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<title>Techdirt. Stories filed under &quot;sweding&quot;</title>
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<image><title>Techdirt. Stories filed under &quot;sweding&quot;</title><url>http://www.techdirt.com/images/td-88x31.gif</url><link>http://www.techdirt.com/</link></image>
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<pubDate>Tue, 24 Jul 2012 00:03:00 PDT</pubDate>
<title>Sweded Movies: The Fans Talk Back</title>
<dc:creator>Glyn Moody</dc:creator>
<link>http://www.techdirt.com/articles/20120720/08221119776/sweded-movies-fans-talk-back.shtml</link>
<guid>http://www.techdirt.com/articles/20120720/08221119776/sweded-movies-fans-talk-back.shtml</guid>
<description><![CDATA[ <p>One of the defining characteristics of the digital world -- and one of the problems for copyright law, which was conceived in an analog age --  is the importance of being able to build on the work of others not just indirectly, but directly, through mashups or the re-use of existing material.  <a href="http://www.techdirt.com/profile.php?u=rudeholm">Stig Rudeholm</a> points us to <a href="http://www.guardian.co.uk/film/2012/jul/05/sweded-movies-end-of-hollywood">a fascinating feature in the Guardian about "sweded movies"</a>: home-made tributes to Hollywood titles that adopt precisely this approach of creative re-interpretation.  The name apparently comes from the film "Be Kind Rewind", where DIY imitations of studio favorites are passed off as Swedish editions.
</p><p>
As the article's author, Ben Walters, writes, beyond the surface humor, there's something interesting happening here:

<i><blockquote>sweded movies are a form of talking back to Hollywood. Along with recut trailers and "supercuts" of familiar tropes, they represent a fledgling digital moving-image culture that presents a radical challenge to the mainstream movie industry. They are created as fun for fans but the ideas of entitlement and agency underpinning these videos will shape how we all consume -- and produce -- moving images in the 21st century. They are a taste of what comes after Hollywood.</blockquote></i>

He gives some examples of that "talking back":

<i><blockquote>see, for instance, the video <a href="http://www.youtube.com/watch?v=qJlbPXZEpRE">The Star Wars That I Used to Know</a>, which combines anti-Lucas sentiment with Gotye's music. The same sense of media-savvy pushback is evident in trailers that reconfigure <a href="http://www.youtube.com/watch?v=sfout_rgPSA">The Shining as a family comedy</a> or <a href="http://www.youtube.com/watch?v=U71P5FKFqfg">Mrs Doubtfire as a stalker horror</a>; and in supercuts that point out <a href="http://www.youtube.com/watch?v=d4uv0eD5Ufg">how much Julianne Moore likes to cry</a> or <a href="http://www.youtube.com/watch?v=1jRhgNp-fNc">how often the word "fuck" is used in The Big Lebowski</a>.</blockquote></i>

What's striking about these, he suggests, is the lack of traditional deference to Hollywood and its highly-paid artists.  Films are no longer immaculate creations that can be looked at but not touched; instead, cinema has become a store of images, sounds and symbols to be constantly reshuffled, re-used and reshaped in new works of sweded art, offering yet another example of lowered barriers to creativity brought about by low-cost digital technology.
</p><p>
Follow me @glynmoody on <a href="http://twitter.com/glynmoody">Twitter</a> or <a href="http://identi.ca/glynmoody">identi.ca</a>, and on <a href="https://plus.google.com/100647702320088380533">Google+</a></p><br /><br /><a href="http://www.techdirt.com/articles/20120720/08221119776/sweded-movies-fans-talk-back.shtml">Permalink</a> | <a href="http://www.techdirt.com/articles/20120720/08221119776/sweded-movies-fans-talk-back.shtml#comments">Comments</a> | <a href="http://www.techdirt.com/articles/20120720/08221119776/sweded-movies-fans-talk-back.shtml?op=sharethis">Email This Story</a><br />
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