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<title>Techdirt. Stories about &quot;bpi&quot;</title>
<description>Easily digestible tech news...</description>
<link>http://www.techdirt.com/</link>
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<image><title>Techdirt. Stories about &quot;bpi&quot;</title><url>http://www.techdirt.com/images/td-88x31.gif</url><link>http://www.techdirt.com/</link></image>
<item>
<pubDate>Thu, 16 May 2013 07:38:00 PDT</pubDate>
<title>UK Recording Industry Looks To Censor More Sites With No Trial Or Conviction</title>
<dc:creator>Mike Masnick</dc:creator>
<link>http://www.techdirt.com/articles/20130515/14032223097/uk-recording-industry-looks-to-censor-more-sites-with-no-trial-conviction.shtml</link>
<guid>http://www.techdirt.com/articles/20130515/14032223097/uk-recording-industry-looks-to-censor-more-sites-with-no-trial-conviction.shtml</guid>
<description><![CDATA[ Once the UK recording industry realized that UK courts would order ISPs to <a href="http://www.techdirt.com/articles/20120430/10205718716/uk-high-court-expands-censorship-regime-orders-pirate-bay-to-be-blocked.shtml">block websites</a> it didn't like, it appears that the industry, led by BPI and PPL began putting together a list of over two dozen sites that <a href="http://torrentfreak.com/records-labels-prepare-massive-pirate-site-domain-blocking-blitz-130515/" target="_blank">they're asking to have blocked by all UK ISPs</a>, even though many of the sites on the list have never been tried in a court of law or convicted of copyright infringement.  Included on the list, for example, is Grooveshark, who has been sued, but has not yet been found to violate copyright laws.  It may very well be true that there is infringement on many, if not all of those sites.  But, generally speaking, there's this thing called due process that allows a site to defend itself before being censored from an entire country.  Just because a site has some infringing content does not mean that the entire site should be blocked -- or you'd have absolutely no user generated content sites online, because the liability would be too high.  The UK courts started down this slippery slope by allowing sites to be blocked, and now the record labels are just going to keep piling the list higher and higher.<br /><br /><a href="http://www.techdirt.com/articles/20130515/14032223097/uk-recording-industry-looks-to-censor-more-sites-with-no-trial-conviction.shtml">Permalink</a> | <a href="http://www.techdirt.com/articles/20130515/14032223097/uk-recording-industry-looks-to-censor-more-sites-with-no-trial-conviction.shtml#comments">Comments</a> | <a href="http://www.techdirt.com/articles/20130515/14032223097/uk-recording-industry-looks-to-censor-more-sites-with-no-trial-conviction.shtml?op=sharethis">Email This Story</a><br />
 ]]></description>
<slash:department>hello-slippery-slope</slash:department>
<wfw:commentRss>http://www.techdirt.com/comment_rss.php?sid=20130515/14032223097</wfw:commentRss>
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<item>
<pubDate>Thu, 28 Feb 2013 15:05:40 PST</pubDate>
<title>UK Lets The Recording Industry Decide What Websites To Censor</title>
<dc:creator>Mike Masnick</dc:creator>
<link>http://www.techdirt.com/articles/20130228/07321522149/uk-lets-recording-industry-decide-what-websites-to-censor.shtml</link>
<guid>http://www.techdirt.com/articles/20130228/07321522149/uk-lets-recording-industry-decide-what-websites-to-censor.shtml</guid>
<description><![CDATA[ Having already kicked down the internet censorship door by <a href="http://www.techdirt.com/articles/20120430/10205718716/uk-high-court-expands-censorship-regime-orders-pirate-bay-to-be-blocked.shtml">ordering</a> that ISPs block access to The Pirate Bay, the UK's High Court has <a href="http://www.bbc.co.uk/news/technology-21601609" target="_blank">expanded the list of sites to block</a> based on complaints from BPI about which sites <i>it</i> believes are responsible for piracy.  And, so, just like that, those in the UK will find Kickass Torrents, H33T and Fenopy blocked.  I don't know anything about these three sites.  So, for all I know, they could be horrible, horrible actors in all of this, but even so, having a court order them completely blocked from access based on statements from BPI -- a commercial party who clearly would have a bias against upstart, disruptive competitors -- seems crazy.  Again, take a  look at the <a href="https://www.techdirt.com/blog/innovation/articles/20130224/22344422088/why-does-entertainment-industry-insist-that-it-can-veto-any-innovation-it-doesnt-like.shtml">history</a> of the entertainment industry attacking every single new type of distribution technology.  And now the UK High Court is allowing them to do this to the level of flat out censoring sites.<br /><br /><a href="http://www.techdirt.com/articles/20130228/07321522149/uk-lets-recording-industry-decide-what-websites-to-censor.shtml">Permalink</a> | <a href="http://www.techdirt.com/articles/20130228/07321522149/uk-lets-recording-industry-decide-what-websites-to-censor.shtml#comments">Comments</a> | <a href="http://www.techdirt.com/articles/20130228/07321522149/uk-lets-recording-industry-decide-what-websites-to-censor.shtml?op=sharethis">Email This Story</a><br />
 ]]></description>
<slash:department>incredible</slash:department>
<wfw:commentRss>http://www.techdirt.com/comment_rss.php?sid=20130228/07321522149</wfw:commentRss>
</item>
<item>
<pubDate>Mon, 11 Feb 2013 11:45:17 PST</pubDate>
<title>Lies, Damn Lies And Statistics: How The BPI Cherry Picks Its Averages To Pretend File Sharers Spend Less</title>
<dc:creator>Mike Masnick</dc:creator>
<link>http://www.techdirt.com/articles/20130210/15563721940/lies-damn-lies-statistics-how-bpi-cherry-picks-its-averages-to-pretend-file-sharers-spend-less.shtml</link>
<guid>http://www.techdirt.com/articles/20130210/15563721940/lies-damn-lies-statistics-how-bpi-cherry-picks-its-averages-to-pretend-file-sharers-spend-less.shtml</guid>
<description><![CDATA[ We've written more than a few times about how multiple studies have shown time and time again that those who file share tend to <a href="http://www.techdirt.com/articles/20121126/00590921141/dear-riaa-pirates-buy-more-full-stop-deal-with-it.shtml">spend more</a> on buying music than those who don't.  We've also talked about how the RIAA absolutely <i>hates</i> this fact and tries to dance around it at all costs.  The latest move comes from RIAA sister organization, BPI (basically the UK RIAA), which has <a href="http://www.bpi.co.uk/assets/files/bpi_digital_music_nation_2013.pdf" target="_blank">released a report</a> (pdf) that they claim shows the opposite:
<blockquote><i>
Appearing to debunk the common belief that filesharers
spend more on music than other consumers, Kantar
Worldpanel found that the average spend over a
12-month period for professed filesharers was lower
than the spend of consumers who only use legal
services. Kantar Worldpanel&#8217;s respondents diarise
their music purchases on an ongoing basis &#8211; there
are no estimates made of past purchasing, just an
accurate recording of spending patterns over time.
The panel data demonstrated that filesharers spent
an average of &pound;26.64, compared with &pound;33.43
by legal-only consumers, refuting the popular
argument that filesharers are the heaviest
spenders on music.
</i></blockquote>
Of course, when you're talking about averages, it's not difficult to fudge the numbers a bit, and as TorrentFreak explains, that's exactly what BPI did.  If you break out the specific numbers, you can <a href="http://torrentfreak.com/music-pirates-are-cheapskates-some-of-them-130210/?utm_source=dlvr.it&#038;utm_medium=twitter" target="_blank">tell a very different story</a>:
<blockquote><i>
<strong>-</strong> Legal only digital music buyers spend an average of <strong>&pound;33.43</strong> a year.<br />
<strong>-</strong> File-sharers, in total, spend an average of <strong>&pound;26.64</strong> a year.<br />
<strong>-</strong> File-sharers, the 44.8% who are not buying, spend an average of <strong>&pound;0</strong> a year.<br />
<strong>-</strong> File-sharers, the 55.2% who are buying, spend an average of <strong>&pound;48.26</strong> a year.
</i></blockquote>
TorrentFreak confronted BPI on this, and they shot back that TorrentFreak's analysis was unfair:
<blockquote><i>
"You cannot just wave away the 44.8% of file sharers who are not spending anything on music, despite being music 'consumers', and pretend they don&#8217;t exist or are not relevant. What happens if only 5% of file sharers are spending on music? Do we disregard everyone else who is freeloading?," a BPI spokesman said.
<br /><br />
"It's not credible to discount the people who consume music, for free, illegally."
</i></blockquote>
Fair enough... except that BPI's <i>own numbers</i> "wave away" all of the people who consume music <i>legally</i> for free, but don't spend anything on music.  That is, there is a very large percentage of people who don't pay for music, but who <i>also</i> do not infringe.  These people may listen to music on the radio or while walking around in stores, but neither purchase any music, nor file share infringing works.  And if the BPI was being <i>intellectually honest</i> they would have to average all of those &pound;0s into the average for "legal only" if they want to require all the &pound;0s to be added into the infringing side as well.  Basically, BPI is picking and choosing who it includes and excludes to make their argument look better.  When it hand waves away all the zeroes on its side of the argument, while including all the ones on the other side of the argument, of course it'll make the numbers look better for its argument.  However, if you're going to do an apples-to-apples comparison, you have only two choices.  Either you include all the people who don't buy on <i>both sides</i> or on <i>neither</i>.  BPI didn't do that.  They only chose the ones who don't buy on the file sharing side.
<br /><br />
It's important to note that an analysis of the UK market by economist Will Page, back when he was with PRS for Music, noted that only 40% of the UK adult population <a href="http://prsformusic.com/creators/news/research/Documents/Economic%20Insight%2022%20Wallet%20Share.pdf" target="_blank">actually bought <i>any</i> music at all</a>.  So you've got 60% non-buyers, some of whom are file sharing and some of whom are not.  The BPI report chose to only include those who file shared, and ignore those who didn't.  That's a clear methodological problem with their data.  If they're going to include the non-buyers on the file sharing side, they need to include the non-buyers on the "legal" side, or they're simply lying with statistics.<br /><br /><a href="http://www.techdirt.com/articles/20130210/15563721940/lies-damn-lies-statistics-how-bpi-cherry-picks-its-averages-to-pretend-file-sharers-spend-less.shtml">Permalink</a> | <a href="http://www.techdirt.com/articles/20130210/15563721940/lies-damn-lies-statistics-how-bpi-cherry-picks-its-averages-to-pretend-file-sharers-spend-less.shtml#comments">Comments</a> | <a href="http://www.techdirt.com/articles/20130210/15563721940/lies-damn-lies-statistics-how-bpi-cherry-picks-its-averages-to-pretend-file-sharers-spend-less.shtml?op=sharethis">Email This Story</a><br />
 ]]></description>
<slash:department>add-back-the-missing-zeroes</slash:department>
<wfw:commentRss>http://www.techdirt.com/comment_rss.php?sid=20130210/15563721940</wfw:commentRss>
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<pubDate>Tue, 18 Dec 2012 07:10:05 PST</pubDate>
<title>BPI Threatens To Sue UK Pirate Party Leaders Personally Due To Internet Proxy</title>
<dc:creator>Mike Masnick</dc:creator>
<link>http://www.techdirt.com/articles/20121217/00554521400/bpi-threatens-to-sue-uk-pirate-party-leaders-personally-due-to-internet-proxy.shtml</link>
<guid>http://www.techdirt.com/articles/20121217/00554521400/bpi-threatens-to-sue-uk-pirate-party-leaders-personally-due-to-internet-proxy.shtml</guid>
<description><![CDATA[ With the BPI (the UK equivalent of the RIAA) successfully getting access to The Pirate Bay blocked via many UK ISPs, it's apparently turned its quixotic sights to the UK Pirate Party for daring to set up a proxy -- as if there aren't hundreds, if not thousands, of other existing proxies out there, and plenty of ways for people to get to the site if they really want to.  And, rather than just threaten legal action against the Pirate Party UK (PPUK), the BPI has lovingly sent threat letters to six members of the PPUK National Executive, suggesting that it is ready to <a href="http://torrentfreak.com/music-industry-threatens-to-bankrupt-pirate-party-members-121215/?utm_source=dlvr.it&utm_medium=twitter" target="_blank">sue each of them <i>personally</i></a>.  The BPI is claiming that it <i>has</i> to do this, since it can't sue the party directly, and apparently takes offense at some claims that this is an attempt to bankrupt the leaders of the PPUK.  Of course, that's hogwash.  Being threatened with a personal lawsuit -- especially by an organization that represents a group of multinational, multibillion dollar companies -- is, without question, a threat of being bankrupted.  The BPI does have another choice: give up this silly game of whac-a-mole, stop trying to censor the internet, and teach its member companies how to adapt with new and smarter business models.  But, apparently, it's easier to bankrupt your critics.<br /><br /><a href="http://www.techdirt.com/articles/20121217/00554521400/bpi-threatens-to-sue-uk-pirate-party-leaders-personally-due-to-internet-proxy.shtml">Permalink</a> | <a href="http://www.techdirt.com/articles/20121217/00554521400/bpi-threatens-to-sue-uk-pirate-party-leaders-personally-due-to-internet-proxy.shtml#comments">Comments</a> | <a href="http://www.techdirt.com/articles/20121217/00554521400/bpi-threatens-to-sue-uk-pirate-party-leaders-personally-due-to-internet-proxy.shtml?op=sharethis">Email This Story</a><br />
 ]]></description>
<slash:department>wac-wac-wac'ing-that-mole</slash:department>
<wfw:commentRss>http://www.techdirt.com/comment_rss.php?sid=20121217/00554521400</wfw:commentRss>
</item>
<item>
<pubDate>Fri, 30 Nov 2012 05:38:56 PST</pubDate>
<title>UK Recording Industry Doesn't Want Google To Reduce Piracy Until It Reduces Piracy</title>
<dc:creator>Glyn Moody</dc:creator>
<link>http://www.techdirt.com/articles/20121124/06214221129/uk-recording-industry-doesnt-want-google-to-reduce-piracy-until-it-reduces-piracy.shtml</link>
<guid>http://www.techdirt.com/articles/20121124/06214221129/uk-recording-industry-doesnt-want-google-to-reduce-piracy-until-it-reduces-piracy.shtml</guid>
<description><![CDATA[ Techdirt has written before about the self-destructive <a href="https://www.techdirt.com/articles/20110221/15024713194/why-is-mpaas-top-priority-fighting-piracy-rather-than-helping-film-industry-thrive.shtml">vindictiveness</a> of the copyright industries, which would rather die in a futile attempt to stamp out piracy than embrace new ways of making money that will help to reduce piracy anyway.  Here's <a href="http://www.bbc.co.uk/newsbeat/20237298">another example of this blinkered approach from the UK</a>, pointed out to us by Techdirt user <a href="http://www.techdirt.com/user/zakida">Zakida</a>:

<i><blockquote>The body which represents the UK's biggest record labels says it "doesn't make sense" for Google not to tackle piracy when it's launching a new, legal music service.
