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<title>Techdirt. Stories filed under &quot;investment&quot;</title>
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<pubDate>Tue, 4 Dec 2012 19:58:00 PST</pubDate>
<title>Ridiculous: SEC Boss Refused To Move Forward On Required Crowdfunding Rules To Protect Her 'Legacy'</title>
<dc:creator>Mike Masnick</dc:creator>
<link>http://www.techdirt.com/articles/20121202/23405221206/ridiculous-sec-boss-refused-to-move-forward-required-crowdfunding-rules-to-protect-her-legacy.shtml</link>
<guid>http://www.techdirt.com/articles/20121202/23405221206/ridiculous-sec-boss-refused-to-move-forward-required-crowdfunding-rules-to-protect-her-legacy.shtml</guid>
<description><![CDATA[ Earlier this year, the JOBS Act passed Congress with widespread bipartisan support, and was signed into law by the President.  There were a few different pieces involved, but one that got plenty of attention was the opening up of crowdfunding for equity (i.e., owning actual shares in a company).  In the US, you can't do a crowdfunding campaign that results in giving ownership in the company.  Until the JOBS Act passed, that was considered a form of a public offering, which is a <i>highly</i> regulated area, in which you have to file all sorts of documents with the SEC, get an underwriter, go on a road show, all that fun stuff.  But for smaller businesses looking to raise some money, this doesn't make much sense.  The JOBS Act opened up a small sliver of space in which smaller companies could raise a little bit of money in exchange for equity.  The SEC actively opposed the whole thing from the beginning, but once the bill was law, it was also tasked with setting up the rules for how it would work to limit possible fraud.
<br /><br />
Back in August, we noted that the SEC's rules were due out any day, but had been <a href="http://www.techdirt.com/articles/20120823/01035920130/bureaucrats-begin-spreading-fud-about-crowdfunding.shtml">pushed back</a> at least a week as various state regulators argued that the whole thing was just going to be used for massive scamming.  Since then the whole process has been fought over and changed numerous times.  Newly released emails suggest that it wasn't because the SEC was struggling with setting the best rules possible... but because SEC boss Mary Schapiro <a href="http://news.yahoo.com/emails-suggest-secs-schapiro-delayed-jobs-act-rule-030349269--sector.html" target="_blank">was worried about her legacy</a>.  She's leaving the position in two weeks and apparently didn't want to put in place strict rules for fear that it would tarnish her reputation as being "pro-investor."
<blockquote><i>
"I don't want to be tagged with an anti-investor legacy," Schapiro wrote in an e-mail to [Corporation Finance Director Meredith] Cross with the subject line "Please don't forward."
<br /><br />
"In light of all that's been accomplished, that wouldn't be fair, but it is what will be said ..."
</i></blockquote>
Whether or not you think the rules are good or bad, we should have SEC commissioners who focus on doing what's right... now how things are going to look on their resume when they go hunting for a job in the industry after leaving public service.<br /><br /><a href="http://www.techdirt.com/articles/20121202/23405221206/ridiculous-sec-boss-refused-to-move-forward-required-crowdfunding-rules-to-protect-her-legacy.shtml">Permalink</a> | <a href="http://www.techdirt.com/articles/20121202/23405221206/ridiculous-sec-boss-refused-to-move-forward-required-crowdfunding-rules-to-protect-her-legacy.shtml#comments">Comments</a> | <a href="http://www.techdirt.com/articles/20121202/23405221206/ridiculous-sec-boss-refused-to-move-forward-required-crowdfunding-rules-to-protect-her-legacy.shtml?op=sharethis">Email This Story</a><br />
 ]]></description>
<slash:department>her-legacy-is-a-joke</slash:department>
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<pubDate>Tue, 4 Dec 2012 15:03:00 PST</pubDate>
<title>Why The ITU's Plans To Divert Money To Lazy Telcos Will Slow Internet Buildout, Not Increase It</title>
<dc:creator>Mike Masnick</dc:creator>
<link>http://www.techdirt.com/articles/20121201/02022121196/why-itus-plans-to-divert-money-to-lazy-telcos-will-slow-internet-buildout-not-increase-it.shtml</link>
<guid>http://www.techdirt.com/articles/20121201/02022121196/why-itus-plans-to-divert-money-to-lazy-telcos-will-slow-internet-buildout-not-increase-it.shtml</guid>
<description><![CDATA[ We've noted that among the proposals being pushed this week at the ITU's World Conference on International Telecommunications (WCIT) are a few that are solely designed to <a href="http://www.techdirt.com/articles/20120907/11061720310/eu-telcos-to-un-regulators-divert-more-money-our-way-no-ones-internet-gets-hurt.shtml">divert</a> money from innovative internet companies to stodgy old telcos who haven't adapted.  The ITU has defended such proposals as being about <a href="http://www.techdirt.com/articles/20121107/21233320970/itu-boss-explains-why-he-wants-un-to-start-regulating-internet.shtml">sharing revenue more fairly</a>, which tends to be a warning sign for most folks that failed organizations are about to take money from successful ones.  Indeed, a number of proposals have suggested a form of "sending party pays" infrastructure for peering, claiming that such a system was successful (via the ITU) for telco buildout, and so they could do the same thing for the internet.  Of course, this leaves aside the vast differences in how the networks work and where they came from -- and how a "sending party pays" internet system would almost certainly lead to a balkanized and fragmented internet.
<br /><br />
But, it's even worse.  A new study by Eli Dourado looking at how well "sending party pays" actually worked in the telco system <a href="http://mercatus.org/publication/do-high-international-telecom-rates-buy-telecom-sector-growth" target="_blank">found that it tended to hinder growth, rather than accelerate it</a>:
<blockquote><i>
The possible extension of the telephone system&#8217;s &#8220;sender-pays&#8221; rule to the Internet is a contentious international political issue under consideration at the World Conference on International Telecommunication (WCIT). This paper examines whether higher international telephone rates support or impede telecom sector growth in the receiving country. It uses data on international telephone rates from the US from 1992-2010 to explain growth in foreign telecom sectors during the same period. <b>I find that higher international calling rates are correlated with slower growth in the telecom sector, which suggests that countries are not primarily using higher charges to finance additional expansion.</b> These findings cast doubt on proposals that would extend sender-pays to the Internet sector.
</i></blockquote>
In other words, the key argument the ITU likes to make for this diversion of funds... isn't actually supported by the facts.  Instead, it's what we expected: about helping big telcos (often either state-owned, or formerly stated owned with still close connections) get a bunch of money for nothing... which they then won't invest in expanding the network (why should they?).  And, oh yes, the implementation of such a system might just also make it easier to limit internet access and/or spy on nearly everything people do (how else do you charge if you're not monitoring activity?).<br /><br /><a href="http://www.techdirt.com/articles/20121201/02022121196/why-itus-plans-to-divert-money-to-lazy-telcos-will-slow-internet-buildout-not-increase-it.shtml">Permalink</a> | <a href="http://www.techdirt.com/articles/20121201/02022121196/why-itus-plans-to-divert-money-to-lazy-telcos-will-slow-internet-buildout-not-increase-it.shtml#comments">Comments</a> | <a href="http://www.techdirt.com/articles/20121201/02022121196/why-itus-plans-to-divert-money-to-lazy-telcos-will-slow-internet-buildout-not-increase-it.shtml?op=sharethis">Email This Story</a><br />
 ]]></description>
<slash:department>damn-history</slash:department>
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<pubDate>Wed, 20 Jun 2012 10:49:00 PDT</pubDate>
<title>The Chilling Effects On Innovation Caused By Bad Copyright Law</title>
<dc:creator>Mike Masnick</dc:creator>
<link>http://www.techdirt.com/blog/innovation/articles/20120618/16110519373/chilling-effects-innovation-caused-bad-copyright-law.shtml</link>
<guid>http://www.techdirt.com/blog/innovation/articles/20120618/16110519373/chilling-effects-innovation-caused-bad-copyright-law.shtml</guid>
<description><![CDATA[ We've talked a few times about how attacks on new innovations in the name of protecting copyright can create massive chilling effects.  For example, the increasingly <a href="http://www.techdirt.com/articles/20120530/16055119130/megaupload-filings-show-massive-flaws-us-case-ask-court-to-dismiss.shtml">questionable</a> arguments against Megaupload have created a <a href="http://www.techdirt.com/blog/innovation/articles/20120216/03595717776/how-megaupload-shutdown-has-put-cloud-computing-business-plans-risk.shtml">real chill</a> for online cloud storage providers.  That was likely manifest last week in the news that Dropbox was <a href="http://news.cnet.com/8301-1023_3-57453839-93/dropbox-to-kill-off-public-folders/" target="_blank">killing off its "public folders" feature</a> in deference to its link feature, basically making the product less useful.
<br /><br />
Matt Schruers, from CCIA has an interesting blog post up which ties actions like those done by Dropbox here <a href="http://www.project-disco.org/intellectual-property/trans-atlantic-differences-in-cloud-computing-investment/" target="_blank">with a new study showing how the chilling effects of bad copyright law can impact innovation</a>.  The <a href="http://www.ccianet.org/CCIA/files/ccLibraryFiles/Filename/000000000642/eu%20cloud%20computing%20white%20paper.pdf" target="_blank">full study</a> (pdf) is actually something of a follow up to an earlier study we wrote about, which showed how <i>good</i> judicial rulings on copyright which allowed for greater innovation (such as the <a href="http://www.techdirt.com/articles/20080804/1218551884.shtml">Cablevision ruling</a>, which allowed cloud-based DVRs to exist) contributed <i>directly</i> to <a href="http://www.techdirt.com/articles/20111107/12192016669/study-shows-how-sopapipa-will-harm-investment-key-innovations.shtml">greater funding</a> of innovation.
<br /><br />
This new study, also by Harvard professor Josh Lerner, highlights the unfortunate opposite impact: the chilling effects on investment in innovation that comes as a result of anti-innovation judicial rulings.  In this case, Lerner looked at specific rulings in the EU:
<blockquote><i>
We analyze the effects of a court 
ruling in France and several court rulings in Germany on VC investment in cloud computing 
firms in these countries. These court rulings were seen as negatively affecting the development 
of cloud computing, and our findings confirm this view by showing that these rulings regarding 
the scope of copyrights had significant, negative impacts on investment. Specifically, we find 
that VC investment in cloud computing firms declined in Germany and France, relative to the 
rest of the EU, after the French and German rulings. Our results suggest that these rulings led to 
an average reduction in VC investment in French and German cloud computing firms of $4.6 and 
$2.8 million per quarter, respectively. This implies a total decrease in French and German VC 
investment of $87 million over an approximately three year period. When paired with the 
findings of the enhanced effects of VC investment relative to corporate investment, this may be 
the equivalent of $269.7 million in traditional R&#038;D investment.
