As Expected, Labels Now Want To Use Privacy-Reducing Watermarks As 'Cloud DRM'

from the good-luck-with-that dept

For quite some time now, the record labels have believed that if they couldn’t put old school copy protection on music files, the “next best thing” would be watermarks. This idea started showing up more than five years ago and when iTunes finally went DRM free, we were among those who pointed out that the files still contained identifying watermarks, in that the files themselves included info on who purchased the files. Two years ago we pointed out how these were a serious problem from a privacy perspective and it was best not to go down that road.

Surprise, surprise. The industry didn’t listen.

As a bunch of you are submitting, with streaming/cloud music suddenly becoming popular, apparently the record labels are demanding that companies use such watermarks as a new type of privacy-invading DRM:

The labels, say our source, are demanding that a user can only stream music that is watermarked to their username. Change the username, or try to stream music that you’ve ripped from a CD, and those songs won’t play.

While a bunch of people submitting this seem to think the watermarking is new, it’s not. That part of the story has been known for years. But what is new (if not surprising) is that the labels are trying to lock up streaming services by using the watermarks as a weak form of DRM. Of course, like any form of DRM it won’t work. Instead, it will annoy legitimate users who are stopped from listening to music they legally obtained the rights to. And, on top of that, it will put their privacy at risk. And for what purpose?

New decade. Same story.

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Comments on “As Expected, Labels Now Want To Use Privacy-Reducing Watermarks As 'Cloud DRM'”

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36 Comments
KnownHuman (profile) says:

Not Actually Watermarking

From what I can tell, it’s not actually watermarking, just attached metadata. I don’t know if it’s similar to the ID3 metadata scheme or not, but it should be rather easy to alter. I’ve never had to do so – as I’ve never purchased anything from the offending retailers – but like most music geeks, I’ve gone through and done the corrects to my collections metadata by hand.

The upside to all this is, changing the metadata – either by removing your own details for privacy reasons, or adding details to make a track compatible with a cloud-based DRM scheme – doesn’t seem to be a violation of the DMCA, at least not on the surface.

Anonymous Coward says:

Re: Not Actually Watermarking

From what I can tell, it’s not actually watermarking, just attached metadata.

Umm, that’s what watermarks *are*.

I don’t know if it’s similar to the ID3 metadata scheme or not, but it should be rather easy to alter.

“Easy” is relative, and doesn’t make it legal.

The upside to all this is, changing the metadata – either by removing your own details for privacy reasons, or adding details to make a track compatible with a cloud-based DRM scheme – doesn’t seem to be a violation of the DMCA, at least not on the surface.

I disagree. It would clearly be an illegal DMCA violation.

KnownHuman (profile) says:

Re: Re: Not Actually Watermarking

No, watermarks are data that is contained within the file itself, undetectable to the human ear and requiring a special piece of technology to access.

This consumer-based information actually appears in the file’s header, and can be accessed through any number of editing tools (including the default media players bundled into most OSes) as plain text.

With regards to how this would be a clear DMCA violation, I’d like to see your logic on that. As stated in the DMCA Section 1201(a)(3):

(A) to circumvent a technological measure means to descramble a scrambled work, to decrypt an encrypted work, or otherwise to avoid, bypass, remove, deactivate, or impair a technological measure, without the authority of the copyright owner;

Now, this data is maintained in plaintext, so there is no descrambling nor decrypting. The question then seems to fall to the issue of whether that metadata is protected under copyright – and that answer seems to be no, as the metadata itself is examples of facts.

Anonymous Coward says:

Re: Re: Re: Not Actually Watermarking

No, watermarks are data that is contained within the file itself, undetectable to the human ear and requiring a special piece of technology to access.

None of which means that they are not metadata. You seem to be using a logical fallacy. While watermarks are a form of metadata, the converse is not necessarily true. Just as because chihuahuas are dogs does not mean that dogs are necessarily chihuahuas.

Now, this data is maintained in plaintext, so there is no descrambling nor decrypting.

The DMCA says “…or otherwise to avoid, bypass, remove, deactivate, or impair a technological measure, without the authority of the copyright owner;”. Notice the word “or” there. “Or” does not mean the same thing as “and” (look it up if you don’t believe me). Again, another logical fault on your part.

nasch (profile) says:

Re: Re: Re:2 Not Actually Watermarking

No, watermarks are data that is contained within the file itself, undetectable to the human ear and requiring a special piece of technology to access.

None of which means that they are not metadata.

Yeah, it actually does. Metadata is data about the data. Watermarks are contained within the data. Therefore they are separate things. Consider the orginal use of the term – it was a mark on a physical piece of paper so you could see where it came from. It was not a note attached to the page, it was embedded in the paper. The same is true of digital watermarking.

As wikipedia puts it, “While some file formats for digital media can contain additional information called metadata, digital watermarking is distinct in that the data is carried in the signal itself.”

