Don't Post This Cease-and-Desist Letter, Or Else

from the let's-test-that-theory dept

Greg Beck writes "In an apparent attempt to avoid the Streisand Effect, lawyers sending threat letters sometimes claim that the recipient would violate the firm's copyright by posting it online. This post is about Public Citizen's response to one dumb threat letter and its decision to post the letter online despite the copyright claim." It's funny how popular it has become for lawyers to claim it's illegal to post or even show anyone their cease-and-desist letters. Remember: just because a lawyer says so, it doesn't mean it's true. You can see Public Citizen's response to the letter (pdf), which lays out a variety of reasons why the cease and desist is ridiculous (it's yet another attempt to force criticism offline) and ends with a fantastic response to the claim that the original C&D is covered by copyright and cannot be posted online without additional charges: "By this letter, we are inviting you to test the validity of your theory that the writer of a cease and desist letter can avoid public scrutiny by threatening to file a copyright law suit if his letter is disclosed publicly on the internet." Somehow, I doubt the opposing lawyer will test out this theory.

Filed Under: cease and desist, copyright, streisand effect


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  1. identicon
    da, 8 Oct 2007 @ 3:14pm

    Re: Re: copyright

    Also following section at http://www.copyright.gov/circs/circ1.html.

    How to Secure a Copyright
    Copyright Secured Automatically upon Creation

    The way in which copyright protection is secured is frequently misunderstood. No publication or registration or other action in the Copyright Office is required to secure copyright. (See following note.) There are, however, certain definite advantages to registration. See “Copyright Registration.”

    Copyright is secured automatically when the work is created, and a work is “created” when it is fixed in a copy or phonorecord for the first time. “Copies” are material objects from which a work can be read or visually perceived either directly or with the aid of a machine or device, such as books, manuscripts, sheet music, film, videotape, or microfilm. “Phonorecords” are material objects embodying fixations of sounds (excluding, by statutory definition, motion picture soundtracks), such as cassette tapes, CDs, or LPs. Thus, for example, a song (the “work”) can be fixed in sheet music (“copies”) or in phonograph disks (“phonorecords”), or both. If a work is prepared over a period of time, the part of the work that is fixed on a particular date constitutes the created work as of that date.

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