</i></blockquote>
Combine these two studies and you can see how these chilling effects can be quite massive in terms of investment in innovation.  Of course, investment alone is not the sole determinant of the pace or success of innovation, but it is a key factor.  And scaring investors away from innovations can have a major impact on the public and the economy.<br /><br /><a href="http://www.techdirt.com/blog/innovation/articles/20120618/16110519373/chilling-effects-innovation-caused-bad-copyright-law.shtml">Permalink</a> | <a href="http://www.techdirt.com/blog/innovation/articles/20120618/16110519373/chilling-effects-innovation-caused-bad-copyright-law.shtml#comments">Comments</a> | <a href="http://www.techdirt.com/blog/innovation/articles/20120618/16110519373/chilling-effects-innovation-caused-bad-copyright-law.shtml?op=sharethis">Email This Story</a><br />
 ]]></description>
<slash:department>it's-feeling-frosty-in-here</slash:department>
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<pubDate>Tue, 22 Nov 2011 11:55:59 PST</pubDate>
<title>The Definitive Post On Why SOPA And Protect IP Are Bad, Bad Ideas</title>
<dc:creator>Mike Masnick</dc:creator>
<link>http://www.techdirt.com/articles/20111122/04254316872/definitive-post-why-sopa-protect-ip-are-bad-bad-ideas.shtml</link>
<guid>http://www.techdirt.com/articles/20111122/04254316872/definitive-post-why-sopa-protect-ip-are-bad-bad-ideas.shtml</guid>
<description><![CDATA[ There's been plenty of talk (and a ton of posts here on Techdirt) discussing both <a href="http://www.govtrack.us/congress/billtext.xpd?bill=h112-3261" target="_blank">SOPA</a> (originally E-PARASITE) and <a href="http://www.govtrack.us/congress/billtext.xpd?bill=s112-968" target="_blank">PROTECT IP</a> (aka PIPA), but it seemed like it would be useful to create a single, "definitive" post to highlight why both of these bills are extremely problematic and won't do much (if anything) to deal with the issues they're supposed to deal with, but will have massive unintended consequences.  I also think it's important to highlight how PIPA is almost as bad as SOPA.  Tragically, because SOPA was <i>so bad</i>, some in the entertainment industry have seen it as an opportunity to present PIPA as a "compromise."  It is not.  Both bills have tremendous problems, and they start with the fact that neither bill will help deal with the actual issues being raised.
<br /><br />
That main issue, we're told over and over again, is "piracy" and specifically "rogue" websites.  And, let's be clear: infringement <b>is a problem</b>.  But the question is <i>what kind of problem is it</i>?  Much of the evidence suggests that it's <a href="http://www.techdirt.com/articles/20110308/02354213395/massive-research-report-piracy-emerging-economies-released-debunks-entire-foundation-us-foreign-ip-policy.shtml">not an enforcement problem</a> and it's not a legal problem.  Decades of evidence from around the globe all show the same thing: making copyright law or enforcement stricter <i>does not work</i>.  It does not decrease infringement at all -- and, quite frequently, <a href="http://www.techdirt.com/articles/20111122/06353116873/why-supreme-courts-grokster-decision-led-to-more-not-less-p2p-filesharing.shtml">leads to more infringement</a>.  That's because the reason that there's infringement in the first place is that consumers are <a href="http://www.techdirt.com/articles/20090118/1653083452.shtml">being under-served</a>.  Historically, infringement has never been about "free," but about indicating where <a href="http://www.techdirt.com/articles/20080109/013441.shtml">the business models</a> have not kept up with the technology.
<br /><br />
Thus, the real issue is that this is <b>a business model problem</b>.  As we've seen over and over and over again, those who <a href="http://www.techdirt.com/articles/20091119/1634117011.shtml">embrace</a> what the internet enables, have found themselves to be much better off than they were before.  They're able to build up larger fanbases, and to rely on various new platforms and services to make more money.  
<br /><br />
And, as we've seen with near perfect consistency, the <i>best way</i>, by far, to decrease infringement is to <a href="http://www.techdirt.com/articles/20110718/08554415146/can-innovation-through-business-solve-issues-that-legal-repression-cant.shtml">offer awesome new services</a> that are <i>convenient</i> and useful.  This doesn't mean just offering any old service -- and it certainly doesn't mean trying to limit what users can do with those services.  And, most importantly, it doesn't mean treating consumers like they were criminals and "pirates."  It means constantly <i>improving</i> the consumer experience.  When that consumer experience is great, then people switch in droves.  You can, absolutely, compete with free, and many do so.  If more were able to without restriction, infringement would decrease.  If you look at the two largest contributors to holding back "piracy" lately, it's been Netflix and Spotify.  Those two services alone have been orders of magnitude more successful in decreasing infringement than any new copyright law.  Because they compete by being <i>more convenient</i> and <i>a better experience</i> than infringement.
<br /><br />
Finally, even if you disagree with all of that, and believe that the problem is enforcement, SOPA and PIPA, won't be effective in dealing with that.  The internet always has a way of routing around "damage" no matter how hard people try to stop it, and the approach put forth by these bills is a joke.  It's hard to find anyone with technology skills who thinks that they will be effective.  Every "blockade" has an easy path around it, and the supposed "anti-circumvention" rule in SOPA will never deal with the more obvious paths around things like DNS blocking (use a different DNS or a perfectly legal foreign VPN system).  The private right of action efforts are also mistargeted.  They're based on the premise that infringement is done for monetary reasons.  It's amusing that just a few years ago, these same industries insisted that music and movie fans never wanted to pay anything any more, but now they're claiming that these same people are paying for cyberlockers all the time?  That's simply not credible.  And if there's so much money to be made, the studios and labels would be opening their own cyberlockers.  Either way, we've watched this game of Whac-a-mole for over a decade.  It doesn't work.  Every site that is shut down leads to half a dozen new ones that spring up.  This is not how you tackle a problem: by making the same mistake made over and over again in the past.
<br /><br />
So... SOPA &#038; PIPA don't attack the real problem, do nothing to build up the services that do solve the problem, and won't work from a technological standpoint.  And that's just if we look at the what these bills are <i>supposed</i> to do.
<br /><br />
The real fear is the massive collateral damage these bills will have to jobs, the economy and innovation.
<ul>
<li><b>The broad definitions in the bill create tremendous uncertainty for nearly every site online</b>.  This sounds like hyperbole, but it is not.  Defenders of the bill like to claim that it is "narrowly focused" on foreign rogue infringing sites.  Nothing could be further from the truth.  While PIPA targets only foreign sites, the <i>mechanism</i> by which it does so is to put tremendous compliance and liability on third party service providers in the US.  SOPA goes even further in expanding the private right of action to domestic sites as well.  We've already seen how such laws can be abused by looking at how frequently false takedown claims are made under the existing DMCA.  Of course, under the DMCA, just the content is blocked.  Under SOPA all money to a site can be cut off.  Under PIPA sites will just end up in court. Or, with both laws, an Attorney General can take action leading US companies to have to effectively act as network nannies trying to keep infringement from being accessible.  None of this is good for anyone building a startup company these days.  The massive uncertainty around this, combined with the need for a huge legal department sitting in "the garage" as a startup begins, will certainly slow down the pace of innovation in the US, while likely driving it elsewhere.
<br /><br />
And the definitions are ridiculously broad.  Under SOPA, you can be found "dedicated to the theft of US property" if the core functionality of your site "enables or facilitates" infringement.  The core functionality of nearly every internet website that involves user generated content enables and facilitates infringement.  The entire internet itself enables or facilitates infringement.  Email enables or facilitates infringement.  They have significant non-infringing uses as well, but the definition leaves that out entirely.  Under SOPA, there's also a risk if you take "deliberate actions to avoid confirming a high probability" of infringement on a site.  Of course, it's not at all clear how one takes deliberate actions to avoid taking action.  The only way to read this clause from a tech company perspective is that it requires proactive monitoring, which is effectively impossible for a user generated content site.  PROTECT IP's definitions are equally broad, again using the "enabling" or "facilitating" language.
</li>
<br /><br />
<li><b>The risk of these broad definitions on perfectly legitimate companies is not theoretical</b>: Defenders of both bills continue to insist that they're only meant to deal with the worst of the worst.  If that were really true, the definitions would be a lot tighter and a lot more specific.  Even if this is the intention of the authors of both bills, the simple fact is that the very broad definitions in the bill, mean that any entrepreneur today will need to take significant compliance costs just to avoid the <i>possible</i> appearance of fitting the criteria.


<br /><br />
Defenders also like to brush off the idea that a bill like this would target something like YouTube.  But we know that's not accurate since Viacom is <i>still</i> engaged in a huge <a href="http://www.techdirt.com/articles/20070313/064614.shtml">lawsuit</a> against YouTube, in which Viacom's claims certainly appear to cover the definitions found in these bills.  While it seems unlikely that anyone would try to shut down YouTube completely, given the public outcry it would create, the real fear is what happens to the next YouTube, or just the fear that a rights holder could strike into any company by <i>threatening</i> them under the private rights of action in each bill.  It becomes a form of legalized extortion.  Threaten to bring action under these bills, and watch tech companies crumble.
<br /><br />
And, already there are indications that companies are interested in bringing broad actions for infringement against organizations that most people would consider perfectly legal.  Advertising giant GroupM recently asked its entertainment industry customers to compile a list of "sites dedicated to infringement," not unlike what's found under PROTECT IP.  Universal Music, Warner Bros. and Paramount were three key providers to that list, which ended up covering <a href="http://www.techdirt.com/articles/20110620/01370314750/universal-music-goes-to-war-against-popular-hip-hop-sites-blogs.shtml">a large number of perfectly legitimate sites</a> including the famed Internet Archive (widely recognized as the library for the internet).  It also included numerous innovative startups that are frequently used by content creators to get their works out, such as SoundCloud and Vimeo.  Even more worrisome, it included a variety of publications and blogs, including Vibe Magazine, the quintessential hip hop and R&#038;B magazine founded by Quincy Jones, as well as Complex, a popular lifestyle magazine recently recognized as one of <a href="http://www.businessinsider.com/most-valuable-new-york-startups-2011-10#22-complex-media-9" target="_blank">the most valuable startups in New York</a>.
<br /><br />
Even worse, it appears that Universal Music also <a href="http://www.techdirt.com/articles/20110620/16364214774/did-universal-music-declare-50-cents-own-website-is-pirate-site.shtml">included the personal website of one of its own top artists</a>, 50Cent.  The hiphop star has a personal website as well as a website owned by Universal Music.  The personal website is much more popular... and it appeared on the infringement list.  Suddenly, you can see how letting companies declare what sites are dedicated to infringement can lead to them looking to stifle speech and competition.
<br /><br />
Similarly, Monster Cable, who has stated its support for PROTECT IP, has put together its own list of "rogue sites" and it, rather stunningly, <a href="http://www.techdirt.com/articles/20111005/10082416208/monster-cable-claims-ebay-craigslist-costco-sears-are-rogue-sites.shtml">includes sites like eBay, Craigslist, Costco and Sears</a>.  It even includes consumer rights groups like Which? in the UK, and various popular shopping search engines like PriceGrabber.
