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<title>Techdirt. Stories filed under &quot;fiction&quot;</title>
<description>Easily digestible tech news...</description>
<link>http://www.techdirt.com/</link>
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<image><title>Techdirt. Stories filed under &quot;fiction&quot;</title><url>http://www.techdirt.com/images/td-88x31.gif</url><link>http://www.techdirt.com/</link></image>
<item>
<pubDate>Wed, 5 Dec 2012 15:49:51 PST</pubDate>
<title>Fiction By Timothy Geigner, Now Available At The Techdirt Insider Shop</title>
<dc:creator>Leigh Beadon</dc:creator>
<link>http://www.techdirt.com/articles/20121203/13301821212/fiction-timothy-geigner-now-available-techdirt-insider-shop.shtml</link>
<guid>http://www.techdirt.com/articles/20121203/13301821212/fiction-timothy-geigner-now-available-techdirt-insider-shop.shtml</guid>
<description><![CDATA[ <p>As some of you may know, in addition to posts and comments for Techdirt, <a href="http://www.techdirt.com/user/ronalddumsfeld">Tim Geigner aka Dark Helmet</a> also writes novels. Today we're happy to announce that all three of his <em>"conspiracy fiction"</em> titles are now available as PDF ebooks in the <a href="http://rtb.techdirt.com/product-cat/ebooks" target="_blank">Techdirt Insider Shop</a>. These new editions feature brand new cover art and are all available on a pay-what-you-want basis, so <a href="http://rtb.techdirt.com/product-cat/ebooks" target="_blank">head on over</a> and download these three novels today:</p>
<hr style="margin-bottom:12px;" />
<a href="http://rtb.techdirt.com/products/digilife" target="_blank" style="border:0;"><img style="float:left;display:block;margin-right:12px;margin-bottom:12px;margin-top:0;width:175px;" src="http://rtb.techdirt.com/wp-content/uploads/2012/12/Digilife-2.png" /></a>
<p style="overflow:hidden;"><a href="http://rtb.techdirt.com/products/digilife" target="_blank" style="border:0;">Digilife &raquo;</a><br />David Barker is a child psychologist. A United States defense software contractor commissions him to help with one of their programs, the first true digital consciousness. The program has taken hostages in the company&#8217;s underground lab and the company sends David into the lab with a handpicked team of specialists: a mathematician, a computer engineer, a cultural anthropologist, and representatives from the military. Their task is to regain control over this new being and convince her to let her hostages go. But from the moment they set foot in the underground lab, David realizes that the company&#8217;s claims of control over this digital being have been flights of fancy and their mission to reason with the first digital consciousness becomes a struggle to survive.</p>
<hr style="clear:both;margin-bottom:12px;" />
<a href="http://rtb.techdirt.com/products/echelon" target="_blank" style="border:0;"><img style="float:left;display:block;margin-right:12px;margin-bottom:12px;margin-top:0;width:175px;" src="http://rtb.techdirt.com/wp-content/uploads/2012/12/Echelon-2.png" /></a>
<p style="overflow:hidden;"><a href="http://rtb.techdirt.com/products/echelon" target="_blank" style="border:0;">Echelon &raquo;</a><br />Payton "Doc" Connor is an investigator at the Center for UFO Studies in Chicago, a real-life private agency that investigates the paranormal.  He has a reputation for dissecting reports the agency receives and proving them to be hoaxes.  Shortly before the agency sends him on a routine investigation to New Mexico, the Agency assigns him as mentor to a new investigator, Chanel Falasco.  During the trip to the desert, they are contacted by a contemporary "Deep Throat", who confesses his part in a national conspiracy that includes Freemasonry, the Illuminati, and a cult born of Nazis that escaped the Nuremburg Trials with the help of wealthy industrialists.  The confessor wants to use them and CUFOS to expose the group he works for before their ultimate goals are realized through an illegal surveillance network referred to only as Echelon.</p>
<hr style="clear:both;margin-bottom:12px;" />
<a href="http://rtb.techdirt.com/products/midwasteland" target="_blank" style="border:0;"><img style="float:left;display:block;margin-right:12px;margin-bottom:12px;margin-top:0;width:175px;" src="http://rtb.techdirt.com/wp-content/uploads/2012/12/Midwasteland.png" /></a>
