean we totally need to change the laws to be more unbalanced to protect these corporations and open up more abuses of the public, who cares if they are the largest ignored stakeholder in all of this… someone might hear a birdsong that a computer thinks sounds like a real song and not get them paid!!!!! Babies might dance to the barely audible music in the background, that someone will figure out how to turn into an MP3 and use to blow up the planet!!!
We totally need to nuke the net from orbit and go back the the gramophone and allow corporations to hold back all of society.
Re: Re:
Hear hear – it’s about time the peasants learned their place, they should be kissing the ground upon which their overlords have walked.
Re: Re: Re:
They have the right to do that, damn it! /sarc
Property that can walk
Compare to what happened 3 mo. after CW ended.
Freedmen’s Bureau Records: L. P. Dangerfield to [unknown], July 15 1865
Rock Spring
Dr Sir
At a meeting of the citizens of the county on the last court day they passed a resolution that no one should hire the servant of another without the written permission of his master and as I had done so on the verbal statement of your servant that such permission had been granted but without having any written [added: permission] from you I at the request of the Boy write that he may get your consent to hire to me if you dont want him yourself. I have a great deal of work to be done and am in very great need of a hand being myself very weak handed. The neighbors are very much down on me for hiring him under the circumstances but I assure you I did it in good faith not intending anything wrong towards anyone.
Very Respectfully Your Friend
L. P. Dangerfield
Forgot something
> availability … of those works wouldn’t be happening
I think you meant “legal availability”…
“Wipe out” is false to a fault. Attempting to strike a fair and equitable balance is hardly unfair.
Re: Re:
I fail to see how your first statement is connected with your second. Please explain.
Re: Re: Re:
This site would have you believe that rights holders are angling to place the entire responsibility f
moving infringing marerial on service providers. This is patently untrue as Masnick well knows.
Re: Re: Re: Re:
Apparently we disagree with how we read the articles then, from how I see it, TD pushes the idea that it is, and should be, solely the responsibility of rights holders to find, identify, and file claims on infringing works, as they’re the only ones who can reasonably be expected to know what is, and is not, actually infringing.
To a third party, they have no way of knowing if a given file is infringing or not, as who put it up and under what circumstances can totally change the legal status of it.
Re: Re: Re: Re:
Re: Re: Re:2 Re:
Perhaps you would be so kind as to provide specific examples that support your overly broad characterization of what rights holders believe and are attempting to secure. Take you time showing this to be the majority view. It will not be one that is easy to sustain.
Re: Re: Re:3 Re:
Along that same tangent, perhaps you could explain why ISPs are being asked to protect the copyrights of others. You might even attempt to rationalize why websites should police their user submitted sections to protect the copyrights of others.
I submit that neither of the above scenarios make any sense.
Re: Re: Re:
TD – Hey rights holders. It is your work that is being infringed, and if you want to protect it thai is entirely your problem to solve. Leave service providers alone. They have better things to do than worry about your problem, even though numerous instances of obvious infringement remain on their site. Fairness represent some form of shared responsibility, though what form fairness should/could take can span a wide range of possibilities.
Re: Re: Re: Re:
Hey rights holders. It is your work that is being infringed, and if you want to protect it thai is entirely your problem to solve.
Though I suspect that was meant as sarcasm, yes actually, it is their problem, other people/services/companies are not beholden to help them beyond what the law requires, no matter how much some of them might wish it otherwise.
As for the ‘numerous instances of obvious infringement’, file a DMCA claim on it, and if it really is that obvious, then odds are good it will be pulled, but again, they are not beholden to rights owners to proactively police that stuff, and in fact shouldn’t be expected to, as what is infringing, and what is not, is not nearly as black and white as you seem to think it is.
Re: Re: Re:2 Re:
Given reports that in many instances infringing content appears hundreds, if not thousand of times, on service provider sites, and that in such instances such sites are many times inclined to limit their actions to simply one infringing link at a time (even though only one who is brain dead would fail to make such an observation…what red flag knowledge was meant to address), to say notice is right and just to place as a burden solely on a rights holder is tantamount to saying “Go ahead…it is your problem, and frankly we do not care how many times you have to repeat what we could do with greater ease.” Yes, that is a really fair and balanced system. Get real!
Re: Re: Re:3 Re:
Your claim relies on what is not happening, that is a person looking at every upload. Further, Even if the content is recognized, the services have no way of knowing what is licensed and what isn’t. The service providers are rightly saying we do not know what you have licensed, so how can we decide what to take down.