<br /><br />
These companies clearly take an expansive view of what constitutes "dedicated to infringement," and have no problem suggesting they would like to stop these sites.  Internet companies and site owners have every right to be extremely afraid of what laws like PIPA and SOPA would do when they give much more power to these private companies to take actions that could shut down these sites, tie them up in court or merely cut off their funding and advertising.
<br /><br />
</li><li><b>That uncertainty has very real and quantifiable effects on jobs in this country</b>.  President Obama has noted that the internet adds approximately <a href="http://www.itif.org/files/digital_prosperity.pdf" target="_blank">$2 trillion to the annual GDP</a> (pdf).  The amount of jobs created by the tech industry are massive, and represent a large percentage of all <i>new job creation</i> today.  IDC has predicted <a href="http://www.microsoft.com/about/corporatecitizenship/citizenship/economicimpact/default.mspx" target="_blank">7.1 million new jobs and 100,000 new businesses</a> created in the next four years from the tech sector.  An astounding <a href="http://www.iab.net/insights_research/530422/economicvalue" target="_blank">3.1 million people are employed</a> thanks to internet advertising -- jobs that simply <i>did not exist</i> a decade ago.
<br /><br />
And these jobs go way beyond just the jobs at tech companies themselves.  The important thing in tech platforms is not in how many jobs are at those companies, but how many jobs they enable elsewhere.  eBay has been said to have <a href="http://investor.ebay.com/releasedetail.cfm?releaseid=170073" target="_blank">empowered 750,000 people</a> to build their own small businesses.   Facebook's app platform has, by itself, <a href="http://www.rhsmith.umd.edu/digits/pdfs_docs/research/2011/AppEconomyImpact091911.pdf" target="_blank">created somewhere around 200,000 new jobs</a> (pdf).  It's likely that Apple's iOS app platform has created significantly more than that, given how popular it is.  Google's tools have been shown to <a href="http://www.google.com/economicimpact/" target="_blank">create $64 billion</a> (with a b) in additional economic activity.
<br /><br />
Do we really want to stifle all of that growth and activity with regulations that will stifle innovation and jobs, even (as noted above) as the evidence shows that merely adapting and providing a better service makes everyone better off?
</li>
<br /><br />
<li><b>That uncertainty has extreme and quantifiable effects on investment in new startups.</b>  A very detailed look at the uncertainty in the cloud computing space, prior to and after the decision in the Comedy Central v. Cablevision case, which effectively set the framework for the legality of cloud computing, showed <a href="http://www.techdirt.com/articles/20111107/12192016669/study-shows-how-sopapipa-will-harm-investment-key-innovations.shtml">much greater investment</a> when the law was clarified to be in favor of letting these new services thrive.  Take that away, and investment in this engine of growth likely <a href="http://www.techdirt.com/articles/20111116/11583416793/new-study-booz-co-shows-that-sopaprotect-ip-will-chill-investment-innovation.shtml">would be much lower</a>.  Considering that politicians claim to be so concerned about the economy and jobs these days, the idea that they would push forth a bill that quantifiably would reduce investment in one of the only sectors <i>creating new jobs</i> is really stunning.
</li>
<br /><br />
<li><b>Broadly expanding secondary liability is a dream for trial lawyers, but will be a disaster for business</b>.  There's been a move, associated with these bills to somehow demonize important concepts of safe harbors from secondary liability.  The suggestion is that secondary liability somehow "allows" bad activity.  Nothing is further from the truth.  Illegal activity is still illegal.  The point of safe harbors from secondary liability is blaming <i>the party actually doing the action that breaks the law</i>.  We don't allow people to sue AT&#038;T because the telephone was used in commission of a crime and we don't sue Ford because someone crashed their pickup truck into another car.  Liability should be properly applied to the parties doing the action that breaks the law.  The safe harbors have just made that clear -- and allowed innovation to flourish.  <a href="http://papers.ssrn.com/sol3/papers.cfm?abstract_id=1625820" target="_blank">Empirical studies</a> have pointed out that "the rich informational ecosystem we know today... is a function of the 'breathing space' Internet intermediaries currently have under the law."  
<br /><br />
Other studies have shown that pulling back on such secondary liability safe harbors would mean that <a href="http://www.booz.com/global/home/press/article/49953717" target="_blank">investors would need an astounding 13x to 20x return on investment</a> to make the risk worthwhile.  That triples or quadruples the standard risk level that most angel investors deal with.
<br /><br />
The key way that both PIPA and SOPA function are to drastically scale back that breathing space, by attaching secondary liability and compliance costs to US companies, in an attempt to keep users from infringing via other sites.  That would represent a massive shift in the legal framework that has allowed the internet to flourish, and yet no research or studies have been done to look at the possible impact of all of this.</li>
<br /><br />
<li><b>The technical measures described in both bills is tremendously problematic</b>.  Looking to use DNS blocking is just a bad move.  It's why a group of core internet infrastructure experts spoke out very early on (about COICA, in the pre-PIPA days) to explain how DNS blocking would set back a decade or more's worth of work on online security standards, would make people less safe online, and has the risk of fragmenting the internet.  It's why the founder of the world's largest independent DNS provider, OpenDNS, in charge of protecting one-third of all schools in the US, has noted that <a href="http://www.techdirt.com/articles/20111108/10101816680/opendns-tells-congress-not-to-create-great-firewall-america.shtml">under these laws, he likely wouldn't have started the company</a>, or might have started it in another country.</li>
<br .<br/>
<li><b>Having a judge determine the best network architecture is a bad idea</b>.  SOPA's attempt to address the "DNS blocking doesn't work" argument by adding a vague standard in which courts can order sites to take "reasonable measures" to block even more is also not encouraging.  Does anyone really think that we want some judges determining what are "reasonable measures" for managing how the internet works?  Wouldn't it be better to trust the long line of experts, drop any thought of DNS blocking, and move on?</li> 
<br /><br />
<li><b>Going down the slippery slope of censorship is fraught with peril, both domestically and abroad</b>.  Supporters of the law get angry any time people bring up censorship, but as law professor Derek Bambauer <a href="http://papers.ssrn.com/sol3/papers.cfm?abstract_id=1926415#1053273" target="_blank">has made clear</a>, any effort to block content is a form of censorship.  What we can argue is whether or not this form of censorship makes sense or is a policy that people think makes sense. But no one should deny that bills that lead to blocking access to websites is a form of censorship.
<br /><br />
There is reasonable debate as to whether or not this level of censorship goes violates the First Amendment.  Constitutional scholar Laurence Tribe has <a href="http://www.techdirt.com/articles/20111116/11400016792/more-more-people-speak-up-against-sopa.shtml">argued</a> that it does violate the First Amendment.  Well over <a href="http://www.techdirt.com/articles/20111115/17382616784/over-100-lawyers-law-professors-practitioners-come-out-against-sopa.shtml">100 of the country's top legal scholars</a> have made the same argument.  Arguing on the other side is well respected First Amendment lawyer Floyd Abrams... but even he admits that under SOPA and PIPA <a href="http://www.techdirt.com/articles/20111111/16242216727/first-amendment-expert-floyd-abrams-admits-sopa-would-censor-protected-speech-thinks-its-okay-collateral-damage.shtml">protected speech would get censored</a>.  He just deems that as acceptable collateral damage, as being merely "incidental."  We can argue over whether or not it really is incidental, as we've already seen actions against sites under current law that seek to stifle large amounts of protected speech outside of any infringement.</li>
<br /><br />
<li><b>The functional setup of such site blocking -- via DNS blocking -- is effectively identical to how the Great Firewall of China works</b>.  While the <i>intended purpose</i> is obviously different, the actual mechanism for blocking is nearly identical.  This creates significant cover for repressive regimes to resist any diplomatic efforts by the US to push back against attempts by the US to promote internet freedom.  Furthermore, we have seen how countries, such as Russia, have <a href="http://www.techdirt.com/articles/20100912/12440610969.shtml">used copyright law to censor political opposition</a>, using the law to go against activists challenging the government.  Even if the intended purpose of SOPA and PIPA are to protect against infringement, opening up the door to censorship for one purpose makes it nearly impossible to avoid it being used for other purposes.   It also basically gives the perfect blueprint for repressive regimes.  They merely need to claim that their Great Firewalls are designed to stomp out infringement, and then can use it to intimidate and block political opponents.  Adding to that is the <a href="http://www.techdirt.com/articles/20111109/00025716689/not-to-be-overlooked-sopa-massive-expansion-copyright-maximalist-diplomatic-corp.shtml">massive expansion</a> of the diplomatic corp. pushing for greater enforcement, and it's almost as if we're begging countries to set up their own Great Firewalls that will certainly be abused.
<br /><br />
</li><li><b>Countries abroad are watching us, and already noting the seeming hypocrisy concerning our statements</b>.  Media in other countries, who already are known for suppressing speech and censoring the internet, <a href="http://www.techdirt.com/articles/20111120/22021716846/how-other-parts-world-view-sopa.shtml">are already mocking the US</a> for even considering such legislation at the same time as the US State Department claims to be promoting internet freedom.  Talking about the importance of internet freedom on the one hand, while pushing countries to put in place the very tools that will be used to undermine internet freedom is not a particularly consistent message.  This can be seen in VP Joe Biden's <a href="http://www.techdirt.com/articles/20111114/10493316765/vp-joe-biden-explains-why-sopa-protect-ip-are-anti-american-bad-idea.shtml">recent speech on internet freedom</a> that presents all the arguments for why SOPA and PIPA should not be supported (in an unintended manner).
<br /><br />
</li><li><b>Changing what counts as a felony for copyright, without understanding the implications or common usage of technology puts many at risk</b>.  This does not apply directly to PIPA, but its companion legislation in the Senate, S.978.  Similar provisions are found in SOPA as well, making certain forms of "streaming" a felony.  Supporters of these actions insist that they're merely harmonizing criminal and civil copyright laws, since the felony parts of the criminal copyright statute cover reproduction and distribution, but not performance.  What they fail to recognize (or admit) is that there's a <i>reason</i> why performance rights were left out, and it's because it's pretty ridiculous to think of a felony performance in normal contexts.  But it becomes even more troublesome in the online context, because "performance" is so vaguely defined in an era when streaming works via a simple one-line embed.  To embed a video is no different -- from a technical standpoint -- from linking to a video.  And most people would have significant problems with the idea that you could face five years in jail for merely linking to content you have no control over.  Yet, the streaming portions of SOPA and of S.978 make that entirely possible.   Merely putting a single line of code on a site, pointing to content on another server that you have no control over, potentially makes you a felon.  This will have massive unintended consequences and puts at risk millions of Americans who embed videos all the time.
