"Your Honor, I would never intentionally infringe upon copyright. I read a news story about warning messages that the studios were posting. I wanted to download one and read it, but I just kept getting these other movies. I watched the whole show, but never saw the warning messages. How could I know what was in the file until after I downloaded it and watched it? I'll never figure out why the studios tried to hide their important message by giving it the same filename as popular movies. Don't they want people to be able to find their message? Of course, I deleted those popular movie files after meticulously confirming that the content I was looking for wasn't part of the files. I guess I'll just have to keep trying."
According to the source article, "Visitors to those sites now are greeted with a banner educating them about how willful copyright infringement is a federal crime, ICE stated."
Awfully nice of ICE to attempt to educate us about Copyright Infringement. Too bad that copyright law has nothing to do with the majority of the sites they shuttered. Selling counterfit merchandise is a Trademark violation. You'd think ICE would be smart enough to recognize that.
Except, repeated demonstrations to the contrary have shown us otherwise.
As noted in several comments, something just doesn't add up in this story. Sure, the library could digitize and then exclusively offer or sell those digitizations. But it just doesn't seem like there's any law, in France or elsewhere, that would prevent any other entity from digitizing another copy of the book(s) or other form of media and then offering that version to the public for free or for sale.
Sounds like the BnF wants to be a bookstore, not a library.
Beyonce could engender huge amounts of popularity if she worked with the Marine Corps Band to release the song into the public domain. The goodwill would probably even spill over to President Obama. Thousands of little league games, high school basketball games, and other venues could use the track to kick off events.
It's not as if she'd ever try to sell this track; might as well make it available in exchange for a long-lasting boost to her name recognition. Might even start a trend.
We see it happen a couple times a week, and we cheer and rejoice. Some person or organization gets a threat from some self-important jerk, and instead of backing down and removing the published content, our hero posts the threat so that we can all see what's happening.
On the day when a politician refuses to accept a bribe or bow to a threat and instead publicizes the attempt, that's the day when I'll be happy about supporting a politician. Until then, politicians will remain in my estimation somewhere below the morality and trustworthiness of the proverbial used car salesman.
whabap01, you're missing a very big point. The guy who decides to feed his family instead of purchasing a song was never going to purchase the song, anyway. There's no lost revenue, because there is no possibility of revenue in the first place. Any money spent by the artist or his agency in trying to chase down such persons is a total waste, because even when they're found, you're still not going to be able to get a penny from them. Not even the lawyer fees.
Now, I'm not at all trying to say that illegal downloads are acceptable. Just that I really can't bring myself to care if the type of person you're describing chooses to build a music collection for free, whether he does it by downloading, borrowing his friend's CDs, or visiting his local library. The RIAA should likewise not care, because there wasn't and is not now any income available from this source, even if tracked down and hauled off to court. But the artist should rejoice, because this freeloading lowlife might play the songs to broaden the cultural horizons of some better-off friends, and they, in turn might actually cough up some hard-earned cash to buy a song or a concert ticket. A good fan is a valuable resource for creating more fans, and any artist who wants to alienate his fans by hassling them for listening to his music, regardless of how it was acquired, is just a fool.
It's what you do with it that can be declared legal or infringing.
If the Guild wants to sue Google for "copying", they haven't a leg to stand on. They need to show that the actions Google is taking with the copied data constitutes infringement, and indexing/searching prettly clearly is not infringement.
Web pages are copyrighted, and yet it's completely legal for Google and many other search engines, as well as various other applications, to scan those pages and make use of the data in certain ways. A copyright is a copyright, and books are not (should not be...?) treated any differently than other forms of textual representation.
The critical piece of logic here is that Fair Use depends on what you do with the information you've copied from someone else's work. Scanning and indexing copyrighted text (e.g., web pages) has clear precedent for being declared Fair Use. I think we can all agree that Google would violate copyright law if it made large sections of scanned text available or put it up for sale. But it should be completely legal for Google (or anyone...) to reap advertising revenue while you use its search machine or to earn commissions for referring customers to purchase the books through any site selling them, even including sites selling items related to the books (e.g., audio books, movies, posters, dolls, lunchboxes, etc.).
Go for it, Google, and be damn sure to take this all the way through the courts to get the obvious decision declared.
I have to agree that Baen's site is really good. You can see the books coming up for release in the coming months, and they have a nice "free library" of older books available in multiple digital formats. If you like their mainstream sci-fi and fantasy novels and series, then it's a great place to keep in touch with what's coming out soon.
But, having said all of that, I can only imagine that relatively few, die-hard fans of the genres actually visit the site. I wish the publishers would find more ways to connect directly to their reader/customers. Back in the days when my wall decorations were mostly posters, I would gladly have hung cover art from my favorite books along with the movie and rock star posters. But, no, these guys don't even make decent images available for download so that I could print my own, much less buy one from them for a few bucks. Very sad.
Books, like music and movies, are often sold based on recommendations from friends. It's amazing to me that even the big ones don't generate the same kinds of marketing materials.
All of this hullaballoo just lines the silk pockets of the corporate lawyers (on both sides of the battles) and strokes the egos of short-sighted, control-freak executives.
If I was a stockholder in a media company or if I was one of the artists allegedly being represented by these fools, I'd be suing them out of their oak-paneled offices for their criminally poor performance. What kind of idiot, seeing demand for something their company putatively sells, tries their hardest to prevent any free publicity while at the same time refusing to offer the product in its desired form or even at all? Whatever happened to "the customer is always right?"
I'm new to this game, so thought I'd hop on over to ASCAP's site to see what they have to say for themselves. On 15 March, ASCAP President and CEO testified before the US Senate to gripe about the horrors that would occur if we should allow Russia to become part of the World Trade Organization. The press release reads:
"Williamsí testimony served to highlight the challenges American songwriters, composers and publishers face in securing fair compensation from the public performances of their music in Russia and urged the U.S. Government to address these challenges as they consider Russiaís entry to the World Trade Organization. Williams pointed out that American music creators are grossly underpaid for the public performances of their works in Russia.
American music creators depend on the efficiencies of performing rights organizations (PROs), like ASCAP and its reciprocal relationships with a network of foreign societies around the world, to license their public performance rights and collect and distribute royalties. Williams pointed out that RAO, ASCAPís Russian counterpart, is handicapped in its efforts to collect on behalf of American music creators through an ineffective legal system and threats to its authority to collect royalties for music used in films and shown in Russian theaters."