Techdirt. Stories filed under "formalities" Easily digestible tech news... http://www.techdirt.com/ en-us Techdirt. Stories filed under "formalities"http://www.techdirt.com/images/td-88x31.gifhttp://www.techdirt.com/ Tue, 8 Feb 2011 10:30:23 PST If Artists Don't Value Copyright On Their Works, Why Do We Force It On Them? Mike Masnick http://www.techdirt.com/articles/20110207/02222612989/if-artists-dont-value-copyright-their-works-why-do-we-force-it-them.shtml http://www.techdirt.com/articles/20110207/02222612989/if-artists-dont-value-copyright-their-works-why-do-we-force-it-them.shtml Moral Panics and the Copyright Wars, there's an excellent chart that highlights the fact that many content creators who have copyright available to them clearly don't value that copyright very much. The chart looks at the rates of copyright renewals in 1958 and 1959. As you hopefully know, back then, you had to register your work to have it covered by copyright, and you had to renew it to keep that copyright. Yet a huge percentage of content creators simply chose not to renew their copyrights, because they knew there was little or no value in the copyright itself. Depending on the type of product, the lack of renewals paints a pretty stark picture: only 7% of books had the copyright renewed. Only 11% of periodicals. Only 4% of "works of art." Music was only 35%. In fact, the only type of work that had a renewal rate higher than 50% was movies, which came in at 74%.
If looked at with a common sense filter, it seems obvious that this suggests that the content creator clearly is no longer getting any benefit out of the copyright at that stage, and thus reverting the work to the public domain makes the most sense. So it was quite disappointing when we changed our laws in 1976 to the point that people didn't even have to register their copyrights in the first place, and never had to review, but that they automatically get a copyright for a ridiculously long amount of time (much longer than was available in 1959). Now, you can still register, and there are significant benefits to copyright holders for doing so, so many people still do.

So it's interesting to see Tunecore ask the musicians who use its service whether or not they register their copyrights, with only 56% saying they absolutely do (found via Hypebot, who incorrectly suggests that the others don't get a copyright at all):
What's fascinating here, of course, is this means that there are 44% of the musicians on Tunecore who don't really see the need to have a registered copyright, and yet they still end up with a copyright which they're unlikely to ever use or enforce. That suggests a system way out of whack with the stated purpose of copyright law. This is content that can and should be available to make the public domain more fruitful and to enable new creative works -- and yet it gets locked up anyway, even though the very people copyright law is supposed to protect clearly don't value what copyright gives them. So why do we still automatically give them copyrights, thereby harming the public domain, while adding little to no benefit to the content creators themselves?

Permalink | Comments | Email This Story
]]> questions-to-ponder http://www.techdirt.com/comment_rss.php?sid=20110207/02222612989 Fri, 15 Oct 2010 13:53:34 PDT Did The RIAA Really Just Come Out In Support Of 'Opt-In' Copyright? [Updated] Mike Masnick http://www.techdirt.com/articles/20101015/13051411452/did-the-riaa-really-just-come-out-in-support-of-opt-in-copyright-updated.shtml http://www.techdirt.com/articles/20101015/13051411452/did-the-riaa-really-just-come-out-in-support-of-opt-in-copyright-updated.shtml meeting on "the impact of copyright policy on innovation" note that RIAA president Cary Sherman apparently stated that he now believes an opt-in registration "formalities" approach to copyright might make sense. Derek Slater, on Twitter, summarized Sherman's statement as:
"my opinion is that pre-Berne system, requiring some sort of registration, makes more sense today."
Of course, the MPAA and the BSA apparently disagreed, with the BSA saying copyright should definitely be opt-out rather than opt-in. That said, it is nice to see the MPAA come out in favor of flexible fair use policies, though I'm sure that's as an alternative to actually improving copyright law.

I've asked the RIAA for comment (updated below) on whether or not this represents a change of position for them, and whether the group would now support an opt-in copyright system that only gives copyright to works that are formally registered (as we had for many, many years). If true, this would really be a huge deal. While an opt-in system has many problems, if set up properly, it's a lot better than the current opt-out system, which obliterated the public domain. An opt-in system at least makes it much easier to feed the public domain.

Update: The RIAA responded to my request as to whether or not this was a policy change, in response, I was told:
His basic point (and I'm quoting from his remarks) was that "we need better ways to distinguish when copyright is a beneficial property right, and when copyright is a meaningless and unwanted right." He was later asked what he meant by this, and he responded that it may be time for creators to affirmatively assert copyright, rather than have it automatically granted to them whether they want it or not. He also explained that this was a personal view, not an RIAA position.
The note also pointed out, correctly that there really "is no way to opt-out" of copyright today. So, while it's not the official RIAA position, I'm still really surprised that Sherman would feel this way, but kudos to him for making a statement that would seem at odds with the RIAA's standard position on copyright.

Permalink | Comments | Email This Story
]]> that-would-be-big http://www.techdirt.com/comment_rss.php?sid=20101015/13051411452