However, that document still does not answer the central question of what "diligent" will mean. A post on Out-Law.com provides some information about how this will be addressed:

"The 'diligent search' requirement will be defined through a working group so that it can reflect current best practice across all sectors," a spokesperson for the IPO told Out-Law.com. "This will make sure that any requirements are practical and manageable. The working group will include representation from creators, including the photography sectors, and users such as museums and archives."

The other thing is that in contrast to the two groups representing photographers, there is not a single advocate for the somewhat more populous general public. Of course, that's absolutely par for the course: the public is routinely overlooked whenever it comes to asking "stakeholders" what they think about proposed changes to copyright. The UK's welcome move to liberate hostage works at last would have been the perfect opportunity to break yet more new ground by engaging directly with groups representing the 60 million people whose views are never properly considered. Sadly, that seems not to be happening.

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Those skeptical of copyright protection have expended a lot of energy to redefine its language and revise its history. Calls for lessening copyright protections are far too often accompanied by heated rhetoric. Appealing to emotions may be a great way to drum up signatures for online petitions, but has no place in policy discussions. Finally, it is not hard to find examples of those who propose dramatic changes without understanding the business realities of how creative individuals and industries operate.

Supporters of Kirtsaeng, including companies like eBay and groups such as Public Knowledge, have played an aggressive role in warping the public's understanding of the anti-arbitrage provisions of the Copyright Act and the benefits of market differentiation. Behind the veil of the Owners Rights Initiative, they perpetuated a series of falsehoods; these sweeping generalizations mischaracterize the impact of Kirtsaeng, generally attempting to recast a case limited in scope as an issue that will concern all individual resellers of goods.

There's another problem with the patent, as Mueller's post makes clear:

Microsoft is seeking, and now very likely to obtain, a German patent injunction against the Google Maps service, the Google Maps Android client app, and web browsers providing access to Google Maps. In order to comply with the injunction that looms large, Google would have to disable access to Google Maps from computers using a German IP address, discontinue shipping the Google Maps Android app in the German market, and distribute web browsers in Germany only if they block access to Google Maps in a way comparable to Internet filters used for the purpose of parental controls.

Moreover, Microsoft can't fall back on its usual justification that it spent years of research and huge amounts of money developing this "breakthrough" idea, and therefore deserves its sweeping monopoly. According to both the European and US filings, the original patent was granted to Sean Phelan, based in London. Here's the background:

Sean started Multimap.com as a bootstrap start-up in his spare bedroom in 1995 and built it into one of the 10 most popular British web services, with revenues of £12M and profits of £1M

Sean formed Multimap.com to bring together his lifelong love of sailing and navigation with his experience with the internet and web-based technology. Through Multimap, Sean realised his vision of services based on the integration of navigation, wireless communications and the web. He is one of Europe's original internet entrepreneurs, with a unique combination of business and technical skills. In December 2007 the company was acquired by Microsoft for £30 million, cementing its position in the ranks of Britain's internet success stories.

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At her confirmation hearings in 2009, she said she was in favor of letting citizens see their government at work. “I have had positive experiences with cameras,” she said. “When I have been asked to join experiments of using cameras in the courtroom, I have participated. I have volunteered.”

She was singing a different tune a couple of weeks ago, telling Charlie Rose that most Americans would not understand what goes on at Supreme Court arguments and that there was little point in letting them try.

“I don’t think most viewers take the time to actually delve into either the briefs or the legal arguments to appreciate what the court is doing,” she said. “They speculate about, oh, the judge favors this point rather than that point. Very few of them understand what the process is, which is to play devil’s advocate.”

At her confirmation hearings in 2010, she said video coverage “would be a great thing for the institution, and more important, I think it would be a great thing for the American people.” Two years later, she said she now had “a few worries, including that people might play to the camera” and that the coverage could be misused.

The Supreme Court of the United Kingdom, which was formed in 2009, allows camera coverage. Last month, Lord Chief Justice Igor Judge, the head of the judiciary for England and Wales, announced that cameras would be allowed in appeal courts starting in October, after judges receive media training.

Lord Judge agreed with Justice Sotomayor, to a point. “I suspect John and Jane Citizen will find it incredibly dull,” he told a committee of the House of Lords. But that did not seem to him a reason to prevent them from trying to make sense of the proceedings.

Arguments in the Supreme Court of Canada have been broadcast since the mid-1990s, and more recently they have been streamed live on the Internet.

Owen M. Rees, the court’s executive legal officer, said the experience had been positive.

“The filming of the Supreme Court of Canada’s hearings has increased the public’s access to the court and its understanding of the court’s work,” he said. “Of course, each court must make its own evaluation of whether introducing cameras in the courtroom would be appropriate.”

