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stories filed under: "entertainment"
Say That Again

Say That Again

by Mike Masnick


Filed Under:
copyright, entertainment, michael fricklas, movies, myths

Companies:
viacom



Viacom's General Counsel Lecture On Copyright Leaves Out Certain Facts

from the well,-that's-something dept

Someone once told me that Viacom's top lawyer, Michael Fricklas, has been known to read Techdirt on occasion. I have no idea if this is true, but it still is interesting to watch him give a lecture to some Yale law students where he offers a somewhat nuanced position on copyright issues (thanks to JJ for being the first of many to forward the video to us), but which repeatedly seems to leave out certain pertinent facts:

He starts out by saying that he's a strong supporter of fair use, and doesn't like the idea of having to get licenses for creating new works -- but is concerned about the "exact copy" problem. So, basically he's in favor of fair use for creating new works, but not direct distribution.

He discusses copyright vs. free speech -- and insists that there's no "tension" between the two (despite many recent studies suggesting the exact opposite). Of course, he does a bit of a twist there, by saying that copyright is pro-free speech because it creates incentive for speech. The problem with this statement is that while that's the theory, the evidence for it is somewhat lacking. However, there is tremendous evidence of cases where copyright is used to stifle speech -- and of all the massive extensions and changes in copyright laws over the past 200 years, almost all have served to stifle more speech than they have encouraged.

He then trots out the industry's own numbers claiming how much copyright contributes to the economy, even though those numbers are based on a variety of questionable assumptions, including the idea that all content covered by copyright is only created because of copyright. Along those lines, he also credits copyright for things like the iPod and the Kindle, saying that no one's buying those devices just to look at them. This is correct -- but note the trick. He did not say that it was content that drove the iPod and the Kindle, but copyright. He's wrong. It's content. Not copyright.

He notes that some say that "unlicensed IP" might drive this innovation, but he favors "sustainable innovation" (as if anyone doesn't). And then he makes this odd statement:
"A more sustainable innovation is one where, if you make an investment, you have the opportunity to make a return."
Now, that's a great (by which we mean, useless) statement, because it's obviously true. Who would ever deny that? But it's a sneaky and disingenuous statement, because it implies something that's simply not true: that without copyright or without restrictive licensing, the investors do not have an opportunity to make a return. As we've shown over and over again, plenty of content creators who "free" their IP have not only made a return, but have made a better return than they did under older models that relied on copyright. But it's a sneaky trick that's often used by folks in this debate. You set up this strawman argument and then knock it down, despite the fact that no one ever made the argument, and you argue that something is fact (that you can't make a return) when it's empirically false. It's frustrating that this argument still gets made and people should really start calling the folks who make it out whenever they state such falsehoods.

Later, he talks about the "losses" from piracy, insisting that the findings come from a "sophisticated" analysis, not just from counting all downloads as lost sales. Of course, these numbers came from the same study process that led to some results that even the MPAA (of which Viacom is a major member) had to later admit were bogus. This is also the same "sophisticated analysis" that includes ripple effects in one direction only, so it's actually double, triple, quadruple, quintuple counting some numbers, while totally ignoring how those numbers actually help the industry in other ways. So, sorry if I don't take those loss numbers seriously, no matter how "sophisticated" he thinks they are. They're not. They're only "sophisticated" in how misleading they are.

He does have a short discussion on RealNetworks' RealDVD offering, which he implies enables piracy -- even as he admits he wants the functionality, where he could move a copy of a legally purchased DVD to his hard drive for backup or other viewing, but says his "concern" is that people would do this with Netflix DVDs. He believes that the problem with this is that RealNetworks had to break the encryption put in place by the studios. Notice, again, what Fricklas conveniently leaves out. First, he leaves out the fact that it is already legal for people to make backup copies of content they legally own -- but, thanks in part to Hollywood lobbying, Hollywood itself can block that right, simply by putting encryption on something and then saying that you can't circumvent it without breaking the law (thank you, DMCA anti-circumvention clause). He also leaves out (conveniently) the fact that RealDVD doesn't actually "break" the encryption and that the resulting copy still includes DRM that prevents copies. The fact that he's "concerned" about the Netflix model is of no consequence whatsoever. McDonalds is "concerned" about Burger King, but that doesn't give them a legal right to block them from being in business.

