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Politics

Politics

by Mike Masnick


Filed Under:
acta, copyright, counterfeiting, evidence, lobbyists, secrecy

Companies:
a2im, aap, aftra, ascap, asmp, bmi, disney, gda, iatse, ifta, mpaa, nbc universal, news corp., nmpa, paca, ppa, reed elsevier, riaa, siia, time warner, viacom, warner music group



Entertainmnent Industry: Yes, Please Keep Negotiating Secret Copyright Treaty To Save Our Asses

from the yeah,-that's-convincing dept

Sherwin Siy (one of the few people who actually was allowed to glance briefly at parts of the proposed ACTA treaty, though under strict NDA) has written about yet another letter sent by the entertainment industry to the government in support of ACTA. This letter includes pretty much everyone who benefits from abusing copyright laws and is afraid of the internet:

Advertising Photographers of America
American Association of Independent Music (A2IM)
American Federation of Television and Radio Artists (AFTRA)
American Society of Composers, Authors and Publishers (ASCAP)
American Society of Media Photographers, Inc. (ASMP)
Association of American Publishers (AAP)
Broadcast Music, Inc (BMI)
Commercial Photographers International
Directors Guild of America (DGA)
Evidence Photographers International Council
Independent Film and Television Alliance (IFTA)
International Alliance of Theatrical Stage Employees (IATSE)
Motion Picture Association of America, Inc. (MPAA)
National Music Publishers Association (NMPA)
NBC Universal
News Corporation
Picture Archive Council of America (PACA)
Professional Photographers of America (PPA)
Recording Industry Association of America (RIAA)
Reed Elsevier Inc.
Society of Sport & Event Photographers
Software & Information Industry Association (SIIA)
Stock Artists Alliance
Student Photographic Society
The Advertising Photographers of America
The Walt Disney Company
Time Warner, Inc.
Universal Music Group
Viacom Inc.
Warner Music Group
Funny... isn't it, that all these companies and industry groups are supporting a deal that no one's seen yet? Oh wait... that's because many of them have seen it and actually have had a hand in creating it. But what's really damning is that no where in the letter do they explain why this is actually needed or how it will do anything valuable. Instead, it's a pure faith-based letter saying "if you pass this secret treaty, good things will happen." I don't know about you, but generally, I prefer there to be actual proof and evidence that restricting consumer rights around the world actually leads to some sort of real benefit.

Tellingly, they don't respond to any of the points we raised earlier. This is not a treaty to help people or the economy. It's a deal to try to sneak through a system for propping up an obsolete business model by companies who don't want to adapt.

11 Comments | Leave a Comment..

 
Politics

Politics

by Mike Masnick


Filed Under:
acta, copyright, counterfeiting, lobbyists, secrecy

Companies:
mpaa



No, ACTA Secrecy Is Not 'Normal' -- Nor Is It A 'Distraction'

from the don't-make-us-laugh dept

Over the last few weeks people who are actually concerned about individual rights have done a decent job sounding the alarm about the problems with what little we've seen of the ACTA negotiations. In the last week or so, those who work for the entertainment industry have suddenly started scrambling to respond, after realizing that more and more people are starting to pay attention and to worry about ACTA. However, it's been pretty funny to watch the desperate attempts by industry lawyers to try to paint this all as much ado about nothing (with gratuitous swipes at those of us who have called attention to what's going on).

One of the points they make is to say that the "secrecy" is no big deal, because it's "normal" for such negotiations to happen this way. This was what the USTR stated earlier this year when the question was raised, but unfortunately, the facts (and common sense) simply don't support that claim at all. If you look at the transparency level on many other international agreements, including well known ones concerning WTO, WIPO, WHO, UNCITRAL, UNIDROIT, UNCTAD, OECD, Hague Conference on Private International Law and many others, you see that they are significantly more transparent and/or have clear procedures in place for concerned parties to take part in the discussions. That is not the case with ACTA.

A second point they make is that if the end result is really bad, countries can simply decide not to sign it and not to participate. Yes, stop laughing. It's as if they think that we're all idiots who haven't seen how lobbyists have historically relied on the line "but we must live up to our international obligations" to push through all sorts of laws the public does not support.

