Will 'Clipart Covers' Find Itself Staring Down The Barrel Of A Lawsuit?
from the next-idea?-using-clipart-to-recreate-iconic-stock-photos dept
*"Immediate future" defined as anywhere from 30 nanoseconds to one week.
Here are a couple of examples:
Très amusant, non? Just a little friendly derivative artwork with no greater purpose than a few lols. But is it actionable?
Good question. The site creator has even avoided the potentially litigious pitfall of hosting the original artwork for comparison and it would seem that the artwork here is transformative enough to avoid legal action and would definitely fall under most people's definition of "fair use." In fact, it would even fall under one legal interpretation of fair use, specifically Blanch vs. Koons, in which the court stated that Koons' use of a fashion photo "added something new, with a further purpose or different character, altering the first with new expression, meaning, or message."
Which brings us to the handcrafted term "Maiseling"... As Techdirt readers will surely recall, a re-done album cover touched off an internet shit storm a few months ago. An 8-bit remake of the album cover for Miles Davis' "Kind of Blue" turned into a lose-lose situation for Waxy.org's Andy Baio, who settled with album cover photographer Jay Maisel rather than risking a much larger amount attempting to have a court recognize it for what it was: fair use.
It's entirely possible that the creator of Clipart Covers will never face legal action for
And I'm sure the critics will be (s)trolling through the comment threads soon enough, throwing around words like "ripoff" and "uncreative," and citing their unproven ability to create art in a vacuum. To them I say, if you want people to "respect" copyright, you need to treat it as a tool for the common good rather than a pecuniary weapon. You also need to realize that when people put together something like Clipart Covers, they're not doing it to flaunt copyright or disrepect the original artists. They're doing it to be part of a shared cultural experience, something aggressive copyright holders seem to actively disdain.