Chief Justice Roberts said he worried about the effect that cameras would have on lawyers and, perhaps more important, on the justices, who may have less self-control than their counterparts abroad.

“We unfortunately fall into grandstanding with a couple of hundred people in the room,” the chief justice said.

USTR requests that interested persons identify those countries that deny adequate and effective protection for intellectual property rights or deny fair and equitable market access to U.S. persons who rely on intellectual property protection.

Written comments should include a description of the problems that the submitter has experienced and the effect of the acts, policies, and practices on U.S. industry.

The problem of Internet piracy and the sale of counterfeit products online has not gone away. Senator Leahy continues to monitor law enforcement actions, significant developments in the courts and voluntary industry practices, and all those pieces will help determine what next steps are appropriate.
— spokeswoman for Sen. Patrick Leahy (D-Vermont), chairman of the Senate Judiciary committee and author of the Protect IP Act

We can all agree about the importance of protecting American innovation from foreign thieves, but I think it is critical that all parties have a seat at the table and work together to solve important policy issues. As chairman of the Judiciary committee, I look forward to working with both the technology and content communities to find ways to protect America's competitive advantage while promoting internet freedom and growth.
— Rep. Bob Goodlatte (R-Virginia), chairman of the House Judiciary committee and original sponsor of SOPA

Hollywood and Silicon Valley have more in common than most people realize. We share a commitment to innovation, to our consumers, and are working together to develop new platforms to make that content easily and legally accessible. Like the tech industry, the well-being of the film community is dependent on a vibrant First Amendment and we would never support any legislation that limits this fundamental right. We can all agree no one wins if everyone loses. Preserving freedom of speech and protecting intellectual property rights are not mutually exclusive efforts. Intellectual property protection is essential to creators and makers in both industries and we need to discuss it rationally. Let's use this anniversary to forge a path toward the future where the creative content and technology industries work together to develop meaningful solutions that ensure an Internet that works for everyone.
— Michael O'Leary, senior executive vice president for global policy and external affairs at the Motion Picture Association of America

It's a new day for a new music business and for the RIAA. For the better part of the last year, we have focused on being an evangelist for the dynamic, exciting legal online marketplace that now exists for fans. That will continue to be our priority in 2013. We earn more than half of our revenues from digital services and platforms. Not many creative industries can say that. Music helps drive social media trends and device sales. In fact, in 2012, the two top Google searches were music-related. Currently, 19 of the top 20 YouTube videos are music videos. And according to Twitter, seven of the top 10 Twitter accounts are held by artists.

What does this all tell us? Music is at the center of cultural and commercial phenomena. We are not stuck in the past but looking ahead at a promising, bright future teeming with new music options. Which is why we created, along with our online retailer partner NARM, WhyMusicMatters.com, a one-stop educational guide for digital music so fans can know where to get their favorite music in a variety of different ways. And we expect that this bright future will offer access to music in ways currently unimaginable but will perhaps seem commonplace a year from now.

Yes, piracy still continues to plague us and is a continuing threat to our business. But instead of looking to Congress for help, we are tuned in to the marketplace and actively seeking out voluntary partnerships with intermediaries like ISPs and advertisers to help curtail illegal downloading. Moving forward, we want to simplify music licensing to make it easier to develop music business models. We know that music models continue to evolve - access and listening models are becoming more prevalent and it's imperative we derive a fair market return for the music that is the foundation of those businesses. And as always, we'll continue to find new ways to promote the dynamic music marketplace.
— Mitch Glazier, senior executive vice president at the Recording Industry Association of America.

Protection of intellectual property and Internet freedom are critically important. The Chamber will work with members on both sides of the aisle to find an effective and commercially reasonable solution to address this ongoing problem.
— U.S. Chamber of Commerce spokeswoman

If you had asked me how I felt on January 18, 2012, about the prospects for protecting the creative work of artists and innovative businesses in the wake of the internet revolt against the Stop Online Piracy Act and the Protect IP Act, my response might have involved some muttering under my breath and a request for a stiff drink. In the coming week, many who seek to exploit the work of creators without their consent will be looking backwards and celebrating last year's defeat of those bills. So one might expect advocates for artists and creators to be in a dour mood again, but there is ample cause for optimism among members of the creative community...