A third point raised is that this isn't a "treaty" but a "sole executive agreement," so we shouldn't worry since it can't change the law. Except, by categorizing it as such, it's actually a loophole that could potentially take Congress out of the process of reviewing or approving anything that's in the agreement, and then just wait for the "but we must live up to our international obligations" to start pouring out of lobbyists and industry lawyers' mouths.

A fourth point of attack is that some of the descriptions of what's being discussed are inaccurate. Well that's funny since a big part of the problem is that we're not even being shown what's being discussed. So, yes, as we've been clear, this is an ongoing negotiation, and the final results may differ from what bits and pieces have been leaked. But, what is leaked has suggested that some very, very bad things are at least on the table, and making that clear and opening up the discussion is important, no matter how much the lawyers don't want anyone interfering. Separately, as you would expect, some of the language used to date in the leaked reports suggests the usual legal games are being played, so that when people point to something and say that opens us up to a bad thing, the lawyers can say "oh, that's no different than what we have already." Just like the RIAA did back when they wiped out musicians rights to reclaim their music (thankfully, only temporarily). But if you actually understand the details, you know that the subtle language choices are all chosen very carefully to drive future legislation. You can see this by simply monitoring what's happening in South Korea now, since that's what the new agreement is supposedly "modeled" on. And, it's not pretty. Various user-generated content sites are severely limiting what users can do, to the point that they're barely recognizable as UGC sites any more. Liability pointed at service providers are scaring them into massive limitations. That's not the sort of world most of us want to live in.

Finally, the ACTA supporters claim that because the administration showed a very small group of consumer rights folks, such as Public Knowledge, a draft of the document, that consumer groups are "a part of the process." That doesn't take into account the level of access. Whereby industry lobbyists had a large hand in drafting ideas and suggestions for parts of the legislation, a Public Knowledge representative was involved on "very short notice" in an initial hour-long meeting whereby they were allowed to look at the text, but not copy it, and then a further short discussion about a revised copy -- but the process included NDAs that prevent much discussion about what was seen. That's not serious involvement.

Finally, as I was writing this, Jamie Love pointed out that the MPAA has sent a letter in favor of ACTA, which is chock full of laughter inducing falsehoods (such as claiming the entire motion picture industry is at risk, even as it's having its best year ever). But the most ridiculous is this:

"Outcries on the lack of transparency in the ACTA negotiations are distraction."
Yes, that's right, making sure that the public knows what the hell its government is signing up for is a "distraction." Could the MPAA's lawyers be any more obvious in brushing off the concerns of the public than by calling it "a distraction." To the MPAA this is all about propping up its business model and stopping competition from online sources. The public doesn't matter. As Jamie Love notes, "transparency isn't a 'distraction.' it is an obligation of governments, to those it wants to govern."

So, yes, perhaps some of the discussion has suggested things that will go beyond what's actually in the document, but it's hilarious to see industry lawyers suggest that those concerned about our rights are "creating a moral panic" when the only reason there's concern at all is because the public is not even allowed to see what's being discussed. Want to end the rampant speculation? Release the documents and let the public take part in the process. The MPAA's letter and the sudden whining from industry lawyers shows what this really is: yet another attempt by one particular industry that refuses to adapt to a changing marketplace, looking to governments to prop up their existing business model at the expense of innovation, consumer rights and upstart competitors.

23 Comments | Leave a Comment..

 
Politics

Politics

by Mike Masnick


Filed Under:
cable companies, drm, hollywood, selectable output control, soc, tv

Companies:
mpaa, ncta



Cable Industry Joins MPAA In Asking FCC To Allow Them To Stop Your DVR From Recording Movies

from the without-any-reason dept

Ars Technica has allowed the cable industry lobbyists' top lawyer to explain why the cable industry supports breaking your DVR in a misguided effort to add more windows to movie releases. Not surprisingly, he simply repeats the MPAA's flat out lies and misrepresentations on this particular issue. For example, he claims that the movie studios need this or they won't get content out to the industry early enough. But that's wrong. There is nothing stopping the movie studios from releasing content whenever they would like. In fact, we've already seen that some of the major studios are releasing movies in exactly this manner (prior to DVD release), despite claiming that it's impossible to do so without enabling this form of DRM.