Re: Re: Re:4 Re:
Of course, most record labels and movie studios license the distribution and performance of their products in advance of official release. How could I have possibly overlooked this?
Are you daft, or is there something else that motivates you to look for excuses?
Re: Re: Re:5 Re:
They are expecting others to use a crystal ball to determine whether something has been licensed or not, and finding a working crystal ball is harder than finding hens teeth.
Only the publisher know what licenses they have granted. Unless they put both the content, and license up in s searchable database, ISPs and other service providers do not know what has been licensed, and what is infringing. Even the labels have been known to take down content that they put up, and they are the ones with the necessary information to know what is licensed and what is infringing.
Re: Re: Re:6 Re:
No…a publisher/rights holder oftentimes does not know what licenses have purportedly been granted, and even if it did it has no realistic and reliable way of identifying whether or not a specific copy is the subject of a lawful license. Add to this a bit or realism…thousands of copies can be uploaded in seconds, and yet you seem to expect that a rights holder must spend every waking moment tracking them down. This is an impossible task, which is precisely why the current provisions of the DMCA are being discussed in order to identify possible paths forward that reflect a fair allocation of responsibilities. It was originally believed that “red flags” would help, but courts have reduced that idea to a virtual nullity.
Re: Re: Re:7 Re:
If they do not know what licenses have been granted, then how is anybody else meant to know what is or is not licensed…. magic?
Re: Re: Re:8 Re:
Yes, they must use magic as it is the only way – and it just so happens that I have a patent on what you seek. The terms of use are quite reasonable.
Re: Re: Re:7 Re:
Then the law is broken. I mean, seriously? Your response is ‘Why should we police it, when others can pay for us?” Which…is the whole basis behind the DMCA.
Re: Re: Re:7 Re:
No…a publisher/rights holder oftentimes does not know what licenses have purportedly been granted
Thus demonstrating conclusively why it’s MORONIC to argue that service providers should magically know.
and even if it did it has no realistic and reliable way of identifying whether or not a specific copy is the subject of a lawful license
And yet… you think service providers should be liable if they don’t magically figure out the very thing you’re now claiming the rightsholders themselves can’t figure out.
Are you serious?
Add to this a bit or realism…thousands of copies can be uploaded in seconds, and yet you seem to expect that a rights holder must spend every waking moment tracking them down.
Clearly not the case, since so many use a variety of automated services. Besides, in the alternative you have a much more ridiculous situation in which the service provider — with no insight or knowledge into the legality of a work — would need to do the same.
This is an impossible task
And you want to make it more impossible by dumping it on a party with LESS knowledge into what’s legal. Again, are you mad?
Re: Re: Re:8 Re:
If a rights holder was able to magically do everything you seem to demand, I have not the slightest doubt you would find some other hook to hang your hat on decrying all manner of other terribles being visited upon service providers.
“My goodness. Look at all the time being wasted by innovators having to send out notices.” “What, you the rights holder actually want the name of my subscriber, and are trying to get their name using long accepted legal procedures?” “Give me a break. Why should I have to cancel the account of someone who repeatedly breaks the law?”
The DMCA incorporates an exception to some tort law doctrines regarding secondary liability. Without the exception service providers would have much more skin in the game and would have to pay much more attention to what is transpiring at their site. It hardly seems fair to lay everything at the feet of rights holders when historical data demonstrates an imbalance of burdens that arises because of the exception.
Re: Re: Re:9 Re:
Except that rightsholders often demand the above information on a scale of massively, on the expected speed of instantaneously.
If you’re going to demand someone’s name to drag through the courts and wear them down through legal attrition you’d damn well better make sure you’ve got the right person, not some unlucky sod who doesn’t even have a computer.
Unfortunately rightsholders have frequently been proven to be incapable of the trust and responsibility to possess that sort of power.
Re: Re: Re:9 Re:
If a rights holder was able to magically do everything you seem to demand, I have not the slightest doubt you would find some other hook to hang your hat on decrying all manner of other terribles being visited upon service providers.
Moving the goalposts I see.
You claimed, directly, that it was impossible for rightsholders to determine what was licensed and what was not — and that was a reason that the burden should be on unrelated service providers.
I pointed out that your own argument nullified your own argument.
And you ignored it and went with snark.
Because, once again, we’ve called you out for your ridiculous claims. And, once again, you will never admit that you made a ridiculous argument that proved your own argument was wrong.
The DMCA incorporates an exception to some tort law doctrines regarding secondary liability. Without the exception service providers would have much more skin in the game and would have to pay much more attention to what is transpiring at their site.