</li></ul>
To be honest, there are many, many more problems hidden down within the specifics of the bill, but this post was already getting long enough.  However, what we have is a bill that doesn't tackle the real problems at all, that won't solve the problem it thinks it's facing, and has massive unintended consequences.  Why?  Well, because the entertainment industry insists that it's in trouble.  This is the same entertainment industry who has been <a href="http://www.techdirt.com/blog/innovation/articles/20111108/17562016686/history-hyperbolic-overreaction-to-copyright-issues-entertainment-industry-technology.shtml">claiming the same thing</a> about every technological innovation ever.  If they'd had their way in the past, there would be no radio, no cable TV, no VCR, no TiVo and no iPods.  Do we really trust them now to create a "narrowly focused" law that will only target the really bad behaviors?  We'll close it out with a few quotes from the entertainment industry over the last century discussing various technological innovations, and question why we're letting them drive PIPA and SOPA forward:
<blockquote><i>
The Player Piano
<br /><br />
&ldquo;I foresee a marked deterioration in American Music&hellip;and a host of other injuries to music in its artistic manifestations by virtue &ndash; or rather by vice &ndash; of the multiplication  of the various music reproducing machines&rdquo; --  John Philips Sousa, 1906
<br /><br />
The Video Cassette Recorder
<br /><br />
"But now we are faced with a new and troubling assault on our fiscal security, on our very economic life, and we are facing it from a thing called the Video Cassette Recorder" -- MPAA President Jack Valenti in 1982
<br /><br />
Cassette Tapes
<br /><br />
"When the manufacturers hand the public a license to record at home...not only will the songwriter tie a noose around his neck, not only will there be no more records to tape, but the innocent public will be made accessory to the destruction of four industries" -- ASCAP, 1982
<br /><br />
 Digital Audio Tape 
<br /><br "DAT poses the most significant technological threat the American music industry has ever faced." -- RIAA President Jason Berman in 1987 testimony to Congress.  
<br/><br />
The Mp3 Player 
<br /><br />
&ldquo;Diamond's product Rio was destined to undermine the creation of a legitimate digital distribution marketplace..." -- RIAA President Hillary Rosen in 1998
<br /><br />
The Digital Video Recorder
<br /><br />
"It's theft...Any time you skip a commercial or watch the button you're actually stealing the programming." Turner Broadcasting CEO Jaime Kellner in 2002
</i></blockquote><br /><br /><a href="http://www.techdirt.com/articles/20111122/04254316872/definitive-post-why-sopa-protect-ip-are-bad-bad-ideas.shtml">Permalink</a> | <a href="http://www.techdirt.com/articles/20111122/04254316872/definitive-post-why-sopa-protect-ip-are-bad-bad-ideas.shtml#comments">Comments</a> | <a href="http://www.techdirt.com/articles/20111122/04254316872/definitive-post-why-sopa-protect-ip-are-bad-bad-ideas.shtml?op=sharethis">Email This Story</a><br />
 ]]></description>
<slash:department>let's-walk-through-the-reasons</slash:department>
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<pubDate>Mon, 7 Nov 2011 15:08:00 PST</pubDate>
<title>Study Shows How SOPA/PIPA Will Harm Investment In Key Innovations</title>
<dc:creator>Mike Masnick</dc:creator>
<link>http://www.techdirt.com/articles/20111107/12192016669/study-shows-how-sopapipa-will-harm-investment-key-innovations.shtml</link>
<guid>http://www.techdirt.com/articles/20111107/12192016669/study-shows-how-sopapipa-will-harm-investment-key-innovations.shtml</guid>
<description><![CDATA[ Harvard Business School professor Josh Lerner (who has done fantastic research in the past on problems with the patent system) appears to have turned his attention to copyright law as well.  A new report he has put out shows how the Second Circuit appeals court ruling that said Cablevision's cloud-based DVR <a href="http://www.techdirt.com/articles/20080804/1218551884.shtml">was legal</a> provided some amount of certainty in questions concerning copyright law in the cloud, and that <a href="http://www.ccianet.org/CCIA/files/ccLibraryFiles/Filename/000000000559/Cablevision%20white%20paper%20%2811.01.11%29.pdf" target="_blank">resulted in increased venture capital investment in related cloud offerings</a> (pdf) to the tune of between $728 million to $1.3 billion.
<br /><br />
Obviously, at first pass, there are questions about the level of causality here, as opposed to just correlation (or just the general development of the cloud market).  However, Lerner tries to control for a variety of external variables in attempting to figure out the direct impact here.  And, obviously, you can never tease out all the different factors, but he makes a pretty compelling case that this particular ruling had a massive impact in venture capitalists' willingness to invest in the space -- and further cites additional research that shows a pretty clear direct causal relationship between VC investment and innovation and job creation.   He further controls for things like broadband penetration, which could also impact these numbers.
<br /><br />
 The main key here was comparing investments in the cloud space in the US vs. Europe over the same period, because the US had the legal clarification, while Europe did not.  Basically, in the US, after the Cablevision ruling, investments in cloud computing rose by 41%.  In Europe, it rose 27%.  Obviously, much of that increase is just due to the rise of the space, but the greater increase in the US suggests that the ruling really had an impact -- and that impact is pretty massive in terms of investment, and from that innovation and jobs.  From there, Lerner does a lot of additional statistical analysis to separate out the direct impact of the Cablevision ruling compared to many other possible factors, and shows a pretty significant impact from the ruling.  There's a lot more in the report, with details of the statistical analysis used for those who want to dig into the specifics, which looks pretty rigorous from my standpoint (though, I haven't done hard core stats in about a decade, but at one point in the past I taught stats in college).  Either way, Lerner clearly approached the question from a variety of different angles, and they all seemed to suggest similar results, which is pretty compelling.
<br /><br />
The key conclusion:
<blockquote><i>
Our findings suggest that decisions around copyright scope can have significant impacts on
investment and innovation. We have tested a number of models and consistently find that the
U.S. Second Circuit Court of Appeals&rsquo; decision led to additional incremental investment in U.S.
cloud computing companies compared to the EU experience. As shown in the figure in Appendix
B, estimates of increased VC investment in U.S. cloud computing from our seven models range
from $728 million to approximately $1.3 billion, with an average of $936 million. When paired
with the findings of the enhanced effects of VC investment relative to corporate investment, this
may be the equivalent of $2 to $5 billion in traditional R&#038;D investment.
</i></blockquote>
This is quite important to think about in the context of SOPA/PIPA, where Hollywood and the US Chamber of Commerce are seeking to massively change the legal framework around cloud computing (effectively killing the Cablevision ruling and much, much more).  The clear fear here should be that doing so will massively chill innovation, job creation and investment.  This is why top venture capitalists <a href="http://www.techdirt.com/articles/20110623/11401714827/top-vcs-tell-congress-protect-ip-will-harm-innovation.shtml">are so worried about SOPA/PIPA</a>.  It'll seriously chill investment in a key area of the innovation ecosystem.  Even worse, this is the part of the industry that's actually <i>helping</i> the entertainment industry move into the 21st century.<br /><br /><a href="http://www.techdirt.com/articles/20111107/12192016669/study-shows-how-sopapipa-will-harm-investment-key-innovations.shtml">Permalink</a> | <a href="http://www.techdirt.com/articles/20111107/12192016669/study-shows-how-sopapipa-will-harm-investment-key-innovations.shtml#comments">Comments</a> | <a href="http://www.techdirt.com/articles/20111107/12192016669/study-shows-how-sopapipa-will-harm-investment-key-innovations.shtml?op=sharethis">Email This Story</a><br />
 ]]></description>
<slash:department>and-now-congress-wants-to-screw-that-up</slash:department>
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<item>
<pubDate>Fri, 4 Nov 2011 14:42:28 PDT</pubDate>
<title>Phorm Still Looking For A Large-Scale Deployment, Still Finding Investors</title>
<dc:creator>Glyn Moody</dc:creator>
<link>http://www.techdirt.com/articles/20111103/10133616623/phorm-still-looking-large-scale-deployment-still-finding-investors.shtml</link>
<guid>http://www.techdirt.com/articles/20111103/10133616623/phorm-still-looking-large-scale-deployment-still-finding-investors.shtml</guid>
<description><![CDATA[ <p>As a <a href="http://www.techdirt.com/search.php?cx=partner-pub-4050006937094082%3Acx0qff-dnm1&#038;cof=FORID%3A9&#038;ie=ISO-8859-1&#038;q=phorm">search</a> through the Techdirt archives shows, Phorm's behavioral advertising service based on watching your Web activity was beset by problems in its early days.  One of the last Techdirt posts on the company from a couple of years ago explained how Phorm was planning to <a href="http://www.techdirt.com/articles/20090105/1224113288.shtml">expand overseas</a>, and here's some news on <a href="http://paidcontent.co.uk/article/419-phorm-raises-yet-another-30-million-valuing-itself-at-100-million/">how that's been going</a>: 

<i><blockquote>Despite Phorm softening the service in response to privacy concerns, three UK ISPs who trialled it decided not to go deploy it. Phorm moved operations to South Korea but the same happened. So it moved to Brazil.
<br /><br />
Now operating on an opt-in basis, Phorm has finally gained actual commercial roll-out with Brazilian ISPs Oi and Telefonica and with Romania&rsquo;s Romtelecom. With them, Phorm says opt-in rates have met or exceeded targets, advertiser prices have been &ldquo;significantly higher than forecast&rdquo; while publisher costs have met or undermet targets.</blockquote></i>

With this record, Phorm could certainly use with a few more big new markets; its financial results so far have been dismal:

<i><blockquote>The company had never recorded any revenue until the first half of this year, just $17,336. (£10902.53) <b>In 2010, Phorm lost $28.6 (£17.99) million</b>.</blockquote></i>

Despite that track record, it is predicting big things:

<i><blockquote>"<b>The potential scale ... of the Brazilian business could be £7.03 ($11.13) million...</b> The (value) of Romania could be £78 ($124.03) million," Phorm itself forecasts modestly to investors. These targets are based on Phorm scaling up from small, post-trial deployment to large-scale adoption.</blockquote></i>

It also has high hopes elsewhere:

<i><blockquote>Phorm says discussions with other global ISPs have also continued for the last three years. It plans to roll out in China and a southern Europe country early in 2012. It also says it is due to deploy in a southern Europe country it values at £483 ($768.01) million and a south-east Asian country it values at £82 ($130.39) million early next year.</blockquote></i>

Those are rather a jump from this year's six-month sales of $17,336.  Undeterred by that fact, investors still seem to be piling in:

<i><blockquote>This time, it is raising £30 ($47.7) million, which will be used partly to repay a £16 ($25.44) million convertible-notes loan it took out this March and partly &ldquo;to provide sufficient working capital to get to positive operational cash flow&rdquo;. It is planning a cash burn of £1.1 ($1.75) million per month for the next year.
