I had a nice moment when I saw this and hesitated to write about it. As we see more and more and more artists (even Metallica!) embrace early leaked copies of their albums, it's getting less and less newsworthy—which is fantastic. Still, I was pleased to see that rapper/producer El-P (one of my personal all-time favorite artists, who I was lucky enough to interview briefly years ago) had a great reaction to the leak of his much-anticipated new album, expressing his support and offering up some reasons to buy:

elephant in the room: i know a lot of yall already got the album. im ok with that. if you enjoy it and can afford to support me doing more music hit up www.definitivejux.net and pre order. there are dope deals on there. love, el

The pre-order packages include some cool, if somewhat basic, extras like signed posters and limited edition colored vinyls. Judging from the reaction in the comments of the Facebook post, plenty of fans have downloaded it but still want the official copy, and some are even vowing to wait for its release rather than listen to the leak. One states that even if he didn't like the new album he would still buy it "as a thank you for your sonic contribution to my life". Now that's what true fandom looks like—and artists who cultivate it don't have to worry about leaks and piracy.

We've certainly written about Amanda Palmer's many success stories on this site before -- including her celebration of the fact that she finally got dropped from a record label two years ago. Since then, she's done a bunch of fun projects, more or less going musically wherever she suddenly felt like going (all without the meddlesome hand of a record label demanding she do things its way). These experiments have been quite successful, and also quite lucrative. But she decided it was time to do a "traditional" studio album again, and put together a full orchestra to help, while also planning to make the physical package she sells totally and completely worth buying by including all sorts of original artwork with it.

So... of course, she turned to Kickstarter to help put together funds, seeking $100,000 in 32 days. Instead, she got it in SIX HOURS. Damn. As we've noted, the success of Kickstarter as a funding platform is making it easier and easier to fund big projects, and this is yet another example of that. If you have a semi-decent following, you might question why you'd ever sell your soul to a large company for an "advance" again. The details of what she's offering are, as you might expect, quite interesting as well. All too often, it feels like people seem to think that all you have to do is "put it on Kickstarter." And, sometimes that can work, but it helps to have cool options. Amanda's offering has a lot of cool goodies and opportunities (including live events) for backers, allowing them to self-select in to how they'd like to support her. A lot of the offering is vinyl focused, which isn't that surprising, given the renewed popularity of vinyl these days, but also the ability to do more artistic work in combination with a vinyl release. Of course, not everyone has a record player... but they've got that covered. At some of the higher level packages, they'll include a USB-enabled Crosley turntable which they'll custom-paint for you, making it awesome. Also, with this project, Amanda announced a new project called Loanspark, which is kind of like a Kickstarter, but as a loan, where the money gets paid back (assuming it's made up) and the "interest" isn't monetary, but creative. This is definitely for larger amounts, but you can see the listing of options, which include things like getting a home concert (or for a charity) or a work of art created by Amanda. Who knows if anyone will take her up on it, but it's another interesting idea worth watching.

Once again, it seems that lots of artists are figuring out cool and creative ways to make money these days, even as the old industry continues whining. Of course, what's notable is that these new ways don't seem to involve those old industry players -- or their ridiculous deals where they get the copyright and keep the vast majority of income.

Last week we wrote about Dan Bull's experiment to release a song, "Sharing is Caring" for free via The Pirate Bay (and other sites) and to see if he could still get it to show up in various charts. As we discussed, it definitely was making its way onto the lists of Amazon UK's top hip hop sales. And, on Sunday, the official UK charts came out -- with Sharing is Caring coming in at number 9 on the Indie singles chart and number 35 on the RnB singles chart. In both cases, "Sharing is Caring" was the top new entrant on both of those charts. While some will say that not making the pop charts suggests this was a failure, it sure looks like a ton of folks were happy to support Dan's effort. As for the US charts, those have a weighted system that includes radio airplay, meaning that there's simply no way Dan could get listed, because he's not going to play the payola game to get on the air. Either way, it was a great experiment, and a job well done by Dan.

If I had to choose one company as the antithesis to Ubisoft's boneheaded take on business, I would probably choose Stardock. Stardock is one of those companies that continues to do everything right while many other companies in the video game industry insist it is wrong. So, it really comes as no surprise that Stardock producer Jon Shafer wrote that respecting your fans should be one of the most important aspects of doing business. He makes four very good points in this essay that I think all entertainment companies can learn from.

First up, Jon speaks about the importance of demos to a project's success:

When you don't put out a demo, some people will start asking questions… is it because the game isn't any good and the developer is afraid people will find out? Did they run out of time and the lack of a demo is a sign that the game is sloppy and unfinished? You don't want players asking those questions -- you want them trying out your awesome game and telling everyone they know about it.

We have spoken numerous times about the importance of fans being able to sample entertainment before they buy. We have seen study after study that shows that those who have the ability to try things out before dropping money for it, are much more likely to not only buy, but buy more. Why would you deny your fans the ability to try out your game, music, book or movie? A nice demo can go a long way.

Next up, Jon shares some words about interacting with fans:

As developers working on the oft-mundane, daily tasks required in making a piece of software, we often lose sight of the fact that there are also many players who love our work. For them the opportunity to talk with someone that worked on their favorite game is incredibly exciting (something we are occasionally reminded of when we get to meet the creators of our favorite games!).

Ah. The old adage of connecting with fans. What this does is make sure that not only that the fans like your work, but that they also like you. We know that it is far easier for customers to buy something from a company or a person they actually like. The best way to gain that affection is to put yourself out there and communicate with your fans.

Then, Jon speaks about giving fans ownership:

Players like having ownership. It's one of the reasons why they're playing games (an active form of entertainment) rather than experiencing a self-contained work in another medium. The absolute best way to hand over the keys to your game is to make it moddable. Many of the most beloved and long-lasting games of all time are also highly moddable, and their communities live on long after the last official update. Why? Because the players took ownership and had a vested interest in the longevity and overall success of the game. This sort of relationship between player and game is only possible when the players have the power to reshape the game to their liking.

While modding itself is unique to gaming, the idea behind it is as old as recorded media. The idea behind modding is pretty close to that of remixing in other media. This desire to reshape and make our own the entertainment we consume is something that should be embraced by successful creators. Doing so not only gains you more fans, but also ensures that your work will live on in the hearts and minds of those who enjoy it.

Finally, Jon speaks on piracy:

Ah, the elephant in the room. I’ll just put it this way: if the CIA can get hacked, you’re not going to be able to prevent your game from being cracked. Sorry. You can't stop piracy. Focus on building up a fanbase and higher sales through goodwill instead of trying to bend the internet to your will. If you're spending a ton of effort trying to "win the war" on piracy, then you're wasting resources you could have been used to make better games. The reason why studios like Blizzard and Valve are so successful and beloved is because they focus on delivering the best games possible, time and money be damned. Don't make enemies of paying customers by making them jump through hoops. As history shows us, in most wars there are no winners -- only losers.

We are already well aware of Stardock's official position on piracy. It would rather maximize sales than waste resources fighting a losing battle. This is something that many people within the entertainment industry need to learn. Piracy is a symptom of far larger problems. By wasting time and money fighting it, you are shifting resources away from those areas that truly matter to the end consumer.

While these four points are nothing new to many of us here, they are things that too many still have not learned or refuse to recognize. It is time to stop the war on fans and begin to embrace them and their culture. Times are changing. People do not consume entertainment in the same ways they did ten years ago. Fans know what they like and know who provides it. Those who refuse to adapt are going to be left behind.