This is undoubtedly true. And, as we’ve pointed out repeatedly (though you ignore it) the end result of having to “pay much more attention” would be massive censorship that served to shut off all sorts of legitimate forms of communication, and which would likely lead to many service providers no longer allowing open communications because the threat of liability is too high.
You may like the idea of fucking over the public so that broadcasters go back to having a controlled platform, but I do not. I find it disgusting.
It hardly seems fair to lay everything at the feet of rights holders when historical data demonstrates an imbalance of burdens that arises because of the exception.
False equivalency. There is no “imbalance of burdens” at all. The burden is properly placed on the only party in a position to know what is, and what is not, infringing. As you yourself has demonstrated, the possibility that the service provider could have such knowledge is “impossible.”
And yet you wish to put that burden on them, clearly knowing that the risk of liability will almost immediately turn open platforms like YouTube into closed platforms like Hulu. To people like you, this is a “benefit.” To the public it’s a disaster. But years watching you work has made it clear that your entire focus is on helping the powers that be fuck over the public.
Re: Re: Re:10 Re:
I never ceased to be struck by your clear unwillingness to consider even the mere possibility that perhaps the allocation of burdens should be reconsidered in light of historical data.
Re: Re: Re:11 Re:
I never ceased to be struck by your clear unwillingness to consider even the mere possibility that perhaps the allocation of burdens should be reconsidered in light of historical data.
But you are asking for reallocation of burdens that are unachievable.
That service providers should remove or disable instances of infringement when pointed out to them has already been established. They already do this right now.
You are now asking for the service providers to determine whether infringement occurred without giving them enough information to make such decision.
The rights holder MUST provide the service providers with the information needed. It can be a blacklist system, like we have now with notice and take-down or a whitelist system where the rights holders identify the authorized instances. Either way, providing the information HAS to come from the rights holders and cannot be reallocated to the service providers because they have no way of knowing what is authorized or not.
This is why just about every response to you has pointed out that what you really what is a “magic” system where the service providers do all the work and the rights holder reap all the benefits without lifting a finger. That’s crazy talk.
Re: Re: Re:11 Re:
“Waaaah, I want to sue grandmothers and I want you to pay for it, waaaah”
Re: Re: Re:11 Re:
“to consider even the mere possibility that perhaps the allocation of burdens should be reconsidered in light of historical data.”
If you have a real, solid argument for why and how service provers should be “allocated” any of the work of determining what is or is not infringing, I’m totally willing to consider it.
As of now, I’ve yet to hear such an argument. You haven’t even made one yourself. So, what is it?
Re: Re: Re:11 Re:
Your position appears be that Internet service providers must stop infringement, without any assistance from the publishers, labels and studios. This is the same as saying give up providing services to users that include the ability to find and share files. This would prevent legal actions like self publishing, sharing family videos and etc. which would coincidental remove a potential major competitor to their business.
Re: Re: Re:12 Re:
That is precisely their position: that any content not explicitly provided and licensed by publishers, labels, or studios are infringing because it didn’t go through the proper channels of control and profiteering. If you self publish, create viral videos, or do anything else creative without signing your work over to them then you are infringing on their right to make money off of your work.
Re: Re: Re:5 Viacom vs. YouTube
Re: Re: Re:3 Re:
…on service provider sites, and that in such instances such sites are many times inclined to limit their actions to simply one infringing link at a time (even though only one who is brain dead would fail to make such an observation…what red flag knowledge was meant to address)…
That’s asking for the impossible. Copyright infringement isn’t recognizable by the content alone, it’s an actionable offense based on the circumstances of usage.
If the rights holders want a system that comes close to “magically” removing all instances of infringement, then the rights holders need to provide a whitelist, since only they actually know what’s authorized or not.
Moving copyright back to “opt-in”, where registration is required, would be a fine place to start creating such a whitelist.
Re: Re: Re:4 Re:
Opt-in is not a solution since what it does do is mandate certain formalities before copyright attaches. Assuming this was a requirement, no doubt service providers would fall back on “But how are we supposed to know if that specific file uploaded all over the place on our site is an infringing copy? No, you have to check each out and then let us know before we are willing to take any action.”
Guess that it is a bit difficult for them to use keywords as a first cut for possible problems…words like “hack”, “keygen”, “serial numbers”, etc., etc.
Re: Re: Re:5 Re:
Opt-in is not a solution since what it does do is mandate certain formalities before copyright attaches.
Why is that a problem, exactly? It’s how copyright worked prior to 1976.
Assuming this was a requirement, no doubt service providers would fall back on “But how are we supposed to know if that specific file uploaded all over the place on our site is an infringing copy? No, you have to check each out and then let us know before we are willing to take any action.”