<p style="overflow:hidden;"><a href="http://rtb.techdirt.com/products/midwasteland" target="_blank" style="border:0;">Midwasteland &raquo;</a><br />It is the near future in a post-apocalyptic Chicago and Anton Donovan is an anomaly. That is, though he appears to be human in every respect, he is actually a mutated version of a human. There are several differences between anomalies and humans, but the most compelling of these is the anomaly&#8217;s ability to manipulate radiation that has been left behind by a long ago waged nuclear war. The humans fear this power and they have instituted a testing process to find and euthanize anomaly children in their cities. The result of this is that anomalies only live in freedom outside of human civilization. Because of a series of personal tragedies suffered at the hands of one of these anomaly enclaves, Anton joins the human military. They think that he is going to help them hunt down his own kind, but instead he is going to use his unique situation to push both sides towards a peace, even as both humans and enclaves alike prepare to wage a worldwide war.</p><div style="clear:both;"></div><br /><br /><a href="http://www.techdirt.com/articles/20121203/13301821212/fiction-timothy-geigner-now-available-techdirt-insider-shop.shtml">Permalink</a> | <a href="http://www.techdirt.com/articles/20121203/13301821212/fiction-timothy-geigner-now-available-techdirt-insider-shop.shtml#comments">Comments</a> | <a href="http://www.techdirt.com/articles/20121203/13301821212/fiction-timothy-geigner-now-available-techdirt-insider-shop.shtml?op=sharethis">Email This Story</a><br />
 ]]></description>
<slash:department>rtb</slash:department>
<wfw:commentRss>http://www.techdirt.com/comment_rss.php?sid=20121203/13301821212</wfw:commentRss>
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<item>
<pubDate>Tue, 8 May 2012 12:17:00 PDT</pubDate>
<title>A Speculative Example Of CISPA's Potential For Abuse</title>
<dc:creator>Leigh Beadon</dc:creator>
<link>http://www.techdirt.com/articles/20120507/15333718819/speculative-example-cispas-potential-abuse.shtml</link>
<guid>http://www.techdirt.com/articles/20120507/15333718819/speculative-example-cispas-potential-abuse.shtml</guid>
<description><![CDATA[ <p>In all the talk about how CISPA represents a threat to privacy and civil liberties, it's easy to get lost in the legislative semantics and to lose track of the very real dangers the bill presents. It's not as though CISPA is going to be signed and the next day everyone's going to wake up having always been at war with Eastasia, but the bill is a significant step in the erosion of key privacy rights that stem from the 4th Amendment&mdash;the sort of rights citizens are supposed to be vigilant about giving up to the government, even if it doesn't mean their lives are going to change overnight. At the same time, it's not a purely philosophical issue: CISPA or a similarly problematic bill can and will be abused if it becomes law.</p>

<p>Over at Lifehacker, Adam Dachis spoke to law professer Derek Bambauer and used their conversation as the basis for <a href="http://lifehacker.com/5908120/an-alternate-future-where-your-privacy-no-longer-exists">a piece of speculative fiction from the point of view of someone who falls victim to CISPA abuse</a>. It's a well-executed concept that steers clear of sensationalism and presents a realistic example of how CISPA would grant the government new powers in areas far beyond cybersecurity, and how innocents might get swept up by those powers. The fictional narrator, who struggles through an ethically challenging college assignment on child pornography laws, has his name dragged through the mud after the school turned its computer logs over to the feds as part of a hacking investigation and his search history landed him under scrutiny. This nicely demonstrates one of the big problems with CISPA: the <em>affirmative search</em> permissions it would grant, which allow the government to dig through cybersecurity data for evidence of other crimes. </p>

<p>The story's message can't really be conveyed in snippets, but here's a brief excerpt:</p>

<blockquote><em>As I continued my research I found more and more instances of laws with vaguely-defined terms that were designed to be tough on crime. No one bothered to oppose them in fear of being painted weak, or as a lover of terrorism and sexual deviancy. As a result, innocent people ended up in jail as collateral damage. The law had chosen to try and assuage our fears by sacrificing our freedoms as payment. But even worse, it didn't seem to be working. When you cast a wide net, you not only catch too many fish but so many that you can't find the fish you're actually looking for. People who broke the law weren't getting caught because the resources previously utilized to catch them were diverted to finding offenders before they actually offended. It's a nice thought to think we can preemptively prevent a crime, but it just doesn't work.</em></blockquote>

