Disney's ABC network will become the first broadcast network to stream its shows live online through an ongoing service, starting with viewers of its TV stations in New York and Philadelphia on May 14 and expanding to its other stations by the end of the summer.

Starting on July 1, Disney will only provide its WATCH ABC service to subscribers of cable, satellite and other TV subscription services that have agreements with ABC to offer the service to their subscribers in New York and Philadelphia. Subscribers must provide an authentication code to be granted access to the shows.

Later this summer, Disney said it will expand use of its WATCH ABC service to authenticated subscribers that receive its TV stations in Los Angeles, Chicago, San Francisco, Houston, Raleigh-Durham and Fresno, California.

The app will initially allow users to be able to watch the service on Apple's iPad and iPhone and on the Kindle Fire device, and later this summer on Samsung Galaxy devices.

The report also claims that in the future, ABC will “withhold its most recent TV episodes from the free versions of Hulu and ABC.com, further limiting access to paying subscribers of cable and satellite providers only.”

Iraq's government ordered 10 television networks shut down Sunday, accusing them of stoking sectarian violence with "unprofessional" and "unethical" coverage of recent clashes in the country's north. Sunday's order from the Communications and Media Commission includes the Qatar-based satellite network Al Jazeera and eight outlets aimed at the country's Sunni Arab minority. Ahmed Saeed, a reporter for Baghdad Satellite TV, said the decree effectively halts his network's reporting.

For years, people who write about TV have been wondering just what the tipping point would be, when DVR usage, online streaming, and pirated viewing of TV broadcasts would become so significant that networks would essentially have to invent a new business model. The networks aren't at that point yet, but they're so close that everybody's talking about it with great confidence, as if the Internet hasn't thrown a great fear of the unknown into their souls. There's still far more money to be made in the old model, the sort of money that can still afford to produce big, ambitious shows like Revolution, as opposed to smaller-scale things like reality series and multi-camera sitcoms, than there is to be made under any new model. But the tipping point is almost here.

Is it ever. The news of big things happening with online service providers, especially Netflix, never stops pouring in. Though traditional analysts might recommend Disney start a cold war with Netflix, the companies instead recently entered an exclusive partnership to stream lots of content from Disney, Pixar and Marvel. There's only one part of that sentence I wish I didn't have to type: exclusive. It's a word that pops up all too much in recent news about evolving TV and movie business models.

Netflix has been stockpiling exclusive original content, including a lot of potential hits like the revival of Arrested Development, a new drama starring Kevin Spacey, a murder mystery produced by Eli Roth, a new Ricky Gervais series and more — all on top of deals like the one with Disney. Then there's the infamously closed-off HBO and its hoard of ultra-popular shows that can't be accessed without a full cable package plus an HBO subscription (and which also happen to be among the most pirated shows). HBO recently reached its own exclusive agreement, this time with Universal — to air the studio's films and keep them off of Netflix, along with the rest of the HBO catalogue. For at least ten years.

Paul Tassi has a good grasp on what this move really represents:

I think people are missing the larger idea of what's happening here, and that's HBO becoming the closest thing Netflix has to a direct competitor. The groundwork is already in place with the aforementioned Go service. Add in exclusive access to movies from all those studios, and $15 a month for HBO Go starts looking nearly as appealing as $15 a month for Netflix.

Basically, HBO is betting against cord-cutting, but also trying to compete in the online space, assuming that most people will keep their cable and pay extra for exclusive content plus digital access to that content. I can see that being true for a while (lots of people have both cable and Netflix), but it makes no sense in the long run. Eventually, HBO will be forced to offer some sort of online-only subscription.

But will even that be enough? Here's where we get back to the exclusivity problem. All these exclusive deals are serving to fragment a market that doesn't yet have clearly defined rules for delivery. Exclusivity is a great thing for creators to sell, and a great thing for businesses to leverage, but in this transitional phase for distribution models, it's harming everyone involved by making sure piracy retains its biggest advantage: comprehensive access. Networks have always had exclusive shows, but they all ended up in the same place — your television, delivered through a single antenna. Then later you needed not just an antenna, but a cable, to get everything. Then later you needed to pay more for specific cable channels to get certain shows — and lo and behold, those shows were among the first and most widely pirated.

