Recording Industry Testing Out New Theory: It Deserves More Money Because It Lets You Transfer Music
from the the-audacity-of-greed dept
William Patry has a long, but fascinating, discussion on the latest trick being used by the recording industry to try to squeeze more money out of you: telling governments that because it’s now willing to let people transfer the music they legally purchased between devices, it deserves extra money for it. To back this up, it’s claiming that there’s obviously value in being able to transfer music around, otherwise why would people want that ability. The audacity of such a statement from the industry shouldn’t be understated. After all, this is the same industry that has, for years, ignored pleas from fans all over the world to get rid of DRM because it would make digital files increase in value. And, now, that the industry has finally been forced to recognize this, it seems to be claiming that all of the value belongs to the industry itself, and it’s the government’s job to hand over that “value.”
The reasoning for this seems to go back to the psychological explanation for why the recording industry keeps getting itself into trouble (and it’s similar to the story we had recently about bloggers worrying about a new aggregator). They assume that all of the “value” needs to be captured by them, and not anyone else. In economics, this is effectively an industry telling the government that it needs to be compensated for all of the positive externalities it created — even if it’s better off at an absolute level. Basically, the industry is so overvaluing its own content, that it assumes that any additional value that people get out of music, even if it’s through no effort of the recording industry itself, should be entirely converted to more revenue for the industry. As an analogy, it’s like your automobile maker demanding an ongoing cut of your salary, since without the automobile, you wouldn’t be able to drive to work. Unfortunately, though, unless you’re a copyright wonk, you might not even notice that the recording industry is trying to do this. Instead, it presents its case in a logical fashion, focusing on how much “value” it’s suddenly creating by “allowing” people to transfer the music they already legally purchased to the device of their choosing.