If the movie industry wants to add a new window where they release movies for pay-per-view offerings before they come out on DVD, there is nothing stopping them from doing so today. Nothing.

The claim that this is about preventing "piracy" is flat out bogus. Even the movie studios themselves claim that nearly every movie is already "pirated" by the time the movies hit the theaters. And these pay-per-view offerings (they like to call them video on demand, but it's really pay per view) are for a window later than the theater release. So the movies will already be available via unauthorized channels. That won't change at all.

So, what are we left with? The two main arguments simply don't make sense at all. There's nothing stopping the studios from adding this window now. And enabling selectable output control (SOC) to stop your DVR from recording these movies won't do a damn thing to reduce unauthorized file sharing of the same content. The only thing it will serve to do is make legitimate customers pissed off, because they'll be confused and annoyed when the DVR they purchased to record what comes out of their TV sets refuses to record this movie that they legally are accessing, but want to time shift (which, again, is perfectly legal).

Contrary to the MPAA and the NCTA's bogus claims, this has nothing to do with enabling some "awesome" new service. This has everything to do with trying to lock down your TV and DVR in an age when consumers are finally getting back some control. What's amusing, of course, is that this comes just as the TV industry is finally realizing that letting consumers do what they wanted with DVRs didn't harm the TV industry, but helped it. One of these days, maybe the MPAA and the NCTA will come to that realization as well. In the meantime, though, they want to get a foot in the door to let them stop your DVR from working as advertised, in the misguided belief that they need to push back on what legitimate consumers want to do with the content they watch.

45 Comments | Leave a Comment..

 
(Mis)Uses of Technology

(Mis)Uses of Technology

by Mike Masnick


Filed Under:
muni-wifi, takedown

Companies:
mpaa, sony pictures



MPAA/Sony Pictures Realizes That Shutting Down Muni-WiFi Over Single Download Was A Bad Thing

from the back-up dept

Last week, we wrote about the ridiculous situation, whereby the MPAA had an entire muni-WiFi network shut down because one person using that system had downloaded a single film. The story ended up getting a fair amount of press, and it looks like the MPAA and Sony Pictures in particular, quickly realized that this was really, really bad publicity for the company. After the company got bombarded by complaints, Sony Pictures contacted the town and asked them to turn the WiFi back on, while also claiming it could help the town set up tools to block such things in the future. Of course, as Broadband Reports notes in the above link: "Of course if the MPAA and Sony had approached the network owners like human beings in the first place -- instead of engaging in the kind of scorched earth tactics they've employed for several years now -- they probably wouldn't have gotten the bad press to begin with." But, acting like human beings in the first place isn't the sort of thing the industry does well.

36 Comments | Leave a Comment..

 
Wireless

Wireless

by Mike Masnick


Filed Under:
copyright, mpaa, muni-wifi, piracy, shut down, wifi

Companies:
mpaa



MPAA Gets Town To Turn Off Free Muni-WiFi Over Single Unauthorized Movie Download

from the the-internets-must-die dept

Dan alerts us to the news that the free muni-WiFi system used around the Coshocton’s County Courthouse in Northern Ohio was shut down over a complaint by the MPAA over a single unauthorized movie download. Amazingly, rather than admit that perhaps that was going a bit too far in punishing everyone in that town over a single individual's usage, the MPAA couldn't resist the opportunity to complain about the evils of movie piracy again. The MPAA doesn't seem concerned at all about the collateral damage, and just thinks that it's a good opportunity to push ahead with its misguided complaint against file sharing.