<p>Whether it's <a href="http://www.techdirt.com/articles/20120504/08384918786/cispa-sponsor-warns-bill-is-needed-because-chinas-chinese-hackers-china-are-stealing-all-american-secrets-china.shtml#comments">Chinese hackers</a> or child pornography, it's vital that hot-button panics don't override evidence and common sense in crafting legislation. Even more importantly, people should only allow the government to bypass their rights under extremely limited circumstances, if at all. There's a famous quote about liberty and security, but I don't want to Google it lest I end up on a watch-list somewhere...</p><br /><br /><a href="http://www.techdirt.com/articles/20120507/15333718819/speculative-example-cispas-potential-abuse.shtml">Permalink</a> | <a href="http://www.techdirt.com/articles/20120507/15333718819/speculative-example-cispas-potential-abuse.shtml#comments">Comments</a> | <a href="http://www.techdirt.com/articles/20120507/15333718819/speculative-example-cispas-potential-abuse.shtml?op=sharethis">Email This Story</a><br />
 ]]></description>
<slash:department>just-barely-fiction</slash:department>
<wfw:commentRss>http://www.techdirt.com/comment_rss.php?sid=20120507/15333718819</wfw:commentRss>
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<item>
<pubDate>Fri, 18 Feb 2011 19:39:00 PST</pubDate>
<title>The Trademarking Of Duff Beer: How Fictional Trademarks Become Copyright Issues In The Real World</title>
<dc:creator>Mike Masnick</dc:creator>
<link>http://www.techdirt.com/articles/20110211/13014213060/trademarking-duff-beer-how-fictional-trademarks-become-copyright-issues-real-world.shtml</link>
<guid>http://www.techdirt.com/articles/20110211/13014213060/trademarking-duff-beer-how-fictional-trademarks-become-copyright-issues-real-world.shtml</guid>
<description><![CDATA[ <a href="http://www.hollywoodreporter.com/blogs/thr-esq/hollywood-docket-marvel-v-jack-98286?utm_medium=twitter&#038;utm_source=twitterfeed" target="_blank">THResq</a> points us to a fun, but thorough, law journal article by law student Benjamin Arrow, looking at <a href="http://www.entertainmentlawreporter.com/2011/02/fictional-trademarks-protectable.html" target="_blank">whether or not Duff Beer, from the Simpsons, is protectable as a trademark in the real world</a> (or you can <a href="http://iplj.net/blog/wp-content/uploads/2010/11/C04_Arrow_011111_Final.pdf" target="_blank">go directly to the paper</a>) (pdf).  The analysis is actually more complex than you would think, noting that as you shift from the fictional world of the Simpsons to the real world of beer production, the issue switches from being a trademark issue to a copyright issue, where the beer is a form of a derivative work on the copyrighted expression known as the cartoon of Duff Beer.
<blockquote><i>
Fox and The Simpsons' creator, Matt Groening, developed the
idea for the fictional brand, Duff. Therefore, when a real-world
manufacturer puts out a product by the same name, one might
think that it has stolen Fox's idea and that, as a matter of equity,
intellectual property law ought to furnish a remedy. But
intellectual property law does not protect ideas in the abstract.
While a real-world Duff manufacturer may have taken more than
just an idea, it is difficult to articulate how much more. Part of the
reason it is so difficult to conceptualize the injury Fox suffers
when another producer introduces a Duff Beer to the marketplace
stems from the fact that Duff Beer is a fictional product sold in a
fictional universe under a fictional brand name. Fox's injury looks
very different when we suspend our disbelief and plunge into the
fictional world of Springfield, accepting the fictional reality as our
own and when we pull back, remind ourselves that The Simpsons is
nothing more than a cartoon and view Duff Beer as one element of
a vividly imagined work of animated fiction. As a consequence of
this puzzle of perspective, Fox suffers a different intellectual
property injury depending on our vantage point.
<br /><br />
An analogy to Internet law helps explicate the puzzle. Writing
on the problem of perspective in this area of the law, Professor
Orin Kerr posits that "whenever we apply law to the Internet, we
must first decide whether to apply the law to the facts as seen from
the viewpoint of physical reality or virtual reality." Kerr terms
the perspective from inside virtual reality the "'internal
perspective' of the Internet" and the point of view of an "outsider
concerned with the functioning of the network in the physical
world rather than the perceptions of a user" the "external
perspective." In attempting to apply law to the Internet, our
perception of who is doing what to whom is not a mere cognitive
tool for conceptualizing difficult problems, Kerr contends.
