Appropriation Artist Makes Paintings Out Of WSJ Stipple Images... Pisses Off Stipple Artist

from the brewing-legal-battle? dept

If you're sitting around waiting for the Shepard Fairey lawsuit to move forward, here's another brewing situation to follow. As you probably know, the Wall Street Journal is famous for its "stipple" illustrations of various newsmakers -- in fact, some people consider it to be quite an accomplishment in life to be memorialized in a WSJ stipple image. Appropriation artist Jose Maria Cano obviously recognizes this and has created a series of paintings called the Wall Street 100 -- made up of large painted versions of the WSJ's stipple images. There's no effort, whatsoever, to disguise this. In fact, the painting even include snippets of text around the images:
The fact that the collection of images is called the Wall Street 100 might be another tipoff. And yet... the WSJ stipple artist who created the original Obama stipple that was used for the image above is pretty upset about all of this, and says that the Wall Street Journal legal team "is on top of this case." If this actually turns into a lawsuit, there's probably a much stronger copyright claim here than in the Shepard Fairey case, but again, I'm left wondering what good this would do. The complaint from the original artist, Noli Novak, isn't about money (she doesn't even own the rights to the images), but about Cano getting credit for her artwork -- even though it's pretty clear that Cano's work was simply making paintings out of the WSJ images. Cano seems to be doing standard appropriation art, taking something from elsewhere and turning it into "artwork." While you can understand why Novak might be offended, it's difficult to see what sort of "loss" there is here that's worth being concerned about. Why not just be happy that someone decided the little stipple drawings were worthy of being ripped from the newsprint and turned into serious art?

Filed Under: appropriation art, jose maria cano, noli novak, shepard fairey, stipple art, wall street journal
Companies: news corp.


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  1. identicon
    Shell, 14 Oct 2009 @ 3:57pm

    Re: Re: Re: Re: Re: Maybe because it's not "serious art"

    Uh...I thought it was pretty clear I was basing my opinion on my personal experience rather than fact. You must've brought your own issues to this discussion.

    I use both traditional ink and bristol as well as CS3 and a Wacom. They are very different tools and neither is better than the other and it's all up to the preference of the artist. For the record, I love my Wacom too; but when you're stippling it's an up-and-down motion like a sewing machine rather than strokes, hence the difference in how the nibs feel.

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