from the copying-is-not-theft-or-strangulation dept
Five Years Ago
This week in 2010, the move to a new type of mass media was accelerating across the board: more people were giving up TV across the board and smart artists were trying smart business models like the classical orchestras using CwF+RtB. The old guard, as usual, was having trouble catching up: Fox and Universal both wrangled release delay deals out of Netflix; copyright threatened the best thing to come out of the second Star Wars trilogy; broadcasters were still futilely trying to push mobile TV; a book publisher was threatening US fans for ordering from overseas instead of waiting for a local copy; and the RIAA was insisting that musicians can't make money without it (while an Australian recording industry group was trying to claim copyright on a photo of a piece of paper). All the while, we were noting that protection of content has to come from the business model, not the law or technology.
Also in 2010: the Library of Congress announced that it would begin archiving tweets; we noted that the real problem with internet comments isn't anonymity; we wondered whether intellectual property is a violation of real property; and, even if it's not, we certainly agreed with Nina Paley's video underlining the fact that copying is not theft:
Ten Years Ago
This week in 2005, we proposed a code of conduct for the recording industry (which they immediately took to heart, obviously). Perhaps we should have suggested one for Comcast too, since it was sued for handing subscriber info over to the RIAA. And ones for Microsoft and AOL, who were trying (and failing) to make the internet work more like television. Meanwhile, in these pre-YouTube-acquisition days, Google quietly launched its own video upload feature (remember Google Video?)
Video games entered a new phase of maturity in 2005 as people began to realize they could have bigger aspirations: the UN made one to educate people about world hunger, others were building games geared at teaching kids, and still others were building games to teach literacy and cultural sensitivity. Amidst all this, some were discovering the zen of button mashing.
Fifteen Years Ago
Well, this is when it happened — this week in 2000, Metallica sued Napster. At the time we considered it "silly" and "ridiculous" — little did we know just how historic a case it would become. At the same time, people were realizing that MP3s were good for a lot more than just music.
Broadcasters were much more optimistic back then, claiming they weren't scared by the internet. The big device showdown at the time was between BlackBerry and Palm. Ireland was turning itself into a tech hub, while some people were worrying that earthquakes could knock out Silicon Valley. We discussed the future of RealNetworks (it still appeared to have one, as did OS/2) and of the wireless world (realizing it might not be based on WAP). Of course, some people were still just convinced that the internet is evil.
Thirty-Three Years Ago
You've all heard the quote, here on Techdirt and likely elsewhere as well. It was this week in 1982 at a congressional hearing about the home recording of copyrighted works that Jack Valenti, then-head of the MPAA, served up his infamously absurd analogy:
I say to you that the VCR is to the American film producer and the American public as the Boston strangler is to the woman home alone.
This statement might have held true if over the next few years the Boston Strangler became the number one source of revenue for the entire woman-home-alone industry. Alas, this was not the case.