<br /><br />
Google says it wants its new music service, Google Play Music, to wipe out piracy on Android devices.
<br /><br />
But the BPI claims the firm is not keeping its promise to make it harder to find illegal download sites.</blockquote></i>

We know that when music streaming services became available in Denmark, Sweden and Norway, illegal downloads were <a href="https://www.techdirt.com/articles/20120123/07355617514/new-market-research-music-streaming-services-halve-illegal-downloads.shtml">halved</a>.  The BPI's obsession with punishing illegal download sites blinds it to the fact that Google plans to launch a far better way of dealing with them: not through extrajudicial censorship in the form of doctored search results, but simply by offering something that people are happy to pay for.  The UK recording industry should be embracing new ventures like Google Play Music wholeheartedly, not using them as bargaining chips in its pointless fight over search results.
<p>
Follow me @glynmoody on <a href="http://twitter.com/glynmoody">Twitter</a> or <a href="http://identi.ca/glynmoody">identi.ca</a>, and on <a href="https://plus.google.com/100647702320088380533">Google+</a></p><br /><br /><a href="http://www.techdirt.com/articles/20121124/06214221129/uk-recording-industry-doesnt-want-google-to-reduce-piracy-until-it-reduces-piracy.shtml">Permalink</a> | <a href="http://www.techdirt.com/articles/20121124/06214221129/uk-recording-industry-doesnt-want-google-to-reduce-piracy-until-it-reduces-piracy.shtml#comments">Comments</a> | <a href="http://www.techdirt.com/articles/20121124/06214221129/uk-recording-industry-doesnt-want-google-to-reduce-piracy-until-it-reduces-piracy.shtml?op=sharethis">Email This Story</a><br />
 ]]></description>
<slash:department>trapped-in-the-past</slash:department>
<wfw:commentRss>http://www.techdirt.com/comment_rss.php?sid=20121124/06214221129</wfw:commentRss>
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<item>
<pubDate>Fri, 7 Sep 2012 17:29:00 PDT</pubDate>
<title>Copyright Holders Still Sending DMCA Takedowns On Content That's Been Gone For Months</title>
<dc:creator>Mike Masnick</dc:creator>
<link>http://www.techdirt.com/articles/20120907/13121720312/copyright-holders-still-sending-dmca-takedowns-content-thats-been-gone-months.shtml</link>
<guid>http://www.techdirt.com/articles/20120907/13121720312/copyright-holders-still-sending-dmca-takedowns-content-thats-been-gone-months.shtml</guid>
<description><![CDATA[ We keep seeing various DMCA takedown failures, and the folks over at TorrentFreak have discovered another common error while going through Google's <a href="http://www.techdirt.com/articles/20120523/17520119054/google-lifts-veil-copyright-takedowns-reveals-detailed-data-who-requests-link-removals.shtml">Copyright Transparency Report</a> and found that big copyright holders are <a href="http://torrentfreak.com/anti-piracy-outfits-think-megaupload-demonoid-btjunkie-are-still-alive-120907/?utm_source=dlvr.it&#038;utm_medium=twitter" target="_blank">still filing DMCA takedown notices on content hosted on sites like Megaupload and BTJunkie</a>, despite the former being shut down in January and the latter shutting itself down in February.
<br /><br />
If you look, you can see a <a href="http://www.google.com/transparencyreport/removals/copyright/domains/megaupload.com/" target="_blank">bunch of takedown requests</a> for Megaupload links in the past month.
<center>
<a href="http://imgur.com/zcInk"><img src="http://i.imgur.com/zcInk.png" width=500 /></a>
</center>
Some of these are by smaller players, whom you might expect to be confused, but there are some big guys as well.  In the screenshot above you can see both BPI and the IFPI (on behalf of Sony Music).  There are also DMCA requests from Universal Music, EMI, the Publishers Association and others.  All for content that clearly doesn't exist and hasn't existed in months.  Kinda makes you wonder if they even check this stuff.  Considering that all of these copyright holders seem to think that Google and others can just magically "know" when there's infringing content around, it's pretty telling that even they don't seem to know how to tell if content <i>exists</i>, let alone if it's infringing.<br /><br /><a href="http://www.techdirt.com/articles/20120907/13121720312/copyright-holders-still-sending-dmca-takedowns-content-thats-been-gone-months.shtml">Permalink</a> | <a href="http://www.techdirt.com/articles/20120907/13121720312/copyright-holders-still-sending-dmca-takedowns-content-thats-been-gone-months.shtml#comments">Comments</a> | <a href="http://www.techdirt.com/articles/20120907/13121720312/copyright-holders-still-sending-dmca-takedowns-content-thats-been-gone-months.shtml?op=sharethis">Email This Story</a><br />
 ]]></description>
<slash:department>dmca-failures</slash:department>
<wfw:commentRss>http://www.techdirt.com/comment_rss.php?sid=20120907/13121720312</wfw:commentRss>
</item>
<item>
<pubDate>Wed, 15 Aug 2012 09:50:56 PDT</pubDate>
<title>Universal Music Uses Bogus DMCA Claim To Take Down Negative Review Of Drake's Album</title>
<dc:creator>Mike Masnick</dc:creator>
<link>http://www.techdirt.com/articles/20120814/16393220051/universal-music-uses-bogus-dmca-claim-to-take-down-negative-review-drakes-album.shtml</link>
<guid>http://www.techdirt.com/articles/20120814/16393220051/universal-music-uses-bogus-dmca-claim-to-take-down-negative-review-drakes-album.shtml</guid>
<description><![CDATA[ We keep talking about how the DMCA takedown process, all too frequently, is used to stifle speech, and defenders of the system claim that it's ridiculous to bring up the First Amendment in a discussion on copyright.  But here's yet another (in a very long list) of examples.  Henry Adaso wrote a <a href="http://rap.about.com/od/reviews/fr/Drake-Take-Care.htm" target="_blank">short, but marginally negative review</a> of Drake's album <i>Take Care</i>.  The review was posted to About.com last November.  The entire review reads:
<blockquote><i>
Drake - 'Take Care'
<br /><br />
A briefly entertaining, occasionally ponderous, sometimes lazy, sometimes brilliant, slow-rolling, rap-singy, bulls-eye missing, kitten-friendly, runway-ready, mega corny, lip-smacking, self-conscious, self-correcting, self-indulging, finely tuned, Houston infatuated, crowd pleasing, delightfully weird, emotionally raw, limp, wet, innocuous, cute, plush, brooding, musical, whimsical, exotic, pensive, V-necked, quasi-American, strutting, doting, cloying, safe alternative to sleeping pills.
<br /><br />
Best Song: "Lord Knows"<br /><br />
Release Date: November 15, 2011

</i></blockquote>
Not particularly positive, but not particularly scathing either.   He also posted another post on About.com that merely <a href="http://rap.about.com/b/2011/11/11/review-drake-take-care.htm" target="_blank">pointed to that review</a>, but included no additional content other than that he wrote a 50-word review.
<br /><br />
Either way, both of those links are gone from Google's search.  Why?  Because just as someone filed a <a href="http://www.techdirt.com/articles/20120223/15102217856/key-techdirt-sopapipa-post-censored-bogus-dmca-takedown-notice.shtml">bogus DMCA</a> to take down one of our key SOPA posts, Universal Music, via the BPI (British RIAA) <a href="http://www.chillingeffects.org/notice.cgi?sID=426801" target="_blank">filed a DMCA notice with Google</a> claiming that both of those pages were infringing.  That's clearly a false takedown, and pretty clearly designed to stifle a negative review.  
<center>
<a href="http://imgur.com/8x3xW"><img src="http://i.imgur.com/8x3xW.png" width=400 /></a>
</center>
Adaso <a href="http://therapup.net/2012/08/why-umg-took-down-my-drake-review/" target="_blank">discusses all of this in his own blog post</a>, in which he suggests that perhaps Universal and BMI are purposely trying to take down negative reviews, though it's equally likely that they're just incredibly incompetent.  Still, whether incompetence or malice, it's clear that the DMCA is being used to censor and stifle speech, and in this case it just so happens to be speech in the form of a negative review of a Universal Music Artist (a Universal Music artist who has also <a href="http://www.techdirt.com/articles/20110624/10313514841/drake-tells-universal-music-to-stop-taking-down-music-hes-leaking.shtml">expressed displeasure</a> with how Universal has used copyright law against his own best interests).
<br /><br />
But, no, there's no free speech concerns around the DMCA, right?<br /><br /><a href="http://www.techdirt.com/articles/20120814/16393220051/universal-music-uses-bogus-dmca-claim-to-take-down-negative-review-drakes-album.shtml">Permalink</a> | <a href="http://www.techdirt.com/articles/20120814/16393220051/universal-music-uses-bogus-dmca-claim-to-take-down-negative-review-drakes-album.shtml#comments">Comments</a> | <a href="http://www.techdirt.com/articles/20120814/16393220051/universal-music-uses-bogus-dmca-claim-to-take-down-negative-review-drakes-album.shtml?op=sharethis">Email This Story</a><br />
 ]]></description>
<slash:department>free-speech?</slash:department>
<wfw:commentRss>http://www.techdirt.com/comment_rss.php?sid=20120814/16393220051</wfw:commentRss>
</item>
<item>
<pubDate>Thu, 24 May 2012 12:03:56 PDT</pubDate>
<title>Google Lifts The Veil On Copyright Takedowns: Reveals Detailed Data On Who Requests Link Removals</title>
<dc:creator>Mike Masnick</dc:creator>
<link>http://www.techdirt.com/articles/20120523/17520119054/google-lifts-veil-copyright-takedowns-reveals-detailed-data-who-requests-link-removals.shtml</link>
<guid>http://www.techdirt.com/articles/20120523/17520119054/google-lifts-veil-copyright-takedowns-reveals-detailed-data-who-requests-link-removals.shtml</guid>
<description><![CDATA[ As part of Google's ongoing <a href="http://google.com/transparencyreport" target="_blank">Transparency Report</a> efforts, today the company has released a whole new section on <a href="http://www.google.com/transparencyreport/removals/copyright" target="_blank">copyright takedowns</a>, containing <a href="http://googleblog.blogspot.ca/2012/05/transparency-for-copyright-removals-in.html" target="_blank">a huge amount of information on the many takedown requests Google receives</a>. It focuses specifically on the takedowns for <i>search</i> links, but I wouldn't be surprised to see them add other areas later.  As you may recall, we were among those who were <a href="http://www.techdirt.com/articles/20120223/15102217856/key-techdirt-sopapipa-post-censored-bogus-dmca-takedown-notice.shtml">victimized</a> by a bogus takedown, and a key post about SOPA that we had written was missing from Google search for about a month.
