There is one more factor that makes software very unique — because a single person can successfully develop and distribute software applications, the experience with the system is highly personalized for a large number of developers. Software patents, in a sense, and almost unlike all other technology areas, restrict what feels like our treasured personal freedom, and understandably thus generate a visceral reaction to those so affected. In almost all other mainstream industries, inventors do not act as manufacturers, but are employed by them. This decouples and depersonalizes infringement concerns from the inventor/developer. In actual practice, it is extremely rare that a small developer would ever be sued for infringement by any entity other than a direct competitor. In this instance, the developer would be able to quite easily see it coming, but there is a possibility that they could be sued and not see it coming. So, I can understand why smaller developers would feel personally threatened by software patents. And even software developers in large companies often still fancy themselves as independent souls who, in their dreams, find fame and fortune founding a start-up and striking it rich. So, they too, often can take umbrage as much as an independent developer.

the part about patents restricting “what feels like” freedom. There’s no “feels like” about it. Patents are a restriction on the treasured personal freedom of programmers, which is why so many of us are upset about them.

After his imprisonment ends Perkins will be subjected to a further three years of supervised release and will be banned from possessing “any electronic device with the capability or reproducing and distributing copies of copyrighted materials.”

Because no software can ship on this future platform without it going through the Windows Store, the team that built Skyrim would have to send it to Microsoft for certification. Then Microsoft would tell them if they could ship it.

Do you know what Microsoft's answer would be?

I do. It would be "no".

This is not speculative; it is certain. Skyrim is a game for adults. It has a PEGI rating of 18. If you read the Windows 8 app certification requirements you will find, in section 5.1:

"Your app must not contain adult content, and metadata must be appropriate for everyone. Apps with a rating over PEGI 16, ESRB MATURE, or that contain content that would warrant such a rating, are not allowed."

And that's the end of it. No Skyrim for the Windows Store, unless of course the developers go back and remove all the PEGI 18-rated content.

Consumerist reader Rebecca found this out the hard way, when she purchased Puss In Boots for $14.99 from Amazon, believing that, per Amazon’s marketing, she would be able to watch the movie when she wanted and for as many times as she wanted.

And all was going well for a few weeks until Rebecca went to stream Puss In Boots and instead saw a message stating that the film was no longer available for viewing.

Due to licensing restrictions, videos can become temporarily unavailable for viewing or downloading. The video will automatically be made available again once that restriction ends.

Availability of videos for purchase, re-download, or access from a backup copy is determined by the owners of the content. On very rare occasions, a video you previously purchased may become unavailable.

Viewing Period: Indefinite — you may watch and re-watch your purchased videos as often as you want and as long as you want (subject to the limitations described in the Amazon Instant Video Terms of Use).

Purchased Digital Content will generally continue to be available to you for download or streaming from the Service, as applicable, but may become unavailable due to potential content provider licensing restrictions and for other reasons, and Amazon will not be liable to you if Purchased Digital Content becomes unavailable for further download or streaming. You may download and store your own copy of Purchased Digital Content on a Compatible Device authorized for such download so that you can view that Purchased Digital Content if it becomes unavailable for further download or streaming from the Service.

I waited nearly a full year to watch Game of Thrones, because that's how long it took to get from HBO to iTunes. If I had any interest in purchasing a Avatar 3D Blu-ray, I would have either had to buy a Panasonic 3DTV or wait three years just for the right to spend thirty bucks on FernGully with giant blue cat-people having tail sex.

Even content that's accessible doesn't often make much financial sense. Amazon's the most reasonably priced e-retailer in the world (seriously, it's got 1,000 albums for five bucks each right now), but even it can be fraught with peril and annoyance. Ebooks that cost more than their paperback equivalents. The specter of DRM haunting every click. A layout so unnavigable you feel like you're being punished.

Want to comparison shop? Forget about it. Ecosystems aren't just apps and software anymore, they're movies and TV shows and everything you'd ever want to watch, read, or listen to. On any given day the best price might be on Amazon or iTunes or Google Play or Xbox, but if you want the simple comfort of knowing everything you paid for with your own American dollars lives in one place? Expect to pay full freight for most of it.

I put the awesome HBO GO app on the family's iPad yesterday and tried to Airplay into our family room TV. I got audio on the TV but not video. I thought I was doing something wrong. So I rebooted everything and tried again. Same thing.

So I did a web search on the topic to see what was going on. Turns out HBO GO has disabled the video on Airplay but not the audio. That's right. They disabled the video but include an Airplay button in the app.

Having developed these sort of systems before, I can tell you it's because AirPlay is considered an insecure protocol. It's too easy to capture the AirPlay stream and thus, in theory, create HD copies of the video. That's why they don't do it.