53 Comments | Leave a Comment..

 
Politics

Politics

by Mike Masnick


Filed Under:
drm, hollywood, selectable output control, soc, tv

Companies:
fcc, mpaa



FCC Poised To Let Hollywood Break Your TV And DVR

from the based-on-nothing dept

Earlier today, we wrote about how even the MPAA's own members have shown they don't need to break your TV and DVR with selectable output control in order to release video-on-demand movies prior to DVD releases. Yet, if you hadn't noticed, the MPAA has been on a big rampage lately insisting that they need to do this to add yet another window to its release schedule. That's because the way Hollywood thinks is that they only way to make money is to take away what consumers want and, instead, add more annoying "windows." This is faulty thinking. However, it's even more faulty to claim that they need to break your TV and DVR to release this content. The MPAA's basic argument is that without this, there will be piracy -- but even the MPAA admits that every movie is pirated by the time it's in the theaters (i.e., before it would need this window).

Want to know why the MPAA got 60 Minutes to run its propaganda piece on movie piracy this week? Because it knew this fight was close to a deciding point, and a little moral panic might help tip it over the edge into Hollywood's favor.

For a while, the FCC has pushed back and refused to grant the movie studios an exemption in order to break your TV, but word is coming down that, despite promises to make decisions based on "evidence," the FCC is ready to give in and let the MPAA break your TV and DVR in order to stop you from recording the movies it releases. Why? There's no good reason at all, other than the administration's cozy relationship with Hollywood these days. The industry's own actions show that this will do nothing to make it easier for it to release movies earlier. The industry's own claims show that it will do nothing to decrease piracy.

The only thing it will do is harm millions of consumers who believe their TV and DVR should work the way they were intended to work.

Public Knowledge is asking people to send a letter to the FCC, protesting this decision. I'm not a fan of "form letters," but I would suggest reading over the suggested letter and then crafting your own (polite, well argued) version, and sending it to the FCC. Hopefully the FCC realizes that breaking your TV and DVR for the sake of protecting Hollywood's billions (which still continue to go up) is not progress. It's a blatant attempt to take away consumer rights.

79 Comments | Leave a Comment..

 
Say That Again

Say That Again

by Mike Masnick


Filed Under:
broadband policy, copyright, fcc filing, moral panic, movies, propaganda

Companies:
fcc, mpaa



MPAA Tells The FCC: If We Don't Stop Piracy, The Internet Will Die

from the moral-panic dept

Never let it be said that the folks in Hollywood aren't good at coming up with a totally fictional horror story. I just have a problem when they use it not to entertain, but to create a moral panic to push the government to pass laws in their favor. In discussing the recent 60 Minutes piece that was really nothing more than an MPAA scare tactic, some suggested that it was really just a first step in the process of getting the government to make sure net neutrality rules had a special Hollywood exception. So, it's interesting to note that just before that 60 Minutes episode aired (and just before Halloween), the MPAA sent a "scary" filing to the FCC warning it how the US would always be a broadband laggard if it didn't stomp out piracy. The full filing (warning:pdf) claims, repeatedly, that piracy is sucking up all our bandwidth and getting rid of that would somehow make it cheaper to install faster internet connections.

The Commission has projected that it could cost $350 billion to ubiquitously deploy broadband networks capable of delivering 100 Mbps, which is rapidly becoming the international standard. The Commission, however, should not ignore that illegal content accounts for a vast amount of online traffic. Thus, it could generate substantial savings in this tremendous build-out cost -- to be borne by both government and private sector investment -- by encouraging construction of networks that are designed not on the basis of accommodating capacity-hogging transmissions of unlawful content but rather with the goal of providing consumers a rich broadband experience.
And, of course, it pushes for kicking file sharers off the internet (it hides this by calling it "graduated response," of course, rather than the more common term "three strikes"). The filing also goes on about how the MPAA is just so sure that ISPs can stamp out piracy, and because of that, it thinks the government should force them to get on it.

The MPAA wastes little time mocking those who disagree with its position, and suggesting that the FCC "pay no heed" to consumer concerns:
[The] Commission should pay no heed to assertions by some members of the advocacy community that the problem of content theft can be ignored because some amount of legitimate e-commerce already occurs through vendors such as iTunes.... The same holds true for the preposterous notion that the law should be ignored unless a property owner can demonstrate that a thief, in the absence of stealing, otherwise would have legitimately purchased a stolen product. A shoplifter who steals a DVD from a store in a mall is not immune from security intervention, let alone prosecution, simply because he might not have planned to buy the product that he attempted to steal.
Except, of course, there's a huge difference there. If someone steals a DVD it's no longer there for someone else to buy. If someone who never would have purchased the movie views it online there's no loss. it's difficult to see how the MPAA can simply ignore this while assuming that FCC commissioners are too stupid to grasp this rather simple economic concept.