The rights holders would certainly have to be proactive in maintaining and updating such a whitelist. But again, I’m not sure why that’s such a burden, since the rights holders ARE the one benefiting from an exclusive right to monetize the works.
Guess that it is a bit difficult for them to use keywords as a first cut for possible problems…words like “hack”, “keygen”, “serial numbers”, etc., etc.
Because, once again, depending on what and how the “hack”, “keygen” or “serial number” is used determines infringement, not just whether it exists or not.
Re: Re: Re:6 Re:
Service providers are generally not charities and do secure a financial benefit from “introducing” users of their services to copies that are unlawful. And, again, in many, many instances one has to be brain dead to not recognize a file as being unlawful, particularly when such a file is included with a host of other recognizable files uploaded by a single user.
Re: Re: Re:7 Re:
I suppose all the files in these uploads were infringing.
/s
Re: Re: Re:7 Re:
“Service providers are generally not charities and do secure a financial benefit from “introducing” users of their services to copies that are unlawful.”
This sounds like a generalization for which there is no supporting evidence.
File sharing is not illegal. I assume you have fallen into the bad habit of referring to copyright infringement as file sharing – the two are not the same. To wit, the computer you used to post your comment(s) on this website did so by sharing files with the server operated by the ISP you do business with. Said ISP server then shared those files with multiple routers/switches en route to the TD servers. File sharing is ubiquitous on the internet, but not necessarily in the way you think.
Re: Re: Re:8 Re:
An inane comment. Distributing a file to others that you have the lawful right to distribute is a situation where perhaps “sharing” may be an appropriate appellation, but distributing a file without lawful authority to do so is not at all “sharing”…a distinction that so many here and elsewhere choose to ignore.
Re: Re: Re:9 Re:
That’s great, now, answer me this, how is a third party, like the service hosting the file, supposed to know who does, and does not, have that ‘lawful right to distribute’?
You yourself noted above that even the rights-holder can at times not know what’s licensed or not, so how in the world are third parties supposed to know, magic?
Re: Re: Re:10 Re:
Please…a service provider hosting a file from a major studio that is not scheduled for theatrical release for several months is beyond the ability of that and all other service providers to recognize as something being amiss?
Re: Re: Re:11 Re:
Two points:
1) Not. Their. Problem. The law as it currently stands does not force one industry to spend time and money working for another industry as their enforcers, if the labels/studios want infringing works to be pulled, it’s up to them to find it and file a claim on it.
2) And how are they supposed to know it’s there without the copyright owner pointing it out to them?
Smaller service providers are likely dealing with tens, if not hundreds of thousands of files on their services, not only are they not obligated to search through all that on a regular basis, if would be a herculean task to ask them to do so for all the potential infringing files, especially given a point you seem determined to refuse to admit, that of the fact that they cannot know what is and is not authorized.
Re: Re: Re:11 Re:
That requires the service provider to keep track of what each studio is producing, and when it is due for release. Therefore what is obvious from a studio perspective is far from obvious to anybody outside of the studio, unless they are tracking what the studio is up to, which they are not required to do. Therefore what you are claiming as obvious is only obvious to someone in the know, especially if there is no formal database of films, including up coming releases. Also under those conditions, software cannot flag the file for further investigation, as there is nothing to match it to.
Re: Re: Re:9 Re:
“An inane comment”
Your pov, I see it as being relevant.
“File sharing” is inappropriate when referring to copyright infringement.
Re: Re: Re:6 Re:
I guess a file I saw sometime ago identified as “By-pass Microsoft Activation” must have been a file licensed by Microsoft. Let’s bring some reality into the discussion instead of looking for unrealistic excuses to lay everything at the feet of a single party.
Re: Re: Re:7 Re:
Let’s bring some reality into the discussion instead of looking for unrealistic excuses to lay everything at the feet of a single party.
Funny thing to say, given you seem to be wanting to lay all the work on service providers to act as copyright cops, instead of the copyright owners.
However, realistic examples, I can certainly do that. From the following examples, tell me which are A) Infringing, or B) Not infringing.
As you seem to fall under the ‘Infringing files are obvious and easy to spot’ category, and moreover expect third parties to decide the legality of files based on what limited information they have, you will only be given what information they’d have, the name and file type.