I've found that the cryptographic particularities don't always matter when you're in discussions with the studios. They have a list of approved DRMs and technologies and you're either on the list or you're not. Otherwise, you face at least a 6+ month in depth technical review of the stack.

TL;DR: The studios can be somewhat arbitrary in approving or disproving technologies. Last I heard, AirPlay was not approved.

Let me get this straight. I can write an open letter asking the food companies to do better on calories/taste/freshness/whatever and until they do, I'll feel free to just shoplift whatever I want. They need to earn my money.

Maybe the editors of Maxim or Playboy could write an open letter asking the women to "do better" at satisfying them and until then, they'll act like rakes or cads.

Or maybe I can just write an open letter to cancer and ask cancer to do better or else I'll refuse to die. Yeah. That will work.

So I can just write my own open letter and ask Bobbi Smith to "do better" and cough up more cash for my work. After all, that's the mechanism that's supposed to work. It's like a magic wand, only with text.

What is fascinating is that there's little acknowledgement that there are living, breathing humans on the other side of the transaction. There's no acknowledgement that the creators need to eat, pay the rent, and purchase health insurance. Nope. It's all a focus on the consumer who is supposedly allowed to simply stamp his/her feet and if the hard working creators don't snap to it, the consumer will feel free to simply take it. Wow, that's a model of one spoiled brat.

The bill as written is nowhere near as damaging as SOPA/PIPA or even the DMCA, and it has significant bright spots, such as extending Fair Dealing (our comparatively toothless version of Fair Use) to include parody, satire, education and non-commercial remixes and mash-ups. But it does include one big problem: an anti-circumvention clause that, like the DMCA in America, will make it illegal to break copy protection even for the purposes of legal copying. This makes no more sense under Canadian copyright law than it does anywhere else: if the act of copying is legal, why should the means to do so be illegal? The Canadian Library Association has proposed a common-sense amendment to the so-called "digital locks" provision, clarifying that circumvention is only infringing if it is "for the purpose of an act that is an infringement of the copyright". It makes no sense to exclude such a requirement.

The other major concern is the amendments requested by content industry representatives, which if accepted would turn C-11 from a relatively tame bill into a monstrous cousin of SOPA/PIPA. Proposals include notice-and-takedown systems, graduated response from ISPs, website blocking provisions, warrantless access to subscriber information, and many of the other worst parts of SOPA/PIPA and the DMCA. Additionally, the licensing agency Access Copyright is opposing the bill's expansion of Fair Dealing, and even trying to go in the opposite direction and scale it back.

All these proposals will be reviewed by the committee in a "clause-by-clause" review of the bill. For Canadians who value progressive copyright and a free and open internet, the good news is that most of the bad amendments will likely be rejected, both because the committee members are well aware of the massive public backlash against SOPA/PIPA, and because many of the proposals are not the mere "technical amendments" that are permitted at this stage. But there are no guarantees, and that means that now is an essential time to make your voice heard, and ensure that the right decisions are made about the future of Copyright in Canada. We must let our representatives know that we support common-sense changes to the digital locks provision, and oppose the SOPA-fication of the bill by industry groups, as well as the attack on Fair Dealing by Access Copyright.

Geist has provided a convenient list of e-mail addresses for all the committee members, and Open Media's Say No tool allows you to contact your Member of Parliament—though it does not allow you to enter a custom message, so I recommend finding and contacting your MP directly. I also hope that American and international readers will not see this as a purely Canadian issue: it is, in fact, a part of ongoing American efforts to introduce stronger copyright wherever possible. Canadian copyright legislation has been largely driven by U.S. interests and pressure tactics like the USTR's Special 301 report. You can be confident that if the American government gets its wish and Canada enacts harsher copyright laws, they will soon be pushing to "harmonize" the law and bring the same restrictions back to the U.S.

In many ways, Canada is benefitting from the fallout of the SOPA/PIPA protests, which is helping to shield us from the worst of the proposed changes—but that cannot be an excuse for complacency. If we make the effort to fix the problems with C-11, and push back against industry proposals that aim to inject it with new, bigger problems, we can emerge from this process as an example of the right way to approach evolving copyright law.

To combat this they [Universal Music] want only songs with digital receipts to be able to added to lockers. For some time UMG has been demanding that online music retailers embed personal information in every song they sell. They call it UITS. iTunes has been inserting email addresses into every song while other retailers like Napster are using a unique receipt number....

All songs without a proof of purchase would be assumed to be unauthorized and not accepted into the system. Songs ripped from CDs would not have unique identifiers and wouldn't be loaded. Any song purchased prior to retailers inserting personal identifiers or from retailers who have yet to personalize every song would also be excluded. (To date, Amazon's MP3 store does not put any unique identifiers in songs despite UMG's demand that they do so.) Promotional songs download online would also not work.