But where the filing really comes into its own in being laughably funny is where it tries to claim that if the FCC doesn't do this, the internet will effectively die. How does it get there? Well, first, it claims that the reason people use the internet is to view content from Hollywood. And, if file sharing keeps up, there won't be any of that content left, and then why would anyone use the internet? Think that's an exaggeration? How else do you interpret this:
Quite clearly, it is the promise of access to the content flowing over the Internet's network architecture that motivates Americans to adopt broadband. The Internet without content would be nothing more than a collection of hardware; a series of computer links and protocols with great capacity to communicate but nothing to say. Television once was unfairly derided as little more than a toaster with pictures. In the absence of compelling content, the Internet would offer consumers even less value than that proverbial toaster. It is the content that flows over and through the Internet that makes the breakthrough technology so potentially powerful.
Yes, because even though the internet existed for decades before the folks at the movie studios had even heard of it, they had nothing to say, at all, until people could start sharing the latest camcorded blockbuster. Do they really think people are this stupid? Sorry, Hollywood, but it's not "the content" that you're thinking about that makes the internet so powerful. It's the ability to communicate. Sure, the content is a nice-to-have, but the internet grew and grew because it let people talk to each other, not because it was another broadcast medium. This fantasy story by the MPAA also leaves out the fact that more content than ever before is being produced today, even as "piracy" numbers have gone up. And, oh yes, once again, the movie business is hitting record highs at the box office. Funny that the MPAA seems to spend so much time insisting that its industry is dying, while leaving out the record revenue bit. Instead, it just keeps jumping out and yelling that piracy will kill the movie business...

And then it gets into rewriting history, by insisting that every new technology is only successful if the big media companies support it:
Throughout history, whenever transformative communications technologies have captured the imagination of consumers, compelling content has been the vehicle for forward progress.
Apparently, the MPAA is unfamiliar with the telephone. Hopefully, the FCC is a bit more familiar with that particular technology.

The filing goes on and on like this, designed to "scare" the folks at the FCC with a bit of a moral panic, but only inducing laughter (good show, Hollywood) from anyone with any actual understanding of technology, history and copyright. Another favorite tidbit is the MPAA's demand that the FCC not pay attention to how incredibly screwed up every single attempt at using technological measures to stop piracy has been in the past:
MPAA does not want the Commission's consideration of the important overarching issue of unlawful online conduct to be derailed by backward-looking debates about the pros and cons of any given technology, particularly those that already have been surpassed by new innovations. MPAA firmly believes that future developments will yield an entirely new generation of ever-more-sophisticated online protection technologies.
In other words, please ignore how badly we've screwed up in the past. Don't worry about things like rootkits and security vulnerabilities we've created. Also, ignore the fact that DRM doesn't work and only punishes our legitimate customers while driving more people to piracy. That would be a waste of time. Really.

And finally, I leave you with the most stunning statement of all, along those lines. One that I'm amazed the MPAA lawyers let go through in this filing, because it absolutely has to come back to haunt the MPAA in the future. In responding to concerns from lots of different people, including consumer advocates and consumer electronics firms that the various technological protection measures the MPAA wants to force on ISPs will harm, the MPAA states:
That a tool intended to stop unlawful conduct could be put to ill use, however, is not an argument for prohibiting the use of the tool....
Wait... isn't that exactly the argument that the MPAA has used for years against every new file sharing technology out there? Wasn't it the crux of the Grokster lawsuits? That because the tool could be put to ill use, it needed to be prohibited? Yet, now, suddenly it doesn't want its own technologies prohibited just because they can be put to "ill use." Double standard, much?