At least some of the goals of the legislation have been achieved through increased private and government action since the introduction of the first version of the bills in 2010:

• More credit card companies are engaging in best practices. In June 2011, major credit card companies and online payment processors (American Express, Discover, MasterCard, PayPal and Visa) reached an agreement on voluntary best practices to reduce sales of counterfeit and pirated goods by cutting off sites that distribute infringing goods from conducting financial transactions through these processors.
• More advertisers are engaging in best practices. On May 3, 2012, the Association of National Advertisers and the American Association of Advertising Agencies issued a statement of best practices to address online piracy and counterfeiting.
• Internet service providers, movie studios and record labels are collaborating on a Copyright Alert System. Under this system ISPs have agreed to notify users when their accounts appear to be used for illegal downloading activity and to impose real consequences on users who refuse to stop after receiving multiple notices.
• Google finally started considering whether sites are rogue websites when doing search rankings. In August 2012, Google announced a change in its search algorithm that takes into account the number of "valid copyright removal notices" when determining the ranking of search results. In its announcement, Google indicated the goal was to help its users find legitimate sources of content more easily...

As more artists and creators stand with their peers and highlight what is really happening on the Internet, more people will listen and think twice. If there is a silver lining to the blackout, it has been the people who we have met this year: artists, reformed 'pirates' academics and lawmakers who want to begin meaningful conversations about promoting creativity and ensuring it finds a place in all of our lives.
— Sandra Aistars, executive director of the Copyright Alliance

Trevor Clarke, assistant director general for the Culture and Creative Industries Sector of the World Intellectual Property Organization (WIPO), said during a workshop on “Rethinking Copyright” today that the multi-stakeholder environment is “the best and and most appropriate” when it comes to the debate on copyright in the digital age. WIPO is preparing for such multi-stakeholder discussions, Clarke told Intellectual Property Watch.

Clarke said the WIPO director general and secretariat has added their voices to the call for a reexamination of the copyright system and have not shied away from the fact that some aspects of the law need to be revisited. Not only law, but also culture and infrastructure of the system, have to be considered, he underlined. Member state positions vary considerably on the issues, and it would make sense to include the private sector and also civil society into the talks, he said, adding, “We need that dialogue.”

At first, Pixiq was asking me to sign a document, which stated that the migration of my blog would not include a single comment because of its privacy policy.

But when I protested, Pixiq attorney Gillian Berman said they would make an exception in my case and migrate the comments, but turn every username into “anonymous,” which would make every single comment over the last two years appear to have been left the same person.

CAN MEMBERS OF THE PUBLIC ATTEND WCIT-12?

At the opening of WCIT-12 the Secretary-General of ITU will propose that the public be allowed to be present at the conference venue, in line with the practical arrangements adopted at similar ITU conferences. A formal decision on admitting the public will be taken at a meeting of the heads of delegations on the first day of the conference. This would permit the public to attend plenary sessions and certain committee meetings. Webcasts of plenary sessions are also planned.

The Dagbladet piece says that the police are expected to appeal to Norway's Supreme Court. Assuming that happens, the lower court's ruling seems likely to be overturned, since it is based on an almost complete misunderstanding of how blogs work and Net dissemination takes place.

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"For publishers, they really don't have a business, unless they own intellectual property assets, that they're able to use, control and exploit in the marketplace. So the threat of piracy and the threat of restrictions, limitations, exception to their rights as copyright owners is always a concern to them, because it effects the way they do business. The WIPO is now looking at creating international instruments addressing a number of different things -- but all of them have one thing in common: they would cut back on the rights of publishers as copyright owners by introducing new limitations and exception to those rights..."

"Interestingly, our interest and concern about whether it's a treaty or some other form of international agreement, probably would not have been much of a problem if we were only working on the issue of print disabilities. But with the effort to develop supposed proposed treaties on limitations and exceptions for educational uses and also a separate effort moving parallel to this, to develop a similar treaty on limitations and exceptions for uses by libraries and archives. The problem we have in the area of print disabilities is we really don't want to establish a precedent of developing a series of treaties that specifically focus on trying to set forth minimal limitations and exceptions to the rights of copyright owners. Up until this proposal with respect to print disabilities, generally the treaties and other international agreements that have been devised by the WIPO have been to establish the minimal rights of copyright owners -- not the limitations and exceptions to those rights. And the notion that now, because of the concerns of developing countries and some of the agreements that have been made to pursue an agenda of issues that are of concern to developing countries, we're now beginning to focus on limitations and exceptions."

"For publishers, they really don't have a business, unless they hold government-granted monopoly privileges, that they're able to use, control and exploit in the marketplace. So the threat of infringement and the threat of the public regaining some of their own rights is always a concern to them, because it effects the way they do business. The WIPO is now looking at creating international instruments addressing a number of different things -- but all of them have one thing in common: they would increase the rights of the public by restoring their ability to make use of those works...