<br /><br />
At this point, you could be forgiven for having lost track of how much money Phorm has raised and how much equity it has given out to finance its ongoing hefty losses. But paidContent has previously reported Phorm took a total £53 ($84.28) million between 2005 and 2010. The recent loan and latest funding <b>bring that total to nearly £100 ($159.01) million</b>.</blockquote></i>

That's pretty incredible: nearly $160 million for a service that has yet to prove itself in any large-scale deployment.  There's something very strange about this persistent belief by investors that what the world is really waiting for is a service that watches your every move online to serve up targeted ads and content. 
</p><p>

Follow me @glynmoody on <a href="http://twitter.com/glynmoody">Twitter</a> or <a href="http://identi.ca/glynmoody">identi.ca</a>, and on <a href="https://plus.google.com/100647702320088380533">Google+</a></p><br /><br /><a href="http://www.techdirt.com/articles/20111103/10133616623/phorm-still-looking-large-scale-deployment-still-finding-investors.shtml">Permalink</a> | <a href="http://www.techdirt.com/articles/20111103/10133616623/phorm-still-looking-large-scale-deployment-still-finding-investors.shtml#comments">Comments</a> | <a href="http://www.techdirt.com/articles/20111103/10133616623/phorm-still-looking-large-scale-deployment-still-finding-investors.shtml?op=sharethis">Email This Story</a><br />
 ]]></description>
<slash:department>why-do-they-bother?</slash:department>
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<pubDate>Wed, 31 Aug 2011 16:16:00 PDT</pubDate>
<title>Kevin Smith Explains Why He Had To Waste $9,316 On Movie Ads That He Didn't Want Or Need</title>
<dc:creator>Mike Masnick</dc:creator>
<link>http://www.techdirt.com/blog/casestudies/articles/20110831/01361615746/kevin-smith-explains-why-he-had-to-waste-9316-movie-ads-that-he-didnt-want-need.shtml</link>
<guid>http://www.techdirt.com/blog/casestudies/articles/20110831/01361615746/kevin-smith-explains-why-he-had-to-waste-9316-movie-ads-that-he-didnt-want-need.shtml</guid>
<description><![CDATA[ We've been covering for a while entertainer Kevin Smith's <a href="http://www.techdirt.com/articles/20110124/01172312783/why-you-should-be-paying-attention-to-kevin-smith.shtml">business model experiments</a>, which rely heavily on his wonderful ability to <a href="http://www.techdirt.com/articles/20110125/15591312819/cargo-cults-kevin-smith-difference-between-connecting-going-through-motions.shtml">connect with fans</a>.  We've also been fascinated with his more recent decisions to buck "the old way" of doing things and to focus on marketing his latest film, <i>Red State</i>, in a way that he thought made more sense.  So far, that's meant a very cool (and quite <a href="http://www.techdirt.com/blog/casestudies/articles/20110420/03063113973/kevin-smiths-red-state-movie-nearing-profitability-even-prior-to-regular-theatrical-release.shtml">profitable</a>) plan for Smith to tour with <i>Red State</i> and to combine his usual (wonderful) Q&#038;A sessions with showings of the film.  Another part of the plan is getting the film out there in as convenient a way as possible, meaning <a href="http://www.techdirt.com/blog/casestudies/articles/20110629/04123714907/kevin-smith-continues-to-innovate-offering-vod-before-theatrical-release-also-offering-incentives-to-go-to-theater.shtml">a video on demand release</a> before the wider theatrical release.
<br /><br />
One of the key points of this plan was that he wasn't going to fall into the trap of wasting money on advertising.  So far, everything that he's done has been built off of word of mouth -- in large part from his Twitter feed and his growing network of podcasts (I used to listen to nearly all of them, but can't keep up any more).  And it's worked out great.  Crowds continue to flock to see him, and the movie is getting plenty of buzz among the folks its targeted at.  However, he's finally made an exception to the "no advertising" rule, though he's somewhat annoyed that he had to do this.  If you've heard him speak about <i>Red State</i>, you've heard him talk about a few of the top notch performances that came out of the film, and Smith and some others think that perhaps some of those performances are "Oscar-worthy."  But... the Motion Picture Academy is not known for changing with the times or being willing to adapt to the way films are watched these days.  So it "requires" certain things to happen to have a movie "qualify" for the Academy Awards, and that apparently includes a week's worth of screenings at a "real" theater... and newspaper advertising.  Why?  Who the hell knows.  Just don't question the Academy.
<br /><br />
So, in a blog post <a href="http://theredstatements.com/2011/08/30/red-state-makes-green-plus-v-o-d-on-91/?utm_campaign=true&#038;utm_medium=awe.sm-twitter&#038;utm_source=t.co&#038;utm_content=awesm-publisher" target="_blank">detailing the financial results of the week of shows</a> at Quentin Tarantino's <i>New Beverly Cinema</i>, he also explained why they had to totally waste $9,316 on ads that didn't bring anyone new to the theater:
<blockquote><i>
Per the AMPAS rules that govern the qualification for the Oscars, paid ads needed to run in conjunction with a seven day, official theatrical engagement. This was a bitter pill to swallow, as we&rsquo;ve sold lots of Red State tickets all year long without running a single paid ad. But a rule&rsquo;s a rule, so after the AMPAS folks signed off on the New Beverly for the home of our Los Angeles run, we spent $9,316 on newspaper ads.
<br /><br />
It still makes me queasy &ndash; solely because it&rsquo;s money not well-spent. We&rsquo;d sold out all of our weekend screenings before the ad ever ran in either of the three papers we bought space in: the LA Weekly (six inch ad), the LA Times (same), and the west coast edition of the NY Times (1/2 page ad).
</i></blockquote>
<center>
<img src="http://i.imgur.com/cMAq3.jpg" width=560 />
</center>

Comparing the take on various live showings that he's been doing, Smith notes that two shows he did last week in Texas basically "covered" the cost of the ads, which seems pretty silly.  You're supposed to be advertising to make more money, not making money to pay for the ads you don't want.  But such is the legacy structure of the movie industry these days.
<br /><br />
Separately, we greatly appreciate the fact that Smith is willing to be so open about the financial results, which helps give more people the details needed to understand how these industries work.  It's so rare that people doing these kinds of experiments are willing to reveal any numbers, so it's refreshing to see him being so open.  The only thing that would be even better is if he could also open up about some of the costs, so we can get a better idea of the net results, rather than just the gross.  Obviously, the theater takes a cut of some of this stuff, and that would be useful for others contemplating following in his footsteps.  But, still it's great to see this kind of openness:
<blockquote><i>
we ran the flick for a week at Quentin Tarantino&rsquo;s <a href="http://newbevcinema.com/">New Beverly Cinema</a> in Los Angeles (big thanks to <a href="http://twitter.com/#!/newbeverlyjulia">Julia!</a>), where we did two screenings a night, which I followed with 30 minute Q&#038;A&rsquo;s.  Tickets were $20 for the Friday to Wednesday screenings and were followed by post-show Q&#038;A&rsquo;s with Fatty McNoFly, scourge of the skies.
<p>Since few movie sites ever wanna include us in their box office wrap-up pieces (nor mention that we had the highest per screen average for the last two weeks), here&rsquo;s the <strong><em>financials</em></strong> for how <strong><em>Red State</em></strong> performed that week&hellip;</p>
<p><strong>Friday August 19th</strong><br />
6:30PM 215 &ndash; tickets sold $4300<br />
9:00PM 215 &ndash; tickets sold $4300<br />
<strong>Total for Friday, 8/19: $8600</strong></p>
<p><strong>Saturday August 20th</strong><br />
6:30PM 215 &ndash; $4300<br />
9:00PM 215 &ndash; $4300<br />
<strong>Total for Saturday, 8/19: $8600</strong></p>
<p><strong>Sunday August 21st</strong><br />
6:30PM 215 &ndash; $4300<br />
9:00PM 215 &ndash; $4300<br />
<strong>Total for Sunday, 8/19: $8600</strong></p>
<p><strong>Monday August 22nd</strong><br />
6:30PM 154 &ndash; $3,080<br />
9:00PM 215 &ndash; $4,300<br />
<strong>Total for Monday, 8/19: $7,380</strong></p>
<p><strong>Tuesday August 23rd</strong><br />
6:30PM  168 &ndash; $3,360<br />
9:00PM  215 &ndash; $4,300<br />
<strong>Total for Tuesday, 8/19: $7,660</strong></p>
<p><strong>Wednesday August 24th</strong><br />
6:30PM 215 &ndash; $4300<br />
9:00PM 228 &ndash; $4560.00 (oversold)<br />
<strong>Total for Wednesday, 8/19: $8,860</strong></p>
<p><strong>Friday to Wednesday total:  $49,700</strong></p>
<p>On Thursday, I didn&rsquo;t Q&#038;A after the screenings at all, as per AMPAS rules (regarding leaving filmmaker-free screenings open for Academy members so they can watch the flick without influence).  Thursday&rsquo;s ticket price was only $7 for the movie only ($7 is the normal New Beverly admission price, although usually that&rsquo;s for a non-first-run double-feature).  Even <em>that</em> did solid numbers&hellip;</p>
<p><strong>Thursday August 25th</strong><br />
6:30PM 175 x $7 = $1225.00<br />
9:00PM 191 x $7 = $1337.00<br />
<strong>Total for Thursday, 8/19: $2,562</strong></p>
<p><strong>Friday to Wednesday total:  $49,700</strong><br />
                                Thursday total:   $ 2,562<br />
                           New Beverly Total:   $52,262</p>
<p>Of the 2,675 seats available from Friday to Wednesday, we sold 2,580.  From Friday to Wednesday, over the course of twelve screenings, merely 95 seats ever sat empty.  Had our start time been 7:30 each night, we likely would&rsquo;ve sold those seats as well (it&rsquo;s a bitch getting anybody out in L.A., let alone at 6:30 at night; folks are still getting home from work).