This is nothing but a typical moral panic from Hollywood. They are storytellers out there, and they know how to craft a horror story. Hopefully, though, the FCC reviewers of this particular fantasy will give it the thumbs down for simply being totally unbelievable.

67 Comments | Leave a Comment..

 
Politics

Politics

by Mike Masnick


Filed Under:
copyright, dan glickman, france, lobbyists, rick cotton, three strikes, tom sydnor

Companies:
mpaa, nbc universal, pff



France Agrees To Kick File Sharers Off The Internet Again; Lobbyists Call It 'Consumer Relief'

from the up-is-down,-black-is-white,-you-said-what-now? dept

There isn't a huge surprise in the news that France has once again passed a law to force ISPs to kick accused (not convicted) file sharers off the internet under a draconian "three strikes" system. We all knew this was coming. After the original French three strikes law was gutted as being totally unconstitutional, French President Nicolas Sarkozy (who apparently doesn't believe any such law should apply to him, given his history of mass piracy) insisted that such a law was necessary to defend freedom. Yes, really. And, even as France's cultural minister was planning to get multiple internet connections just in case he got cut off -- while also wishing that his own creative content were "pirated" more often, the French gov't went back to work on putting in place such a law. The big "change" this time was to give judges 5 whole minutes to rule on file sharers, so that they could say a judge oversaw the case, rather than it just being a random accusation. I'm not sure how due process works with a 5 minute limit... but what can you do.

What's much more entertaining is seeing how entertainment industry lobbyists are cheering this on. I'm beginning to think that they actually believe that kicking people off the internet will make people buy more of their content. Incredible. First up, the MPAA's Dan Glickman (who's being pushed out of his job for being woefully ineffective):

"Today's decision is an enormous victory for creators everywhere. It is our hope that ISPs will fully honor their promise to cooperate and that the French government will take the necessary measures to dedicate resources to handle the enormous task ahead."
A victory for creators? Really? By kicking fans off the internet for promoting their works? Yikes. Someone's out of touch. Then we have Rick Cotton, of NBC Universal, the man who insisted that movie piracy was really harming the poor American corn farmer since people ate less popcorn with pirated movies:
"The French action recognizes that jobs and economic growth in creative industries are under assault by digital theft. We need a safe and secure Internet that enables consumers to access content easily but does not facilitate illegal file sharing that kills jobs in creative sectors."
Yes, and the corn farmers, too, right? So, if it's really all about jobs, what about the people kicked offline who rely on the internet for their job? Apparently those jobs don't matter? In the meantime, it's already pretty clear from multiple studies that it's not file sharing that's "killing jobs in creative sectors" but the inability of executives like Cotton to understand basic economics and business models.

But, honestly, the most guffaw-inducing response to this comes from Tom Sydnor at the Progress & Freedom Foundation. Sydnor, who as you may know, has a long history of making claims that don't pass the laugh test, has really outdone himself this time (it's even better than when he accused a college that couldn't identify accused file sharers of harboring "terrorists, pedophiles, phishing-scheme operators, hackers [and] identity thieves" by giving them a "get out of jail free" card). So what's his take on kicking people off the internet based on accusations? Well, it's really about consumer relief. No, seriously:
"As a consumer, I would far prefer the successive warnings that French law would now provide to the sudden financial devastation of the John-Doe lawsuit that American law would now require. I thus urge American internet-service providers and copyright owners to work together to provide American consumers with similar relief."
Ah, yes, because the only options are to sue everyone or to kick people off the internet? Apparently Tom has such incredibly little faith in the innovation ability of content providers that he assumes that they cannot craft unique and innovative business models that don't involve suing everyone or kicking people off the internet. How insulting of him towards content creators. Every time Sydnor makes a statement like this and PFF promotes it, it just weakens the work that PFF does in other areas. It's tough to take an organization seriously that has someone claiming that kicking people off the internet based on accusations of private companies is "consumer relief."

