Want To See How Pointless Shutting Down OiNK Was?

from the the-hydra-at-work dept

When the file sharing system OiNK was shut down last week, we pointed out how silly it was for the recording industry to go after such a site. The RIAA has been shutting down sites like that regularly for years, each time claiming that it was a significant blow against piracy... but then many more new services would pop up, each one more underground than the last, and the amount of file sharing would increase. In other words, this was a strategy that doesn't work at all. Predictably, some folks came by to attack us in the comments, insisting (incorrectly) that having your music on file sharing sites meant you couldn't make money and that the RIAA needed to shut down these sites as a "deterrent." That, of course, is ridiculous. The simple fact that every time these sites get shut down more open up and more people use them shows pretty conclusively that it's never been a deterrent before, so why would it start this time? In fact, as TorrentFreak is monitoring, a bunch of new sites have quickly sprung up, attempting to replace OiNK. In other words, by taking down this one site, the recording industry has just helped create a bunch more, many of which will build up pretty strong followings. The end result doesn't make things better for the recording industry -- it makes things worse. So why do they keep doing it?

Filed Under: file sharing, significant blows

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  1. icon
    PaulT (profile), 1 Nov 2007 @ 5:27am

    Free is the way to make money

    Before we start getting the usual deluge of RIAA shills (oops, too late, look at the idiotic 1st post), this is a timel;y article as I've just given my money for a 'free' album.

    The Trent Reznor produced Saul Williams album "The Inevitable Rise And Liberation Of Niggytardust" was released today. There was a pre-order period where you could choose to pay $5 or $0 for the album (though unlike the Radiohead model, the tracks for paid downloads are lossless and include a liner note/lyrics PDF).

    Not being familiar with Williams' work, I opted for the free download. After listening, I decided there were enough good tracks worth paying $5 for, so I did. I probably wouldn't have come across this album if it weren't for the free option.

    So, giving away the album has made Reznor and Williams richer (at least from my pocket). Selling the album traditionally would have netted them nothing. That's how free works.

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