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<title>Techdirt. Stories filed under &quot;bootleg&quot;</title>
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<pubDate>Fri, 27 Apr 2012 13:21:00 PDT</pubDate>
<title>Prolific DVD Bootlegger Is 92 Year-Old WWII Veteran</title>
<dc:creator>Mike Masnick</dc:creator>
<link>http://www.techdirt.com/articles/20120427/11001218688/prolific-dvd-bootlegger-is-92-year-old-wwii-veteran.shtml</link>
<guid>http://www.techdirt.com/articles/20120427/11001218688/prolific-dvd-bootlegger-is-92-year-old-wwii-veteran.shtml</guid>
<description><![CDATA[ The MPAA often loves to talk about just how <i>evil</i> DVD bootleggers are.  They're the ones that the MPAA most frequently uses to draw a "connection" between "piracy" and "organized crime."  Because of DVD bootleggers, we even got a ridiculous, 4th Amendment-ignoring law in California that lets police <a href="http://www.techdirt.com/articles/20111005/03430716204/riaa-law-lets-law-enforcement-ignore-4th-amendment-search-private-property-with-no-warrants.shtml">search DVD printing plants</a> at random with no warrant, just to make sure they're not making copies of movies without authorization.  Of course, law enforcement also has a history of <a href="http://www.techdirt.com/articles/20111029/09443916562/mpaa-helped-police-seize-pirated-dvds-that-were-actually-fully-authorized.shtml">seizing authorized DVDs</a> and insisting they were pirated.
<br /><br />
So, you have to imagine that the MPAA's PR team is not particularly pleased with the NY Times'  <a href="http://www.nytimes.com/2012/04/27/nyregion/at-92-movie-bootlegger-is-soldiers-hero.html?_r=1&#038;pagewanted=all" target="_blank">profile of one of the most 
prolific DVD bootleggers out there</a>: a 92-year old World War II veteran named Hyman Strachman, who bootlegs a ton of DVDs every month and ships them off to US soldiers abroad:
<blockquote><i>
One of the world&#8217;s most prolific bootleggers of Hollywood DVDs loves his morning farina. He has spent eight years churning out hundreds of thousands of copies of &#8220;The Hangover,&#8221; &#8220;Gran Torino&#8221; and other first-run movies from his small Long Island apartment to ship overseas. 
<br /><br />
&#8220;Big Hy&#8221; &#8212; his handle among many loyal customers &#8212; would almost certainly be cast as Hollywood Enemy No. 1 but for a few details. He is actually Hyman Strachman, a 92-year-old, 5-foot-5 World War II veteran trying to stay busy after the death of his wife. And he has sent every one of his copied DVDs, almost 4,000 boxes of them to date, free to American soldiers in Iraq and Afghanistan. 
</i></blockquote>
There are some great pictures in the article, which show that he's actually using some sophisticated equipment, including a professional DVD duplicator that lets him make seven copies at once.  He estimates that he spends about 60 hours a week bootlegging movies.  By his own estimates, he sends about 80,000 DVDs per year, and has probably sent over 300,000 total since he started.  And soldiers in the field love him for it.
<br /><br />
An MPAA spokesperson admits that he "did not believe [the MPAA] studios were aware of Mr. Strachman's operation" and then delicately stated, "We are grateful that the entertainment we produce can bring some enjoyment to [soldiers] while they are away from home."  However, you have to imagine that they're seething about the NY Times highlighting how much good a bootlegging operation can do.
<br /><br />
Of course, the real shame in all of this is that the MPAA <i>could</i> -- and probably <i>should</i> -- be doing this directly themselves.  They should be providing DVDs or streams free of charge to the military.  Instead, in their insane fear of piracy, they make it complicated to impossible for soldiers to view films, even when they decide to send them over: "studios do send military bases reel-to-reel films, which are much harder to copy, and projectors for the troops overseas."  Because that's exactly what you want for soldiers in the field: having to carry around and mess with heavy and annoying equipment that's likely to break.
<br /><br />
As for Strachman, he seems to hope that his age and the fact that he's not doing this for money will protect him:
<blockquote><i>
"If I were younger, maybe I&#8217;d be spending time in the hoosegow."