56 Comments | Leave a Comment..

 
Failures

Failures

by Mike Masnick


Filed Under:
content protection, dan glickman, jack valenti, movie industry, movie studios, piracy

Companies:
mpaa



What Kind Of Industry Sets Up A Group To Purposely Limit What Consumers Want? Apparently Hollywood

from the you're-doing-it-wrong dept

Jack Valenti ran the MPAA for an astounding 38 years, and was an amazingly effective lobbyist. Listening to pretty much anyone talk about the job he did -- whether they were on his side or opposed him -- you hear nothing but admiration for his skills as a lobbyist. Of course, he was wrong about almost everything, pointed the movie industry in the wrong direction multiple times, and did a lot more harm than good. He claimed that the VCR would kill the movie industry. He insisted that fair use does not exist. He practically ruined a bunch of movie awards shows by forbidding studios from sending out DVD screeners to the awards judges, since he was afraid they'd put them online. And, of course, he insisted that file sharing was terrorism designed to kill the industry (just like the VCR, obviously).

Still... he was a media and Congressional darling and could talk a great game. Amazingly, when confronted with his "Boston Strangler" comment years later, he actually had the gall to insist he was right about his comments on the VCR -- even as the industry was making more than 50% of its revenue on video sales and rentals.

Given all that, you had to imagine that his successor, Dan Glickman would have tough shoes to fill. And, indeed, to date about all that Glickman has done is repeat the same ridiculous claims as Valenti, but without the colorful and charming language. We've been hearing rumors for a while that the movie studios have been quite upset about Glickman, and may even look to push him out before his deal is up next year. Greg Sandoval, over at News.com is apparently hearing the same thing, and notes that the studios recently pushed the MPAA to totally revamp its antipiracy operations, upset about the way things had been handled.

Now, if you were hoping this meant that it was going to take a more reasonable stance to online file sharing and new distribution methods... you'd be wrong. Apparently, the complaint is that the MPAA hasn't done enough, because file sharing has only become more of an issue. It would appear that the studio folks don't seem to realize that this is inevitable. The answer isn't to demonize it, but to look for ways to take advantage of it. But, that's not what they've done. They've put new folks in charge and decided to stop calling it the "antipiracy" operation. Instead, it's the "content protection" effort. Both are absolutely the wrong way to look at things. If they're looking to protect the unprotectable, they are going to fail. Instead, they should be setting up a group that looks at how to use these new technologies to their advantage, rather than setting up a division that pretends it can stop the constant tide of progress.

We've been hearing from more and more movie makers who are recognizing how treating their fans right, while giving them a reason to buy is a much more effective means of reaching an audience than starting off on the assumption that everyone is a criminal. The movie business has always been based on selling ancillary products. Marshall Loew recognized this years ago, when he said: "We sell tickets to theatres, not movies." Yet, for years, the industry has done everything it can to treat its biggest fans like criminals. FBI warnings about punishment before movies. Searching people as they enter a theater and demanding they leave their cameraphones outside. Making the theater going experience less enjoyable. The reason the industry has faced problems isn't "piracy" but because the studios themselves never learned to treat customers right. Setting up a "content protection" division is like setting up a "performance limiting" group at a car company, or a "picture scrambling" group at a TV company. It's about purposely limiting what the technology allows and what consumers want. It makes no sense at all.

47 Comments | Leave a Comment..

 
Politics

Politics

by Mike Masnick


Filed Under:
drm, dvr, mpaa, selectable output control, soc

Companies:
mpaa, public knowledge



Public Knowledge Points Out MPAA's Lies On Why It Wants To Break Your TV

from the nice-work dept

For quite some time now, the MPAA has been asking the FCC for permission to break your TV, so you won't be able to record certain movies shown on TV. Specifically, it wants to be allowed to use something called "Selectable Output Control" to tell DVRs that they can't record a show. It's basically the whole "broadcast flag" concept all over again. The MPAA's argument for why it needs this makes no sense at all. It basically makes two arguments, neither of which are true. The first is that they need this in order to be able to put movies on TV earlier. This is not true. There's nothing stopping the studios from putting movies on TV earlier, other than a misguided fear that people will "pirate them." And that's the second problem: even the industry admits that the movies they'd release on TV are already pirated and available on file sharing networks, so it's not like having this would stop that. The movies will still get out there. SOC won't stop piracy at all -- but it will piss off a ton of people who bought a DVR expecting to be able to record what they want to watch.

