Only Surviving Recording Of The Very First Superbowl Is Because A Fan Recorded It, But You Can't See It, Because Copyright
from the dirty-pirates dept
We’ve written a few times in the past about how the entertainment industry’s woeful job of preserving and archiving old works has resulted in culture being lost — but also how unauthorized copies (the proverbial “damn dirty pirates”) have at least saved a few such treasures from complete destruction. There was, for example, the “lost” ending to one of the movie versions of Little Shop of Horrors that was saved thanks to someone uploading it to YouTube. Over in the UK, a lost episode of Dad’s Army was saved due to a private recording. However, Sherwin Siy points out that the very first Super Bowl — Super Bowl I, as they put it — was basically completely lost until a tape that a fan made showed up in someone’s attic in 2005. Except, that footage still hasn’t been made available, perhaps because of the NFL’s standard “we own everything” policy. From Cracked:
It sounds crazy nowadays, but during the ’60s, NBC and CBS, who broadcast Super Bowl I, essentially had no archiving policy for anything other than primetime shows, so neither one kept a copy of the historic game beyond a few random clips. And seeing as home video technology was still a few years away, the broadcast footage was considered lost forever until a mostly-complete recording turned up in a Pennsylvania attic in 2005, made by a fan at a video production company.
And we have to emphasize “mostly” here — the copy is missing much of the third quarter, the entire halftime show, and several smaller bits. The Paley Center for Media tried reconstructing these parts using official sideline footage and fan-made audio recordings, but the last we heard about the project was way back in 2011, right around the time the NFL started claiming sole copyright ownership of the footage. Probably a coincidence.
Other reports explain in more detail that, indeed, the NFL stepped in to “protect” the work it had failed to originally protect:
The NFL has claimed ownership of the broadcast itself and while the Paley Center was allowed to keep a copy of the game, it cannot show it without permission from the owner of the videotapes, who reportedly would like to sell the tapes.
The original WSJ article about all of this details the NFL’s claim to the man who found the tape, who has remained nameless.
Mr. Harwood, the attorney, says he contacted the NFL in 2005 about the tape. He says the league sent him a letter on Dec. 16, 2005 claiming the NFL was the exclusive owner of the copyright. Mr. Harwood says the NFL offered his client $30,000 for the tape and his client declined. Mr. Harwood said his client would like to sell the tapes and make them available to the public if the legal issues can be resolved.
So the NFL failed to save it. A fan did. And now no one can see it because the NFL is claiming copyright over the footage it failed to protect. Great to see copyright “protecting” culture once again, huh?
Filed Under: copyright, culture, football, history, recording, superbowl, superbowl i
Companies: nfl
Comments on “Only Surviving Recording Of The Very First Superbowl Is Because A Fan Recorded It, But You Can't See It, Because Copyright”
Without copyright what incentive would they have to even play the super bowl?
Re: Response to: RadioactiveSmurf on Sep 18th, 2014 @ 7:14am
Obviously the NFL’s tax-exempt nonprofit status wasn’t enough so it needed copywrong maximalism to make sure the ‘job creators’ could innovate
Re: Re: Response to: RadioactiveSmurf on Sep 18th, 2014 @ 7:14am
Don’t forget their special congressional exemption from antitrust laws.
Re: Re:
tHAT IS A GOOD QUESTION..
HOW about the ability to show a Public event to more then.1% of the public?
how would you like to make a stadium, big enough to hold 1% OF THE POPULATION.
Then how about those working during the Time of the event?
Copies to those that wish to KEEP a copy of the event..
HISTORICAL REASON..better then reading Tablets on the event.
Re: Re:
first
lets forget about the TIME frame..recording ANYTHING at the time, at home, was almost impossible.
With that in mind..Making copies AFTER it was able to, in VHS..selling them at a $1 profit..would have given them a TON of money.
Seems more like after being offered a generous payout, the guy who “owns” the tapes refuses to part with them, which makes it impossible for them to be restored and shown to the public.
Lay the blame where it belongs, with the guy trying to profiteer.
Re: Re:
Whatever….
It’s not the problem with the profiteer… its a problem with the law giving that profiteer a tool gouge the hell out of everyone with!
Re: Re: Re:
1) Film first sports event of it’s kind
2) Make sure event promoter has no surviving copies
3) Wait 48 YEARS!
4) Profit!