</p></i></blockquote>
Ah, but isn't the movie industry dying?  That's what the MPAA keeps telling us.  And yet, if you connect with fans and give them a real reason to buy, it seems they don't mind buying...  Shocking, I know...<br /><br /><a href="http://www.techdirt.com/blog/casestudies/articles/20110831/01361615746/kevin-smith-explains-why-he-had-to-waste-9316-movie-ads-that-he-didnt-want-need.shtml">Permalink</a> | <a href="http://www.techdirt.com/blog/casestudies/articles/20110831/01361615746/kevin-smith-explains-why-he-had-to-waste-9316-movie-ads-that-he-didnt-want-need.shtml#comments">Comments</a> | <a href="http://www.techdirt.com/blog/casestudies/articles/20110831/01361615746/kevin-smith-explains-why-he-had-to-waste-9316-movie-ads-that-he-didnt-want-need.shtml?op=sharethis">Email This Story</a><br />
 ]]></description>
<slash:department>the-broken-system</slash:department>
<wfw:commentRss>http://www.techdirt.com/comment_rss.php?sid=20110831/01361615746</wfw:commentRss>
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<item>
<pubDate>Wed, 29 Jun 2011 12:26:00 PDT</pubDate>
<title>Kevin Smith Continues To Innovate: Offering VOD Before Theatrical Release... But Also Offering Incentives To Go To The Theater</title>
<dc:creator>Mike Masnick</dc:creator>
<link>http://www.techdirt.com/blog/casestudies/articles/20110629/04123714907/kevin-smith-continues-to-innovate-offering-vod-before-theatrical-release-also-offering-incentives-to-go-to-theater.shtml</link>
<guid>http://www.techdirt.com/blog/casestudies/articles/20110629/04123714907/kevin-smith-continues-to-innovate-offering-vod-before-theatrical-release-also-offering-incentives-to-go-to-theater.shtml</guid>
<description><![CDATA[ We've been following, with great interest, entertainer Kevin Smith's business model improvisations for <a href="http://www.techdirt.com/articles/20090621/2050255304.shtml">quite some time</a> now, including some of his <a href="http://www.techdirt.com/articles/20100903/04294010890/kevin-smith-once-again-demonstrates-how-connecting-with-fans-leads-to-something-special-and-profitable.shtml">podcasting and speaking</a> efforts (beyond just being a filmmaker).  We've also been interested in his attempt to <a href="http://www.techdirt.com/articles/20110124/01172312783/why-you-should-be-paying-attention-to-kevin-smith.shtml">go around</a> the "traditional" movie marketing and distribution schemes with his latest flick, <i>Red State</i>.  While many attacked or panned his plans to tour directly with the movie and then self-release it in theaters, that plan has made the movie <a href="http://www.techdirt.com/blog/casestudies/articles/20110420/03063113973/kevin-smiths-red-state-movie-nearing-profitability-even-prior-to-regular-theatrical-release.shtml">profitable</a>, even <i>before</i> the theatrical release.  And, in the land of <a href="http://www.techdirt.com/articles/20100708/02510310122.shtml">Hollywood accounting</a>, where most movies -- even the most "successful" are never "profitable," that's quite a feat.
<br /><br />
The latest in this plan is that Smith has <a href="http://www.slashfilm.com/red-state-vod-labor-day-digital-qa-podcast-theaters/" target="_blank">done a deal with Lionsgate</a> for Video-on-Demand and DVD/Blu-ray distribution.  From the beginning, he'd made it clear that he wanted to partner on those things, so this isn't a huge surprise.  Where it does get interesting is that the VOD plan will hit the market on Labor Day this September.  That's noteworthy, because the theatrical release doesn't happen until <i>October</i>, over a month after the VOD release.  And... as we've noted, theater owners are so clueless about what it is they really offer the public, that they're absolutely <a href="http://www.techdirt.com/articles/20110420/10464213975/studios-offering-30-movie-rentals-theater-owner-complains-that-he-cant-compete-with-that.shtml">spooked</a> by any kind of non-theatrical release that doesn't happen many months <i>after</i> the theatrical release, insisting that they <a href="http://www.techdirt.com/articles/20061129/225629.shtml">just can't compete</a>.
<br /><br />
So I would imagine that some theater owners who don't bother to actually understand what's going on will freak out about this as well (and potentially refuse to show <i>Red State</i>).  However, as per usual, and very much in keeping with Smith's standard way of operating, he's put together a plan that gives people <i>even more value</i> for going to catch the flick in the theaters.  Sure, you'll be able to watch the movie at home via VOD, but he's making sure that the theater experience <a href="http://theredstatements.com/2011/06/28/this-labor-day-lionsgate-will-run-red/" target="_blank">includes a ton of scarce value as well</a>:
<blockquote><i>
Like let&rsquo;s say Red State is showing at your local multiplex. But then right after the movie ends, <b>a live, interactive Q&#038;A with the filmmaker starts, beamed into the theater via satellite</b>. Even if you&rsquo;re not there in the room, you&rsquo;re Tweeting questions from your theater and getting responses from the guy on the big screen. And then, after three hours of movie and interactive Q&#038;A? Boom: LIVE PODCAST! That&rsquo;s four hours of once-in-a-lifetime entertainment for less than $20: a movie, a show, then another show.
</i></blockquote>
Oh, look at that.  Not only is he connecting with fans, but he's giving them a real, <b>scarce</b> reason to buy.  He's adding additional value to the theatrical performance so that people have more reasons to go out to that, even if they can access the VOD version at home.  And, he seems pretty aware of how clueless the big theater chains are about these things, as he walks them through the basics here, step by step:
<blockquote><i>
Now, before some old dick like ol&rsquo; cranky Mr. <em>&ldquo;GET OFF HOLLYWOOD&rsquo;S LAWN!&rdquo;</em> tries to make a beef with me and theatrical exhibitors in their ongoing war with the studios over the shrinking theatrical window and premium VOD&rsquo;s role in decreasing box office revenue, let me remind <strong><a href="http://twitter.com/#%21/regalmovies">REGAL</a> and <a href="http://twitter.com/#%21/amctheatres">AMC</a>, <a href="http://twitter.com/#%21/cineplexmovies">CINEPLEX</a></strong> or any other theater chain that I&rsquo;m not the enemy.  Please don&rsquo;t lump me in with people trying to <em>take</em> money out of your pockets, Exhibitors.  This is a (not-so) new way to <em>make</em> money and fill your empty buildings when there <em>isn&rsquo;t</em> a <em>Transformer</em> to save you.  On a fucking Monday night, no less.
<br /><br />
Want fresh eyes and asses in your theaters?  Try a one-night-only screening of a movie, a Q&#038;A, and a live podcast: all for under $20 a ticket.  <a href="http://twitter.com/">The positive feedback you&rsquo;ll receive from your paying customers</a> alone will be worth it, but the concessions loot you&rsquo;ll rake in that night will make you richer than the pharaohs (my people like to eat snacks).  And if <em>I</em> can make this work?  That means <em>anybody</em> can make this work.  And that means more people coming to <em>your</em> theaters.  Jump into digital bed with us: there&rsquo;s not enough money going around anymore to quibble over restrictions that shouldn&rsquo;t apply to a <em>specialized</em> film in the first place.  I can sell these events out and make you money without spending money to do so &ndash; all while giving a normally slow night a massive shot in the arm.  If not, no worries: there are lots of Mom &#038; Pop single-screens out there who&rsquo;ll welcome us warmly as well.
</i></blockquote>
Of course, this is no different than what many of us have been saying for years, but Smith can back it up with paying customers, so maybe (just maybe?) one of those theater owners will take notice.<br /><br /><a href="http://www.techdirt.com/blog/casestudies/articles/20110629/04123714907/kevin-smith-continues-to-innovate-offering-vod-before-theatrical-release-also-offering-incentives-to-go-to-theater.shtml">Permalink</a> | <a href="http://www.techdirt.com/blog/casestudies/articles/20110629/04123714907/kevin-smith-continues-to-innovate-offering-vod-before-theatrical-release-also-offering-incentives-to-go-to-theater.shtml#comments">Comments</a> | <a href="http://www.techdirt.com/blog/casestudies/articles/20110629/04123714907/kevin-smith-continues-to-innovate-offering-vod-before-theatrical-release-also-offering-incentives-to-go-to-theater.shtml?op=sharethis">Email This Story</a><br />
 ]]></description>
<slash:department>and-that's-how-it's-done</slash:department>
<wfw:commentRss>http://www.techdirt.com/comment_rss.php?sid=20110629/04123714907</wfw:commentRss>
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<pubDate>Thu, 21 Apr 2011 16:02:05 PDT</pubDate>
<title>Kevin Smith's Red State Movie Nearing Profitability... Even Prior To Regular Theatrical Release</title>
<dc:creator>Mike Masnick</dc:creator>
<link>http://www.techdirt.com/blog/casestudies/articles/20110420/03063113973/kevin-smiths-red-state-movie-nearing-profitability-even-prior-to-regular-theatrical-release.shtml</link>
<guid>http://www.techdirt.com/blog/casestudies/articles/20110420/03063113973/kevin-smiths-red-state-movie-nearing-profitability-even-prior-to-regular-theatrical-release.shtml</guid>
<description><![CDATA[ We've written a few times about filmmaker Kevin Smith and why he's a content creator (not just filmmaker) you should be <a href="http://www.techdirt.com/articles/20110124/01172312783/why-you-should-be-paying-attention-to-kevin-smith.shtml">paying attention to</a> if (like most of us around these parts) you're interested in new business models for content creators.  That's because he's really done an amazing job (for years) <a href="http://www.techdirt.com/articles/20100903/04294010890/kevin-smith-once-again-demonstrates-how-connecting-with-fans-leads-to-something-special-and-profitable.shtml">combining</a> the two key elements that we believe are at the heart of any new successful business model: connecting with fans and giving them a <i>reason</i> to buy.  The key thing is that he doesn't go through the motions on either part (as many do), but really goes to great lengths, both in connecting and in giving really powerful reasons to buy.
<br /><br />
Lots of folks panned him for his plan to take his latest movie, <i>Red State</i>, on a nationwide tour this spring, followed in the fall with a standard theatrical release -- but via his own distribution efforts, rather than teaming up with a US distributor (they're still working with foreign distributors due to lack of familiarity or simple feet on the ground in those markets).  As we <a href="http://www.techdirt.com/articles/20110124/01172312783/why-you-should-be-paying-attention-to-kevin-smith.shtml">noted</a> at the time, the plan didn't seem all that crazy when you looked at it.  He's done very successful Q&#038;A tours where he just performs by himself.  This time around he'd be doing the same thing... but with a movie.  And, part of the reason why all of this works is because he's made a real, rather than superficial, effort to <a href="http://www.techdirt.com/articles/20110125/15591312819/cargo-cults-kevin-smith-difference-between-connecting-going-through-motions.shtml">connect</a> with his fans.
<br /><br />
It seems like the plan is working so far.  At the very end of a (somewhat touching, if slightly fawning) blog post about Quentin Tarantino, Smith mentions in passing <a href="http://theredstatements.com/" target="_blank">some details about the economics of <i>Red State</i></a>, concerning the tour and other deals in place, which show that the film is pretty close to being out of the red (no pun intended, really) and into the black:
<blockquote><i>
Over the course of the 15 shows of the <strong><em>Red State USA Tour</em></strong><em></em>, we made almost one million dollars from ticket and merchandise sales.  A few times, we had the highest per screen average in the country.  We started out with <a href="http://theredstatements.com/2011/03/08/on-the-road-with-red-state/">a record-making show at Radio City Music Hall</a> and went on to average 1100 people per screening.  Had we booked ourselves into smaller houses, we could&rsquo;ve SOLD OUT every show; but being in the larger houses cost us nothing extra.
<br /><br />
And apparently, we managed to pull 1100 a night <em>solely</em> from our podcasts: when asked nightly if they heard about the show from a show at SModcast.com, an overwhelming 85/90% of the audience indicated yes (Jon swears it was 100% in Seattle).  That bodes well for <a href="http://smodcast.com/homesir.html">SIR</a>.
