But along with all the other problems mentioned by Tim back in his 2011 post, there's another major flaw in SABAM's logic. According to recent work carried out by the European Commission's Joint Research Centre, it's not even clear that the recorded music industry is being hurt by unauthorized downloads:

Perhaps surprisingly, our results present no evidence of digital music sales displacement. While we find important cross country differences in the effects of downloading on music purchases, our findings suggest a rather small complementarity between these two music consumption channels. It seems that the majority of the music that is consumed illegally by the individuals in our sample would not have been purchased if illegal downloading websites were not available to them. The complementarity effect of online streaming is found to be somewhat larger, suggesting a stimulating effect of this activity on the sales of digital music.

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On the other side of the Atlantic, the Belgian rights group SABAM has already established itself as a copyright hardliner with its attempts to force ISPs and social networks to set up monitoring and filtering systems to combat copyright infringement. Its latest demand shows the same apparent indifference to the negative consequences of its action:

Twice a month, the library in [the Belgian town of] Dilbeek welcomes about 10 children to introduce them to the magical world of books. A representative of the library in question is quoted in the De Morgen report as saying there’s no budget to compensate people who read to the kids, relying instead on volunteers (bless them).

SABAM got in touch with the library to let them know that it thinks this is unacceptable, however, and that they should start coughing up cash for reading stories from copyrighted books out loud. The library rep calculates that it could cost them roughly 250 euros (which is about $328) per year to pay SABAM for the right to -- again -- READ BOOKS TO KIDS.

Of course, if SABAM refuses to back down here, the likely outcome will be that many libraries throughout Belgium will cancel these reading sessions for children. As a result, fewer young people will be introduced to the world of reading, fewer of them will grow up to be readers, and writers will have fewer fans and less money. In other words, SABAM's attempt to extend its reach to new areas will harm not only children -- about whom it is obviously indifferent -- but also the very people it purports to serve.

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In the main proceedings, the injunction requiring the installation of a filtering system would involve monitoring all or most of the information stored by the hosting service provider concerned, in the interests of the copyright holders. Moreover, that monitoring would have to have no limitation in time, be directed at all future infringements and be intended to protect not only existing works, but also works that have not yet been created at the time when the system is introduced. Accordingly, such an injunction would result in a serious infringement of Netlog’s freedom to conduct its business since it would require Netlog to install a complicated, costly, permanent computer system at its own expense.

Moreover, the effects of that injunction would not be limited to Netlog, as the filtering system may also infringe the fundamental rights of its service users - namely their right to protection of their personal data and their freedom to receive or impart information - which are rights safeguarded by the Charter of Fundamental Rights of the European Union. First, the injunction would involve the identification, systematic analysis and processing of information connected with the profiles created on the social network, that information being protected personal data because, in principle, it allows those users to be identified. Second, that injunction could potentially undermine freedom of information, since that system might not distinguish adequately between unlawful content and lawful content, with the result that its introduction could lead to the blocking of lawful communications.

Consequently, the Court’s answer is that, in adopting an injunction requiring the hosting service provider to install such a filtering system, the national court would not be respecting the requirement that a fair balance be struck between the right to intellectual property, on the one hand, and the freedom to conduct business, the right to protection of personal data and the freedom to receive or impart information, on the other.

The music group is claiming 3.4 percent of Internet subscriber fees as compensation for the rampant piracy that they enable through their networks.

Sabam base their claim on a provision in the Copyright Act of 1994, which states that authors should be paid for any "public broadcast" of a song. According to Sabam, downloads and streams on the Internet are such public broadcasts, and they are therefore entitled to proper compensation. This 3.4 percent share is the same amount as the copyright fees on cable television.

But even in the event they begin to receive payments, Sabam stresses that any compensation would by no means legalize piracy. The license fee is only meant to legitimize the ISPs part in transferring these unauthorized files.

The decision of the music rights group to claim a share of subscriber fees comes after they were unable to reach a workable solution in direct talks with ISPs. The ISPs say they would rather focus on offering legal alternatives than quibble over piracy, a point also noted by Minister of Economy Vincent Van Quickenborne.

“The timing is unfortunate, just as Belgacom and others come to the market with a range of legal streaming services,” a spokesman for the Minister said, adding that his department would look into the legal issues.

Making a telephone call to SABAM from a public toilet, a Basta team member looked at the manufacturer of a hand dryer and explained that Kimberly Clark would be performing at an upcoming event. That would cost 134 euros minimum said SABAM.

Next the playlist. What if Kimberly Clark sang songs not covered by SABAM? Titles such as 'Hot Breeze', 'Show Me Your Hands', 'I Wanna Blow You Dry', 'I'm Not a Singer I Am a Machine' and the ever-timeless, 'We Fooled You', for example.

Five days later the answer came from SABAM. All of the songs were "100% protected" and so Basta must pay 127.07 euros.

Concerned that this might be a one-off mistake, the Basta team tried again, this time taking brand names of products from the supermarket including Suzi Wan, the name of a Chinese food wok kit, Mister Cocktail and the Party Mix, which is a hybrid of a drink and some party food, and Ken Wood, the food mixer.

They got bills from SABAM for these 'artists' totalling more than 540 euros.