<br /><br />
The new transparency platform lets you dig in and see quite a few details about exactly <i>who</i> is issuing takedowns and what they're removing from search.  It's using data since last July (when Google set up an organized web-form, so the data is consistent).  It may be a bit surprising, but at the top of the list?  <strong>Microsoft</strong>, who has apparently taken down over <b>2.5 million URLs</b> from Google's search results.  Most of the the others in the top 10 aren't too surprising.  There's NBC Universal at number two.  The RIAA at number three (representing all its member companies).  BPI at number five.  Universal Music at number seven.  Sony Music at number eight.  Warner Music doesn't clock in until number 12.
<p><center>
<a href="http://imgur.com/ca8BN"><img src="http://i.imgur.com/ca8BN.png" alt="" title="Hosted by imgur.com" width="520" /></a>
</center></p>
There's also data on which sites are most frequently <i>targeted</i>, which (not surprisingly) lists out a bunch of torrent search sites and file lockers and such.  Don't be surprised to see some try to claim that this is an accurate list of "rogue sites" that Google should block entirely.  However, if you look carefully at the data, Google also highlights the <i>percentage</i> of pages on those sites for which they've received takedowns, and the vast majority of them are well below 1%.  In other words, no one has complained about well over 99% of the pages on these sites.  It seems pretty drastic to suggest that these sites are obviously nothing but evil, when so many of their pages don't seem to receive any complaints at all.
<p><center>
<a href="http://imgur.com/fGWWb"><img src="http://i.imgur.com/fGWWb.png" alt="" title="Hosted by imgur.com" width="520" /></a>
</center></p>
Perhaps more important, however, is that Google is also revealing the incredible <i>deluge</i> of takedown requests it receives in search, each of which it tries to check to make sure they're legitimate.  As it stands now, Google is processing <i>over 250,000 such requests per week</i> -- which is more than they got <i>in the entire year</i> of 2009.  For all of 2011, Google receive 3.3 million copyright takedowns for search... and here we are in just May of 2012, and they're already processing over 1.2 million <i>per month</i>.  And while we've heard reports from the usual Google haters that Google is slow to respond to takedowns, it says that its average turnaround time last week was 11 hours.  Think about that for a second.  It's reviewing each one of these takedowns, getting 250,000 per week... and can still process them in less than 12 hours.  That's pretty impressive.
<br /><br />
It's also interesting to hear that these reviews catch some pretty flagrant bogus takedown requests:
<blockquote><i>
At the same time, we try to catch erroneous or abusive removal requests. For example, we recently rejected two requests from an organization representing a major entertainment company, asking us to remove a search result that linked to a major newspaper&#8217;s review of a TV show. The requests mistakenly claimed copyright violations of the show, even though there was no infringing content. We&#8217;ve also seen baseless copyright removal requests being used for anticompetitive purposes, or to remove content unfavorable to a particular person or company from our search results.
</i></blockquote>
It's good to see Google catch these, as plenty of other sites would automatically take such content down, just to avoid any question of liability.  Of course, it doesn't catch them all.  Some get through -- as we ourselves discovered a few months ago.  That led us to wonder if this tool could drill down and find the details about takedowns targeting Techdirt, <del>but unfortunately at the moment there doesn't seem to be any way to actually <em>search</em> the list. Hopefully that will change soon</del>. <strong>Update:</strong> The search function is not currently advertised anywhere, but you can access it by using a URL: <em>http://www.google.com/transparencyreport/removals/copyright/domains/<strong>yourdomain.com</strong>/</em> 
<p><center><a href="http://imgur.com/TdAvX"><img src="http://i.imgur.com/TdAvX.png" alt="" title="Hosted by imgur.com" width="520" /></a></center></p>
Of course, this is also a good reminder -- as they note in the Google blog post -- that if you run a website, you should absolutely sign up to use Google's <a href="http://www.google.com/webmasters/tools" target="_blank">Webmaster tools</a>, which will quickly inform you when one of your URLs are targeted by such a takedown, allowing you to easily file a counternotice.
<br /><br />
Either way, this is really fascinating data and an interesting platform, shedding some significant light on just how often copyright holders are trying to take links out of Google, who's doing it and who they're targeting.<br /><br /><a href="http://www.techdirt.com/articles/20120523/17520119054/google-lifts-veil-copyright-takedowns-reveals-detailed-data-who-requests-link-removals.shtml">Permalink</a> | <a href="http://www.techdirt.com/articles/20120523/17520119054/google-lifts-veil-copyright-takedowns-reveals-detailed-data-who-requests-link-removals.shtml#comments">Comments</a> | <a href="http://www.techdirt.com/articles/20120523/17520119054/google-lifts-veil-copyright-takedowns-reveals-detailed-data-who-requests-link-removals.shtml?op=sharethis">Email This Story</a><br />
 ]]></description>
<slash:department>data-data-data</slash:department>
<wfw:commentRss>http://www.techdirt.com/comment_rss.php?sid=20120523/17520119054</wfw:commentRss>
</item>
<item>
<pubDate>Wed, 7 Mar 2012 05:06:01 PST</pubDate>
<title>UK ISPs Lose Their Challenge To The Digital Economy Act; Entertainment Industry Responds Condescendingly</title>
<dc:creator>Mike Masnick</dc:creator>
<link>http://www.techdirt.com/articles/20120306/18075618006/uk-isps-lose-their-challenge-to-digital-economy-act-entertainment-industry-responds-condescendingly.shtml</link>
<guid>http://www.techdirt.com/articles/20120306/18075618006/uk-isps-lose-their-challenge-to-digital-economy-act-entertainment-industry-responds-condescendingly.shtml</guid>
<description><![CDATA[ UK ISPs BT and Talktalk <a href="http://www.techdirt.com/articles/20100708/02053910120.shtml">challenged</a> the Digital Economy Act soon after it was passed, complaining about how the law was approved, about the implementation details and how it would put them at a competitive disadvantage.  Unfortunately, the final appeal in that lawsuit has been rejected, and <a href="http://www.guardian.co.uk/technology/2012/mar/06/internet-provider-lose-challenge-digital-economy-act" target="_blank">the ISPs may now be forced to start cutting off users and playing the role of copyright cops</a> for the entertainment industry.  The court's basically said that there's nothing against European law in the Digital Economy Act.  Even worse, it found nothing wrong with putting a significant chunk of the costs (about 25%) on the ISPs themselves.  In what world is it reasonably to force an industry to pay to protect another industry from innovation?  The only point where the ISPs won was on not having to pay 25% of regulator Ofcom's costs in setting up an appeals body.
<br /><br />
What's somewhat ridiculous, however, is to then watch the entertainment industry practically <i>gloat</i> about this result.  Geoff Taylor from the BPI responded by claiming that:
<blockquote><i>
"The ISPs' failed legal challenge has meant yet another year of harm to British musicians and creators from illegal filesharing."
</i></blockquote>
That's ridiculous on multiple levels.  First of all, prove the harm.  We'll wait.  And wait.  Because BPI can't do it.  But, second, that assumes that kicking people off the internet will actually solve "the problem."  It won't.  The problem is with the fact that the companies represented by BPI refuse to adapt in a significant way, and thus users move towards more convenient, more efficient and better priced offerings.
<br /><br />
PACT -- a UK trade group representing "independent creative content producers," the kind of folks who rely on an open internet and who <i>should</i> be terrified about the impact of something like the DEA, again, was <a href="http://www.pact.co.uk/about-us/news/bt-and-talk-talk-lose-appeal-against-dea/" target="_blank">extremely condescending</a> to the legitimate concerns of ISPs:
<blockquote><i>
John McVay, CEO of Pact, said: "Rather than needlessly spending more time and money on further legal challenges, BT and TalkTalk now need to focus on working with rights holders and the Government in implementing the Digital Economy Act with immediate effect."
</i></blockquote> 
Immediate effect to raise costs and decrease access -- none of which will do a damn thing to get people to pay more for content.  Others were <a href="http://www.musicweek.com/story.asp?sectioncode=1&#038;storycode=1048737" target="_blank">equally condescending and obnoxious</a>.  There was Equity general secretary Christine Payne:
<blockquote><i>
&#8220;Once again a judge has made it extremely clear that the Digital Economy Act is a fair, focused, proportionate and efficient system for consumers and the creative industry,&#8221; she added. &#8220;Rather than individuals being hauled into court, the DEA makes it possible to conduct a mass consumer education programme. BT and TalkTalk need to stop fighting and start obeying the law.&#8221;
</i></blockquote>
Hint to Christine: no "education programme" involves legislation requiring one industry to police users to stop them from doing what they want because a different industry is too lazy or clueless to adapt.
<blockquote><i>
The Film Distributors&#8217; Association president Lord Puttnam CBE hoped the court decision would put an end to &#8220;a long chapter of uncertainty, and the DEA can now help in implementing a mass consumer education programme so that people, especially young people, can come to appreciate the damage piracy inflicts on the whole of the creative community&#8221;.
</i></blockquote>
Kicking people offline and making ISPs copyright cops <i>is not</i> an education program, and the "problem" the industry faces <i>is not</i> an education problem.  People know that copyright infringement is illegal.  It's not because of ignorance that they're doing what they do.  It's because the industry refuses to offer what they want in a convenient manner at a reasonable price.
<blockquote><i>
The British Video Association&#8217;s director general Lavinia Carey added: &#8220;Several other countries are adopting this measure and it would be bad for Britain&#8217;s creative industries to be left behind more forward thinking nations who are supporting their creative economies at this difficult time of transition towards increased digital consumption during this period of recession.&#8221;
</i></blockquote>
Not that many countries, actually, and there's widespread opposition where it's happening, as well as significant concerns about the collateral damage.  Over in France, of course, there are efforts under way by opposition parties to dump Hadopi as soon as possible.  Pretending that this is some sort of widespread, agreed upon strategy that other countries are adopting widely is simply false.
