A list of complaints include HD content is (was?) only available on Samsung Smart TVs, meaning you were only given SD quality when streaming through your computer or any other device. Same goes for surround sound and 5.1, which are only available through the Samsung TV app. Other complaints I've heard includes buffering problems with the Widevine plugin (at standard definition), and lack of Apple Airplay support. The product is available as iOS and Android apps, but Xbox and Playstation apps are still said to be under development.

The online UI is nice to look at but was poorly designed; initially HBO only allowed you to search for TV shows by alphabetical letter. The results were underwhelming and exaggerated how little content HBO was offering.

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It should be noted that you're not given access to the full back catalogue, several classics are not available such as Deadwood and Oz, which apparently have some copyright restrictions.

Some might claim it's still a good deal at €9.95/month, considering most people can't access any of these shows legally without a full cable package. Of course, Netflix only costs €7.99/month in the region, and has a larger selection, which makes the price a little less impressive. Then there's the fact that HBO initially promised much, much more:

• Every episode of all HBO series available online
• All new episodes available within 24 hours of the US premiere, with local subtitles (dubbing is rare in the Nordics, foreign TV shows and movies are usually subtitled in the local language)
• Works on practically all devices: smartphones, tablets (Android, iOS), computers (Windows, Linux, Mac), video game consoles (PS3, Xbox), Samsung Smart TVs and Blu-ray players, and Sonera IPTV service
• Full HD 1080p picture quality
• Surround sound

Compare that to the list of complaints, and you realize HBO isn't doing a great job of living up to the expectations it created. Then there's the other truly insane catch: customers are locked into a 12-month contract, after which they must give 3-month notice for cancellation. Yeah. Moreover, the terms stated that simply logging into the service once waives your ability to cancel it because you're not satisfied (despite using the service being the only way to know if you are satisfied). After facing significant criticism for this move, HBO backtracked and offered subscribers the chance to use the service until the end of this month without a longer commitment—but only those subscribers who also signed up for the HBO Nordic newsletter. Classy.

It's no real surprise that HBO's first attempt at a standalone online offering is a disaster. HBO approaches the internet with extreme trepidation, but revolution requires gusto. Digital distribution—especially when it comes to competing with piracy—is a go big or go home endeavor. Or... go halfway, and watch your customers go elsewhere.

Moreover, it's hard to see why such a common word as "home" was allowed as a trademark in the first place. It's true it's in English, rather than Danish, but even so, trademark examiners would surely have known that granting one company an exclusive monopoly of the common English word "home" in Denmark for certain domains was bound to cause problems somewhere down the line, given the globalized nature of business today. The fact that a Spanish company is now being blocked there because of a Danish trademark granted on an English word proves the point nicely.

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The obvious way to mitigate this problem is to reduce the use of antibiotics, saving them for truly life-threatening situations, and that's what's happening to a certain extent in Europe:

To preserve the effectiveness of antibiotics for human use, Europe banned feeding antibiotics to livestock for growth promotion in 2006. In Denmark, where such use of antibiotics had been phased out more than a decade ago, drug-resistant pathogens in livestock are down while industry output is up.

The more holders of patents for antibiotics seek to maximize their profits by boosting production and selling them as widely as possible, the more antibiotic resistance is likely to develop -- especially if they are given to livestock as well as humans. That growing resistance is a classic negative externality -- it's not something the pharma company needs to worry about, since the cost will come later and be borne by the general population in the form of increased medical expenses, longer stays in hospital, more serious infections and higher mortality rates.

Antibiotics are perhaps the clearest example of how the interests of patent holders are not only misaligned with those of the public, but are diametrically opposed to them in some cases. Although, in the short term, patents may encourage more antibiotics to be developed, in the long term they undermine their effectiveness. Even more than for drugs in general, antibiotics are an area where we need different kinds of incentives to stimulate development of new drugs -- government-funded prizes, perhaps.

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While disconnection was never part of the letter model, its passage looked like a foregone conclusion thanks to heavy lobbying efforts by IFPI and friends, the so-called RightsAlliance. (Yes, the bogus numbers folks we've covered before.)