Yeah, that’s some pretty shrewd profiteering there…
Re: Re: Re: Re:
suppose I need to spell it out for ya.
In this case the Profiteer is the NFL, not the person holding the recording. The person with the recording is not doing anything black-market or illegal(that I am aware of), therefore it is impossible for him to be a profiteer no matter how much money he is trying to make!
Re: Re:
“with the guy trying to profiteer”
I’m curious as to why you’re calling this guy a “profiteer”. On the surface of it, he doesn’t seem to fit the definition.
Re: Re: Re:
Whatever has a habit of redefining words to fit what he wants them to mean, not what they actually mean. See his hilarious attempts to redefine the concept of free to pretend that U2 weren’t actually giving a free album to iTunes accounts for a great example.
Re: Re: Re: Re:
See his hilarious attempts to redefine the concept of free to pretend that U2 weren’t actually giving a free album to iTunes accounts for a great example.
Well, to be fair to Whatever, those albums weren’t given free to users, the price was that once they had a copy in their account, they couldn’t delete it. The fact that that has since changed doesn’t alter that fact.
Re: Re:
It would honestly kill you to lay the blame where it belongs in any given article, wouldn’t it?
Cops violate your rights? Your fault for having them! Also you probably provoked them.
NFL doesn’t save copy of first Superbowl but fan does? Fuck that guy, he’s just a greedy bastard and how dare he not sell it to the NFL for a pittance! The fuck!
Denied access to movies and shows thanks to Australian entertainment industry and numerous studios because REASONS? Fuck you for paying for Netflix and using a VPN to access it! Also fuck Netflix! How dare they not know people are using VPNs to access things they are being explicitly prohibited from acquiring legally because REASONS!
Whatever, the guy who falls over himself to excuse asshole behavior and blames those who aren’t in the wrong and are doing everything possible to show corporations and police officers for the assholes they more often than not are.
Re: Re: Re:
that about covers it, thanks for the summation…
here’s the cliff notes version: whatever = POS
Re: Re: Re:
“It would honestly kill you to lay the blame where it belongs in any given article, wouldn’t it?”
He’s one of those strange people who’ve developed an obsession with attacking everything they read here. “The blame”, in his mind, belongs to whoever Techdirt is defending, no matter how silly the assertion.
Re: Re:
Seems more like after being offered a generous payout
$30k for the only surviving recording of the first Superbowl? I vacillate between hating and not caring about football, and even I know it’d be worth more than that just to a collector.
the guy who “owns” the tapes
Why the scare quotes? Of course he owns the tapes. Even your insane and fucked up version of copyright says he owns the tapes. It’s just that he cannot legally distribute copies of them.
Re: Re: Re:
Is that what Whatever said? See, this is why I just auto-report all his comments and ;dr. Not worth taking even 4 seconds out of my life to deal with clueless wonders like him.
Re: Re: Re: Re:
Oh, and RD, I have to thank you for explaining why the report button on Techdirt is abused and used as a censorship tool. You make DMCA look sane and entirely fair.
Re: Re: Re:2 Re:
dude, just fuck off.
and here, have my click on report too…
Re: Re: Re:2 Re:
“Oh, and RD, I have to thank you for explaining why the report button on Techdirt is abused and used as a censorship tool. You make DMCA look sane and entirely fair.”
Yeah, thats not censorship moron. It has been explained to you 20 times how and why its not. It is an expression of an OPINION (your comment is bad, report it as such) and if enough people feel that it should be used to express such, those are the breaks. You are entitled to freedom of speech, but not from the consequences of that speech. Everyone has a right to express their opinion, even you. Just because 90% of the world turns on you and calls you out for your opinion is not “censorship,” its an indicator that they do not share your opinion.
Re: Re: Re:3 Re:
90%? Try 99.9.
Re: Re: Re:
He may own the tapes, but he really doesn’t own the right to the content on them. Put in simple terms, if you happened to have recorded on your VCR something that didn’t happen to get archived, you don’t suddenly own it. He can keep it for himself (betamax ruling) but he really can’t sell it on or grant rights to others.
So he “owns” the tapes only in the sense that he owns that copy, and doesn’t have any other rights. So 30K (instead of “have a nice day and enjoy re-watching your superbowl video”) isn’t such a bad thing. Heck, he probably could negotiate super bowl tickets for life if he wanted.