Then he pulls out the ever popular "$200 million movie" myth, which I thought was a favorite of NBC Universal, but I guess Viacom is going with it now as well. It's not a myth that there are movies that cost $200 million. The myth is that people want movies that cost that much. No one watching a movie cares how much it costs. They want good movies, no matter how much they cost. I'm sure people would like some $1 billion or $100 billion movies as well, but that doesn't mean we need to grant Viacom extra special legal privileges to make sure it can make a $1 billion or $100 billion movie profitably. People like good movies. Viacom wants to make profitable movies. We agree. But the $200 million number is meaningless. There are ways to make good movies for both less and more than $200 million and there are ways to make profitable movies even in the face of piracy. The claim that piracy undermines the $200 million movie, which is some sort of "necessity," is simply not supported.

On top of that, he tosses out the debunked claim that if something is "free" it means it's devalued. That's simply not true, no matter how many times people repeat it. If it were true, and the content had no value, no one would want it. Value and price are two separate things.

Then, he discusses the "Kanye West" MTV Video Awards "Imma let you finish..." example, by talking about how Viacom used various filtering tools to pull that clip off of various "unlicensed" user uploaded video sites. But he also talks about how they drove people to use the official Viacom clip, which allowed them to "participate in the benefit" of the video. Now, that's interesting, and it's great that they put their own clips up and made them embeddable. But, again, it's important to note what he left out. In forcing everyone to view the content through Viacom directly, it also increased Viacom's own cost in terms of bandwidth. The advantage of letting others help host and distribute the content is that it actually eases that cost.

His discussion on kicking people off the internet via a "three strikes" mechanism is getting much of the attention on other sites, because he mentions, totally in passing, that suing users "feels like bullying." This may sound like a big deal -- and certainly some other sites (and industry lawyers) are making it out like a big revelation, but it's not. The movie industry has never sued individuals for such things -- only the recording industry has. And even way back in the Jack Valenti days, he talked about why he didn't like the idea of suing individuals. So, this isn't a shift in positioning at all. Rather, it's a repeat of the new silly strategy of some in the industry to try to pretend that kicking people off the internet is "consumer relief." Not quite. Shooting someone in the leg instead of the head is certainly "better," but I doubt that the person shot in the leg considers it "relief."

Oh yes, he also fails to explain how any of that will make more people buy.

Towards the end of that discussion, though, he makes another interesting statement, saying that: "there's no way to deal with this problem other than to move viewing into licensed contexts." Except, that's not true. There are other ways. It's called setting up a business model where people actually do have a reason to buy things, whether they view the content in a licensed or unlicensed manner. I recognize he's on the legal side, rather than the business side, but the idea that the "only" way to deal with piracy is to attack it, rather than embrace it, is a position that the industry long ago should have learned was a mistake.

His final point is discussing how DRM "enables new business models," and he more or less dismisses criticism of DRM as really just being criticism of "bad" DRM (of which there is plenty). However, what struck me, was how none of the "new business models" he described actually required DRM at all. You could do them all in some way entirely without DRM. All the DRM does is add restrictions. Of course, rather than adding restrictions, why doesn't the industry focus on employing new business models that give users more and make them want to buy, rather than trying to enforce artificial limitations?

On the whole, it is an interesting video, and well worth watching, but it conveniently misstates or leaves out important facts throughout. Unfortunately, the Q&A session that follows the presentation wasn't included, so I have no idea if any of the students challenged some of his assertions or pointed out some of the points that he left out. Anyway, maybe we can hope that Fricklas is, in fact, an occasional reader here and can stop by to address those questions and omissions.

56 Comments | Leave a Comment..

 
News You Could Do Without

News You Could Do Without

by Mike Masnick


Filed Under:
blogging, entertainment, reporting, roger ebert

Companies:
associated press



AP Gets It Wrong Again: Wants To Restrict Certain Reports To 500 Words

from the you're-not-bloggers dept

It seems that the Associated Press continues to struggle to figure out how to deal with this whole online thing. It's still trying to revamp its pricing structure after a bunch of newspapers canceled their contracts as they were pretty pissed off that the AP is effectively competing with its own member papers. The AP has also had a bit of a run-in with bloggers over its ridiculous fair use policies. Its latest move seems to, once again, be getting pretty much everything backwards. Famed film critic Roger Ebert is complaining that the AP has sent down word from on-high that all entertainment articles must be 500 words or shorter -- including film reviews, interviews, news stories, trend pieces and (best of all) "think pieces." Apparently, if you need more than 500 words to get people thinking, you're a bit too verbose. On top of that, the AP is asking those same entertainment writers to focus on more salacious, attention grabbing stories in picking what to write.