Instead, our selection of perspective is itself outcome
determinative, because "[b]y choosing the perspective, we choose
the reality; by choosing the reality, we choose the facts; and by
choosing the facts, we choose the law." While Kerr suggests
that courts may dismiss this problem of perspective as "a minor
skirmish in the 'battle of analogies,'" he notes that courts "already
choose perspectives when they apply law to the Internet" without
realizing it.
</i></blockquote>
While this may just seem like a fun, little intellectual query, the second paragraph above highlights why it's actually pretty important.  For nearly a decade, we've been pointing out the <a href="http://www.techdirt.com/articles/20031113/1143235_F.shtml">problems</a> that occur when you take laws from the real world and pretend you can just apply them naturally into a virtual world.  The same thing applies here to some extent.  In this case, it's resolved via copyright law, since the creation of Duff Beer may be protectable under copyright in the real world, and any such beer would be derivative.  Trademark, on the other hand, which would apply <i>in</i> the fictional world, does not apply in the real world, since there's no real "use in commerce" of a product known as Duff Beer.
<br /><br />
Either way, the paper is a fun read, and actually raises a series of issues that are important and worth thinking about when discussing how the real world law applies on the internet in general and in wider "virtual" worlds.<br /><br /><a href="http://www.techdirt.com/articles/20110211/13014213060/trademarking-duff-beer-how-fictional-trademarks-become-copyright-issues-real-world.shtml">Permalink</a> | <a href="http://www.techdirt.com/articles/20110211/13014213060/trademarking-duff-beer-how-fictional-trademarks-become-copyright-issues-real-world.shtml#comments">Comments</a> | <a href="http://www.techdirt.com/articles/20110211/13014213060/trademarking-duff-beer-how-fictional-trademarks-become-copyright-issues-real-world.shtml?op=sharethis">Email This Story</a><br />
 ]]></description>
<slash:department>metamorphisis</slash:department>
<wfw:commentRss>http://www.techdirt.com/comment_rss.php?sid=20110211/13014213060</wfw:commentRss>
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<pubDate>Wed, 13 Oct 2010 16:48:38 PDT</pubDate>
<title>New Pope Confuses Technology Reality And Fiction</title>
<dc:creator>Mike Masnick</dc:creator>
<link>http://www.techdirt.com/articles/20101012/18103511403/new-pope-confuses-technology-reality-and-fiction.shtml</link>
<guid>http://www.techdirt.com/articles/20101012/18103511403/new-pope-confuses-technology-reality-and-fiction.shtml</guid>
<description><![CDATA[ <a href="http://idle.slashdot.org/story/10/10/12/1328215/Pope-Says-Technology-Causes-Confusion-Between-Reality-and-Fiction?from=twitter" target="_blank">Slashdot</a> drew our attention to an article about the Pope warning of the dangers of new technologies, that came with the title: <a href="http://www.montrealgazette.com/news/technologies confuse reality fiction Pope/3643380/story.html" target="_blank">New technologies confuse reality and fiction: Pope</a>.  However, I'd argue that flipping the words around a bit, as I did in  the title to this post, seems a bit more accurate.  For years, with pretty much every new media/technology invention there's been some sort of moral panic about how it's somehow harming people's ability to tell truth from fiction.  And there never seems to be any sort of evidence to support this.  In fact, it seems that the only people still confusing reality and fiction are those who insist that technology has this magical property of ruining people's ability to tell reality from fiction.<br /><br /><a href="http://www.techdirt.com/articles/20101012/18103511403/new-pope-confuses-technology-reality-and-fiction.shtml">Permalink</a> | <a href="http://www.techdirt.com/articles/20101012/18103511403/new-pope-confuses-technology-reality-and-fiction.shtml#comments">Comments</a> | <a href="http://www.techdirt.com/articles/20101012/18103511403/new-pope-confuses-technology-reality-and-fiction.shtml?op=sharethis">Email This Story</a><br />
 ]]></description>
<slash:department>fixed-that-for-you</slash:department>
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<pubDate>Thu, 4 Mar 2010 11:27:24 PST</pubDate>
<title>Soldier Sues Because He Insists Movie 'Hurt Locker' Must Have Been Based On His Life</title>
<dc:creator>Mike Masnick</dc:creator>
<link>http://www.techdirt.com/articles/20100304/0431178413.shtml</link>
<guid>http://www.techdirt.com/articles/20100304/0431178413.shtml</guid>