<br /><br />
But, in the end, this reaction shows how the industry continues to have its collective head in the sand on this particular issue.  They think that users just need "education."  That's wrong.  It's the industry that needs education.  It needs innovation on how to adapt, on how to meet consumers needs and on how to actually embrace what the technology allows.  Until it does that, no "education program" is going to help... and the collateral damage of the DEA's program is only going to make things worse, and make sure that another generation of young people have no respect at all for the entertainment industry.<br /><br /><a href="http://www.techdirt.com/articles/20120306/18075618006/uk-isps-lose-their-challenge-to-digital-economy-act-entertainment-industry-responds-condescendingly.shtml">Permalink</a> | <a href="http://www.techdirt.com/articles/20120306/18075618006/uk-isps-lose-their-challenge-to-digital-economy-act-entertainment-industry-responds-condescendingly.shtml#comments">Comments</a> | <a href="http://www.techdirt.com/articles/20120306/18075618006/uk-isps-lose-their-challenge-to-digital-economy-act-entertainment-industry-responds-condescendingly.shtml?op=sharethis">Email This Story</a><br />
 ]]></description>
<slash:department>ok,-start-your-censors</slash:department>
<wfw:commentRss>http://www.techdirt.com/comment_rss.php?sid=20120306/18075618006</wfw:commentRss>
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<item>
<pubDate>Mon, 5 Mar 2012 05:24:18 PST</pubDate>
<title>As BPI Tries To Block The Pirate Bay From The UK, Dan Bull Explains Why Musicians Should Block BPI</title>
<dc:creator>Mike Masnick</dc:creator>
<link>http://www.techdirt.com/articles/20120304/22081117973/as-bpi-tries-to-block-pirate-bay-uk-dan-bull-explains-why-musicians-should-block-bpi.shtml</link>
<guid>http://www.techdirt.com/articles/20120304/22081117973/as-bpi-tries-to-block-pirate-bay-uk-dan-bull-explains-why-musicians-should-block-bpi.shtml</guid>
<description><![CDATA[ With Newzbin2 getting <a href="http://www.techdirt.com/articles/20110728/12130215299/uk-court-orders-bt-to-block-access-to-usenet-site-hollywood-hates.shtml">censored</a> in the UK, BPI -- basically, the UK wing of the RIAA -- has been looking to have courts order <a href="http://www.techdirt.com/articles/20110802/14003715365/bpi-using-newzbin2-ruling-to-seek-much-broader-censorship-sites-it-doesnt-like-uk.shtml">many more</a> sites blocked, with The Pirate Bay being target number one.  Dan Bull, the UK-based musician who we've written about <a href="http://www.techdirt.com/blog/?tag=dan+bull">many times</a> for his consistently awesome songs about the music industry, file sharing, copyright laws and the like has now put together another wonderful song, called <a href="http://www.youtube.com/watch?v=XZUSn7I-zNo" target="_blank">Bye Bye BPI</a>.  You can watch it here:
<center>
<iframe width="560" height="315" src="http://www.youtube.com/embed/XZUSn7I-zNo" frameborder="0" allowfullscreen></iframe>
</center>
Like his <a href="http://www.techdirt.com/articles/20111220/02265017137/new-anti-sopa-song-crowdsourced-video-dan-bull.shtml">SOPA Cabana</a> song, Dan had a bunch of his Facebook followers participate in the video by taking pictures of themselves with the various lyrics.  This time, since the song is about why musicians <i>don't need</i> (and don't want) the BPI, he sought out <i>musicians</i> to take part in the video, so everyone you see is a musician who <i>doesn't need BPI</i>.  Yes, they're mostly amateur musicians, but the point of the video is that it's misleading to suggest that BPI supports musicians.  It supports a tiny percentage of musicians.  The rest get along just fine without, and wish that it wouldn't muck around with the technology everyone else uses.
<br /><br />
Oh yeah.  It's also worth noting that Dan's <a href="http://itsdanbull.com/face/" target="_blank">got a new album coming out</a>, which (of course) you can download for free.  You can also buy it to show that you support the artists you like.
<br /><br />
<i>* Bonus points if you can spot our own Leigh Beadon in the video somewhere</i>.<br /><br /><a href="http://www.techdirt.com/articles/20120304/22081117973/as-bpi-tries-to-block-pirate-bay-uk-dan-bull-explains-why-musicians-should-block-bpi.shtml">Permalink</a> | <a href="http://www.techdirt.com/articles/20120304/22081117973/as-bpi-tries-to-block-pirate-bay-uk-dan-bull-explains-why-musicians-should-block-bpi.shtml#comments">Comments</a> | <a href="http://www.techdirt.com/articles/20120304/22081117973/as-bpi-tries-to-block-pirate-bay-uk-dan-bull-explains-why-musicians-should-block-bpi.shtml?op=sharethis">Email This Story</a><br />
 ]]></description>
<slash:department>tpb-v-bpi</slash:department>
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<pubDate>Wed, 3 Aug 2011 04:07:35 PDT</pubDate>
<title>BPI Using Newzbin2 Ruling To Seek Much Broader Censorship Of Sites It Doesn't Like In The UK</title>
<dc:creator>Mike Masnick</dc:creator>
<link>http://www.techdirt.com/articles/20110802/14003715365/bpi-using-newzbin2-ruling-to-seek-much-broader-censorship-sites-it-doesnt-like-uk.shtml</link>
<guid>http://www.techdirt.com/articles/20110802/14003715365/bpi-using-newzbin2-ruling-to-seek-much-broader-censorship-sites-it-doesnt-like-uk.shtml</guid>
<description><![CDATA[ <a href="http://www.techdirt.com/profile.php?u=md1500">md1500</a> points us to news that will surprise absolutely no one.  Apparently BPI (the UK version of the RIAA) is using the <a href="http://www.techdirt.com/articles/20110728/12130215299/uk-court-orders-bt-to-block-access-to-usenet-site-hollywood-hates.shtml">Newzbin2 ruling</a> to <a href="http://www.musicweek.com/story.asp?sectioncode=1&#038;storycode=1046130&#038;c=1" target="_blank">seek broad censorship over a variety of websites it doesn't like</a>:
<blockquote><i>
The first likely step, which could be just days away, will be to ask ISPs to block some of the biggest illegal websites. It is not known yet which sites &ndash; and, therefore, which ISPs will be targeted. If ISPs do not block these sites voluntarily, the BPI will ratchet up the pressure and will seek court orders &ndash; citing 97A and the MPA case &ndash; requiring them to do so.
</i></blockquote>
And this is what censorship begets: more censorship.  It's especially troubling when it comes from the entertainment industry -- an industry who has a history of declaring all sorts of useful tools and services -- the player piano, the radio, cable tv, the photocopier, the vcr, the dvr, the mp3 player, online video, etc. -- as infringing, because of their own unwillingness to adapt.<br /><br /><a href="http://www.techdirt.com/articles/20110802/14003715365/bpi-using-newzbin2-ruling-to-seek-much-broader-censorship-sites-it-doesnt-like-uk.shtml">Permalink</a> | <a href="http://www.techdirt.com/articles/20110802/14003715365/bpi-using-newzbin2-ruling-to-seek-much-broader-censorship-sites-it-doesnt-like-uk.shtml#comments">Comments</a> | <a href="http://www.techdirt.com/articles/20110802/14003715365/bpi-using-newzbin2-ruling-to-seek-much-broader-censorship-sites-it-doesnt-like-uk.shtml?op=sharethis">Email This Story</a><br />
 ]]></description>
<slash:department>did-anyone-not-see-that-coming?</slash:department>
<wfw:commentRss>http://www.techdirt.com/comment_rss.php?sid=20110802/14003715365</wfw:commentRss>
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<item>
<pubDate>Fri, 17 Dec 2010 01:19:52 PST</pubDate>
<title>BPI Effectively Admits That Digital Economy Act Was Useless</title>
<dc:creator>Mike Masnick</dc:creator>
<link>http://www.techdirt.com/articles/20101216/09535012303/bpi-effectively-admits-that-digital-economy-act-was-useless.shtml</link>
<guid>http://www.techdirt.com/articles/20101216/09535012303/bpi-effectively-admits-that-digital-economy-act-was-useless.shtml</guid>
<description><![CDATA[ Every time I come across BPI, the UK's version of the RIAA, I'm amazed at how single-minded its focus seems to be.  There's little interest in improving profitability for record labels.  There's little interest in creating better music.  There's little interest in smart new business models.  It's <i>only</i> about "piracy" and how evil it is.  What's funny is I saw the BPI's Geoff Taylor on a panel a couple years ago, and he was one of the people who would say two sentences in a row that would contradict each other.  It was always something along the lines of: "We should stop 'going to war' with our customers... but first we have to stop piracy!"
<br /><br />
This past year was a banner year for BPI.  The UK market has bucked the trend in pretty much every other part of the world and has seen <i>recorded music</i> sales <a href="http://www.techdirt.com/articles/20100804/11192610498.shtml">growing</a>, while its overall music industry (if you count how much money musicians actually make -- beyond just recorded music sales) has been <a href="http://www.techdirt.com/articles/20090723/0351345633.shtml">growing</a> for quite some time.  Even with all of that, BPI was able to push through the incredibly draconian Digital Economy Act in the UK <a href="http://www.techdirt.com/articles/20100408/1003328938.shtml">via questionable means</a>.
<br /><br />
So BPI should be thrilled, right?  In the midst of a recession, and a massive decline in recorded music sales everywhere else in the world, it was able to buck that trend even before it got this new law passed.
<br /><br />
But no, to BPI, absolutely everything is about "piracy."  It's put out a new report whining that <a href="http://www.bbc.co.uk/news/entertainment-arts-12003499?utm_source=twitterfeed&#038;utm_medium=twitter" target="_blank">"piracy" is still increasing</a> and <a href="http://torrentfreak.com/record-labels-blame-google-for-piracy-hint-at-censorship-101216/?utm_source=feedburner&#038;utm_medium=feed&#038;utm_campaign=Feed%3A+Torrentfreak+%28Torrentfreak%29" target="_blank">saying it's all Google's fault</a>.  Of course, this isn't a surprise as BPI has been trying to <a href="http://www.techdirt.com/articles/20100621/0236189885.shtml">set Google up for a lawsuit</a>.
<br /><br />
Of course, by my reading of this new study, BPI is effectively admitting that the Digital Economy Act was useless.  The industry was already growing before it, so the main reason behind it was to help slow down the dreaded "piracy."  And it failed in doing that.  So, shouldn't BPI now support a repeal of the Digital Economy Act?<br /><br /><a href="http://www.techdirt.com/articles/20101216/09535012303/bpi-effectively-admits-that-digital-economy-act-was-useless.shtml">Permalink</a> | <a href="http://www.techdirt.com/articles/20101216/09535012303/bpi-effectively-admits-that-digital-economy-act-was-useless.shtml#comments">Comments</a> | <a href="http://www.techdirt.com/articles/20101216/09535012303/bpi-effectively-admits-that-digital-economy-act-was-useless.shtml?op=sharethis">Email This Story</a><br />
 ]]></description>
<slash:department>reading-between-the-lines</slash:department>
<wfw:commentRss>http://www.techdirt.com/comment_rss.php?sid=20101216/09535012303</wfw:commentRss>
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<item>
<pubDate>Mon, 8 Nov 2010 22:14:00 PST</pubDate>
<title>Challenging BPI's Claims That IP Addresses Alone Are Accepted By Courts As Proof Of Infringement</title>
<dc:creator>Mike Masnick</dc:creator>
<link>http://www.techdirt.com/articles/20101108/09290611760/challenging-bpi-s-claims-that-ip-addresses-alone-are-accepted-by-courts-as-proof-of-infringement.shtml</link>
<guid>http://www.techdirt.com/articles/20101108/09290611760/challenging-bpi-s-claims-that-ip-addresses-alone-are-accepted-by-courts-as-proof-of-infringement.shtml</guid>
<description><![CDATA[ BPI, the equivalent of the RIAA in the UK, is apparently insisting that the evidence it uses to accuse file sharers of infringement is "of an extremely high standard."  Of course, the "evidence" is an IP address, which anyone with a basic understanding of technology knows is, by itself, not indicative of much.  You could combine that with other evidence to have a bit more useful info, but IP addresses are hardly the sort of "extremely high standard" of evidence you would think they are from the BPI's claims.  So, the folks at the Open Rights Group are asking BPI to <a href="http://www.openrightsgroup.org/blog/2010/open-letter-to-the-bpi?utm_source=feedburner&#038;utm_medium=feed&#038;utm_campaign=Feed%3A openrightsgroup %28The Open Rights Group%29" target="_blank">back up their claims that the evidence is of such a high standard <i>and</i> that UK courts have accepted this evidence</a>, asking a simple yes or no question:
<blockquote><i>
Has any UK court ever treated an IP address as being sufficient by itself to identify a defendant as a copyright infringer in a contested copyright infringement claim decided after a trial of an action?