Then, governments changed, and the new Minister of Culture (who's in charge of copyright, but, curiously, has no influence over ACTA) started listening to common sense. Elbæk's eight initiatives signal a sea change and, seemingly, an end to a symbiotic relationship with the entertainment industry lobby. As an example, former Head of Copyright Office Peter Schönning left the ministry after, conveniently, implementing an EU directive in a way that made DNS blocking of The Pirate Bay possible shortly before joining IFPI as chief prosecutor - and winning the precedence-setting case. Recently, Danish ISPs were ordered to block Grooveshark.

Instead of warning letters, a "positive" information campaign will teach the Danes about "the many good possibilities to legally access music, films and books". A task force will "proactively" inform users of illegal services about alternatives in comment fields and on social networks. An informal innovation forum for new, legal business models is also planned.

"I believe this is the right way to go," says Elbæk.

Interestingly, Elbæk, in an interview earlier today, gave credit to the demonstrations against ACTA earlier this year, which, "created a polical context which made the letter model nearly impossible".

Co-founder of the Danish internet think-tank Bitbureauet and ACTA-critic Henrik Chulu says, "We're pleased about the news, but there are still problems. First of all, this cements the problematic DNS-blocking scheme already in place. Secondly, it opens up for DMCA-style notice-and-takedown procedures. As we've seen in the US this inevitably leads to abuse because it sidesteps courts and privatizes enforcement."

Here's the original press release (in Danish) and a translation

The National High Tech Crime Center of the Danish National Police [NITEC], who assist in investigations into crime on the internet, has informed Siminn Denmark A/S, that the internet page which your browser has tried to get in contact with may contain material which could be regarded as child pornography...

Upon the request of The National High Tech Crime Center of the Danish National Police, Siminn Denmark A/S has blocked the access to the internet page.

According to NITEC chief Johnny Lundberg, it began when an employee at the police center decided to move from his own computer to that of a colleague.

“He sat down and was about to make an investigation, and in doing so he placed a list of legitimate sites in the wrong folder,” Lundberg explained. “Before becoming aware of the error, two ISPs retrieved the list of sites.”

The major issue of the case concerned the definition of a sample is and whether the judge understood the nature of modern music. While Djuma Soundsystem argued – with support from Koda – that the sample was 10 seconds long, Meistrup argued in the court documents that “all of [Engin’s] original composition is used, up to three minutes play time.”

Ralf Christensen in newspaper Information criticised the judge’s lack of understanding after the verdict.

“It’s a harsh verdict not only because of its economic burden, which may affect Danish music in a way similar to what we’ve seen happen with American hip hop. It is also an expression of the court’s lack of understanding for the development of modern music.”

"I attach great importance to the musicians have strong rights. In government, we have carefully considered the matter and finds that a term of 70 years would be a sensible approach. Musicians should not experience losing rights to their recordings, while they are still active. We will therefore work towards an extension of protection that will strengthen the musicians and record companies' rights. "

APG used techniques which scraped the index of the files said to be being made available by the defendant and then linked them back to his IP address, a method which has been acceptable in the past. But while the Court accepted that some sharing had occurred due to the defendant’s confession, it wasn’t satisfied that the index was an accurate representation of the files physically present on the defendant’s computer.

After experiencing difficulty, Comon was told by Committee members that they had "promised to keep working secretly in order not to create too much fuss" and "could never agree on some recommendations if there was too much public debate about its work."

"It is news to me that Denmark is so close to the negotiations. And it's pretty shocking that Denmark should have taken the position that you actually want to give priority to secrecy," said Morten Messerschmidt, a member of the European Parliament

The main purpose of the rule is to ensure against abuse of films and music being illegally copied and distributed further. The Association of Danish Videodistributors certainly have no interest in suing consumers who like you have purchased legitimate products -- quite the contrary.

At about 30 inches high, it's half the size of the original and has a different face and other distinct features, including larger breasts. "We've gotten a lot of heat about that too," he says