Filmmakers Using Tiered Support Levels And Fan Support As Well
from the and-on-it-goes dept
I have to admit, these days, we’re getting overwhelmed with people submitting really cool, unique and fun business models being done by various creative folks. I simply can’t post all of them, but will try to dip in and post a few examples here and there. Scott Walker points us to some info on a “crowd-sourced” film called Artemis Eternal, where they’re offering various tiers of support — similar to what we’ve seen with Josh Freese, Jill Sobule and others. But, since this is a movie, rather than music, the things you can get are even more integrated into the movie — such as the ability to appear in the movie itself, including the marketing of the movie (being on a billboard for a month in LA) among other things. Of course, with something like this, you’d have to imagine there’s a risk that the movie never actually gets completed, so it’s a bit more difficult to pull it off. But, still, should be a model worth watching to see what happens.
Also in the movie space, Joshua Jones sent in (a while back now, sorry) the fact that the folks behind the movie Visioneers took a different sort of approach as well. Rather than freaking out about “piracy” or people watching the movie in their homes, they realized that obscurity was a much bigger problem than “piracy.” So they asked people to host their own screenings — and even said it was fine for you to charge people to attend. Oh, and if you sent in photos of the screening, you had a chance to win a contest. Again, this isn’t a huge step, but it is a neat little promotion, showing that there are unique ways to get some additional attention for your creative efforts, and have the fans help you in the process.