</i></blockquote>
This is because -- in typical recording industry misleading fashion -- BPI uses weasel words in its claims, saying
<blockquote><i>
It is the same quality of evidence that was provided in more than one hundred cases to the High Court in litigation against end users and which was accepted by the court in each case.  Most of these cases resulted in settlements, and all of those on which judgment was given found in the BPI's favour
</i></blockquote>
Hmm, citing settlements is useless because a "settlement" is not a ruling on the merits, and therefore does not prove that an IP address is quality evidence.  And while judgments are made on the merits, saying that such evidence was used in successful cases is not the same thing as saying an IP address, in and of itself, is sufficient to prove infringement.  Apparently, ORG asked BPI to clarify this well over a month ago, and still has not received an answer.  Shocking.<br /><br /><a href="http://www.techdirt.com/articles/20101108/09290611760/challenging-bpi-s-claims-that-ip-addresses-alone-are-accepted-by-courts-as-proof-of-infringement.shtml">Permalink</a> | <a href="http://www.techdirt.com/articles/20101108/09290611760/challenging-bpi-s-claims-that-ip-addresses-alone-are-accepted-by-courts-as-proof-of-infringement.shtml#comments">Comments</a> | <a href="http://www.techdirt.com/articles/20101108/09290611760/challenging-bpi-s-claims-that-ip-addresses-alone-are-accepted-by-courts-as-proof-of-infringement.shtml?op=sharethis">Email This Story</a><br />
 ]]></description>
<slash:department>lies-the-recording-industry-tells</slash:department>
<wfw:commentRss>http://www.techdirt.com/comment_rss.php?sid=20101108/09290611760</wfw:commentRss>
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<item>
<pubDate>Tue, 22 Jun 2010 12:31:58 PDT</pubDate>
<title>IFPI Sends DMCA Notice To Google Demanding It Stop Linking To The Pirate Bay... Entirely</title>
<dc:creator>Mike Masnick</dc:creator>
<link>http://www.techdirt.com/articles/20100622/0908079920.shtml</link>
<guid>http://www.techdirt.com/articles/20100622/0908079920.shtml</guid>
<description><![CDATA[ We just wrote about a DMCA takedown notice from BPI to Google that appeared to be <a href="http://www.techdirt.com/articles/20100621/0236189885.shtml">setting Google up</a> for a future lawsuit, and now it looks like the IFPI, of which BPI is a part, is going even further.  TorrentFreak, following up on our post about BPI, noticed <a href="http://www.chillingeffects.org/dmca512c/notice.cgi?NoticeID=40359" target="_blank">an even more direct takedown notice from the IFPI</a> demanding that Google block any link to The Pirate Bay.
<blockquote><i>
In light of the serious violations of copyright facilitated by The Pirate Bay service, and in accordance with Google's policies (see http://www.google.com/dmca.html andhttps://www.google.com/support/websearch/bin/answer.py?answer=58&#038;ctx=sibling) we are asking for your immediate assistance in removing from your index, or otherwise disabling access to via your search engine, URLs linking to the website for The Pirate Bay including but not limited to the URLs specified in the attachment to this notice.
</i></blockquote>
Yup.  They are directly asking for a blanket ban, which clearly goes way beyond what the DMCA was intended for or allows.  But, of course, the real goal here is to set up Google for a lawsuit, which IFPI makes clear later in its letter:
<blockquote><i>
Our use of a notice in this form, as required by Google, is meant to facilitate Google's removal of search results linking directly to infringing web pages and we neither admit nor accept that Google is a 'service provider' for the purposes of the DMCA or that it is necessary to serve, or that Google is entitled to be served, a notice in compliance with the DMCA. IFPI itself and on behalf of the IFPI Represented Companies expressly reserves all rights in this regard. 
</i></blockquote>
Nice trick here, right?  So even if the courts decide (say as in the Viacom case) that Google needs to have direct knowledge of what's infringing, the IFPI wants to reserve the ability to claim in court that Google isn't even a service provider and doesn't fall under the DMCA's safe harbors.  Of course, Google has dozens of judicial decisions on its side, but why should that stop the IFPI.
<br /><br />
Then there's my favorite line of all:
<blockquote><i>
Please note that we do not admit that we or the IFPI Represented Companies are responsible for detecting infringing material and notifying you of it. 
</i></blockquote>
Yup.  The IFPI is blatantly coming out and saying that it doesn't believe it needs to figure out what's infringing and what's not -- that's what Google has to do.  Of course, there is nothing in the actual law or in the case law that supports this position.  It just looks like the IFPI is taking a flier and seeing if it can drastically overreach on the DMCA and get Google to stop linking to the entire Pirate Bay (something that Facebook has already done), and if Google (hopefully) refuses, then it seems likely to file a lawsuit.<br /><br /><a href="http://www.techdirt.com/articles/20100622/0908079920.shtml">Permalink</a> | <a href="http://www.techdirt.com/articles/20100622/0908079920.shtml#comments">Comments</a> | <a href="http://www.techdirt.com/articles/20100622/0908079920.shtml?op=sharethis">Email This Story</a><br />
 ]]></description>
<slash:department>here-comes-the-lawsuit</slash:department>
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<item>
<pubDate>Mon, 21 Jun 2010 16:18:43 PDT</pubDate>
<title>Is BPI Trying To Setup Google For Copyright Infringement Lawsuit?</title>
<dc:creator>Mike Masnick</dc:creator>
<link>http://www.techdirt.com/articles/20100621/0236189885.shtml</link>
<guid>http://www.techdirt.com/articles/20100621/0236189885.shtml</guid>
<description><![CDATA[ Someone who prefers to remain anonymous sent over the Chilling Effects archive of <a href="http://chillingeffects.org/dmca512c/notice.cgi?NoticeID=40373" target="_blank">BPI's recent DMCA takedown notice to Google</a>.  BPI (in case you didn't know) is the UK's version of the RIAA, and works closely with PPL, the group whose leader recently said there's <a href="http://www.techdirt.com/articles/20100614/1410259812.shtml">no such thing</a> as promotional use.  BPI was also the driving force behind the recent Digital Economy Act that brought three strikes legislation to the UK, despite public outcry against it.  Of course, lots of labels file DMCA notices all the time, and Google has noted in the past that it will take down links to infringing content when notified.  While I still don't see how Google can or would be liable, seeing as it is merely <i>accurately describing</i> what its crawlers find and is not hosting the material in question, merely linking to it, Google still seems to go above and beyond what the law allows.
<br /><br />
However, there were some interesting tidbits in this particular takedown notice that suggest that this is a setup for a larger plan by BPI -- a plan it may regret.  First, it seems a bit odd that BPI has randomly selected 30 or so songs to take down, from a wide variety of songs that it technically represents.  Second, beyond just giving Google the details of the files and links to the files, it also lists out the "infringing webpage(s)" as:
<blockquote><i>
http://hotfile.com/<br />
http://usershare.net/<br />
http://2shared.com/<br />
http://4shared.com/<br />
http://mediafire.com/<br />
http://megaupload.com/<br />
http://sendspace.com/<br />
http://teradepot.com/<br />
http://zippyshare.com/
</i></blockquote>
To expedite DMCA claims, <a href="http://www.google.com/dmca.html" target="_blank">Google</a> specifically requests sufficient information "to permit Google to notify the owner/administrator of the allegedly infringing webpage or other content (email address is preferred)."  But BPI does not do that.  It only lists out the above webpages.
<br /><br />
My guess is that this is trying to set up Google, so that Google is officially "on notice" that these nine sites host infringing content, and while Google will almost certainly take down the links to the specific files listed, it's quite likely that similar files will quickly be found elsewhere on those sites -- and BPI may then try to claim that Google should automatically know how to block those other files.  Part of the DMCA safe harbors is that you need to remove content if you have "specific knowledge" of the content.  This is at the center of the <a href="http://www.techdirt.com/articles/20100524/1157129550.shtml">Google-Viacom</a> lawsuit.  Google claims it needs to know the specific files that are infringing, while Viacom claims that once Google knows that "content x on YouTube" is infringing, it should be required to find and block all such content x's, even if Viacom has not informed Google where they are.
<br /><br />
While the final decision in that case is still a ways off, for now, it looks like BPI is setting itself up to sue Google for lots of money as well, if Viacom gets away with its argument.  And, you can bet that others will be lining up to do so as well.  If anything, this suggests the massive legal problem that will result if Viacom wins its lawsuits.  Suddenly, lots of content holders will be looking to "cash in" by suing YouTube for not tracking down each and every last version of any particular content.
<br /><br />
Hopefully, the courts recognize (similar to what was recently found in the <a href="http://www.techdirt.com/articles/20100521/1228049530.shtml">Perfect 10/Rapidshare case</a>) that when a site gives clear tools to let you remove specific infringing content, making a general claim does not fly.
<br /><br />
Along those lines, however, it is worth noting that Google recently <a href="http://thresq.hollywoodreporter.com/2010/06/google-copyright-liability.html?utm_source=twitterfeed&#038;utm_medium=twitter" target="_blank">dropped a lawsuit against record label</a>, Blues Destiny, in which it sought a <a href="http://www.techdirt.com/articles/20100505/0348429309.shtml">declaratory judgment</a> that just linking to content is not infringing.  Google withdrew after Blues Destiny promised it wasn't going to sue Google for infringement, but it might have been better to get that legal precedent in place.
<br /><br />
Either way, sooner or later, it looks like we're going to get another legal showdown over whether or not it's legal for Google to just link to infringing material.  When that case goes forward, it could be a defining moment in whether or not search engines, themselves, are actually legal.  If BPI does sue -- and loses -- it could also open up some legal room for content specific search engines that aren't deemed infringing as well.<br /><br /><a href="http://www.techdirt.com/articles/20100621/0236189885.shtml">Permalink</a> | <a href="http://www.techdirt.com/articles/20100621/0236189885.shtml#comments">Comments</a> | <a href="http://www.techdirt.com/articles/20100621/0236189885.shtml?op=sharethis">Email This Story</a><br />
 ]]></description>
<slash:department>here-comes-the-battle</slash:department>
<wfw:commentRss>http://www.techdirt.com/comment_rss.php?sid=20100621/0236189885</wfw:commentRss>
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<pubDate>Fri, 30 Apr 2010 06:28:00 PDT</pubDate>
<title>Music Industry Execs Debate Brokep From The Pirate Bay</title>
<dc:creator>Mike Masnick</dc:creator>
<link>http://www.techdirt.com/articles/20100429/1503079244.shtml</link>
<guid>http://www.techdirt.com/articles/20100429/1503079244.shtml</guid>
<description><![CDATA[ Over in the UK, on Thursday evening, there was a music industry panel discussion that involved a massive number of panelists (ten -- which seems a bit too many) covering a wide variety of viewpoints from the music industry.  Mostly they came from the traditional parts of the music industry, but the interesting participant was Peter Sunde Kolmisoppi, aka brokep, from The Pirate Bay (and now Flattr), taking part in the discussion with a group of folks who regularly call him all sorts of unfriendly things.  Stuart Dredge, over at Music Ally, <a href="http://musically.com/blog/2010/04/29/tomorrow-never-knows-liveblog-pirate-bay-versus-the-music-industry/" target="_blank">ran a nice live blog of the conversation</a>, which mostly went down about as you would expect.  Dredge noted that it was mostly an "industry" audience, and he worried that "there’s a bit of a kick-the-Pirate-Bay mood bubbling" in the audience.
<br /><br />
Thankfully, it doesn't look like things got that far.  Mostly it was the typical back and forth.  Industry folks whining that they can't compete with The Pirate Bay... even as they were talking about the variety of ways they were competing with The Pirate Bay.  Basically, what becomes clear is they would prefer competition that they control, rather than competition that consumers drive.  Tragically, innovation doesn't work that way.
<br /><br />
Peter made the point that a lot of people were confusing the music industry with the recording industry, and mocked them a bit for not actually talking about culture or music:
<blockquote><i>
"Most of the things we're talking about today are about the record industry, not about the music industry. Everyone is talking about percentages... nobody is talking about music. It sounds like most people here could be selling diapers instead!"
</i></blockquote>
While technically true, the discussion <i>was</i> about the business of music, so I think it's fair to be discussing some numbers and the business angle.  But there is a larger point to be made here.  With studies showing that more music is being created, the complaints about the "death" of the industry are clearly misplaced.  The real complaints from the industry types are that <i>they</i> aren't able to make money off of it any more -- but that doesn't mean the music industry is in trouble at all.  Instead, it's thriving.  In fact, Peter also made that point:
<blockquote><i>
It's not a right for the record industry to make a profit.... Technology has come that has made most of the record industry less valuable. We need to just move on, it's sort of an evolution... It might not be good for people working in the record industry, but the music industry is better than ever."
</i></blockquote>
The industry folks on the panel still seem to be living in a state of denial at times, talking about how they should milk the 40 and 50 year olds who are still buying CDs, rather than really understanding the changing marketplace.  My favorite laughable quote came from Guy Moot, of EMI Publishing, who said:
<blockquote><i>
"The joy of ownership is a very different thing from the joy of a digital download or stream..."
</i></blockquote>
Sure, it is, but the record labels have worked very, very, very hard to make it clear to people that they <i>don't get to "own" anything</i>.  How many times have been told "you just get a license."  If we really got to own stuff, there wouldn't be so many complaints.