The problem here is that he can’t do anything with it. So it’s value is to only one group who can actually do anything with it, the NFL. He can’t sell it to anyone else, he can’t even really give it away. So what does he do? He holds out for a bigger payday. That’s the guy holding the process up.
Re: Re: Re: Re:
If I take a picture of you walking down the street, who owns copyright?
If I take 5,000 pictures of you walking down the street, who owns copyright?
If I take a picture of you sitting inside a Starbuck’s, who owns copyright?
If I take 5,000 pictures of you sitting inside a Starbuck’s, who owns copyright?
If I take a video of my son at a little league game, who owns copyright?
If I take a video of my son scoring the winning touchdown at a Superbowl game, who owns copyright?
If I take a video of my son playing in the first Superbowl game (which was way before small print “you waive all rights to any recordings you make of this event” made it into ticket purchases), who owns copyright?
See, the problem here isn’t that NFL owns copyright (they don’t, although they do hold some trade marks and other trade properties), it’s that the original people who recorded the video are no longer in the picture.
From the article, I’m still not sure who originally recorded the footage — was it some guy working for a video production company (defunct? production company would own the copyright), or was it done on his own time, or was this actually footage owned by a TV studio that someone at the video production company got their hands on?
In any case, the NFL is the LAST group to have a legitimate claim on the copyright here — and the people who WOULD have a claim likely aren’t in any position to make that claim.
Thus, even if the NFL bought the video, they’d still have to get permission from the copyright holder(s) before they could do anything with it.
Thus, copyright has basically made this recording illegal to present/sell/share with the public, no matter who has their hands on it.
Re: Re:
Lay the blame where it belongs
The rightsholders? Can do!
Re: Re:
“Seems more like after being offered a generous payout…”
Generous…in your opinion.
The tapes are worth more than that.
So, unless the NFL’s willing to cough up a little more, nobody profits.
Re: Re:
$30,000? A generous payout? What third world hellhole do you live in that makes that look generous?
This is the most complete record, nay sole known surviving record of any substance of the first championship of the modern era of the most popular sport in the United States of America.
It is easily worth hundreds of thousands of dollars, and quite likely millions. Yet you think a measly $30,000 is generous? That’s a mere year’s pay at $15 per hour for a standard 40 hour work week. It’s the price of a nice, but not too nice new car. And you think that’s generous?
Especially when the one making the offer is the multi-billion dollar industry that is the NFL? 30k dollars is pocket change to them. Hell, it’s a rounding error in the contracts for some of the players, much less the budget for just one entire team.
$30 million would be generous. $30 thousand is just an insult.
Re: Re: Re:
really, IF the cleats were on the other foot, you KNOW the nfl would not sell that tape/rights for $30 000…
but then IF the nfl were in that position, you KNOW whatevs would talk out the other side of his ass and blather on about ‘whatever the market would bear’, ‘their right to set the price’, blah blah blah, bullshit bullshit bullshit…
dog almighty you are a disgusting authoritarian…
Re: Re:
“Seems more like after being offered a generous payout, the guy who “owns” the tapes refuses to part with them, which makes it impossible for them to be restored and shown to the public.”
The blame is still on copy protection laws for lasting so long that many years later there are no other remaining copies left. If it weren’t for copy protection laws people could have made and distributed other copies without worrying about infringement and there could be other copies everywhere.
When copy protection laws last so insanely long it maybe left up to the copy protection holder to preserve the content until it reaches the public domain since no one else is allowed to make copies to preserve it and by the time it does reach the public domain all legal distributions maybe in poor condition. and that assumes the copy protection holder chooses to even release a copy by then. But why should society be at the mercy of the copy protection holder to decide if they want to preserve it for future generations? Why should society be at the mercy of the copy protection holder’s effort (or poor effort or lack of effort) to preserve it? Why should the discretion of the copy protection holder to decide the extent they wish to preserve and redistribute something to future generations even be a factor? It should not. We should be allowed to preserve it through making our own copies. Copy protection laws are absolutely to blame.
Re: Re: Re:
Imagine that the person who discovered the copy decided to be a “law abiding citizen” and destroy the copy…
After all, it’s an illegal, infringing copy, no?
So, instead of ‘promoting the arts and sciences’, the copyright law would in this case actually do the exact opposite!
Re: Re:
And once again, you prove you have a side. You can’t stand it when corporations have to pay for their mistakes.