<description><![CDATA[ You see stories all the time about moviemakers and authors being sued because someone else had a similar "idea" for a story.  Those lawsuits almost always end up going nowhere fast.  Now in a slight twist on this, someone's demanding cash because a movie character is based on him.  <a href="http://www.techdirt.com/profile.php?u=crusemm">Matthew Cruse</a> was the first of a whole bunch of you to send in the story of how <a href="http://www.cnn.com/2010/SHOWBIZ/Movies/03/03/hurt.locker.lawsuit/index.html?eref=igoogle_cnn" target="_blank">Master Sgt. Jeffrey Sarver is suing the producers/filmmakers and screenplay writer</a> of the movie <i>Hurt Locker</i>, claiming that the main character was based on him.  That's nice, but how is that against the law in any way shape or form?  The problem is that it isn't.  In most cases (there are some exceptions), you can make a movie out of someone's life without their permission, thanks to that old First Amendment.
<br /><br />
The fine folks over at The Hollywood Reporter have gotten their hands on <a href="http://reporter.blogs.com/files/sarver-complaint-nj-version-final-03-02-2010-w-correct-case-.pdf" target="_blank">the actual complaint</a> (pdf) and explain how Sarver hopes to <a href="http://thresq.hollywoodreporter.com/2010/03/did-hurt-locker-producers-breach-an-agreement-with-the-us-military.html" target="_blank">get around the pesky First Amendment</a> with some creative lawyering:
<blockquote><i>
According to the complaint, before [screenwriter] Boal was embedded with the military, he and Playboy agreed to "ground rules" set by the Department of Defense. One of the rules was that reporters would be restricted in the type of personal information they could report on a service member. Reporters were limited to releasing a member's name and hometown only, and only on the condition the service member had provided consent.
<br /><br />
Was this agreement sufficient to give Sarver a stake in the story and film? He says so. Another claim in the lawsuit is for breach of contract. Another is violation of privacy.
</i></blockquote>
This still seems like a huge long shot by someone who feels entitled to something he has no actual legal rights over.  Even if the story was completely based on Sarver (and the filmmakers claim that it was a fictional story), it's hard to see any courtroom outcome that leads to him getting a cut of the film, as he's requesting.  Of course, it's amusing to note that while he claims the movie was based on him, he's <i>also</i> claiming <b>defamation</b>, in that the movie portrays him in false light (such as in that the character is a bad father).  So, wait.  Isn't that effectively admitting that the character in the movie is <i>not</i> him and is, indeed, a fictional character?  Of course, we did write about one case last year that stunningly found that a <a href="http://www.techdirt.com/articles/20091121/1353527039.shtml">fictional character can be libelous</a>, but we're still hoping that was an aberration that won't be repeated.<br /><br /><a href="http://www.techdirt.com/articles/20100304/0431178413.shtml">Permalink</a> | <a href="http://www.techdirt.com/articles/20100304/0431178413.shtml#comments">Comments</a> | <a href="http://www.techdirt.com/articles/20100304/0431178413.shtml?op=sharethis">Email This Story</a><br />
 ]]></description>
<slash:department>let's-explain-how-this-works...</slash:department>
<wfw:commentRss>http://www.techdirt.com/comment_rss.php?sid=20100304/0431178413</wfw:commentRss>
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<pubDate>Tue, 24 Nov 2009 13:56:00 PST</pubDate>
<title>Jury Says Fictional Character Can Be Libelous</title>
<dc:creator>Mike Masnick</dc:creator>
<link>http://www.techdirt.com/articles/20091121/1353527039.shtml</link>
<guid>http://www.techdirt.com/articles/20091121/1353527039.shtml</guid>
<description><![CDATA[ Plenty of fiction authors base their characters on real life people.  But, perhaps they need to be more careful.  A jury has <a href="http://www.thresq.com/2009/11/libel-in-fiction.html" target="_blank">ruled in favor of someone who claimed libel</a> against an author for supposedly writing a character "inspired by" a former friend.  That former friend was not happy about the portrayal, in which she was a "sexually promiscuous alcoholic."  This seems like a really bad precedent.  Fiction authors quite frequently take people from real life, but then exaggerate them to extremes.  But if that opens them up to potential libel charges, that seems quite ridiculous.