Anonymous Coward says:

Re: Re: Re:3 Not Actually Watermarking

Yeah, it actually does. Metadata is data about the data. Watermarks are contained within the data. Therefore they are separate things.

False conclusion. Being contained within the data does not mean watermarks are not metadata. Indeed, they are a form of embedded metadata. Since you cited Wikipedia, perhaps you should have read the article on metadata over there too to save yourself the embarrassment of looking ignorant. From Wikipedia: “Metadata can be stored either internally, in the same file as the data, or externally, in a separate file. Metadata that is embedded with content is called embedded metadata.”

As wikipedia puts it, “While some file formats for digital media can contain additional information called metadata, digital watermarking is distinct in that the data is carried in the signal itself.”

Yes, it is a distinct type of embedded metadata. And because a Chihuahua is a distinct type of dog does not mean that it is not also a dog. Logic isn’t your strong suit, is it?

baditup (profile) says:

Confused for a sec...

Thanks for that clarification, KnownHuman. I was thinking of aural watermarks similar to demo, pre-release tracks but maybe something inaudible. Besides, if there IS metadata attached to purchased mp3s, it couldn’t be that hard to remove or edit it, right? They’re just part of the ID3 tags, right? Also, what, then, if someone converts it to a WAV? wavs don’t have metadata. Then right back into an mp3, no big… whatever… as long as there are intelligent humans and/or analog devices, NOTHING digital has a chance. There’s always an easy way around everything digital… Don’t much like this idea though. Incredible breach of privacy, imho.

Rable says:

I did hear of digital watermarking, and not only metadata marking. Metadata gets used by a lot of retailers to advertise. I have never met any watermark, of realized i owned a watermarked digital song, but it could only be done in 2 ways. One would be to add subtle percussion lines or other unnoticable things to the tracks. This would be altering the original song though, and i hope not one retailer ever even thinks about that. The other would be to add unhearable frequencies to the tracks, but these would be removed if the track get encoded to other bitrate or encoder. So there is still a technical difficulty, since every streaming service i know of, does transcode uploaded files to lower bitrates to spare bandwidth…

Anonymous Coward says:

Watermarks as DRM are just as stupid as anything else as DRM, but secret watermarks seem like the most reasonable method of actually catching the original uploaders of infringing content (e.g. pre-screening movies leaked before opening day and the like).

In general, I don’t really buy the privacy arguments: there is far more personal data about me in other parts of my ipod touch than there is in the music files. Non-DRM watermarking seems like a good compromise between the content industries’ interests in catching original uploaders of infringing content (or at least the not-so-smart among them) and the public’s interests in being able to make lawful use of content.

Richard (profile) says:

Oh Dear

A lot of confusion here.

Basically watermarking can work in two modes.

In the first mode the “protected” material has a watermark added that simply identifies it as “protected”. All copies have exactly the same watermark. Using various cryptographic methods they attempt to make the watermark impossible to remove without distorting the material unacceptably. Some progress has been made here – although it is not entirely convincing. Of course for this to work the technology has to be crippled in some way to make it block watermarked content without some kind of “unlocking code” being present. Although the industry tried to impose this a few years back (As a means of plugging the analogue hole – remember “Fritz’s Hit list” on Freedom to tinker) I think they have now given up on it.

The second mode – which seems to be being proposed here – is where every file has a different watermark – and hence it becomes traceable back to the original purchaser.

This is probably rather harder to do securely – since in addition to all the usual attacks you also have the possibility of comparing files with different watermarks – which makes it much easier to find the watermarks and remove them.

Michael (profile) says:

Watermarking process:

Take stream A, modulate by instance variant pattern.

Result: unique A’.

Inverse Watermarking process:

Obtain multiple copies of A’.

Any common data is by definition non-identifying; copy as is.

Any data locations for which there is not a perceptibly common point take the average of and then add a random but imperceptibly different value to.

The resulting stream should still be within perceptible tolerance and lack the watermarks.

baditup (profile) says:

Since When...

… did watermarking become stealthy? I remember watermarking as something one did to paper, either obvious or otherwise, but still visible… It’s altering the genuine product, NOTICEABLY, but not enough to cover information… It’d be damn near impossible to watermark a song’s waveform without artifacts popping up somewhere, but also, if it was outside the audible range of frequencies, it wouldn’t matter, subliminally speaking, I guess. hehe. besides, male-to-male, stereo, 3.5mm cable from speaker out to line in, press play, press record, viola… analog de-watermarking…

Anonymous Coward says:

Re: Re:

i am unable to grasp how watermarking violates or lowers privacy, unless you share the file illegally, which would be your own fault.

Because illegal sharing is not the only way the data can be exposed. There are many others and having personal information embedded in your music files makes you much more vulnerable to them.

help.

If you weren’t trolling, then consider yourself “helped”. 🙂

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