<br /><br />
You take what we made on the tour, you add that to the $1.5mil we&rsquo;ve pulled in from foreign sales thus far (with a few big territories yet to sell).  Add to <em>that</em> $3mil we&rsquo;re on the verge of closing for all North American distribution rights <em>excluding</em> theatrical (which means VOD/HomeVideo/PayTV/Streaming).
<br /><br />
The flick cost $5mil to make, but $4mil after the California tax incentive.  One of the only things Jon and I promised the <strong><em>Red State</em></strong><em></em> investors in exchange for letting us handle American theatrical distribution ourselves was that their $4mil would be covered as soon as possible &ndash; something very few other production entities can promise or even offer.  Invest a million dollars in almost <em>any</em> production, and you <em>rarely if ever</em> get your money back within five years, let alone the one year it&rsquo;s looking like it&rsquo;s gonna take for our guys to make <em>their</em> money back.
<br /><br />
Add up all those figures above and you&rsquo;ll notice our gains are higher than our spending.  And without any dopey marketing figures to have to recoup, once we close the aforementioned deals (which <a href="http://www.slosslaw.com/">Jonn Sloss &#038; LawCo</a> are working to close as we speak), simple math dictates <strong><em>Red State</em></strong><em></em> is in the black &ndash; long before any wide release.  That&rsquo;s music to the ears of any investor who only put up their money in <em>September</em>.
</i></blockquote>
Now, he claims that "this business bullshit should only be important to the investors," but I disagree.  I think it's important and helpful for those who are blazing new trails to share whatever they're comfortable sharing so that others can learn from it.  And, by learn from it, I don't mean to mimic it.  I'm not talking about <a href="http://www.techdirt.com/articles/20110125/15591312819/cargo-cults-kevin-smith-difference-between-connecting-going-through-motions.shtml">cargo cult copying</a>.  But learn from the general concepts, and see what can be applied to other situations.
<br /><br />
And, given a world with <a href="http://www.techdirt.com/articles/20100708/02510310122.shtml">Hollywood accounting</a>, where most movies are designed <i>on purpose</i> to "lose" money on paper, it's quite interesting (and nice) to see a different path being taken.
<br /><br />
Now, there is one element that I'm not clear on and perhaps some of you with experience in the movie industry can help out.  I tried to reach out to Kevin himself on Twitter, but the man's busy (and sick) and (from the sound of it) getting even less sleep than I do.  Here's the part that I'm confused about: I'm familiar with startup investing, where investors (generally VCs) plow a bunch of money into a company in exchange for equity.  In those cases, they don't ever expect to get paid back out of revenue, but through the eventual sale of their equity (hopefully for many, many, many, many times what they paid for it).  However, in this case, Smith is talking about getting the investment back to his investors quickly (out of the revenue).  So, if that's the case... do they still have a financial stake in the later success of the movie?  Is it structured as a combination of loan and equity, where they have to pay the investors back first, but then there's also upside on the latter part?  Because if they're just getting their principle back, that's nothing special.  No one invests in something just to get their money back.  They invest for upside.  Does it work like a record label deal?  Where the "investment" is really an "advance," and the first chunk of revenue all goes to paying back that advance, and then after you "recoup" (as is about to happen here), there's a royalty split?  I'm guessing it's something like that, but it would be nice to know the details.
<br /><br />
But, even without that information, one thing that is nice to see is an experiment in trying something different with how a film is <i>marketed</i>, <i>distributed</i> and <i>monetized</i> is already working.  That's exciting.<br /><br /><a href="http://www.techdirt.com/blog/casestudies/articles/20110420/03063113973/kevin-smiths-red-state-movie-nearing-profitability-even-prior-to-regular-theatrical-release.shtml">Permalink</a> | <a href="http://www.techdirt.com/blog/casestudies/articles/20110420/03063113973/kevin-smiths-red-state-movie-nearing-profitability-even-prior-to-regular-theatrical-release.shtml#comments">Comments</a> | <a href="http://www.techdirt.com/blog/casestudies/articles/20110420/03063113973/kevin-smiths-red-state-movie-nearing-profitability-even-prior-to-regular-theatrical-release.shtml?op=sharethis">Email This Story</a><br />
 ]]></description>
<slash:department>not-bad</slash:department>
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<pubDate>Tue, 12 Apr 2011 01:07:23 PDT</pubDate>
<title>Random House Invests In Creative Commons 'Free' Textbook Publisher Flat World Knowledge</title>
<dc:creator>Mike Masnick</dc:creator>
<link>http://www.techdirt.com/articles/20110411/03595713848/random-house-invests-creative-commons-free-textbook-publisher-flat-world-knowledge.shtml</link>
<guid>http://www.techdirt.com/articles/20110411/03595713848/random-house-invests-creative-commons-free-textbook-publisher-flat-world-knowledge.shtml</guid>
<description><![CDATA[ We've written a few times in the past about <a href="http://www.techdirt.com/search.php?q=flat+world+knowledge&#038;eid=&#038;tid=&#038;aid=&#038;searchin=stories">Flat World Knowledge</a>, a textbook publisher that really seems to have embraced the sort of <a href="http://www.techdirt.com/articles/20070503/012939.shtml">business models</a> we discuss.  It gives away digital versions (the infinitely abundant kind) of its textbooks for free, but charges for the scarcities, such as printed copies.  It puts the books up under a Creative Commons license as well, letting anyone improve upon the works as well.  Thus, it's interesting to see that established publishers are taking notice.  Apparently Random House <a href="http://paidcontent.org/article/419-random-house-invests-in-flat-world-knowledge/" target="_blank">has now invested in the company</a>.  Of course, some may point out that Random House doesn't publish textbooks, but perhaps it can learn a thing or two about how FWK has embraced openness and free as a part of a larger business model.<br /><br /><a href="http://www.techdirt.com/articles/20110411/03595713848/random-house-invests-creative-commons-free-textbook-publisher-flat-world-knowledge.shtml">Permalink</a> | <a href="http://www.techdirt.com/articles/20110411/03595713848/random-house-invests-creative-commons-free-textbook-publisher-flat-world-knowledge.shtml#comments">Comments</a> | <a href="http://www.techdirt.com/articles/20110411/03595713848/random-house-invests-creative-commons-free-textbook-publisher-flat-world-knowledge.shtml?op=sharethis">Email This Story</a><br />
 ]]></description>
<slash:department>are-they-getting-it?</slash:department>
<wfw:commentRss>http://www.techdirt.com/comment_rss.php?sid=20110411/03595713848</wfw:commentRss>
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<pubDate>Tue, 15 Mar 2011 00:08:00 PDT</pubDate>
<title>New Music Locker Startup Looks More Like Sucker's Bet To Transfer Cash From Investors To Music Labels</title>
<dc:creator>Mike Masnick</dc:creator>
<link>http://www.techdirt.com/articles/20110311/00445413437/new-music-locker-startup-looks-more-like-suckers-bet-to-transfer-cash-investors-to-music-labels.shtml</link>
<guid>http://www.techdirt.com/articles/20110311/00445413437/new-music-locker-startup-looks-more-like-suckers-bet-to-transfer-cash-investors-to-music-labels.shtml</guid>
<description><![CDATA[ A few weeks ago, at the Digital Music Forum East event, right before I went on stage to interview Gary Shapiro from CEA, there was a presentation from a new music startup I'd never heard of, called Beyond Oblivion.  The presentation (which is embedded below) was interesting, if incredibly vague.  It looks like they're trying to create a music locker of sorts, but to avoid the various <a href="http://www.techdirt.com/articles/20091019/1848596602.shtml">legal woes</a> of other such music lockers by throwing a ton of cash at the labels.  It's basically "don't sue us" money.  Literally, the company has promised to pay $500 million to labels.  It claims that it will monitor digital locker usage and any use of a song -- whether it was legally obtained or not -- will result in payment to the copyright holders.  The presentation certainly created some buzz, but I couldn't figure out how the model made any sense at all.  Apparently some investors are willing to give it a shot.  Based on not much of anything in terms of proof that this will work, the company has <a href="http://www.hypebot.com/hypebot/2011/03/news-corp-bets-77m-on-beyond-oblivions-locker.html" target="_blank">raised an astounding $77 million</a>, much of which you have to assume will just be handed over to record labels.  Of course, as Hypebot notes, how much of that actually goes to <i>artists</i> appears to be an open question.
<br><br>
But really, the whole thing is head-scratching.  How does the company make money?  By charging device makers to pre-install its software.  But why will device makers agree to pay to install this software?  Yeah, that's the big question mark in the quest to the "profit" stage in the game plan.  I'm sure the record labels will gladly take the cash that the investors just handed over to Beyond Oblivion, but that hardly makes this an offering that is likely to gain any traction in the marketplace.<br /><br /><a href="http://www.techdirt.com/articles/20110311/00445413437/new-music-locker-startup-looks-more-like-suckers-bet-to-transfer-cash-investors-to-music-labels.shtml">Permalink</a> | <a href="http://www.techdirt.com/articles/20110311/00445413437/new-music-locker-startup-looks-more-like-suckers-bet-to-transfer-cash-investors-to-music-labels.shtml#comments">Comments</a> | <a href="http://www.techdirt.com/articles/20110311/00445413437/new-music-locker-startup-looks-more-like-suckers-bet-to-transfer-cash-investors-to-music-labels.shtml?op=sharethis">Email This Story</a><br />
 ]]></description>
<slash:department>do-the-math</slash:department>
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<pubDate>Thu, 22 Jul 2010 00:03:22 PDT</pubDate>
<title>Wall Street Calling Telcos' Bluff On Stopping Investment If Net Neutrality Put Into Law</title>
<dc:creator>Mike Masnick</dc:creator>
<link>http://www.techdirt.com/articles/20100720/18084910299.shtml</link>
<guid>http://www.techdirt.com/articles/20100720/18084910299.shtml</guid>
<description><![CDATA[ While we're still worried that any "net neutrality" rules put in place by the government will contain so many loopholes for the telcos as to make them <a href="http://www.techdirt.com/articles/20100716/02412410243.shtml">do more harm than good</a>, it's nice to see that more and more people are calling the telcos on their bogus claim that net neutrality rules would mean that telcos would cut back on investment.  Lots of us have <a href="http://www.techdirt.com/articles/20100617/2252129874.shtml">debunked</a> that claim before, but the telcos have tried to make the case that this is a big deal for Wall Street people.  Eh... perhaps not so much.  Broadband Reports notes that even the Wall Street analysts who are against net neutrality rules <a href="http://www.dslreports.com/shownews/Again-Neutrality-Wont-Curtail-ISP-Investment-109462" target="_blank">don't believe it will impact investment</a>:
<blockquote><i>
Net neutrality/reclassification opponent Thomas Seitz (Height Analytics and previously Barclay) today joined the parade of top analysts doubting the claims that Net Neutrality rules would produce a serious cutback in broadband investment.  Washington is inundated with claims NN will clobber investment, but the carrier CFO are telling Wall Street it won't be a determining factor. Seitz joins John Hodulik of UBS (voted #1 telco analyst), Craig Moffett (voted #1 cable analyst) and Michael Rollins of Citigroup as well as several others who haven't gone on the record.