The knee jerk reaction to piracy's unflagging popularity is to assume that, as the mantra goes, "people just want everything for free." But as the evidence that pirates buy more media has continued to pile up, that idea has been stripped of its credibility.

As some people have been pointing out for years, piracy's real advantage lies elsewhere: convenience, selection and availability. Piracy is currently the fullest realization of the internet's potential as a culture-machine: virtually any movie, any TV series, any song, any obscure documentary or bootlegged live performance, all accessible to anyone. No need to subscribe to multiple different providers; no release windows or geographical barriers. The fact is that no other means of obtaining media has matched piracy in terms of sheer selection and accessibility, so naturally it has never gone away, even though it has many significant flaws like spammy sites and spotty quality control.

I'm not saying everyone should hand everything to Netflix — only that service providers, studios, networks and everyone else involved need to employ a little game theory and figure out how to move the business forward to everyone's benefit. This means partnerships that allow more sharing of content, new infrastructures that make delivery and payment more seamless, and the undeniably challenging elimination of geographical restrictions and other obsolete licensing concerns. As the world moves away from the captive audience and towards a culture of infinite choice, expecting people who want comprehensive access to buy multiple different subscriptions from multiple different companies is tragically foolish. The culture machine has been built; pirates shouldn't be the only ones using it properly.

In an e-mail exchange with Security Ledger, the Malta-based firm said that the previously unknown ("zero day") hole affects Samsung Smart TVs running the latest version of the company's Linux-based firmware. It could give an attacker the ability to access any file available on the remote device, as well as external devices (such as USB drives) connected to the TV. And, in a Orwellian twist, the hole could be used to access cameras and microphones attached to the Smart TVs, giving remote attacker the ability to spy on those viewing a compromised set.

Currently, the Smart TVs offer no native security features, such as a firewall, user authentication or application whitelisting. More critically: there is no independent software update capability, meaning that, barring a firmware update from Samsung, the exploitable hole can't be patched without "voiding the device's warranty and using other exploits," ReVuln said.

The company posted a video of an attack on a Samsung TV LED 3D Smart TV online. It shows an attacker gaining shell access to the TV, copying the contents of its hard drive to an external device and mounting them on a local drive, providing access to photos, documents and other content. ReVuln said an attacker would also be able to lift credentials from any social networks or other online services accessed from the device.

TV3 is going to screen the new series of Homeland just four hours after episodes play in the US – with episodes posted to TV3.co.nz's on demand service at midnight on the day of broadcast.

Homeland episodes will screen 3 hours 25 minutes after the Pacific Time debuts in the US. That US-NZ gap will be consistent until there's a daylight savings change. The broadcast time in each country won't change.

With ondemand, we can have each ep available from midnight the same night.

4 hours would put it on schedule with me getting it off torrents, so quite viable to watch.

"TV viewing is increasingly a community event, and online communities are global rather than local," spokeswoman Rachel Lorimer told NBR.

"By screening international shows as close to their global premieres as practical, we ensure our audience is part of the global conversation around a big show and, of course, that keeps us relevant. Those are the main motivations.

"However, positive side effects may well be that our viewers save on their broadband data cap and are less likely to risk illegally downloading TV series. And a win for viewers is a win for us."

I put the awesome HBO GO app on the family's iPad yesterday and tried to Airplay into our family room TV. I got audio on the TV but not video. I thought I was doing something wrong. So I rebooted everything and tried again. Same thing.

So I did a web search on the topic to see what was going on. Turns out HBO GO has disabled the video on Airplay but not the audio. That's right. They disabled the video but include an Airplay button in the app.

Having developed these sort of systems before, I can tell you it's because AirPlay is considered an insecure protocol. It's too easy to capture the AirPlay stream and thus, in theory, create HD copies of the video. That's why they don't do it.

I've found that the cryptographic particularities don't always matter when you're in discussions with the studios. They have a list of approved DRMs and technologies and you're either on the list or you're not. Otherwise, you face at least a 6+ month in depth technical review of the stack.

TL;DR: The studios can be somewhat arbitrary in approving or disproving technologies. Last I heard, AirPlay was not approved.

“When I saw some metal parts inside the box, I thought, ‘Maybe this is a TV stand or mount or something,’” Horvitz said in a phone interview with Wired. “When I realized it was an assault rifle, it was pure shock and disbelief.”

