To that end, each spring sees a new crop of tools that let you apply your personal taste to the SXSW artist list to find bands to see, or at the very least, hear from afar. Lastsx.sw is the best we’ve seen this year so far.

EarthPeople cobbled together the nicely-designed Lastsx.sw by grabbing your favorite artists from Last.fm (you are scrobbling, aren’t you?), finding similar artists in the SXSW 2012 artist list, and presenting you with handy links so you can hear those artists on Spotify and check out their official websites.

Lastsx.sw worked great for me — in fact, I’m enjoying some new (to me) stuff courtesy of the site right now in Spotify and scrobbling it to both Facebook and Last.fm, but that’s a different story. Also, I may never have realized that old fave The Wedding Present are playing SXSW this year, so now I have that to look forward to.

we had to shut down this site.

sxsw lawyers:
"We strongly believe that anyone who sees your solicitations or promotions will assume that we are endorsing your company".

as if this was a company endevour, or had any promotions or solicitations. total lameness. here's a thought for you: launch a public api. have a look at roskildelabs.com. their idea/attitude: perfect.

The Olympics always has a "cultural component," a cultural Olympiad, and this year, to quote their puke-in-my-mouth inducing website, they have made a back-patting hullabaloo about including "cutting edge indie rock." And each and every "cutting edge" performer that has agreed to play has signed a contract that includes the above clause. A clause that states, in case you skimmed over it, that these artists must never say anything negative about an entity that will spend 900 million dollars on "security." An entity that has already infuriated anti-poverty and anti-homeless groups who accuse VANOC of not living up to its promise of providing affordable housing.

Most participating artists claim to be unaware of this clause.

No one, including our courts, can figure out if it is a public or private entity. It seems to be public when it needs tax dollars (6 billion), but private whenever it is challenged...

When artists are not allowed to critique their government, or the governing agency that endows them with grants and funding, then what they are asking for is nothing more than propaganda.

The hiphop group known as Advance Patrol hereby release its new album on The Pirate Bay today. They do so to spread their music to as many as possible, and at the same time discredit the prosecution against The Pirate Bay, a prosecution where Advanced Patrol has been used as a weapon in the circus around the court proceedings....

We never asked to be plaintiffs in this case, Gonza from Advance Patrol explains, they used us as a weapon in a fight in which we don't wish to participate. We refuse to be used in a war against our fans!

You cannot legislate away file sharing, Gonza says. Those who share our music are also those who appreciate it the most. They are my friends, and friendship is something to be valued highly. That's why we're giving away El Futuro to the internet, to our friends.

• Lzzy starts solo with a guitar around her neck and a mic, just singing acapella. Long notes, killer voice. She has people cheering for her before the rest of the band even walks out on stage. Before her voice gets hidden behind the rock, she lets 'em know she can sing and you can see people are impressed straight away.
• The rest of the band appears and they tear through a few songs. It's straight-ahead rock, on the heavy side but ready for pop radio. Everyone in the band is high-energy and engaging, even Lzzy's brother Arejay on drums is standing up for parts of the songs and just generally being a showman.
• Mid-way through the set Lzzy announces they have a new record coming out in a few weeks but you can buy a pre-release of it now for $5 at the merch stand.
• There's a drum solo-y part that doesn't go on long and ends with the entire band at the front of the stage playing drums and the crowd cheering as they go crazy with it.
• During the last song Lzzy reminds them that they have their own merch stand upstairs and CDs for only $5. She also says the whole band is going to be up there after their set and that she wants to meet everyone.
• I head over to the merch stand after the show and watch their tour manager relieve the woman who runs the merch table so she can disappear into the crowd below with a box of CDs with "Halestorm CDs $5" written on it.
• The merch stand is mobbed. It's surrounded by people and they are selling merch literally as fast as their tour manager can manage.
• The band appears (after breaking down their own stage setup) and meets and talks to as many people as possible, while helping to sell their merch.
• Free stickers list their MySpace page, etc.

As more people pre-ordered, the band would add more "extras" to the release. There were eight tiers of potential content, each unlocked once a predetermined number of albums were purchased. The result was a massive effort by fans to promote the album for the band; if they got more people to buy it, their own purchase would have more value. I bought my copy over 2 months ago, and I convinced two friends to get it as well. Eventually, all eight tiers were unlocked, so a good number of albums must have been sold. The whole experience offered more to fans than just "music tracks" which could be pirated. Instead they were given a chance to help a band they love reach a wider audience, while at the same time "earning" more for what they were already willing to pay."