Do this
The guy with the tape should melt it down put it in an envelope and send it to the NFL with a note. “Heres your fucking tape with your Superbowl I footage on it, enjoy”
Re: Do this
If he did that he would probably be sued for willfully destroying copyright.
Wait, what?
The NFL didn’t author the work, didn’t fix the work in its tangible form, likely didn’t affix a copyright notice to it in any meaningful way, and likely didn’t register it. How is the NFL the owner?
Re: Wait, what?
Because that is the logic of the world we live in.
Re: Wait, what?
Because they can spend more on lawyers.
Re: Wait, what?
copyright belongs to the NFL because they have the most expensive lawyers.
Re: Re: Wait, what?
Two words: fee shifting.
Re: Wait, what?
On top of that… how is this a creative work in any way?
Re: Wait, what?
I think they ARE the author, if they’re the ones who set up the broadcast.
Given that clips exist, it seems that the game was indeed fixed in tangible form at the time (and then later thrown away, but that doesn’t affect copyright.)
Not sure if lack of registration meant there was no copyright – it wouldn’t today, but the laws were different then. But maybe they did register it.
Re: Re: Wait, what?
No AC, registration was required back then. And no, broadcasters didn’t register sports broadcast in those days. They couldn’t even if they wanted to, because they didn’t bother to record most of them in the first place.
Re: Re: Re: Wait, what?
Then the tape of Superbowl I is public domain. Nobody registered the copyright and it was fixed in a tangible medium by the recording fan, not either NBC or CBS (nevermind the NFL). I’m pretty sure that means it’s PD, or possibly (if the fan didn’t “publish” it in any way until after 1976) it might be the fan’s copyright. It certainly isn’t the NFL’s. A strong case could be made that it’s public domain, and an airtight one that the NFL, NBC, and CBS all lack the copyright.
Re: Re: Wait, what?
Copyright Act of 1976 is what brought automatic copyright. Before then, it needed a registration and notice or it was public domain.
Example: Someone forgot to attach the notice to the original Night of the Living Dead. That made it public domain and is why it is available for cheap and frequently packaged in multi-movie horror packs. Hell, I got a DVD copy once that just happened to come with a CD of Halloween music.
Re: Re: Re: Wait, what?
Copyright Act of 1976 is what brought automatic copyright.
No, it didn’t. It really didn’t. The Berne Convention Implementation Act 1988 is what brought automatic copyright to the States.
Before then, it needed a registration and notice or it was public domain.
Wrong again. Before then, you had the UCC so all that a work required was a properly formatted and affixed copyright notice with registration only upon the optional renewal.
I’d like to see the NFL present the “infringed upon work” to the courts. Problem solved.
Isn’t copyright terms something like 100 years plus the life of the author?. Maybe these video tapes will get released in the year 3000 if we’re lucky. Unfortunately, I won’t be alive to enjoy it by then, and I doubt my great great great great grand-kids kill care about it.
Re: Re:
“Isn’t copyright terms something like 100 years plus the life of the author?”
In 1967, the law was 28 & 28 (with renewal)…only if you sent a copy of the item to be copyrighted to the Library of Congress along with a registration fee.
Since no copy was sent by the NFL to the Library of Congress, there’s no copyright claim.
Re: Re: Re:
Nuh uh. The law in 1967 was that copyright on published works was 28 years from publication with a correctly formatted and affixed copyright notice, with an additional 28 years with the appropriate renewal fee and a copy of the work being sent to the Library of Congress.
As others have pointed out, if the guy who shot the footage never showed anybody outside of his friends and family, then he or his heirs still have a legitimate copyright. Why is it always that this Brit knows US copyright law better than so many of the American commenters on this site?
Hmmm, a one of a kind, can’t be reproduced, film of the only event, that the NFL dropped the ball on, for $30k.
Meanwhile, the Harley that Fonda rode in Easy rider, can be reproduced, may not be one of a kind, for $1 to $2 mil.
Yea not even close as an offer. If were the seller, I would say $3 million min.
Re: Re:
in regards to the chopper, from a blurb i read, there were 8 ‘identical’ choppers made, and only ONE (which was in the final crash scene) survived, and then was later restored…
rich people’s status toy, now…
I’m sure the fan can sell the footage to the NFL, for the generous price of $100 million dollars, and ownership of the copyright to all footage of the first Superbowl.