It's not difficult to see what's going on here. The AP is trying to be more "bloggy." Shorter, more attention grabbing pieces? Apparently, it's decided that people online only want to read the quick hits on salacious stories. Of course, despite what some may think, that's not really true. The AP has an opportunity to be better than all of that. It could draw serious attention by creating real content that people want, rather than running after the latest fad. But, apparently, that's not in the AP's plan. It has the resources to do what various small-time blogs can't do, but apparently, it's going in the other direction. Perhaps it's not too surprising, but it's no less a mistake.

Yes, short, attention grabbing stories get traffic, but that doesn't mean good, thorough journalism would get ignored. The problem the AP is having isn't that its stories are too long, or not attention-grabbing enough. It's that it still views itself as a gatekeeper of information, rather than an enabler of both news gathering and news distribution. Of course, with each misstep by the AP, others are quickly moving in to take its place.

9 Comments | Leave a Comment..

 
Overhype

Overhype

by Mike Masnick


Filed Under:
advertising, cars, content, entertainment

Companies:
kia



Kia Decides That It No Longer Wants Its TV Commercials To Be Entertaining

from the um...-why? dept

For a while now, we've been pointing out how, for advertising to be effective, it also needs to be good content that people don't just "not mind" seeing, but which they're willing to actively seek out. It appears that automaker Kia has decided to go with the exact opposite strategy. Reader Brooks writes in to point us to the news that Kia's new marketing director in the US doesn't want people entertained:

"We don't want to spend a good chunk of our time in a 30-second spot trying to entertain people."
That's part of his plan to move away from a series of rather entertaining commercials that have provided plenty of free advertising for the firm, as people passed them around virally. Apparently, Kia would prefer that no one help them advertise and, indeed, that no one actually watches their ads. Time to think again, Kia. If you want advertising to be effective, it does need to entertain people.

35 Comments | Leave a Comment..

 
Culture

Culture

by IC Expert,
Timothy Lee


Filed Under:
ads, advertising is content, commercials, entertainment, live commercials, television



Live Commercials Work Because They're Entertaining

from the advertising-is-content dept

One of the points we've been making for years is that advertising is content. That is, as people have more and more media options, advertisers can no longer assume they have a captive audience who will watch ads because they have nothing better to do. Rather, advertisers have to make their ads entertaining, so that people will want to watch them. The latest example of this is a New York Times article about how TV networks are bringing back the live commercial. For example, Jimmy Kimmel has been doing amusing live pitches for Nikon, Pontiac, and Quiznos on his late night show, and Jay Leno hosted a silly American Gladiators segment on his show to sell Klondike bars. Hollywood executives have a bad habit of viewing commercials as the spinach viewers have to eat in order to get the content they're actually interested in. But these examples illustrate that commercials don't have to be boring. With a little ingenuity, and funny pitchmen like Kimmel and Leno, commercials can be made interesting enough that consumers are actually interested in watching them. Part of the reason people hate commercials is that they're so repetitive, but live pitches can help break up the monotony by performing the pitch differently every time. And once commercials are actually interesting, the TiVo "problem" goes away, because even most consumers who have PVRs with commercial-skipping functions won't use them because they're actually interested in watching the commercials.

Timothy Lee is an expert at the Insight Community. To get insight and analysis from Timothy Lee and other experts on challenges your company faces, click here.

13 Comments | Leave a Comment..

 
Say That Again

Say That Again

by Carlo Longino


Filed Under:
entertainment, media, movie downloads, movies

Companies:
blockbuster, movielink



Surprising Survey Results Reveal That Movie Download Sites Do, In Fact, Suck

from the how-much-clearer-can-we-be? dept

It's incredibly obvious -- to everybody but the Hollywood movie studios, apparently -- just how bad movie-download sites are. When the first studio-backed efforts launched several years ago, the problems were clear. In the following five years, they haven't been fixed, despite plenty of reviews pointing them out. The studios made "protecting" their content with ridiculously restrictive DRM their top priority; delivering a good user experience came in somewhere down towards the bottom. Now, a new study has yet again pointed out that consumers don't like these services, and yet again makes it clear why: poor selection, unreasonable prices, poor quality. Add in the general difficulty in getting video from the services to users' TVs, and you've got a recipe for failure. These are many of the same points that have been made over the download services' lifetime, but that the studios and companies running the services have largely failed to address. It's little wonder, then, to see a site like Movielink, the studios' own download site, get sold at a huge loss since it's going to take wholesale changes to give it any chance of success.

