As iPhones and iPads have gotten more powerful, they've been adopted for a lot of professional applications, and this has spawned a huge industry of compatible devices—not just accessories, but significant expansions that can run into the same price range as the iPhone/iPad itself. In music, for example, there are DJ controllers, audio interfaces, studio microphones, stompbox pedals and more—all utilizing the ubiquitous iPod/iPhone/iPad connector port that has remained the same for years. But now TechCrunch has confirmed that the new iPhone will feature a new mini connector with a yet-to-be-announced standard—which means the rest of the Apple line is sure to follow, and all those products are officially on the road to obsolescence.

Apple’s 30-pin ports have been the standard since Apple released the third generation iPod. The connectors offered structural stability when connecting to most accessories but it’s clear – especially with the introduction of the MagSafe 2 port – Apple is more concerned with space savings inside each device.

Three independent manufacturers all agreed that the 19-pin dock port is in the works and many accessory manufacturers are facing an uneasy few months as they wait for official news of the standard to be announced.

This is going to frustrate a lot of users—but despite TechCrunch's suggestion, most manufacturers probably aren't "uneasy". For them, it's a great cash-grab, and an apparently pointless one. Sometimes things have to become obsolete—but this doesn't seem like one of those cases. There were no problems with the old connectors, and they weren't causing any kind of technological bottleneck, so apart from the space-saving aspect, there doesn't seem to be much to gain—certainly not for the user, and certainly not compared to what's lost by abandoning such a well-established standard. This has led some to suggest that the accessory manufacturers were in fact the driving force behind the change:

Have you guys ever heard of 'planned obsolescence?' It's a practice which encourages planning and designing a product so it's only useful for a limited time, before becoming obsolete. It's common practice, and used by many companies to create demand for the 'newer, better' model of the product. Yet this move is possibly prompted by the major accessory makers facing dwindling sales, as customers see no need to buy new accessories for a smartphone that had a universal dock system for 6 generations. What most tech blogs failed to address was the following question: Did the top accessory makers pad Apple's pockets, or hardball negotiate for an incentive to drop the standard cable as a means of forcing consumers to buy new accessories? We're inclined to think so.

Considering that three of the top accessory makers have been the first to confirm that they're working on 19 pin accessories already for the launch of the iPhone 5, the motive is simple : Greed. And why not? It's a fail safe business plan, designed to shake out the smaller accessory makers with tons of unsold '30 pin' stock and a good amount of people will probably conform to this odd decision without question.

Of course, Apple gets plenty of benefits too. The new connector will be yet another proprietary standard, following their typical walled-garden approach, which means most accessory developers will build Apple-first, everything-else-second-if-at-all, thus pushing more people towards Apple products. It's not surprising, but it's not a consumer-friendly decision either. Additionally, manufacturers/owners of some of the aforementioned professional accessories to do with music and photography get the worst deal—for them, iPhone/iPad compatibility is a great feature, but not central to their businesses/buying habits. Breaking the compatibility is a source of nothing but frustration, and will probably discourage a lot of such users from upgrading at all—while the manufacturers are slowly forced to leave them behind.

The difference in the new case? It’s as simple as a USB cable. The patent in question is for an “audio program distribution and playback system” that downloads playlists. At the time, the Apple products named in the first suit had to be connected to a computer to sync playlists using iTunes, and Judge Ron Clark of the Eastern District of Texas decided Apple did not infringe the patent despite the jury having concluded otherwise.

“The USB cable did not meet [the judge's] definition of ‘download,’” said Personal Audio lawyer Ronald J. Schutz of Robins, Kaplan, Miller & Ciresi. “Apple argued that the USB cord turned the iPod into a dumb hard drive.”

But with the release of Apple’s new iOS 5 software, iPhones, iPods and iPads can sync playlists from iTunes over a WiFi connection instead of using a USB cable.

"Change your apps name. Not that big of a deal."

I hope the company continues to search for ways to sync with iTunes, because the fight--silly as it seems--is important, and Palm is clearly in the right. Apple may have the USB-IF on its side, and it may also be protected by copyright law. But by blocking non-Apple devices from its music app, Apple is violating a more fundamental principle of computing--that unalike devices should be able to connect to one another freely. The principle underlies everything we take for granted in tech today: It's why the Internet, your home network, and the PC function at all. And it's why Palm should keep storming the iTunes fortress.

I am not claiming that Palm has the legal right to hack into Apple's software, nor am I calling on any authorities to compel Apple to let Palm in; if the cat-and-mouse game turns into a courtroom brawl, it's very likely that Apple would win the fight. Instead, I'm calling on Apple to stand down. Even better: It should create a legal pathway for Palm and every other company to sync with iTunes. Why? The most obvious reason is that it's good for iTunes users. Nobody other than Apple benefits from locked-down software. Apple frequently extols the wonders of digital music--the convenience, the flexibility, the environmental friendliness. But how flexible can it be if you're allowed to sync your tunes only with devices made by a single company?

What's more, the iTunes block is hypocritical. Like every other tech company, Apple has benefited enormously from the spirit of interconnectedness that pervades the tech industry. The iPod would have fizzled if Microsoft had blocked it from hooking up to Windows PCs. Or look at the iPhone--Apple is proud that it can sync with Outlook, Microsoft Exchange, Gmail, Yahoo, and just about everything else. Indeed, you could argue that Apple, once left for dead on the periphery of the tech industry, managed to come back only because it skillfully marketed Macs as the most promiscuous computers you could buy.

"While we are glad that Apple retracted its baseless legal threats, we are disappointed that it only came after 7 months of censorship and a lawsuit," said EFF Senior Staff Attorney Fred von Lohmann. "Because Apple continues to use technical measures to lock iPod Touch and iPhone owners into -- and Palm Pre owners out of -- using Apple's iTunes software, I wouldn't be surprised if there are more discussions among frustrated customers about reverse engineering Apple products. We hope Apple has learned its lesson here and will give those online discussions a wide berth in the future."

"For something we pulled together in six months, we are very pleased with the satisfaction we got.... It was just so-so on the software side. I'm sure a year from now we'll do even better."