The NFL seems to have a problem with videotapes
Apparently they managed to lose the “Ray Rice punches out his girlfriend in the elevator” videotape even after after they acknowledged receiving AND viewing it. So it seems this isn’t a new problem, just another day of incompetence, lies, and media manipulation — business as usual.
Fixed Form?
I thought you couldn’t copyright something until it was in a fixed form? If the NFL never put the broadcast in a fixed form; how could they claim any copyright to it?
Re: Fixed Form?
Because Lawyers.
I'm confused
Was this a fan at the game who recorded the action from his vantage point, or did he record the live broadcast from home?
If it’s the former, then he’s the one who made all the artistic decisions (lighting, angle, zoom, etc). The NFL may have a better case in the latter scenario. If they can reconstruct enough of the game, I could see a special edition DVD released in time for SB 50.
Re: I'm confused
Even if he recorded the action himself, it was still the NFL who staged the event and thus owns the copyright.
Had al-Qaeda been a bit more savvy regarding American intellectual property law, they would not have neglected to declare ownership of all 9/11 video.
The terrorists would have had a revenue stream that certain copyright maximalist organizations would vigorously defend, to ensure that the War on Terror isn’t used as an excuse to weaken copyright. For their protection, companies like Remove Your Media would allow them to issue DMCA takedown notices with total anonymity.
The NFL could teach them a thing or two.
Re: Re: I'm confused
Even if he recorded the action himself, it was still the NFL who staged the event and thus owns the copyright.
That’s not even close to true.
Re: Re: Re: I'm confused
He might be on to something Mike, if the first superbowl is as staged as WWE fights…
Re: Re: Re: I'm confused
If anyone, wouldn’t it be the network who first broadcast it? They were the ones that “staged” the cameras and setup, and filmed it originally. Then again, if it wasnt actually recorded at the time, and rather only broadcast live, what does that do to copyright for it? You always hear “this broadcast is copyright blah blah blah” but the broadcast is, by definition, not a fixed recording. This is why copyright needs to be reformed. It doesn’t keep pace with technology, and then everyone jumps in to try to exploit the system for their benefit to the detriment of the very public that granted them that right to begin with.
Re: Re: Re:2 I'm confused
I think this is where we get into the kinds of murky waters that make a mockery of moronic claims that google can accurately deduce copyright with an algorithm.
My understanding is that it would be the network who owned the copyright, just as it’s the photographer, not the subject, who owns a photograph’s copyright. But, depending on the contract at the time, it’s possible that the network waived rights, assigned them to the production company if the work was not done by an in-house crew, signed them over to the NFL or some combination or alternative. It’s also possible that, as suggested above, that the work is actually in the public domain under the copyright rules of the time.
But, realistically, any alternative to the NFL’s claim will most likely need to be fought in court – and they have the expensive lawyers and money to fight for a long time. So even if they’re wrong, we probably won’t find out.
Re: Re: Re:3 I'm confused
And I’m sure whatever contracts were signed are still sitting there waiting and easily accessible.
Re: Re: Re: I'm confused
Mike, after reviewing Roger Strong’s entire comment, especially his quip about al-Qaeda, I believe he was actually being sarcastic.
I thought the photographer owned the copyright...
even if the photographer was a monkey? IN this case, the copyright should clearly be owned by the photographer, especially since this was long before the NFL proactively claimed copyright on any and all pictures, videos, descriptions, and commentary of the games.
AC above does point out a valid differentiation, if the recording is of the TV broadcast, then it would be the NFL. In which case, the person has every expectation to destroy it and lose the content forever, since never should have existed in the first place. The NFL cannot coerce him to preserve it. Copyright for the win!
Unless the NFL has something in writing saying they got the copyright on the game, then they don’t have it.
The TV cameraman might have a claim on it. The TV network probably would have a stronger claim as a work for hire, especially if there were multiple cameras used.
If the network broadcast the game live, and didn’t make a recording, then the person who made the fixed recording would also have a claim for the copyright.
It would be an interesting question to run through the courts. Anyone willing to make a few million dollars available to pay the lawyers?
Re: Re:
None of the above. As another commenter pointed out, this took place before the copyright law was changed to include the various nasties that bite us constantly today. There was no automatic copyright, to begin with. If it wasn’t registered, then it’s not copyrighted. This wasn’t registered.
Re: Re:
Don’t feed the lawyers, they are the worse form of troll.
Re: Re: Re:
Grammar Nazis are the worse form of troll.