8 Comments | Leave a Comment..

 
Overhype

Overhype

by Carlo Longino


Filed Under:
entertainment, itunes, music, record labels

Companies:
apple, emi, universal music



Universal Music To Test DRM-Free Sales, But Perhaps For The Wrong Reasons

from the nose-cut-spite-face dept

Following the lead of rival record label EMI, Universal Music says it will later this month begin selling DRM-free music downloads through a variety of sites -- but not through Apple's iTunes Music Store. Apple and Universal have a long-running spat which culminated in Universal's refusal last month to to renew its iTunes Music Store contract. While its music is still sold through the store, Universal could yank it at any time. Universal's decision not to give Apple the unprotected tracks seems like little more than an attempt to reduce its influence in the music market -- which is a little ironic, considering that it was the record labels' insistence on using DRM that made Apple so powerful in the space. Making the unprotected tracks available through other retailers is about the only way that Universal can fight back, but it's hard to see the benefit in not selling the product through iTMS, given its popularity. The problem for Universal is that few people pay attention to what label artists' records are on, so they're not going to go, "Oh, 50 Cent is on Universal, so I should go to Amazon to buy his unprotected MP3s." If they're an iTMS user, they're generally just going to look and see if the 50 Cent songs they want are available there, then download them. In that case, they're going to purchase the cheaper, DRM-encumbered track, since it's what's available, and Universal misses out on the chance to sell them a higher-priced unrestricted track. The core of the label's disagreement with Apple is pricing -- but their attempt to strike some sort of blow against the company will, in all likelihood, only end up hurting themselves.

13 Comments | Leave a Comment..

 
Deals

Deals

by Carlo Longino


Filed Under:
downloads, entertainment, movies

Companies:
blockbuster, movielink



Blockbuster Takes Movielink Off Studios' Hands For A Pittance

from the on-the-cheap dept

Movielink, the movie download site started by major movie studios, has been up for sale for quite some time. The studios have had a hard time finding a buyer, though, because it's blindingly obvious (to everybody but the studios, apparently) just how badly the site sucks. The studios' desire to lock down the content with restrictive DRM, along with other flaws make the site wholly unattractive for users. It now looks like the studios have finally talked Blockbuster into buying Movielink at a fire-sale price -- less than $20 million, according to the WSJ, compared to the $100 million-plus the studios pumped into the site. Blockbuster may have picked up some download infrastructure on the cheap, but if it hopes to wring any sort of success out of Movielink, it's going to have to completely change the way the site works. But the studios wouldn't let that happen before, since controlling the content was their top priority; since they'll still be licensing the content to Blockbuster, it's unlikely that they'll let it remove any of the barriers to uptake they've put in place.

12 Comments | Leave a Comment..

 
Ramblings

Ramblings

by Carlo Longino


Filed Under:
books, entertainment, piracy

Companies:
barnes & noble



Harry Potter Will Conjure Up Big Sales, Despite Piracy

from the it's-a-magic-trick,-apparently dept

A few weeks back, Michael Moore's latest film, Sicko, was released and fared pretty decently at the box office, despite being available on P2P networks -- a situation one hyperbolic article described as "every film maker's worst marketing nightmare." That's a story that's played out time and time again, as the mere availability of pirated content hasn't held back the sales of legitimate content. Now, stories about the latest Harry Potter book being available on file-sharing networks are starting to come in, ahead of the book's release this weekend. This news isn't being met with the same level of media freakouts as when a reporter discovered Sicko online, with even the CEO of Barnes & Noble saying it "won't sell a single copy less" of the book despite it being available for free online. The biggest reason for this is the inconvenience of the pirated copies: they're huge PDFs, reportedly of low quality. To approximate the book-reading experience, users would have to print out all the pages, which could be time-consuming and expensive, while reading the book on a computer screen or monitor wouldn't be a lot of fun for many people. This draws parallels to other forms of piracy: for instance, while most new movies are available for free from file-sharing networks, plenty of people still want to pay to watch them in a theater, for a variety of reasons. Certainly there are people who will overlook any amount of drawbacks to get free content; chances are they wouldn't pay for legitimate content anyway. But there remains a large market of people who are perfectly willing to pay for content -- so long as content producers can provide them with sufficient value.