</i></blockquote><br /><br /><a href="http://www.techdirt.com/articles/20120427/11001218688/prolific-dvd-bootlegger-is-92-year-old-wwii-veteran.shtml">Permalink</a> | <a href="http://www.techdirt.com/articles/20120427/11001218688/prolific-dvd-bootlegger-is-92-year-old-wwii-veteran.shtml#comments">Comments</a> | <a href="http://www.techdirt.com/articles/20120427/11001218688/prolific-dvd-bootlegger-is-92-year-old-wwii-veteran.shtml?op=sharethis">Email This Story</a><br />
 ]]></description>
<slash:department>mpaa's-worst-nightmare</slash:department>
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<pubDate>Mon, 5 Oct 2009 10:52:00 PDT</pubDate>
<title>Edwyn Collins Can't Give Away His Music Thanks To MySpace, Warner Music</title>
<dc:creator>Mike Masnick</dc:creator>
<link>http://www.techdirt.com/articles/20091005/0146316418.shtml</link>
<guid>http://www.techdirt.com/articles/20091005/0146316418.shtml</guid>
<description><![CDATA[ <a href="http://mesanna.com">Mesanna</a> alerts us to a blog post from the wife/manager of pop singer Edwyn Collins discussing <a href="http://blogs.myspace.com/index.cfm?fuseaction=blog.view&#038;friendId=81170767&#038;blogId=512410712" target="_new">the hellish experience she's gone through</a> trying to offer up Collins' most famous song, <i>A Girl Like You</i>, on MySpace.  Collins owns the copyright and <i>wants</i> the music to be freely downloadable by anyone, but Warner Music claimed that <i>it</i> owns the copyright, even though it does not:
<blockquote><i>
At the beginning of this year I noticed that Edwyn's myspace had gone bit wonky and I tried to upload the tracks back on to the music player. His most famous track, which he owns the copyright in, as he does for most of the music he's recorded in his life (preferring to go it alone than have his music trapped "in perpetuity" to use the contract language of the major record company) is called A Girl Like You. It's quite famous. Lo and behold, it would not upload, I was told Edwyn was attempting to breach a copyright and he was sent to the Orwellian myspace copyright re-education page. Quite chilling, actually. I naturally blew my stack and wrote to myspace on his behalf demanding to know who the hell was claiming copyright of Edwyn's track? Which, incidentally, he always made freely available for download on myspace, something which amazed his followers. Eventually, after HUGE difficulty, I was told Warner Music Group were claiming it. I found a nice lawyer guy at Warners, very apologetic, promised to get it sorted, but all these months later it isn't. That is because Myspace are not equipped to deal with the notion that anyone other than a major can claim a copyright. Warner's were one of the lead petitioners in the attempt to put those three stoner lads in Sweden in prison recently, remember.
</i></blockquote>
Meanwhile, the song which Collins wants to give away, but cannot, is being sold all over the internet... but not by Collins.  Instead, it's by major labels who have no right to do so, according to Collins' manager:
<blockquote><i>
A Girl Like You is available FOR SALE all over the internet. Not by Edwyn, by all sorts of respectable major labels whose licence to sell it ran out years ago and who do not account to him. Attempting to make them cease and desist would use up the rest of my life. Because this is what they do and what they've always done.
</i></blockquote>
Wait... major labels... selling a song they don't have the right to, and not giving any of the money back to the artist?  That seems a hell of a lot worse than just sharing a song for non-commercial reasons, doesn't it?
<br /><br />
Meanwhile, Collins has no problem with the sharing of bootlegs:
<blockquote><i>
Andrew Loog Oldham said that getting ripped off (by the industry) was your entrance fee to the music business of the sixties, so get over it. He's right and things have not changed. We are very over it, but nonetheless aware of who the biggest bootleggers around are. It's not the filesharers. Personally, we've always loved bootlegs. Even when Edwyn was really skint at the fag end of the eighties, I remember being in Camden market and seeing some tapes of a couple of his shows on sale. I tried to buy them but the stallholder somehow knew who I was and said "free to the management." I failed to see how that guy selling tapes of Edwyn or even U2 or anybody on the list of signatories above could harm their career. 
</i></blockquote>
And... then at the end, she's got a nice little message for the Featured Artist Coalition and its silly petition to <a href="http://www.techdirt.com/articles/20090924/1741256311.shtml">try to stop file sharing</a>:
<blockquote><i>
The gig's up. You might as well take a position about when you want the sun to come up in the morning. It's over. Now let's get on with working out a wonderful new way for music lovers to enjoy music for free or for a small subscription that makes it legal and easy to hear ANYTHING and allows the artist to reap the rewards of such freedom of access. Viva la revolucion!
</i></blockquote><br /><br /><a href="http://www.techdirt.com/articles/20091005/0146316418.shtml">Permalink</a> | <a href="http://www.techdirt.com/articles/20091005/0146316418.shtml#comments">Comments</a> | <a href="http://www.techdirt.com/articles/20091005/0146316418.shtml?op=sharethis">Email This Story</a><br />
 ]]></description>
<slash:department>thanks-guys</slash:department>
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