A letter from 2020
I’ll be back on topic in a moment . . .
Have you read: A Letter from 2020? I saw this a long time ago. I’m sure it was over a decade ago. Probably closer to 2000 when the DMCA and other atrocities were being considered.
It’s no longer on the web. But here it is on the Wayback.
I’m quoting it here for posterity.
Considering the age of this letter, how much of it is coming true?
Now, to the relevant topic at hand. See the first sentence of paragraph 5.
I have pulled out “A letter from 2020” many times in various conversations because it has addressed many topics, like it does today. Most recently I brought this out in a different forum to mock the idea that music and movies could be patented. (2nd to last paragraph)
Re: A letter from 2020
Oh, and I had posted this on TechDirt before, but I had failed to quote it there.
Re: A letter from 2020
Here is the Slashdot article where I originally saw the letter from 2020.
It appears to be from 9/18/2000. About 14 years ago TODAY — a pure coincidence!
copyright
As the nfl do not have this footage in their collection surely the only person that can claim copyright is the person that has it , or the person that created it, this is not about the game it is about a piece of film created and saved by someone with a bit of foresight or luck. And no way could the nfl ever claim copyright over it as they do not have a copy to produce to claim copyright over.
Would a court not laugh them out of the court if they could not produce what they are claiming copyright over.Surely the court must find that they deleted the only copy they had and that shows they were not claiming copyright over the video of the game as they destroyed all their copies.
Re: copyright
Maybe if the copyright owner no longer has any copies, then their copyright should vanish in the puff of imaginary property smoke that it is.
Better than a court precedent would be to get this into the copyright law.
If it’s not worth saving, then it’s not worth protecting.
If it’s not worth saving, then you had no reason to believe it advanced the useful arts and science.
Crowdsource it
If this guy set up a Kickstarter to pay for digitization, restoration and publication of the video I have absolutely no doubt he could easily garner millions from it. The very first Super Bowl… the attention that would get from people would be absolutely insane.
No love lost for The N F L here, stopped following American football in the 90’s. Anything, and I mean anything older than 7-10 years should be considered public domain. Good old American avarice and greed, we know who makes up and enforces the law in the $tates. Good luck forcing your ludicrous laws on sovereign nations.
Just another greedy corporation
they used to be a sports company now it is all money money money oh and now days they realize their image has to be shinny or they lose money well only if it involves players that is
greedy bastards
History
look up what happened to Doctor WHO?
300 of the series LOST..
Found copies ALL OVER the world..
Re: History
One of the greatest tragedies in television history. I would love to go back and see the cheesy goodness of the original Doctor Who.
I shall probably never get the chance. If, however, the Doctor ever shows up on my door and asks me where I want to go, you now know the first place I’m going =).
“Hi, NFL? I have a recording of most of the very first Super Bowl. I’d like to get it cleaned up, digitized and let people see it.”
“No, we own the copyright to that footage, but we’ll buy it from you for $30,000.’
“So I can’t show it to people?”
“No.”
“OK then, I’ll just destroy the only existing video copy of the world’s first Super Bowl. I’m sure that the millions of football fans will be devastated when they learn that a copy of that existed, but that it could never be shown to them because of your copyright claim. I’m sure it won’t reflect badly on the NFL at all.”
“Umm, uh…”
Surprised
I’m surprised the NFL hasn’t sent some official toadies around to simply confiscate the tape, on threat of arrest or lawsuit. It was, after all, almost certainly recorded “illegally” (in the NFL’s view).
Maybe NFL doesn’t have access to MPAA’s toadies?
Copyright sucks.
copyright?
Correct me if I’m wrong (but I have followed and taught this stuff for quite a while), but there is no copyright in ‘the game’ (as it is not a creative work belonging to anyone) and the owner of a film of the game belongs to the person who films it. If a broadcaster pays to film and broadcast, that broadcaster owns the copyright to what they have filmed, NOT what anyone else filmed. I think this is just bullying, which much of copyright is about.
Let’s all take a step back and remember that average_joe’s wife doesn’t put out for him anymore.
That’s why he has to use her laptop to post on TechDirt and why Whatever needs to suck his peen so much.
superbowl 1
If a photographer take photos at an event, they own that property….only recently artists like taylor swift are strong arming photographers into relinquishing the ownership of these photos for the opportunity to take said photos…. Im pretty sure if you filmed superbowl 1 no on owns the film but you.