48 Comments | Leave a Comment..

 
Legal Issues

Legal Issues

by Carlo Longino


Filed Under:
entertainment, lawsuits, music

Companies:
riaa



RIAA Says It Shouldn't Have To Pay Legal Fees Because Woman Didn't Settle; Judge Says Think Again

from the a-new-low dept

Despite the RIAA's astounding legal gymnastics and its questionable -- if not illegal -- investigative techniques, it typically finds a way to wiggle out of paying the legal bills of anybody it has sued in its misguided legal campaign against record labels' customers. Though there's been a few exceptions, the group's strategy of dropping cases when people notice their flimsy evidence seems to generally shield them from having to pay costs. That's a real problem, since it makes it very easy, and relatively cheap, for the RIAA to abuse the legal system by filing thousands of suits, then suffer no repercussions when it drops them after they're exposed as bogus. Hopefully, though, that's starting to change, as more judges become aware of the RIAA's tactics, or at least pay attention to the facts of its cases. A judge in Oklahoma has now ordered the RIAA to pay $70,000 in legal fees to an Oklahoma woman, after tossing out the group's suit against her earlier this year. In this case, the RIAA didn't make a very good impression on the judge by claiming that they shouldn't have to pay the defendant's legal bills because she could have avoided being sued, had she "appropriately assisted their copyright infringement investigation and litigation" -- which means had she given in to their bullying and accepting one of their generous settlement offers. That's absolutely ridiculous, as the judge noted, since it steamrolls a defendant's right to defend themselves against bogus suits. It's up there with the RIAA's promise in another case not to incorrectly sue a woman a second time, as long as they didn't have to pay her legal bills for the first time they wrongly sued her. The RIAA has gotten away for far too long with bending the legal system to fit its desires; hopefully those days are coming to an end.

24 Comments | Leave a Comment..

 
Legal Issues

Legal Issues

by Carlo Longino


Filed Under:
copyright, entertainment, music

Companies:
allofmp3, ifpi, visa



Russian Court Says Visa Can't Cut Off AllofMP3 Unit

from the denied dept

Earlier in the month, Russian authorities shut down the well-known Allofmp3.com site, following complaints from the US government -- and the implication that if they didn't do so, the US would make it hard for Russia to join the World Trade Organization. Of course, the people behind Allofmp3 quickly set up shop at another URL, and went about their business selling dirt-cheap digital music. It's today been reported that Alltunes, another site owned by Allofmp3's parent company, has won a court case against Visa's Russian agent, after Visa refused to process its payments. As the company points out, it's never been convicted of illegal activity, and Visa cut it off after complaints from the IFPI, the international equivalent of the RIAA. It's not clear to what extent Visa and its agents can be forced to =offer their services to a business, however the Allofmp3 folks are correct when they assert that it's not Visa's -- nor the IFPI's -- right to decide when copyright's been violated, particularly when they don't hold any of the copyrights in question.

36 Comments | Leave a Comment..

 
Overhype

Overhype

by Carlo Longino


Filed Under:
dvd, entertainment

Companies:
blu-ray, hd dvd, sony, toshiba



74 Percent Of Nothing Is Still Nothing

from the hot-air dept

The group behind the HD DVD format in Europe claims that it has 74 percent market share of the next-gen DVD market in a handful of western European countries. Of course, they're not including Sony PS3s, which have a Blu-ray drive, in their count, but the bigger point is that they're claiming 74 percent of a miniscule market. This contrived stat, like Toshiba's claim of 60 percent share of the US market, glosses over the problems that are holding it back: DRM that breaks legitimate customers' players, low perceived benefits and high prices. Apparently, though, the HD DVD folks would rather claim to have a big share of a tiny market than to have any share in a market that's actually meaningful. Update: Just in case anybody cares, the Blu-ray people say they're actually the market leaders.

19 Comments | Leave a Comment..

 
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