from the moving-on... dept
Apparently, the answer was that however the app was designed, it would be insanely expensive to port to other platforms. That seems like much more of a design mistake than anything else. It seems likely that her project failed for a few key reasons, including that it was just about porting an app that came out years ago, rather than anything new. Also, the "rewards" were somewhat unimpressive. And, of course, Bjork fans who were iPhone users had little reason to contribute as well. There's also the big one: unlike some other stars, Bjork really hasn't embraced connecting and communicating with her fans. That's her choice, of course. No one says she needs to. But, it's much harder to raise a ton of crowdfunded money that way.
Still, many are saying that the project failed because she's rich and famous and could have just paid for everything herself. But that seems silly. There are plenty of ways that the rich and famous can make use of crowdfunding and plenty of reasons why it makes sense to do so. The project failed because it was a bad project for crowdfunding, and because Bjork isn't necessarily connected with her fans in a way that makes sense for crowdfunding.
Amanda Palmer, who remains an example of "doing Kickstarter right" has weighed in on this issue, making some really good points about why anyone should be able to use Kickstarter, even the rich and famous. Here are a few snippets, but the whole thing is worth reading:
crowdfunding should, by its very nature, be available to EVERYBODY....And yet, people still get upset. To some extent, this feels a bit like "hipsterism." People feel that these platforms are special because the rich and famous haven't necessarily discovered them yet. But why is it so wrong if they do find them and do use them? If people want to support the projects they will, and if they don't, they won't. That's what makes these platforms so useful.
here's what i think: THE MARKET IS EFFICIENT.
if ANYBODY wants to give a go at having the community help them with a project, that’s the ARTISTS prerogative. if it fails, then the interest wasn't there.
it should't matter if it's justin bieber, obama, the new kids of the block reunion project, lance armstrong, oprah, or the friendless 18-year old down the street who's been hiding in his bedroom making EDM music.
ANYBODY CAN ASK. that's democracy.
and since crowdfunding is – by definition – in the hands of the community: THE COMMUNITY WILL DETERMINE WHETHER A PROJECT IS SUCCESSFUL.