<br /><br />
There were so many people taking part, it's difficult to cover them all.  Will Page (whose <a href="http://www.techdirt.com/articles/20100429/0116199232.shtml">interview</a> we recently posted) made some good points, and Jeremy Silver, from the Featured Artist Coalition (who's also a very interesting guy to chat with about these issues) comes off as being quite sensible in saying that file sharing of unauthorized works is here and not going away -- and the industry should take some of the blame for sitting on the CD cash cow and never innovating.  Rather than complaining about it, it's time to look forward.
<br /><br />
On that note, it seemed like the most reasonable speaker may have been David Stopps, who spoke from the perspective of an artist's manager.  He noted that the it's absolutely possible to "compete with free," talked up the importance of touring to make money and using the music to boost those revenues and also played down the "demise" of the record labels, by noting that "they still have the back catalogue" to milk for a long time <i>and</i> that their job has become a lot <i>easier</i> thanks to technology:
<blockquote><i>
He says A&#038;R is becoming easier for labels, because sites like Hype Machine and We Are Hunted are where A&#038;R guys are looking to see "who's listening to what music". It's less about "taking a punt" than in the old days. "Artists are building up fanbases themselves… and that can be monitored."
</i></blockquote>
He also brings up the band Metric as an example of a band that has "gone all the way" without a record deal, noting that they turned down a variety of major label deals with massive advances to "do it on their own" and that it's working:
<blockquote><i>
"They're doing a fantastic job, they use Topspin to sell their music, and that seems to be very successful for them. We're gonna see more of that..."
</i></blockquote>
Along those lines, he also notes that The Pirate Bay can be a really great way for people to discover new music, and monetize them elsewhere, pointing to Imogen Heap, who discovered tons of people in Indonesia downloading her music in an unauthorized manner... but when she went there, she was able to sell out a 4,500 seat arena, making "a lot of money."
<br /><br />
Finally, he also knocks BPI and others in the industry for still thinking that DRM is a reasonable solution -- pointing out that it's totally anti-consumer:
<blockquote><i>
"The problem is, nobody really asked the consumer," he says, about attempts to put DRM on CDs. "They absolutely hated it. You put the CD into the computer and it wouldn't play... In the future, we've got to bring the consumers into the business model. In fact, they already are part of the business model."
</i></blockquote>
Geoff Taylor, the head of BPI (basically the UK's RIAA) comes off as about what you'd expect.  He trashes The Pirate Bay repeatedly, claims that it's "destroying national cultures" (with no proof, of course) and says that there needs to be "disincentives" to dealing with unauthorized file sharing.
<br /><br />
It's the same story as usual: they're so focused on negative incentives for people doing stuff they don't like, they never seem to care about creating positive incentives for those they should be targeting.  That's BPI's problem.  Not The Pirate Bay.
<br /><br />
Anyway... given the participants, it was about what you would expect, and didn't seem to get quite as nasty as some feared before the event.  I doubt anyone's mind was changed about anything, but it still sounded like a pretty good discussion.<br /><br /><a href="http://www.techdirt.com/articles/20100429/1503079244.shtml">Permalink</a> | <a href="http://www.techdirt.com/articles/20100429/1503079244.shtml#comments">Comments</a> | <a href="http://www.techdirt.com/articles/20100429/1503079244.shtml?op=sharethis">Email This Story</a><br />
 ]]></description>
<slash:department>and-who-wins?</slash:department>
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<pubDate>Mon, 15 Mar 2010 11:57:46 PDT</pubDate>
<title>BPI Says That UK Spies Are Against Digital Economy Bill</title>
<dc:creator>Mike Masnick</dc:creator>
<link>http://www.techdirt.com/articles/20100315/0034508554.shtml</link>
<guid>http://www.techdirt.com/articles/20100315/0034508554.shtml</guid>
<description><![CDATA[ The debate over the Digital Economy Bill in the UK (the attempt to ratchet up copyright law to repay favors to an entertainment industry that is slow to adapt) has taken an odd twist.  Cory Doctorow over at Boing Boing <a href="http://www.boingboing.net/2010/03/12/leaked-uk-record-ind.html" target="_blank">has the details</a> of a <a href="http://craphound.com/BPDigitalEconomyBillweeklyminutes.pdf" target="_blank">leaked memo from the BPI</a> (pdf) to a bunch of recording industry execs and lobbyists, that details the state of the bill and the ongoing strategy for getting it approved.  There are a few items worth noting:
<ol>
<li>The BPI seems to think that the UK intelligence community is now the biggest threat to stopping the bill.  Seriously.  Apparently, UK spies are afraid that passing this bill will drive a very large number of people to switch to using encrypted internet tools, making it that much more difficult to spy on them.  This may be an accurate concern, but it's surprising to hear that the intelligence community is now considered the biggest hurdle to getting the bill passed.  Apparently, the BPI is fairly unconcerned with consumer rights groups.  The BPI seems so paranoid about the intelligence community, that it actually suggests in the memo that the British spying agency MI5 may have paid for a recent survey released by the ISP Talk Talk, saying that 71% of those 18-34 years old would continue to file share, using "undetectable means."
<br /><br />
The memo also mocks the fact that this particular bill now has the Open Rights Group on the same side of an issue as MI5 -- when the two are normally somewhat diametrically opposed.
<br /><br />
</li><li>While the BPI sounds fairly confident that the bill will get through, it recognizes that it could get stalled if enough Members of Parliament start asking questions about the speed with which the bill is being pushed through:
<blockquote><i>
As for the House of Commons -- which will be sent the Bill next week -- there is a strange sense of detachment.  MPs with whom we spoke back in Autum are already resigned to the fact that they will have minimum input into the provisions from this point on, given the lack of time for detailed scrutiny.  One leading backbencher has told us that there is "little point in meeting, since the Bill will be determined at wash-up".  That said, John Whittingdale -- an inveterate "timing sceptic" (i.e. he's for the Bill but doesn't think it will get through in time) has said this week that he still thinks it could be lost if enough MPs protest at not having the opportunity to scrutinise it.  Whilst true in constitutional theory terms, the hard politics of the situation makes it seem unlikely.  And inveterate opponents like Derek Wyatt and Tom Watson continue to blog and tweet with critical comments, but there is not the sense of a groundswell of massive opposition to the Bill.
</i></blockquote>
<b>In other words: if you live in the UK, now is the time to start speaking up and contacting your elected officials, as well as letting others know that a bill to greatly take away your rights is about to be pushed through the House of Commons, unless you speak up now.</b>
<br /><br />
</li><li>Finally, among the "upcoming" activities, the memo mentions that on Wednesday the 18th, there will be a release of a report from TERA on "The importance of saving jobs in the EU's Creative Industries."  We see <a href="http://www.techdirt.com/articles/20091207/2310207240.shtml">these types</a> of reports all the time, and they're usually poorly thought out and poorly argued, assuming, incorrectly, that a loss of jobs in one part of an industry might not be made up elsewhere, and rarely (if ever) paying attention to the fact that artificially propping up one part of the industry has massive negative consequences for other areas in the economy.  So let's see what this report says.  But assuming you start seeing press reports about this later this week, make sure to read through them with a critical eye.
</li></ol><br /><br /><a href="http://www.techdirt.com/articles/20100315/0034508554.shtml">Permalink</a> | <a href="http://www.techdirt.com/articles/20100315/0034508554.shtml#comments">Comments</a> | <a href="http://www.techdirt.com/articles/20100315/0034508554.shtml?op=sharethis">Email This Story</a><br />
 ]]></description>
<slash:department>strange-bedfellows</slash:department>
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<pubDate>Tue, 9 Mar 2010 13:55:00 PST</pubDate>
<title>Record Labels Put Out Misleading Study Trying To Get ISPs To Setup Broken Music Streaming Services</title>
<dc:creator>Mike Masnick</dc:creator>
<link>http://www.techdirt.com/articles/20100308/1855408466.shtml</link>
<guid>http://www.techdirt.com/articles/20100308/1855408466.shtml</guid>
<description><![CDATA[ The record labels have been trying out all sorts of schemes for a while now to try to get ISPs over to its side in propping up their old business models, and the latest is pretty laughable.  BPI at the behest of Universal Music, commissioned a study which suggests that <a href="http://torrentfreak.com/music-biz-hopes-to-end-piracy-by-tempting-isps-with-millions-100308/?utm_source=feedburner&#038;utm_medium=feed&#038;utm_campaign=Feed%3A Torrentfreak %28Torrentfreak%29" target="_blank">ISPs can make a lot of money by offering music services to their users</a>.  No doubt.  But that leaves out some rather pertinent details.  For example: many ISPs have very much <b>wanted</b> to offer such music services, but have <a href="http://www.techdirt.com/articles/20090123/1506253510.shtml">been blocked</a> by the likes of (uh oh...) Universal Music and BPI.  Funny how that works.
<br /><br />
The problem, of course, is that the ISPs want to offer music services that people would actually <i>use</i>, and the record labels want to handicap the services to the point at which they're completely lame.  So there's a bit of a stalemate there.
<br /><br />
But the bigger issue is (reading between the lines here) what the record labels are <i>really</i> saying to ISPs here is: break net neutrality.  That's because they're not talking about just any music service.  After all, there are lots of music services out there that people can sign up for no matter <i>who</i> their ISP is.  But what the labels seems to be suggesting here is that ISPs specify one special music service that locks in customers.  That's why the report highlights that a music service can "reduce churn."  Of course, the only way it does that is if it's locked to that single ISP -- and if your music is limited to you only as long as you're with that ISP.  In other words: locking it down so that it's lame.
<br /><br />
As if to make the point even stronger, though, BPI blatantly tells ISPs to break neutrality:
<blockquote><i>
"It's increasingly clear that it isn't smart to be a 'dumb pipe'. This report shows that the revenue potential of digital music services alone makes sound economic sense for ISPs," said BPI Chief Executive, Geoff Taylor.
</i></blockquote>
Being a "dumb pipe" of course is a well-known code-word in the internet world for a neutral network.  So, really what the labels seem to be suggesting here is that ISPs break network neutrality for the purpose of serving up a preferred music service that locks you into that ISP.  Apparently, no one who put together the study contemplated the fact that this might <i>piss people off</i> and make them look for ISPs that don't lock them in.  Thankfully, it appears that some ISPs aren't biting:
<blockquote><i>
"TalkTalk thanks the BPI for its strategic business advice. Though some may question the value of such insight from an industry which has failed to acknowledge the impact of new technology on its own business models and is pressing the Government to criminalise its biggest customers," a spokesperson told TorrentFreak.
</i></blockquote>
Exactly.  If the record labels were really serious about helping ISPs offer up music services, they wouldn't be blocking them at every turn.  This report is a typical red herring.<br /><br /><a href="http://www.techdirt.com/articles/20100308/1855408466.shtml">Permalink</a> | <a href="http://www.techdirt.com/articles/20100308/1855408466.shtml#comments">Comments</a> | <a href="http://www.techdirt.com/articles/20100308/1855408466.shtml?op=sharethis">Email This Story</a><br />
 ]]></description>
<slash:department>neutrality?</slash:department>
<wfw:commentRss>http://www.techdirt.com/comment_rss.php?sid=20100308/1855408466</wfw:commentRss>
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<pubDate>Wed, 3 Feb 2010 14:05:22 PST</pubDate>
<title>Will The Recording Industry Pay For ISP Monitoring In The UK?</title>
<dc:creator>Mike Masnick</dc:creator>
<link>http://www.techdirt.com/articles/20100202/1818428012.shtml</link>
<guid>http://www.techdirt.com/articles/20100202/1818428012.shtml</guid>
<description><![CDATA[ Recently, as the BPI was arguing yet again that ISPs were exaggerating how much it would cost to implement a three strikes type regime in the UK (which would be required under Peter Mandelson's Digital Economy Bill, aka DEB), we <a href="http://www.techdirt.com/articles/20100120/1937547848.shtml">wondered if BPI would be willing to foot the bill</a>, since it's so sure that it'll be cheap.  After all, since the whole law is designed to prop up BPI's own business model, it seems to only make sense that BPI should be the one paying for it, right?