I'm not sure what pretending all this didn't happen accomplishes from Amazon's end, other than to perhaps flip open the cover to the Streisand Effect alarm, press it, and wait for the derision to ensue.

Cable companies want to increase the cable bills of millions of Americans and to virtually eliminate competition from third party devices like Boxee. We want you to know because it will affect millions of people, non-Boxee and Boxee users alike, and we need your help to fight it.

For the past several months, Boxee has been forced into a legislative battle with cable companies. Right now, anyone can get basic tier cable. Attach your TV, computer, or Boxee Live TV tuner and everything just works. Cable companies want the federal government to end that, and to require every user to have ALL of their TVs attached to cable boxes. We’re concerned many users who have Live TV tuners and rely on basic cable will be hurt by this, but we’re also focused on how the issue goes far beyond Boxee.

Here are the effects of the rule:

1. It could more than DOUBLE the cost for the typical new basic cable subscriber.

2. If you have a TV that’s hooked up to cable without a box, you MUST rent a set top box for that TV.

3. If your computer’s TV tuner is connected to your cable connection without a box, it will no longer work unless it uses a CableCARD.

4. If you bought a DVR that does not include a CableCARD it will no longer work without an antenna. If you don’t get signal with the antenna, your DVR is now worthless.

MIPCube Lab is the only start-up competition to be tightly integrated into the TV industry and its future. It provides a global platform for start-ups to get feedback from the most powerful and innovative decision makers in the TV business and obtain funding from the finance community.

The networks have embraced the idea — originally hatched by cable networks — of introducing initial episodes of their shows through other distribution outlets like YouTube before they have their premiere on their own schedules.

As the Stop Online Piracy Act (SOPA) makes its way through Congress, most major television news outlets -- MSNBC, Fox News, ABC, CBS, and NBC -- have ignored the bill during their evening broadcasts. One network, CNN, devoted a single evening segment to it.

Despite all of this, the response from American television news outlets has been to almost completely ignore the story during their evening programming. The lone exception was a segment on CNN's The Situation Room with Wolf Blitzer in December, during which CNN parent company Time Warner's support for the legislation was not disclosed. (Though Fox News Channel has apparently not touched the story during evening programming, conservative/libertarian host Andrew Napolitano has run several segments vocally opposing SOPA on his program, which runs on the separate Fox Business Network.)

The fight over SOPA does not fit into the usual left vs. right narrative that occupies so much of the political horserace coverage with which TV news outlets fill their schedules. The cosponsors of SOPA come from both sides of the aisle. Likewise, the most vocal opponents of SOPA in Congress are an ideologically diverse bunch, including Nancy Pelosi (D-CA), Ron Paul (R-TX) and Darrel Issa (R-CA).

"The key element this year: the power of large groups of people to make use of the technology to start to say, "No!" to those who have sought to hold back progress."

"Last night we were turned into "pirates" as the entertainment industry likes to call us. As 2011 turned into 2012, the executives at Time Warner Cable and MSG Network were unable to make a deal to keep MSG on Time Warner Cable. My son was fuming and so was I."

But the bidders all figured out pretty quickly that the TV companies who own Hulu now want to phase out free ad-supported content completely. So as soon as the current set of Hulu contracts expire in a couple of years, it would be back to the negotiating table.

The chief cause appears to be persistently high unemployment and a housing market that has many people living with their parents, reducing the need for a separate cable bill.

But it's also possible that people are canceling cable, or never signing up in the first place, because they're watching cheap Internet video. Such a threat has been hanging over the industry. If that's the case, viewers can expect more restrictions on online video, as TV companies and Hollywood studios try to make sure that they get paid for what they produce.

"Fox Network to limit Web access to its shows."

"We are continually looking at opportunities to provide our pay television distributors with content and products that enhance the value of pay television to subscribers,"

It was found that simply turning one's head to ignore video ads had far greater impact than DVR fast-forwarding is assumed to have. Magna Global estimates that 35% of U.S. households have DVRs and 10% of their total TV consumption is time shifted, within which 65% of ads are fast-forwarded, meaning 35% x 10% x 65% = 2% of total TV ad impressions are avoided through fast-forwarding. Our study found that 63% of TV impressions were avoided simply by not paying attention to the screen.

When participants did use the DVR to fast-forward TV ads, nearly half of them paid full attention to the screen during that process. Fast-forwarded ads had 12% more attention levels than non-fast-forwarded ads.