<br /><br />
For example, I once read a book that had a character that was based on my father, written by someone who knew him many, many years ago (in the copy the author sent my father, it was inscribed with my father's name, followed by the character's name in parentheses).  It was entertaining, to me, to see such a character who certainly resembled the rather content, laid back, unflappable nature of my Dad... except at the end where the character went crazy and had to be locked up.  That, clearly, did not happen in real life, but it never struck me as "libelous."  It was obviously just a fictional story, where the author needed the character to do something and act in a certain way.  That's why it's <i>fiction</i>.  Besides, for it to be defamatory, you have to be able to show the harm caused, and that's only going to happen if a lot of people know that the character is supposed to be the real person, which seems unlikely in most cases.  In the meantime, though, if you're writing a fictional story, be careful who you base your characters on.<br /><br /><a href="http://www.techdirt.com/articles/20091121/1353527039.shtml">Permalink</a> | <a href="http://www.techdirt.com/articles/20091121/1353527039.shtml#comments">Comments</a> | <a href="http://www.techdirt.com/articles/20091121/1353527039.shtml?op=sharethis">Email This Story</a><br />
 ]]></description>
<slash:department>that-doesn't-seem-right</slash:department>
<wfw:commentRss>http://www.techdirt.com/comment_rss.php?sid=20091121/1353527039</wfw:commentRss>
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<pubDate>Thu, 9 Jul 2009 13:30:00 PDT</pubDate>
<title>Using Creative Fiction To Increase Value Of Trinkets On eBay</title>
<dc:creator>Mike Masnick</dc:creator>
<link>http://www.techdirt.com/articles/20090709/0242355497.shtml</link>
<guid>http://www.techdirt.com/articles/20090709/0242355497.shtml</guid>
<description><![CDATA[ When we talk about understanding how to <a href="http://www.techdirt.com/articles/20070503/012939.shtml">embrace</a> the economics of infinite goods, one of the key points I've tried to make is that <a href="http://www.techdirt.com/articles/20070315/013313.shtml"><i>every product</i> is a bundle of scarce and infinite goods</a>.  That's a point that some people have a lot of trouble with at times, insisting that some people who create infinite goods have no scarcities to sell... and, conversely, that those who make scarce goods, sometimes have no infinite goods to give away with them.  While it may be a bit more complicated to separate out the scarce and infinite goods, it doesn't mean they don't exist.
<br /><br />
<a href="http://www.techdirt.com/profile.php?u=parker">Parker</a> writes in to point out a fascinating example.  Apparently a group of fiction writers are <a href="http://io9.com/5309739/alternate-histories-of-objects-for-sale-on-ebay" target="_new">experimenting with selling physical goods on eBay with fictional stories given away "free" in the description</a>.  The project is called <a href="http://significantobjects.com/" target="_new">Significant Objects</a>, and involves a bunch of fiction writers purchasing random trinkets, and then coming up with a neat story to go with them.  The post at io9 notes that some stories seem better than others at increasing the auction bids, but points out that: "If Rosenfeld's success is any indication, these authors may actually get paid more for short fiction on eBay than they would at most publications."
<br /><br />
Again, some will incorrectly claim that we're saying that fiction writers should start selling crap on eBay, but that's not it at all.  This is just one (fun) example of many of content creators smartly using infinite goods (the stories) to make a scarce good (the trinket) more valuable, and putting in place a business model to profit from it.  Once again, we learn that creativity knows no bounds, not just in creating content, but in playing around with new business models.<br /><br /><a href="http://www.techdirt.com/articles/20090709/0242355497.shtml">Permalink</a> | <a href="http://www.techdirt.com/articles/20090709/0242355497.shtml#comments">Comments</a> | <a href="http://www.techdirt.com/articles/20090709/0242355497.shtml?op=sharethis">Email This Story</a><br />
 ]]></description>
<slash:department>using-infinite-goods...</slash:department>
<wfw:commentRss>http://www.techdirt.com/comment_rss.php?sid=20090709/0242355497</wfw:commentRss>
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