George Clinton Explains How Bridgeport Allegedly Faked Documents To Get His Music Rights
from the cut-and-paste,-yo dept
Bridgeport claims ownership to the majority of P-Funk's music by using a forged document from 1983 dealing with the transfer of the Malbiz catalog of songs. Armen Boladian has admitted in court that he signed George's name, changed wording of the contract w/o notification, and practiced these same tactics on numerous other documents. Essentially Bridgeport acquired the music through theft, coercion, blackmail & other highly dubious actions.Clinton has also put up a new video that appears to show Armen Boladian being deposed concerning these issues, implying strongly that he altered documents (the edits make it difficult to confirm the full accuracy of the questions Boladian is answering -- but assuming the edits are accurate, that's the picture the video paints).
Of course, all of this seems to highlight the sheer insanity of "ownership" around "rights" in a song. You can't see it. You can't hold it. You can't block it off. The "rights" are fictions. They're whatever is on a piece of paper, and people can edit and change the paper. That's not property. It's an imaginary figment.