"Interestingly, our interest and concern about whether it's a treaty or some other form of international agreement, probably would not have been much of a problem if we were only working on the issue of print disabilities. But with the effort to develop supposed proposed treaties on the public's rights to use works for educational uses and also a separate effort moving parallel to this, to develop a similar treaty on the public's right for uses by libraries and archives. The problem we have in the area of print disabilities is we really don't want to establish a precedent of developing a series of treaties that specifically focus on trying to set forth expanded rights for the public. Up until this proposal with respect to print disabilities, generally the treaties and other international agreements that have been devised by the WIPO have been to take away and limit the rights of the public -- not to expand and clarify those rights. And the notion that now, because of the concerns of developing countries and some of the agreements that have been made to pursue an agenda of issues that are of concern to developing countries, we're now beginning to focus on the rights of the public."

That's a lesson that the Australian government seems not to have learned yet, judging by the following story:

The Federal Government has reportedly held a second closed door meeting held between the content and telecommunications industries to address the issue of illegal file sharing on the Internet through avenues such as BitTorrent.

According to another report, the argument now seems to be mainly about who will pay for a proposed "graduated response" (three-strikes) scheme:

one source familiar with the discussions said local film industry representatives are concerned that the cost of operating graduated response schemes is too high.

Another source said the content industry’s response was to try to push the cost of managing infringement notices -- and an appeals mechanism for customers who felt they had been wrongly accused -- onto internet service providers.

That's not only unacceptable, it's extremely unwise in view of what the Australian government plans to do next:

If the content and internet industries reach agreement on a scheme to deal with copyright infringement, the Attorney-General’s department is expected to put a draft proposal out for public consultation.

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Go Daddy is no longer supporting SOPA, the "Stop Online Piracy Act" currently working its way through U.S. Congress.

"Fighting online piracy is of the utmost importance, which is why Go Daddy has been working to help craft revisions to this legislation -- but we can clearly do better," Warren Adelman, Go Daddy's newly appointed CEO, said. "It's very important that all Internet stakeholders work together on this. Getting it right is worth the wait. Go Daddy will support it when and if the Internet community supports it."

Go Daddy and its General Counsel, Christine Jones, have worked with federal lawmakers for months to help craft revisions to legislation first introduced some three years ago. Jones has fought to express the concerns of the entire Internet community and to improve the bill by proposing changes to key defined terms, limitations on DNS filtering to ensure the integrity of the Internet, more significant consequences for frivolous claims, and specific provisions to protect free speech.

"As a company that is all about innovation, with our own technology and in support of our customers, Go Daddy is rooted in the idea of First Amendment Rights and believes 100 percent that the Internet is a key engine for our new economy," said Adelman.

In changing its position, Go Daddy remains steadfast in its promise to support security and stability of the Internet. In an effort to eliminate any confusion about its reversal on SOPA though, Jones has removed blog postings that had outlined areas of the bill Go Daddy did support.

"Go Daddy has always fought to preserve the intellectual property rights of third parties, and will continue to do so in the future," Jones said.

But here's somewhere to start: If something is public, it's quotable. If you don't want to be quoted, don't say it on the Internet. If you have a public Twitter account and say something, then, yes, it's public. Should Twitter users expect to be contacted and asked for permission to have their tweets reprinted? Don't count on it.

The same principle applies in cyberspace: the fact that a communications forum is "public" doesn't necessarily mean that people are comfortable with it being recorded, archived, published, and indexed by search engines. Unfortunately the online world is so new that the relevant social conventions have yet to fully emerge. Facebook, for example, caught a lot of flack when they introduced news feeds that let you keep tabs on your friends' actions. That resistance appears to have largely evaporated as people discovered how useful the feature could be. By the same token, IRSeeK could turn out to be a very useful service, and so initial resistance shouldn't necessarily be a reason to abandon the idea. A search engine could be particularly useful for tech support forums, because it would allow users who had a particular problem to search the logs for references to their particular problem before asking about it.

But it's important that IRSeeK help to develop clear social norms so that people know when their conversations are being recorded and how the archives will be used. And to their credit, they appear to be doing just that. It has announced that the search engine will be suspended until they've found ways to address the community's concerns, and it also mentions several measure it's considering to address the community's concerns. The most important, from my perspective, is to develop an analogue to the web's robots.txt file, so that IRC operators have a straightforward way to opt out of archives and search engines. IRSeeK also mentions giving their bots standard names so that other IRC users will know their statements are being recorded. And it may avoid indexing nicknames to make it harder to track a given user's activities across multiple IRC channels. IRSeeK's swift response to community outrage and its apparent willingness to modify its services to address community concerns suggests that it may successfully navigate these tricky issues and come up with a service that's genuinely useful without being overly intrusive.