Sony's Insane Fear Of 'Piracy' Means Many Movies Now Suck In Digital Theaters
from the ridiculous dept
Nina Paley alerted us to an article from the Boston Globe that’s been getting some attention about how many theaters are showing digital projections of regular “2D” movies that look really bad because projectionists don’t remove 3D lenses. Basically, lots of theaters are using digital projectors, which were supposed to be a huge boon for the theater industry. It’s easier than shipping and loading film. It can often present a crisper picture. In general it provides plenty of benefits. Those same projects can show 3D movies, but if you try to show a 2D movie via the 3D lenses, you can lose a ton of light. In some cases, the films are being projected 85% darker due to this. In other words, it’s making the theater experience dreadful.
You might just think the issue is lazy projectionists who don’t want to change lenses. While that might play a part… the bigger issue appears to be Sony’s insane fear of digital infringement:
So why aren?t theater personnel simply removing the 3-D lenses? The answer is that it takes time, it costs money, and it requires technical know-how above the level of the average multiplex employee. James Bond, a Chicago-based projection guru who serves as technical expert for Roger Ebert’s Ebertfest, said issues with the Sonys are more than mechanical. Opening the projector alone involves security clearances and Internet passwords, “and if you don’t do it right, the machine will shut down on you.'” The result, in his view, is that often the lens change isn’t made and “audiences are getting shortchanged.'”
Yes, the projector requires you to get security clearances and internet passwords just to change a lens… or it shuts down on you. Why? Because of the fear of the dreaded “piracy.” Of course, all this really does, in the long run, is drive more such “piracy” by making people question why they should go to the theater for a crappy movie-going experience.
* Oh, and yes, it’s pretty freaking cool that Roger Ebert’s projectionist is named James Bond.