Chilean Miner Copyrights Note Announcing Trapped Miners Were OK
from the copyright-gone-mad dept
Reader Matt Jones points us to the news of the latest in copyright insanity. It turns out that one of the miners, Jose Ojeda, who was trapped in the Chilean mine had sent a note up, reading “Estamos bien en el refugio los 33” (“We are okay in the refuge, the 33 of us”). That note was found 17 days after the mine collapsed, and is what gave people hope that they’d eventually be able to rescue the miners, as they obviously did quite some time later. The note was a sign of hope and Chilean President Sebastian Pinera started handing out copies of the note to various people, such as the British Queen and prime minister while he was visiting. Apparently, a writer in Chile was somehow offended by this and registered the copyright on the note for Ojeda. Now that the miner is safe, he’s demanding the note back, while Pinera is claiming that it’s a part of national heritage.
All I can think is that this is yet another sign of just how ridiculous copyright law has become in the eyes of most people. They really do think it’s all about “owning” words. Copyright is to create incentives for creation — and I don’t think it helped give Ojeda the incentive for creation. I’m not sure how Chile’s copyright law works, but even if it has moral rights (requiring attribution of authorship), again, I don’t believe anyone here is trying to pass off the note as being written by anyone but Ojeda. Furthermore, is there really any “creative” element to the note that should be deserving of copyright protection? This is just blatant “ownership” culture, where a note that was used to give the world hope is now being fought over using a silly law that should have nothing to do with it.
Filed Under: chile, copyright, jose ojeda, miners, notes
Comments on “Chilean Miner Copyrights Note Announcing Trapped Miners Were OK”
You bastard!
If it wasn’t for copyright, Ojeda would have had no incentive to send that note. Nobody would have looked for them and they would all be dead by now.
I don’t know how you sleep at night.
Story = $
So some writer, at the beginning of fiasco before the miners were saved, was already thinking of what a great story this would make and how much money he could make off of it.
Huneeus, the writer said, “This phrase is a work of art,” he said, “and one couldn’t choose better words. Using the brain is a way of making money.”
Anybody else sick of the Chilean miner story yet?
Simple solution.
Give him his note back, and put him back in the mine.
Call it the cost of doing business…
"Estamos bien en el refugio los 33"
Here’s a creative commons share-alike reply:
“Fuck you, Pablo Huneeus.”
Give him his note back. I’d want the original, too, if I was him. As for the copyright, what a load of codswallop!
Give him the original, keep a copy in the national archives, deed done. Oh, deny the copyright, too.
You seem to be confusing copyright with property right. Whether or not he’s entitled to get back the piece of paper has nothing to do with copyright, which, of course, is a right to make copies. The original, the artifact, is personal property, and who owns is would depend on aspects of Chilean law I don’t know the details of. (Think of baseballs hit into the stands.)
As for the contents of the note itself, U.S. law (and, given the Berne Convention, I’m pretty confident Chilean law too) would not extend any rights to the author of the note, to limit copying or anything else. The importance of the words aren’t relevant–the work has to support at least some measure of creativity beyond simple utility. The contents of note, from a copyright standpoint, are not much different than a shopping list or phone message, which are clearly not within the subject matter of copyright.
That someone registered the contents of the note is irrelevant. People register stuff all the time that copyright doesn’t actually support–if it ever came to a legal challenge, that is. The Copyright Office doesn’t review for originality, creativity, and the other elements required to sustain a copyright if challenged.
If’s fine (and correct) to be outraged about the state of copyright and efforts to abuse the law to extract benefits that the law isn’t meant to protect.
But that doesn’t appear to be what this story is about.
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Whats really funny is the mining company can claim that the note belongs to them as it was written on their paper …
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They could claim it was a work for hire, I suppose…
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Yeah, except they are not being paid for the time they spend down that hole.
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> The original, the artifact, is personal property, and who owns is would
> depend on aspects of Chilean law
Under U.S. law, the miner purposely abandoned the property– indeed his intent was for someone else to find it and take it– and therefore he would retain no property rights in it.
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Eh, you could argue it was being loaned.
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The news articles suggest that the copyright exist in the sentence itself, not simply the note. For example, the man who registered it specifically says that his phrasing is “art”, etc. I’d like to look at the actual registration to see if the copyright is supposedly for the physical drawing of the note or for the sentence itself.
Either way, I would think that it would fail the requirements under Chilean copyright law to be a work of “inteligencia”. The threshold is much lower under Chilean (and Berne which barely defines anything) law than US law, though, it would seem.
Why does everyone have to rip on the Chilean pension plans?
Here, have a cookie.
"Copyright is to create incentives for creation" -- WRONG.
Copyright is to reward creation and make it possible.
Incentive is usually a mysterious personal alchemy, but *can* be in hopes of mere money, or even externally imposed: Let’s send Mike down that hole and not let him come back up until he’s written a truly masterful novel at least as long as War And Peace.
Re: "Copyright is to create incentives for creation" -- WRONG.
Fun fact: When claiming someone else is wrong, it helps if you’re not wrong.
Chilean Law
Ok. I have to admint that our IP law has been getting very screwed up (thak you USA).
But as the law states:
Which basically translates as; when a piece is part of the cultural heritage it may be used by anybody so long the author and original piece are recognized as such.
And I think there is a pretty strong case to argue for cultural heritage in this case.
Re: Chilean Law
Yeah, but in this case, the “work” wasn’t expropiated by the State.
Are you sure this is true in Chile?
You continue to appear to assumme the U.S Constitutions explanation for copyright in U.S law holds true for other nations, yet the history and evolution of copyright in other places was sometimes of censorship and government favouritism.
Your argument may be true of the U.S, but making reference to actions bound by other laws might not be so convincing.
So I wnet looking and found wikipedia has a summary of Chilean copyroght law which begins with the explaantion…
“aims to protect the economic and moral rights of Chilean authors and foreigners residing in Chile”
…which is not the U.S Constitutions claim to advance the useful arts.
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The wikipedia article is outdated.
Our law has recently gone through many updates. A whole bunch of them due to a free trade agreement between Chile and the USA.
It also went through an other modification pushed by the artist (really the local RIAA), where some fair use was chopped.
I went through most of the text, and the fair use and safe harbors are much much better than what is provided in the USA.
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Hi, I’m a chilean reader. And you’re right. Recently, we modify our copyright law. Before that, we had a law that regulated us since 70’s. Before that, we didn’t have any fair use or safe harbours, BUT the fair use that we have right now – even when it’s better than nothing – still has their flaws. In fact, my thesis for University was based on the new fair use.
the note.
How much value does the note really have?
btw, I’m a composer and I’ve written a piece called Help Arrives and set it to images from the rescue in this multimedia presentation:
http://www.youtube.com/watch?v=0N57X29-dWo
the note.
How much value does the note really have?
btw, I’m a composer and I’ve written a piece called Help Arrives and set it to images from the rescue in this multimedia presentation:
http://www.youtube.com/watch?v=0N57X29-dWo