<br><br>
Turns out that we're not the only ones to think so.  In a recent post about the DEB, Jeremy Silver (who I had the pleasure of meeting at Midem) points out that <a href="http://jeremy1.wordpress.com/2010/02/02/license-to-control/" target="_blank">BPI is in the troubling position of trying not to make it sound so cheap</a> that it's expected to pick up the bill, while still arguing that it's not so burdensome for ISPs to pick up the bill.  But, various proposals actually <i>are</i> suggesting that BPI should pay the cost:
<blockquote><i>
<a href="http://services.parliament.uk/bills/2009-10/digitaleconomy.html" target="_blank">The Digital Economy Bill</a> that is wending its glacial way through the UK parliament has produced an interesting row between the BPI (representing the interests of the major record labels) and the ISPs, telco's and mobile network operators. They are arguing over who should pay how much to fund remedial measures to clamp down on illegal file-sharing. The BPI is in a tough place <a href="http://www.bpi.co.uk/blog/post/Never-Mind-The-Billshock.aspx" target="_blank">since the cheaper they argue the cost will be</a>, the more the ISPs respond by saying "well then you can pay for it." Minister Stephen Timms recently suggested the split should be 75/25 (with the BPI paying the greater amount).
</i></blockquote>
Honestly, I fail to see why BPI shouldn't have to pay 100% of the cost (or, perhaps in conjunction with other copyright industry organizations) if such a plan goes through.
<br><br>
Silver recognizes the bigger issue of course, which is that almost no one actually thinks that a three strikes plan "will make a blind bit of difference," and that this whole game is really about rights holders "wasting their money by trying to control file-sharing."  On that we agree.  However, I have to disagree with his suggestion that the answer is a collective licensing regime, because I think that introduces <a href="http://www.techdirt.com/articles/20081209/0144083060.shtml">way too many questions</a> where it's not needed.  A collective licensing scheme puts yet another bureaucracy in the middle, just for the music industry (well, not for long, because then suddenly everyone else wants one too: the movie industry, the software industry, the video game industry, the newspaper industry, etc. -- and why should it stop there, new industries will jump on board too: don't we need a collective license for people who view blogs too?).  As it stands, I just think that we're finally seeing <a href="http://www.techdirt.com/articles/20091119/1634117011.shtml">free market business models that are working</a>, and it's way too early to jump in and distort the market with a collective licensing scheme.<br /><br /><a href="http://www.techdirt.com/articles/20100202/1818428012.shtml">Permalink</a> | <a href="http://www.techdirt.com/articles/20100202/1818428012.shtml#comments">Comments</a> | <a href="http://www.techdirt.com/articles/20100202/1818428012.shtml?op=sharethis">Email This Story</a><br />
 ]]></description>
<slash:department>come-on,-pay-up</slash:department>
<wfw:commentRss>http://www.techdirt.com/comment_rss.php?sid=20100202/1818428012</wfw:commentRss>
</item>
<item>
<pubDate>Mon, 1 Feb 2010 08:17:46 PST</pubDate>
<title>Even The Recording Industry Is Criticizing ACS:Law/DigiProtect Pre-Settlement Letter Program</title>
<dc:creator>Mike Masnick</dc:creator>
<link>http://www.techdirt.com/articles/20100129/0307207970.shtml</link>
<guid>http://www.techdirt.com/articles/20100129/0307207970.shtml</guid>
<description><![CDATA[ With more and more <a href="http://www.techdirt.com/articles/20100127/0523087919.shtml">attention</a> being paid to the efforts by firms like ACS:Law and DigiProtect to profit from blasting out <a href="http://www.techdirt.com/articles/20100110/1539187689.shtml">hundreds of thousands</a> of letters demanding payment to avoid file sharing lawsuits (which almost never seem to actually get filed), it seems that the companies involved in such things may finally be facing some pretty serious criticism that could force them to curb the practice.  First up, politicians.  A few different UK officials are <a href="http://torrentfreak.com/anti-piracy-scheme-a-scam-legal-blackmail-say-uk-lords-100128/?utm_source=feedburner&#038;utm_medium=feed&#038;utm_campaign=Feed%3A+Torrentfreak+(Torrentfreak)" target="_blank">coming out loudly</a> against ACS:Law, with some even suggesting that the firm's efforts are like a "scam" or "legal blackmail."
<br /><br />
Meanwhile perhaps the most surprising of all is that BPI, the UK's version of the RIAA has <a href="http://news.bbc.co.uk/2/hi/technology/8483482.stm" target="_blank">also come out against the practice</a>, saying that they don't feel it is appropriate.  Perhaps it's not a huge surprise -- given that the clients of ACS:Law/DigiProtect have tended to be video game and porn producers rather than the recording industry.  However, when even the recording industry finds your actions against file sharing too draconian, it suggests you've really stepped over the line.  At some point, you get the feeling that ACS:Law is going to get slapped down legally.<br /><br /><a href="http://www.techdirt.com/articles/20100129/0307207970.shtml">Permalink</a> | <a href="http://www.techdirt.com/articles/20100129/0307207970.shtml#comments">Comments</a> | <a href="http://www.techdirt.com/articles/20100129/0307207970.shtml?op=sharethis">Email This Story</a><br />
 ]]></description>
<slash:department>hammer-coming-down</slash:department>
<wfw:commentRss>http://www.techdirt.com/comment_rss.php?sid=20100129/0307207970</wfw:commentRss>
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<item>
<pubDate>Thu, 21 Jan 2010 10:57:00 PST</pubDate>
<title>BPI Insists UK ISPs Overstating The Cost Of Three Strikes; So Will BPI Pay The Difference If Wrong?</title>
<dc:creator>Mike Masnick</dc:creator>
<link>http://www.techdirt.com/articles/20100120/1937547848.shtml</link>
<guid>http://www.techdirt.com/articles/20100120/1937547848.shtml</guid>
<description><![CDATA[ The UK's version of the RIAA, BPI, has been a very, very strong supporter of Peter Mandelson's Digital Economy Bill -- a position that has even some of its members <a href="http://www.techdirt.com/articles/20091204/1128277207.shtml">resigning</a> in disgust.  In the past, BPI has also implied that ISPs already have some sort of <a href="http://www.techdirt.com/articles/20090929/0345526350.shtml">legal obligation</a> to stop file sharing and that they rely on unauthorized file sharing to fund their own business model.  As the battle over the bill heated up, many ISPs pointed out that the cost of implementing the bill's requirements would be <a href="http://www.techdirt.com/articles/20090922/1357376284.shtml">quite high</a>.  On top of that, the UK government did its own study and found that the costs were <a href="http://www.techdirt.com/articles/20091228/0335197514.shtml">even higher</a> than the ISPs estimated <i>and</i> the cost of implementing the bill would outstrip even the most ridiculous of BPI's estimates of "losses" from file sharing.
<br /><br />
Of course, BPI can't accept those numbers, so its commissioned its own study which (of course!) claims that <a href="http://www.billboard.biz/bbbiz/content_display/industry/e3ic7ff1e2a32aab449646bbb61f655f426" target="_blank">the cost to ISPs would be <i>tiny</i></a>.  Hell, they'd barely be noticeable at all.
<br /><br />
Well, if BPI is so sure of this, how about it steps up and puts some money behind that claim.  I would imagine that ISPs would feel a bit more comfortable about supporting the Digital Economy Bill if BPI promised to pay any of the fees above and beyond what its own estimates are for implementing the plan.  According to BPI's analysis, it would cost ISPs all of &pound;13.85 million ($22.5 million) in the first year, &pound;9 million ($14.6 million) in the second year and just &pound;3.45 million ($5.6 million) in the last year.  Hell, if it's such a small cost, how about BPI pays for the whole thing.  Only fair, right?  After all, the whole purpose behind the plan is to prop up BPI members' business models because they'd rather not adapt.  Seems only right that they should pay for it.<br /><br /><a href="http://www.techdirt.com/articles/20100120/1937547848.shtml">Permalink</a> | <a href="http://www.techdirt.com/articles/20100120/1937547848.shtml#comments">Comments</a> | <a href="http://www.techdirt.com/articles/20100120/1937547848.shtml?op=sharethis">Email This Story</a><br />
 ]]></description>
<slash:department>come-out,-pony-up</slash:department>
<wfw:commentRss>http://www.techdirt.com/comment_rss.php?sid=20100120/1937547848</wfw:commentRss>
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<item>
<pubDate>Fri, 18 Dec 2009 16:35:14 PST</pubDate>
<title>BPI Survey Suggests Spotify Hasn't Magically Decreased Desire For Unauthorized Music Access</title>
<dc:creator>Mike Masnick</dc:creator>
<link>http://www.techdirt.com/articles/20091218/1453367431.shtml</link>
<guid>http://www.techdirt.com/articles/20091218/1453367431.shtml</guid>
<description><![CDATA[ There was some buzz earlier this year concerning reports that new streaming apps, like Spotify, somehow decreased unauthorized access to music.  And yet, a new study from BPI <a href="http://news.bbc.co.uk/2/hi/entertainment/8420484.stm" target="_blank">suggests unauthorized access to music continues to grow</a>, despite the rise of authorized services like Spotify.  Now, there are some caveats.  BPI isn't exactly known for being entirely accurate with data and these results are from an online survey.  While you would think that fewer people would admit to unauthorized access in an online survey (people don't like to fess up), counteracting that is the fact that BPI has incentives to suggest the issue of piracy is a big deal, as it's pushing hard to force ISPs to kick people offline for file sharing.  Still, what strikes me as interesting is that BPI still keeps insisting that this is a "problem," without any evidence that this is true.  The only real "problem" is the failure of the record labels that BPI represents to adjust their business models.  If they did that, there wouldn't be much of a problem at all.  But, the labels don't want to do that.  They want the government to rescue them and to pretend they can keep doing business they way they always did.<br /><br /><a href="http://www.techdirt.com/articles/20091218/1453367431.shtml">Permalink</a> | <a href="http://www.techdirt.com/articles/20091218/1453367431.shtml#comments">Comments</a> | <a href="http://www.techdirt.com/articles/20091218/1453367431.shtml?op=sharethis">Email This Story</a><br />
 ]]></description>
<slash:department>sorry,-spotify</slash:department>
<wfw:commentRss>http://www.techdirt.com/comment_rss.php?sid=20091218/1453367431</wfw:commentRss>
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<pubDate>Fri, 4 Dec 2009 15:02:43 PST</pubDate>
<title>UK Record Label Boss Resigns From BPI/IFPI Committees Due To Mandelson's Digital Economy Bill</title>
<dc:creator>Mike Masnick</dc:creator>
<link>http://www.techdirt.com/articles/20091204/1128277207.shtml</link>
<guid>http://www.techdirt.com/articles/20091204/1128277207.shtml</guid>
<description><![CDATA[ BPI and IFPI, lobbying groups that represent record labels, have been major supporters of Peter Mandelson's Digital Economy Bill, that will grant him powers to change copyright law at will, and to kick people off the internet based on accusations (not convictions) of file sharing.  However, it appears that at least some record labels are realizing what an incredibly bad idea this is.  <a href="http://twitter.com/EFF/statuses/6344881324" target="_blank">EFF</a> points us to the news that the boss of indie label Pure Mint Recordings <a href="http://newsblog.thecmuwebsite.com/post/Pure-Mint-boss-resigns-BPI-committee-over-Digital-Economy-Bill.aspx" target="_blank">has resigned from both the BPI and IFPI committee's he was a part of</a>, citing his opposition to the Digital Economy Bill, and both organizations support of the bill:
<blockquote><i>
Hall believes the proposed legislation has been rushed in a bid to get it through parliament before the next General Election, that it is in danger of disregarding some sacred legal principles (regarding process, presumption of innocence and burden of proof) and that it won't solve the record industry's piracy problems anyway.
 <br /><br />
In his resignation letter to the BPI, Hall writes: "I have enjoyed contributing to both [the BPI's] Rights [Committee] and the [IFPI's] ILC, but increasingly feel that my contributions are falling on deaf ears as an agenda has already been reached that I now consider is unmovable. As you know, I do not think the Digital Economy Bill is a sensible or well thought out piece of legislation. In my view it is being rushed through the last months of a parliament of an unpopular government and it is not legislation that I support".
 <br /><br />
Referencing clause 17 - the one that gives senior ministers the right to change copyright laws on whim - he continued: "I am particularly surprised that the record industry has chosen to endorse s.17 of the DEB, which I consider is wholly undemocratic and contrary to centuries of good practice regarding the forming of our copyright legislation. I also believe it may set a dangerous precedent going forwards (and could come back to haunt the industry)".
