Entertainment Industry Lawyer Predicts The Demise Of Free Culture
from the logical-inconsistencies dept
But, indeed, that appears to be what Castle is saying, predicting the demise of free culture based on some incredibly weak logic that doesn't pass the basic laugh test. I read the whole thing a few times and the logic was so twisted that I finally had to try to work backwards to figure out what he was claiming, and eventually realized that his position on copyright seems to coincide with Douglas Adam's old saying:
1) everything that's already in the world when you're born is just normal;So how does this apply to Castle's logic? Well, as far as I can tell, Castle's logical thought train runs as follows:
2) anything that gets invented between then and before you turn thirty is incredibly exciting and creative and with any luck you can make a career out of it;
3) anything that gets invented after you're thirty is against the natural order of things and the beginning of the end of civilisation as we know it until it's been around for about ten years when it gradually turns out to be alright really.
- Free culture is an economic fallacy, and is close to its demise.
- Pop culture is important in winning over the "hearts and minds" of people who hate us
- The only reason pop culture exists is because people earn money from it
- Free culture fanatics don't get any of this and think that there's a battle going on between Silicon Valley (innovation) and Hollywood
- These clueless free culture idiots are demanding government-mandated licenses and government-mandated prices
- They claim this is needed because of market failure.
- But there is no market if we don't respect "basic economic rights" (i.e., "copyright")
- If we don't respect those "basic economic rights" then the internet gets polluted with junk
- Then pop culture creators are lost forever, because they can't make money
- So, the government must protect these "fundamental economic liberties" (i.e., "copyright"), but not do anything else, because then we might not win over the hearts and minds of our enemies.
- Because of that, we're witnessing the end of people believing in this bogus idea of free culture.
And, of course, there are tons of other logical fallacies in this piece. Even if we grant that points 2 and 3 are true, he seems to be jumping back to that old lie that support of "free culture" means that artists don't earn money. It's a fallacy that runs throughout the piece, and of course is totally bogus. We've spent about a decade chronicling ways that content creators are embracing "free culture" and making more money because of that. It's getting ridiculous how many times it needs to be repeated but: giving away ONE THING for FREE, does NOT MEAN that you don't make money. Once you recognize that, Castle's entire argument falls apart (as does the entire reason that Arts+Labs exists... but that's another issue).
The other characterizations that Castle makes about "free culture" supporters are total strawmen. While there may have been some who set up a "battle" between Silicon Valley and Hollywood, I actually don't see that very much at all. I live in Silicon Valley and am pretty involved in talking about these issues with plenty of people, and it's rarely framed that way at all. Most folks are simply looking at ways to help enable the market to be more efficient, knowing that doing so benefits everyone. There's no "against" anyone -- other than those who want to somehow block this efficiency because they prefer to rest on their laurels and old gov't granted monopolies. The innovators in Silicon Valley aren't trying to stick it to Hollywood. They're trying to provide better tools to enable content creators of all kinds to create, share, promote, distribute and experience content.
Also, I'm curious which "free culture" academics "beat the drum for a government-mandated compulsory license and government-mandated pricing for all content." I've yet to see any. Yes, there are some who have suggested voluntary licensing, but I'm not aware of any who are pushing for government mandated pricing of all content. I, for one, am vehemently against such things.
Finally, after bashing these "free culturists" for not understanding "basic economics" and insisting that free culture has no economic basis, Castle flunks his economics final by stating: "Absent these rights there is no market, and therefore there can be no market failure." I may have to break out the red grading marker on this one to explain the F grade. Mr. Castle, I'm afraid you've incorrectly defined your market. It's a rookie mistake. "Free" doesn't mean there's no market. Down there in sunny Los Angeles, television has been quite a successful business... which gives its content away for free. And it works, because they put in place a business model that leverages the free content to make money. How hard is it for Castle to realize that there are other business models for the music industry as well? How many examples must we show before he realizes that free doesn't mean you don't get paid? And, finally, why is Arts+Labs allowing such ridiculously illogical thinking to appear on its website as commentary?