</i></blockquote>
As we've seen over and over and over again, telcos invest when there's competition in the market.  When competition goes away, that's when they <a href="http://www.techdirt.com/articles/20100312/1855128547.shtml">cut back</a>.  If the focus is really on encouraging investment in network infrastructure, then the focus should be on encouraging more competition in the marketplace -- which is exactly what the telcos don't want.  They like their monopoly rents.  They like not having to invest as much in infrastructure.  It's great that more and more people are calling them on this bogus claim.<br /><br /><a href="http://www.techdirt.com/articles/20100720/18084910299.shtml">Permalink</a> | <a href="http://www.techdirt.com/articles/20100720/18084910299.shtml#comments">Comments</a> | <a href="http://www.techdirt.com/articles/20100720/18084910299.shtml?op=sharethis">Email This Story</a><br />
 ]]></description>
<slash:department>give-it-up</slash:department>
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<pubDate>Fri, 28 May 2010 16:44:06 PDT</pubDate>
<title>House Increases Taxes On Venture Capital At A Time When More Investment In Innovation Is Needed</title>
<dc:creator>Mike Masnick</dc:creator>
<link>http://www.techdirt.com/articles/20100528/1526349623.shtml</link>
<guid>http://www.techdirt.com/articles/20100528/1526349623.shtml</guid>
<description><![CDATA[ For a little while now, we've noted various plans among politicians to <a href="http://www.techdirt.com/articles/20091013/2248376517.shtml">change tax laws</a> for private equity fund managers -- which is supposed to close some loopholes that allowed some bad investment decision making to happen.  But one of the serious problems with those efforts are that they lump together all types of private equity, including hedge funds (which do have some issues) and venture capital, which functions entirely differently.  Despite numerous warnings about this, it looks like the House has still gone forward with passing a bill that will <a href="http://bits.blogs.nytimes.com/2010/05/28/house-backs-tax-increase-for-venture-capital/?src=twt&#038;twt=nytimestech" target="_blank">greatly increase the taxes on venture capital partners</a>, taxing part of the money they make as profits from investments as traditional income, rather than as capital gains (which is taxed at a much lower rate).
<br /><br />
While I don't think this change will be as devastating as some have made it out to be, it could chill some aspects of investment.  And, while I also <a href="http://www.techdirt.com/articles/20090920/1925336249.shtml">don't believe</a> that venture capital is the only way to build an innovative business these days, I do think it has an important place in the ecosystem, and is quite helpful for many companies.  Taking away some of the incentives for venture investments, right at a time when we need greater innovation seems like a fundamentally short-sighted move.  I understand the argument on the other side, that the partners are investing other people's money, and thus it's not "their" investment from which to earn capital gains, but to some extent that's misleading.  The setup of most venture funds with carried interest (i.e., the profit share for venture partners) is to effectively trade their time and effort in the investment for a part of the investment.  So it might not be their cash, but they do invest in other ways, and for that they get a share of the profits.
<br /><br />
There are certainly lots of problems with our financial system today, and many questions about the private equity space.  But lumping in venture capitalists who do long-term, high risk investments in private companies to help them grow, with hedge funds that do short-term, highly speculative gambling-type investments without much focus on the underlying business or prospects, is a dangerous move.  There are problems with the venture capital model, but for the most part it works quite well in funding all sorts of innovative companies.  Putting this kind of speed bump into the market won't stop venture capital investments, but it could have some pretty serious consequences, especially in terms of the type of companies VCs are willing to invest in.  The Senate still needs to vote on this issue, and hopefully they recognize that this is not the time to punish venture capitalists.<br /><br /><a href="http://www.techdirt.com/articles/20100528/1526349623.shtml">Permalink</a> | <a href="http://www.techdirt.com/articles/20100528/1526349623.shtml#comments">Comments</a> | <a href="http://www.techdirt.com/articles/20100528/1526349623.shtml?op=sharethis">Email This Story</a><br />
 ]]></description>
<slash:department>bad-thinking</slash:department>
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<pubDate>Mon, 15 Mar 2010 05:43:17 PDT</pubDate>
<title>Record Labels Put Out Report Insisting That Record Labels Do, In Fact, Invest In Musicians</title>
<dc:creator>Mike Masnick</dc:creator>
<link>http://www.techdirt.com/articles/20100310/0338578498.shtml</link>
<guid>http://www.techdirt.com/articles/20100310/0338578498.shtml</guid>
<description><![CDATA[ With the debates ongoing over where the music industry is heading, it's been amusing to watch the major record labels try to remain relevant.  One talking point they've hit on lately is this idea that record labels are the only ones who invest in artists.  So, for example, when we point out that multiple studies have shown that more money is being spent on music today -- just that it's going to other providers, rather than the record labels -- we've heard people come back by saying "but only the record labels invest in artists."  Perhaps sensing a valuable talking point (and getting sick of claims from many in the industry that the labels have seriously cut back on investing in new artists), the IFPI has put out a report that basically is the major record labels screaming <a href="http://musically.com/blog/2010/03/09/ifpi-says-labels-do-invest-in-music/" target="_blank">"hey, look, we do invest in new music!"</a>
<br /><br />
But, of course, no one really doubted that the major labels still invested in music, but lots of people are questioning how that money is being spent and what sorts of results they're getting from it.  But where it gets funny is that the IFPI tries to use this to prove that labels still have a place, because, apparently, no one else could possibly fund musicians:
<blockquote><i>
"Investing in music is the core mission of record companies," says [IFPI] boss John Kennedy. "No other party can lay claim to a comparable role in the music sector. No other party comes close to the levels of investment committed by record companies to developing, nurturing and promoting talent."
</i></blockquote>
To which we would just add a rather important: <b>yet</b>.  The labels still seem to think they have some divine right (or, perhaps it's just a gov't granted monopoly -- the two are so easy to confuse) to be at the center of the music industry.
<br /><br />
And, of course, the amount invested, by itself, is not nearly as important as the <i>return on investment</i>.  It's easy to throw lots of money away (and having been to more than a few big record label events, I can attest to their ability to throw away vast quantities of money in no time flat).  But what most folks are focused on is the actual ROI.<br /><br /><a href="http://www.techdirt.com/articles/20100310/0338578498.shtml">Permalink</a> | <a href="http://www.techdirt.com/articles/20100310/0338578498.shtml#comments">Comments</a> | <a href="http://www.techdirt.com/articles/20100310/0338578498.shtml?op=sharethis">Email This Story</a><br />
 ]]></description>
<slash:department>it-ain't-the-investment...</slash:department>
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<pubDate>Tue, 2 Jun 2009 01:43:40 PDT</pubDate>
<title>Making It Easier For Startups To Cash Out</title>
<dc:creator>Mike Masnick</dc:creator>
<link>http://www.techdirt.com/articles/20090601/2019345089.shtml</link>
<guid>http://www.techdirt.com/articles/20090601/2019345089.shtml</guid>
<description><![CDATA[ This idea has been talked about for a while, but it looks like it's finally starting to move forward: <a href="http://www.bloomberg.com/apps/news?pid=20601109&#038;sid=aDzgmHwtX9dQ&#038;refer=home" target="_new">creating a market for buying/selling shares in startups</a> outside of a full public offering.  As you may know, right now, (with a few exceptions) the stock in a startup is basically illiquid in that it can't be bought and sold outside of a full funding round.  The downside of that is that it really does lock up the value for many employees who have to sit on the stock and hope that one day the company is sold or goes public.  That's become an even bigger issue this past decade as the IPO market for tech startups has been pretty dim -- due to a combination of factors, including (among other things) the dot com bubble burst, regulations like Sarbanes Oxley and even the real estate bubble (diverted plenty of money that could have gone towards IPOs into both real estate and alternative investments).  
<br /><br />
The new plan, from a company called InsideVenture and backed by a bunch of VCs is what they're calling a "hybrid public-private offering," nicknamed a "Hippo."  And it is basically just what it sounds like -- a mix between a private fundraising and a public market.  Companies that go through the process will file the standard earnings reports with the SEC -- but the initial shares will be sold to member investors prior to the offering being final.  I'm all for experiments of this nature, though there certainly are questions about whether or not this will really catch on.  Many may see it as "what a company does if it can't IPO" which could attach a stigma to companies that go this route.  Also, I still think that the old "quarterly reports" system needs a reboot involving <a href="http://www.techdirt.com/articles/20081113/0321092822.shtml">radical transparency</a>, so I'm not sure that reinforcing the old quarterly report system (which stunts long term vision for short term results) is really such a good idea.<br /><br /><a href="http://www.techdirt.com/articles/20090601/2019345089.shtml">Permalink</a> | <a href="http://www.techdirt.com/articles/20090601/2019345089.shtml#comments">Comments</a> | <a href="http://www.techdirt.com/articles/20090601/2019345089.shtml?op=sharethis">Email This Story</a><br />
 ]]></description>
<slash:department>moving-forward</slash:department>
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<pubDate>Thu, 6 Nov 2008 09:55:00 PST</pubDate>
<title>Band Incorporates As A Company And Raises Money, Rather Than Signing With A Label</title>
<dc:creator>Mike Masnick</dc:creator>
<link>http://www.techdirt.com/articles/20081105/0239362744.shtml</link>
<guid>http://www.techdirt.com/articles/20081105/0239362744.shtml</guid>
<description><![CDATA[ Reader Mike Z. points us to an interesting experiment by the band <i>Francis and the Lights</i>.  Rather than going out and signing a record label deal, where the record label basically gets near total control over the band and its works, the band has <a href="http://www.nme.com/news/nme/40832" target="_new">incorporated itself into a company</a> and raised $100,000 from The Normative Music Company as an <i>investment</i>.  As the folks at Normative note, this structure is much more like a startup going out and raising angel or venture capital.  It also makes a lot more sense.  The label structure often takes way too much control away from a band.  A model more similar to the venture capital model has some very compelling aspects to it.  What's unclear from the article, though, is how the investment is structured.  Unlike a startup, it seems unlikely that the band will be acquired (or go public).  I'm guessing there must be some sort of "dividend" structure, where the band is expected to pay out a percentage of earnings to the investor.  Who knows if it will work for this particular band, but it definitely seems like a model worth watching.  Hopefully we'll see some more bands test it out as well.<br /><br /><a href="http://www.techdirt.com/articles/20081105/0239362744.shtml">Permalink</a> | <a href="http://www.techdirt.com/articles/20081105/0239362744.shtml#comments">Comments</a> | <a href="http://www.techdirt.com/articles/20081105/0239362744.shtml?op=sharethis">Email This Story</a><br />
 ]]></description>
<slash:department>smart-move</slash:department>
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