Sony believes users will share lockers by visiting each others houses and syncing in each others music. To combat this Sony wants loading to happen from only one computer. Each locker owner would have to designate a single location from which they could upload songs. Users could load music from either their laptop or desktop or office computer but not all three. Their belief is that this will prevent friend to friend file sharing.

Most worrisome to Warner Music Group is that users may setup multiple lockers and the distribute the extra lockers to friends. Imagine if a locker owner setup a locker at Apple and Amazon and then gave their less used locker away or maybe even sold it. What WMG would like to see happen is that a central locker authority would administer all locker assignments. For awhile they were pushing Catch Media as the solution. More recently they may have relaxed their demands in this area and insisted that locker identities be uniquely tied to a valid credit card or some other such verified identity.

The [USTR FOIA Appeals] Committee undertook a comprehensive review of the circumstance of the creation of the document at issue and the conditions under which it was sent to USTR, including through statements provided by members of USTR's Office and Congressional Affairs and Office of Intellectual Property and Innovation. The Committee concludes that Congress intended to retain control over this document and that it is not an agency record subject to FOIA.

Congress may not feel compelled to take into account the requirements of an agreement that it had no formal role in approving. On the other hand, it may well be that Members of Congress might be reluctant to consider legislative approaches that would alter federal law in a manner that might make the United States in default of its ACTA obligations. The seriousness of such a concern may turn on the extent to which the United States may be held accountable for ignoring its ACTA obligations, or how successful the United States is in convincing other ACTA Parties of its compliance with the ACTA commitments even with such legislation.

Another initial provision in the draft tax declares: "This Agreement shall be without prejudice to provisions governing the availability, acquisition, scope, and maintenance of intellectual property rights contained in a Party's law." Note that this language refers to intellectual property rights (as opposed to remedies for violation of those rights). Thus, this provision allows a Party to have domestic laws that contain exceptions, limitations, and conditions concerning the "availability, acquisition, scope, and maintenance" of IPR. It does not, however, appear to apply to a Party's domestic laws that provide exceptions to the remedies that are available to intellectual property holders that seek to enforce their IPR. Yet it may be difficult in certain circumstances to draw a distinction between a Party's domestic laws that establish rights and those that provide remedies for violation of those rights; if the domestic law clearly concerns the latter, then this provision does not appear to be relevant. For example, a law that specifies that "injunctive relief is not available..." for certain acts of infringement, appears more clearly to be a limitation on available remedies. However, a law that specifies that "it is not an act of infringement to" perform a specific action could be considered a limitation on remedies, or it could also be regarded as an exception, limitation, or condition regarding the availability and scope of IPR.

"I'll let you write the substance ... you let me write the procedure, and I'll screw you every time."

"procedural reforms can have the effect of denying substantive rights without the transparency, safeguards and accountability that attend public and legislative decision-making."

It was at this point that I realised that my previous opinions about permissive licenses not providing enough safeguards against exploitation for an open source project were off-base. In practice, open source projects don't really need protection, because their best contributors are going to be there regardless (yes, I realise the GPL provides more protection to end users who want to get at the source code, that's not what I'm considering here). 'Freeloaders' -- people who use or modify the open source project for their own ends but give no code or community contribution back -- are always going to exist; even under the GPL it's easy to freeload, if you make your money from hosting services for example, and thus license choice has little impact on the scale (if not the nature) of the freeloading. Besides the annoyance of 'that guy took my work and made some money out of it' -- which you have to accept as an inevitable outcome of going open source, so stick to making proprietary software if that bugs you -- freeloaders have little negative effect on an open source project, and actually their use can contribute positively to [publicity for the project]. The key is to recognise that in practice you can really just ignore freeloaders, and instead concentrate on maximising the positive contributors in your community.

So, if we acknowledge that the people whose contributions we actually want are those who contribute voluntarily, regardless of license, we quickly come to the conclusion that all that really matters is the size of the community. It's a fair assumption that for a given project there is a relatively stable percentage of users who will choose to contribute back (the percentage itself varies per project, but is fairly stable per project in my experience), therefore the easiest way to increase your contributors is to just increase your user base. Forget about trying to coerce people into being 'good' members of the community, just trust that the percentage will be there and will track your overall numbers.

One way in which to attract more users is to make the licensing simpler and more easier to understand. Programmers hate legalese, and a simple, clear license is bound to be more attractive than our LGPL (with static link exclusion), plus OUL option. It's for this reason that from OGRE 1.7 we're switching to the MIT License.