1. A text file named ‘Harry Potter collection’
2. A video file named ‘Night of the living dead’
3. A set of archive(zip, rar, whatever) files named ‘Horror movies’, ‘Actions movies’, ‘Sci-fi movies’ and ‘Fantasy movies’
4. An mp3 file with the name of a big name musician and one of their latest songs.
Re: Re: Re:5 Re:
So you are claiming that without any list of copyrighted works and licensed uses, various people are expected to determine which copies of a work are infringing, and which copies are licensed. There is also the little problem of fair use to be considered. That is not a problem that can be solved by people or algorithms, as the necessary data to do so is not being made available.
Re: Re: Re:6 Re:
Jeez…bring out the canard “fair use”, and if that fails bring out some other provision that you utilize to ignore that two parties are dealing with one another…a rights holder and a service provider.
Re: Re: Re:7 Re:
You failed to address the main point, without a list of copyrighted works, and associated licenses, how are service providers meant to determine what is infringing, and what is not?
It is obvious is not a valid answer, as it assumes a level of information you are unwilling to provide.
Re: Re: Re:5 Re:
Opt-in would, at the very least, provide a mechanism by which it could be determined if a particular piece of content is actually meaningfully copyrighted or not. Right now, it’s the next best thing to impossible to determine this.
Re: Re: Re: Re:
What exactly do you mean by “service provider”?
Re: Re: Re:2 Re:
17 USC 512(k)
Re: Re: Re:3 Re:
“Leave service providers alone. They have better things to do than worry about your problem, even though numerous instances of obvious infringement remain on their site.”
Where are these instances you claim exist? I am not aware of any infringing material located on the servers run by the business which provides me internet access. Perhaps you have conflated service provider with website.
Re: Re:
And when they actually try and ‘strike a fair and equitable balance’, you might have a point, but so far all they care about is ‘Everything for me, nothing for you’, and offloading any responsibilities or cost they might otherwise have onto everyone else.
An aspect of copyright law law liability that largely goes unnoticed is a doctrine that goes by various names, including vicarious liability. The most notable cases involved the proprieters of flea markets where renters of selling spaces were selling goods infringing copyright, trademark, and various other federal and state unfair competition laws.
Cases like these entered the debate concerning Section 512 of the DMCA. The benefits of promoting the growth of the web were a major factor in crafting a statutory accommodation exempting liability so long as certain criteria were observed. While the current version of the statute is satisfactory in many instances, it does impose a burden on rights holders that in many instances is arguably unfair.
To my knowledge no one is advocating the wholesale elimination of rights holders burdens. What they are advocating are possible changes to Section 512 that may better align the respective roles of rights holders and service providers.
Re: Re:
What is even more unfair is trying to make third parties liable for massive damages because they did not take action because of lack of knowledge. There is no reliable way for an algorithm to recognize content without having a validated sample available to compare against. Further there is no way to know what are authorized up loads when there is no practical way to know what permissions the up-loader has. For intance The MPAA and RIAA members made significant use of MegaUpload including paying for premium accounts.
Re: Re: Re:
Secondary liability has been a part of US jurisprudence, having it origins within English common law. This is hardly a new concept that magically arose in the context of US copyright. This is neither the time nor place to engage in a detailed discussion of why non-actors can be held liable for the actions of perpetrators. Suffice it to say that it is real, it exists, and it results from the longstanding examination of equities. Also suffice it to say that in most situations it is not a strict liability tort, so the gnashing of teeth that seems to occur here at its mere mention is largely unwarranted.
This said, the DMCA does take this concept into account, and in its drafting sought to ameliorate somewhat its impact on online service providers. Apparently some here believe this mainstay of tort law simply has no place online because, well, it is online and that makes it special. Most assuredly it does not because tort law reflects the actions of people and their relationships, and these actions and relationships hold true even in the digital world.
Re: Re: Re: Re:
Apparently some here believe this mainstay of tort law simply has no place online because, well, it is online and that makes it special.
No, it is you who is wanting to make special provisions because it is online. Automobile manufactures don’t get blamed for illegal uses of their vehicles, so why should ISP’s be blamed for how their customers use the tools they provide?
Most assuredly it does not because tort law reflects the actions of people and their relationships, and these actions and relationships hold true even in the digital world.
And so does copyright law, online and offline. It’s also dependent upon the actions of people and their relationships to determine if infringement occurred. It cannot be determined by the existence of the content alone.
What you are asking for would be tantamount to asking Ford Motor Company to vet each and every car buyer prior to purchase so that Ford could be held liable if someone speeds with one of their cars. That is not what we do in the offline world – we hold the individual responsible for their own actions. It’s you who seems to think the internet requires a different set of rules where you get blame the entity with the largest pocketbook, instead if those who are actually responsible.
Re: Re:
Sounds like someone just hates it when due process is enforced.