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stories filed under: "madonna"
Failures

Failures

by Mike Masnick


Filed Under:
madonna, u2

Companies:
live nation



Live Nation's Strategy Looking Even Worse As It Has To Cough Up Extra $$s For U2, Madonna

from the how-not-to-run-a-business dept

While we definitely think there's a huge opportunity for more comprehensive business models in the music industry, we're still skeptical of Live Nation's model. The company, which is mostly known as a concert promoter, has signed huge deals with some big name musicians to get them to leave their record labels and do everything through Live Nation -- including music sales, concerts and merchandise. Live Nation gets a cut of it all. On the whole, such a model does make a lot of sense, because with one entity managing all of the different revenue streams, the company is much more likely to tweak the knobs. If it realizes that it can make more money in those other products by giving away the music, it (in theory) won't hesitate. That doesn't happen when the record label only gets a cut of music sales.

The problem, though, with Live Nation's model was its decision to focus on just a few huge names, and to pay them tremendous upfront amounts. Now, it turns out, the deals are even worse than what Live Nation expected. Apparently, it paid a portion of what it owed both U2 and Madonna in stock. That, by itself, is fine. It lets the musicians share in the risk a bit. Except, for some bizarre reason, the folks at Live Nation took away all of the downside risk for the musicians by promising how much the stock would be worth. With the stock market in freefall, that's now going to cost Live Nation a ton. For example, it gave a bunch of stock to U2, and guaranteed the stock would be worth at least $25 million. In actuality, it's worth $6 million. That means the company now needs to cough up an additional $19 million in cash and give it to the band. Madonna is apparently in a similar situation, with a similar guarantee about to come due.

8 Comments | Leave a Comment..

 
Predictions

Predictions

by Mike Masnick


Filed Under:
360 deals, business models, concert promotions, concerts, madonna

Companies:
live nation



Can Concert Promoters Become The New Record Labels?

from the time-to-find-out dept

A little over a year ago, the recording industry was surprised to learn that Madonna wasn't signing a new record label contract, but instead was signing a deal with Live Nation, a big concert promoter, to handle pretty much everything having to do with her business, including releasing new CDs. The WSJ Magazine is running a long feature story about Live Nation, its founder and its ongoing strategy, wondering if it's the new business model for the recording industry. Basically, the guy behind Live Nation knows that there's good money in concert promoting, but that the margins are low. So, he's betting on a few of these "360 deals" where he gets a much larger margin on all other aspects of the business.

It's an interesting strategy that appears to be a step in the right direction, but it's unclear if it really is the future of the industry. Live Nation's strategy seems pretty risky. It involves huge upfront payments for a small number of star performers (whose older, more well-known, music is still under the copyright of earlier labels). It also doesn't seem to do much to embrace new technologies and distribution methods. Instead, it's just this guy making a grab for some big names, and trying to consolidate all their sources of revenue, taking a cut of each one. There's something to be said for that, but it would probably work better in combination with newer technologies and music distribution means -- and without those huge upfront costs that may sink the whole operation.

10 Comments | Leave a Comment..

 
Culture

Culture

by Mike Masnick


Filed Under:
business models, labels, madonna, music

Companies:
warner music group



Next Up To Ditch Record Label: Madonna

from the quite-a-week dept

It's been quite a bad month for the record labels, huh? Kicked off by Radiohead's ditching record labels in order to embrace the new business models that the record labels insisted were dangerous to the industry. In retrospect, it looks like they were just dangerous to the record labels (gee, who could have predicted that?). The latest huge name to ditch a record label appears to be Madonna, who is apparently signing a huge deal with a concert and merchandise promoter instead for over $100 million. She'll still be putting out albums through the promoter rather than the label. There's no indication if she's going to use this to free up some music, but the point should be pretty clear. The money is in concerts and merchandise -- the stuff that the music makes valuable -- not in the music itself. While EMI's new owners have made some noises that maybe they understand what's going on, there's a good chance that it's way too late for the old labels. They had their chance to embrace fans, new technology and the music itself -- and they spent 8 years suing the fans and the technology instead. It's reached the point that college kids are now organizing to protest the RIAA. It's becoming increasingly clear that the labels weren't helping musicians very much either -- and now it appears to be payback time. This isn't the "fault" of piracy. This is the fault of shortsighted recording industry executives who had every chance to understand the economics at play and instead chose to attack everyone (and there were lots) who pointed out to them where the market was going.

39 Comments | Leave a Comment..

 
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