</i></blockquote><br /><br /><a href="http://www.techdirt.com/articles/20091204/1128277207.shtml">Permalink</a> | <a href="http://www.techdirt.com/articles/20091204/1128277207.shtml#comments">Comments</a> | <a href="http://www.techdirt.com/articles/20091204/1128277207.shtml?op=sharethis">Email This Story</a><br />
 ]]></description>
<slash:department>speak-with-your-feet</slash:department>
<wfw:commentRss>http://www.techdirt.com/comment_rss.php?sid=20091204/1128277207</wfw:commentRss>
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<pubDate>Fri, 2 Oct 2009 10:54:18 PDT</pubDate>
<title>BPI Unhappy With Techdirt, Seeks To Correct The Record... But Still Gets It Wrong</title>
<dc:creator>Mike Masnick</dc:creator>
<link>http://www.techdirt.com/articles/20091002/0221466404.shtml</link>
<guid>http://www.techdirt.com/articles/20091002/0221466404.shtml</guid>
<description><![CDATA[ So, we recently wrote about how Geoff Taylor, head of BPI (the UK's equivalent of the RIAA) seemed to be going after British Telecom (BT) with a variety of <a href="http://www.techdirt.com/articles/20090929/0345526350.shtml">highly questionable claims</a> about how BT had some sort of obligation to stop file sharing on its network, and that BT was using unauthorized file sharing to <a href="http://www.techdirt.com/articles/20090925/0811426323.shtml">prop up its own business model</a>.  Both claims are flat out ridiculous, but BPI apparently was quite upset with us pointing that out.  Of course, rather than actually respond in the comments where we might have a conversation about it, they've been sending us a series of emails, taking issue with our statements and laying out their claims in more detail.  In the interest of an <i>open</i> debate, I'll post BPI's comments here, with my responses mixed in (but of course):
<blockquote><i>
It's unfortunate that in a piece which wrongly charges BPI with making things up, you have misrepresented what our Chief Executive said.  He did not say that "BT broke the law in not stopping file sharing", as you assert.
</i></blockquote>
Hmm.  Let's look at what he did say: "If you operate a commercial service and know it is being used to break the law, taking steps to ensure it is used legally is a cost of doing business."  Perhaps there's a way to interpret that, which doesn't imply that BT is breaking the law in not stopping illegal activity, but it seems like that is the rather clear implication of his statement.  But, BPI goes on to say they actually just meant BT has a "social responsibility" to stop the illegal activity.  Ah.
<blockquote><i>
BT fosters a reputation as a socially responsible company. BPI has questioned whether it's appropriate for such a company to do nothing about 100,000 instances "a small sample" of the illegal behaviour that BT knows is occurring on its network.  BT knows about this activity because BPI provides detailed weekly notifications enabling BT to verify each and every infringement.  BPI's notifications are based upon robust copyright infringement detection techniques which have been accepted by the UK High Court in over 150 cases.
</i></blockquote>
I see.  Would that be the same "robust copyright infringement detection system" that a recent study in the UK found was <a href="http://www.guardian.co.uk/money/2008/nov/28/internet-porn-bill-mistake" target="_blank">accusing elderly couples of downloading gay porn</a>, along with a significant number of other "false positives"?  Furthermore, there's quite a difference between knowing that there is illegal activity on the network and being able to <i>stop it</i>.  As we noted in one of our original posts, in a land with due process (the UK has that, right?), people aren't guilty upon accusation.  It appears that BPI has leapfrogged beyond even the draconian "three strikes" proposals and is looking for something of a "one strike."
<br /><br />
But this is a serious question for BPI: really, what would you have BT do?  You are informing them of activity you <i>claim</i> is infringing, but BT has no way of verifying that is a fact.  Secondly, by the time you've informed BT, the activity is over.  So what is BT to do at that point?  Finally, how is BT to determine what ongoing actions are actually legitimate?  Plenty of smart content creators choose to give away their works on purpose.  Plenty of the record labels represented by BPI, even, have long histories of sending out mp3s themselves for promotional purposes.  BT has <i>no way</i> of knowing which content is legit and which is not.  Pretending that BT can wave its magic wand and suddenly be all-knowing is just silly.
<br /><br />
Oh yeah, as for the claim that BT "fosters a reputation as a socially responsible company," I would think that such would include <i>not violating the civil liberties</i> of its customers by spying on what they do online in an effort to prop up someone's obsolete business model.  Wouldn't you?
<blockquote><i>
We understand that BT employs very sophisticated traffic and network analysis technologies that allows it to see the proportion of  network traffic that is P2P.   We have never said that all P2P traffic is illegal, because not all of it is.  But the weekly notifications we send to BT relate solely to music files which we know are being shared illegally.
</i></blockquote>
Again, BPI assumes that BT can magically tell which content is infringing and which is not.  Just recently, we pointed out that EMI -- in the UK -- was happily <a href="http://www.techdirt.com/articles/20090923/1409046297.shtml">distributing infringing mixtapes</a> from Lily Allen off of an EMI owned website.  If someone is downloading such content, should BT stop them?  How could it possibly know which content in real time is authorized and which is not?  And, more importantly, <i>why</i> should that be BT's responsibility?  Just because the folks at the labels that make up BPI haven't been able to adapt?  If BPI believes that individuals are breaking the law, why is it not going after those individuals?  Obviously, because it knows that it would be a public relations nightmare.  But just because BPI has a PR issue, it doesn't mean that BT should have to spend a ton of money trying to fix BPI members' broken business models.
<blockquote><i>
Since 2003, annual UK broadband revenues have increased from &pound;0.6 billion to &pound;2.7 billion (2008).  Recorded music revenues have fallen every year in the same period, principally due to illegal filesharing.  It is therefore not difficult to see that the growth of BT's consumer broadband business has been assisted by the increase in illegal filesharing.
</i></blockquote>
Wow.  I mean... wow.  Talk about a logical somersault.  Seriously?  First off, just because one industry's revenue falls and another's grows, it does not mean the two are causal.  I mean, this is really, really basic stuff.  Correlation, causation, blah blah blah.  But, even then, the link is so tenuous as to be laughable.  First, the claim that recorded music revenue is falling.  Well... be careful.  As we've been pointing out, PRS in the UK has admitted that the music industry is actually <a href="http://www.techdirt.com/articles/20090723/0351345633.shtml">growing, not shrinking</a>.  Apparently, the folks at BPI don't read the PRS economic reports.  If they did, they'd know that the study found that the overall industry is growing, with a big shift in money going from recorded music to live music.
<br /><br />
BPI, you're blaming the wrong culprit!  It ain't the ISPs, it's the live venues!  And those bands playing live shows!  Why aren't you demanding that <i>they</i> cut it out!  After all, wouldn't it be the "socially responsible" thing for them to stop gigging so that people would go back to buying CDs?
<br /><br />
And, of course, the whole claim that the decline in recorded music sales is "principally due to illegal filesharing" is also flat out, ridiculously, laughably wrong.  Study after study has shown that file sharers tend to <a href="http://www.p2p-weblog.com/50226711/study_finds_pirates_buy_more_music.php" target="_blank">buy more</a>.  Isn't it a lot <i>more</i> likely that the decline in recorded music revenues is due to a shift in the marketplace due to technology?  That technology has taken away the monopoly on distribution that BPI members used to have.  Whenever you lose a monopoly on distribution, it's to be expected that you lose monopoly rents and your revenue goes down.  That's Econ 101 (or maybe 201, if we're talking monopoly rents... depends on your econ prof).
<br /><br />
Besides, we spend a lot of time here working with and talking to and about musicians who have <a href="http://www.techdirt.com/articles/20090621/1626125300.shtml">embraced</a> file sharing, and put in place <i>smart business models</i> to take advantage of it.  And, you know what?  They're doing better than they did in the past.  The problem isn't "illegal filesharing."  It's bad and obsolete business models.  Those who are embracing file sharing in combination with a good business model are doing better than in the past.  That rules out "file sharing" as the problem, and suggests the real problem is BPI's resistance to smarter business models.
<blockquote><i>
Other ISPs are recognising that it is not sustainable in the long-term for a high percentage of ISPs revenues to be based on the transmission of illegal data, and that in future they need to share in revenues from providing high quality entertainment services for their customers
</i></blockquote>
This is again ridiculous.  ISP revenues are not "based on the transmission of illegal data."  ISP revenues are based on the fact that pretty much everyone <i>needs an internet connection</i> these days just to function.  It's how people communicate, you know?  Claiming that BT is making any more revenue because people file share is laughable.  People are using the internet because it's <i>useful</i> for all sorts of things.  Hell, we keep hearing ISPs saying that they need to break net neutrality because all this file sharing is filling up their network and <i>costing</i> them too much in network upgrades.  How can they be making so much money off of file sharing if it's costing them so much?
<br /><br />
Once again, this is typical entertainment industry drivel.  They totally overestimate how much their own stuff is "worth" to the wider ecosystem, and then demand that everyone just pay up.  Except... that's not the way the world works.  The world works by having smart people with smart business models figuring out ways to make people <i>want</i> to give you money, not by sitting back and demanding others just hand over money.
<br /><br />
So, thanks for the emails, BPI, but at least work on making your statements a little more believable next time.  And, as always, our comments are wide open for you to reply to and interact directly with people here.<br /><br /><a href="http://www.techdirt.com/articles/20091002/0221466404.shtml">Permalink</a> | <a href="http://www.techdirt.com/articles/20091002/0221466404.shtml#comments">Comments</a> | <a href="http://www.techdirt.com/articles/20091002/0221466404.shtml?op=sharethis">Email This Story</a><br />
 ]]></description>
<slash:department>sorry,-that's-just-not-accurate</slash:department>
<wfw:commentRss>http://www.techdirt.com/comment_rss.php?sid=20091002/0221466404</wfw:commentRss>
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<pubDate>Tue, 29 Sep 2009 14:52:41 PDT</pubDate>
<title>BPI Continues To Make Things Up When It Comes To ISPs And File Sharing</title>
<dc:creator>Mike Masnick</dc:creator>
<link>http://www.techdirt.com/articles/20090929/0345526350.shtml</link>
<guid>http://www.techdirt.com/articles/20090929/0345526350.shtml</guid>
<description><![CDATA[ Last week, in responding to claims that it would cost ISPs <a href="http://www.techdirt.com/articles/20090922/1357376284.shtml">more</a> to police the internet than the music industry claimed it was losing from "piracy," BPI boss Geoff Taylor made a few funny statements, including the ridiculous claim that ISPs used piracy as a <a href="http://www.techdirt.com/articles/20090925/0811426323.shtml">part of their "obsolete business model"</a> without any support at all.  It appears that Geoff can't stop making stuff up.  As he continues to hit back at BT for the cost claims last week, he's now <a href="http://torrentfreak.com/bpi-decries-isp-inaction-against-100k-music-pirates-090928/" target="_new">suggesting that BT broke the law in not stopping file sharing</a>:
<blockquote><i>
"It's shameful for a company like BT to know that a high percentage of the traffic it carries is illegal material but do nothing," Taylor told The Mirror. "If you operate a commercial service and know it is being used to break the law, taking steps to ensure it is used legally is a cost of doing business."
</i></blockquote>
Of course, it's not quite accurate to say that BT knows a high percentage of its traffic is illegal material. BT doesn't know that, because it has no real way of knowing exactly what much of the traffic is, or what's authorized and what's not.  Furthermore, Taylor is flat out wrong in saying that if you operate a service that is used to break the law, you must stop it.  BT also runs a phone service, but no one's saying that it has a responsibility to stop phones from being used in the commission of a crime.  BT accurately suggests that if BPI finds evidence of a copyright violation, it should prosecute, but that none of that is BT's issue.  I'm reminded of how Australian ISP iiNet <a href="http://www.techdirt.com/articles/20081217/0159503147.shtml">responded to similar charges</a> last year:
<blockquote><i>
They send us a list of IP addresses and say 'this IP address was involved in a breach on this date'. We look at that say 'well what do you want us to do with this? We can't release the person's details to you on the basis of an allegation and we can't go and kick the customer off on the basis of an allegation from someone else'. So we say 'you are alleging the person has broken the law; we're passing it to the police. Let them deal with it'. 
</i></blockquote>
Once again, it appears the entertainment industry thinks everyone else has to bend over to make sure their old business model still works.  But that's not the way the world works.<br /><br /><a href="http://www.techdirt.com/articles/20090929/0345526350.shtml">Permalink</a> | <a href="http://www.techdirt.com/articles/20090929/0345526350.shtml#comments">Comments</a> | <a href="http://www.techdirt.com/articles/20090929/0345526350.shtml?op=sharethis">Email This Story</a><br />
 ]]></description>
<slash:department>why-does-anyone-take-them-seriously?</slash:department>
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