Consumer rights group Public Knowledge, thankfully, has now sent a letterexplaining all of this to the FCC:

"The MPAA has submitted no proof that grant of the waiver will serve the public interest at all. To the contrary, what proof exists in the record shows that the 'problem' of a longer window for release of movies to MVPDs than for release on DVDs is a business decision made by MPAA's members. Rather than shed crocodile tears for the poor shut-ins and busy parents who must either subscribe to NETFLIX to get the earlier window or wait a whole thirty days, MPAA's members could simply negotiate a shorter release window."
Hopefully the FCC listens.

41 Comments | Leave a Comment..

 
Culture

Culture

by Mike Masnick


Filed Under:
comics, file sharing, propaganda, security

Companies:
bsa, mpaa



Anti-File Sharing Propaganda Back To Focusing On That Horrible Malware You'll Get

from the unprotected-file-sharing-is-bad dept

The thing that you sort of need to admire about the copyright maximalist lobby is that they attack the problem from so many different directions on such a constant basis. It's almost impossible to keep up -- though, you do begin to notice some patterns. A particularly popular move is to alternate between the moral argument against copyright infringement (stealing! bad!) and the idea that file sharing is going to destroy your computer (we're just looking out for your safety!). It looks like the industry is back on that latter kick, as two recent stories indicate.

First, the BSA has its widely debunked "piracy" numbers -- but it's now getting news for focusing instead on how you're going to get malware if you file share. Since it can't actually back up its bogus numbers, instead it's hoping that most people don't know that correlation doesn't mean a causal relationship -- but at least we know that most of our readers know better. The report notes that there's a correlation between higher piracy rates and higher malware infections, but seems to totally ignore exceptions to that rule (the US) or delve into other variables that may explain either the piracy rate (already questionable) or the malware rate (education levels? poverty? shared computers? etc.). Even more amusing, they claim (with no actual evidence) that those who get malware have to spend more to repair their computers than it would have cost to get the legitimate software in the first place. I have no doubt that there are risks for those who file share, but this report does nothing to show the actual risks and is yet another in a long line of weak propaganda from the BSA, that despite being called on it for years, never seems to do anything to back up its reports with facts.

Then, we have the story of the MPAA apparently sending a bunch of anti-piracy comic books to New Zealand, home of one of many different fights on how to change copyright law. The comic book, like the BSA report, involves plenty of ridiculous and unsubstantiated claims about how file sharing will unleash nasty malware and viruses all over your computers -- but drawn in nice comic book form. Can we send those kids who got the MPAA comic book a copy of the Tales from The Public Domain comic books as well? There are free digital downloads for anyone who wants to hand them out in exchange for the bogus MPAA ones....

35 Comments | Leave a Comment..

 
Politics

Politics

by Mike Masnick


Filed Under:
cable companies, drm, dvr, mpaa, selectable output control, soc

Companies:
mpaa, ncta



Cable Lobbyists Side With MPAA On Getting Permission To Break Your TV

from the not-really-a-surprise dept

As Hollywood keeps asking for permission from the FCC to break your TV with Selectable Output Control, it's picked up an unsurprising ally. Cable companies. NCTA, the lobbying group that represents the cable industry has come out in favor of the request, claiming that it will let them offer movies earlier. This is a myth that they want regulators to believe. The MPAA and cable companies could offer up movies whenever they want. They just don't want people to record them, because they want to introduce yet another annoying window. So, they declare that they need to break your TV and DVR from recording. Hopefully, the FCC knows better than to break TVs and piss off so many people just because Hollywood is upset some people will want to record movies.

24 Comments | Leave a Comment..

 
Say That Again

Say That Again

by Mike Masnick


Filed Under:
copyright, educational campaigns, propaganda, tarleton gillespie

Companies:
bsa, mpaa, riaa



The Propaganda The Copyright Industry Teaches Our Children

from the omission,-overstatement,-conflation dept

Last week, I spent some time highlighting some of the more ridiculous claims found in the RIAA's "classroom materials" which it hopes teachers will use to brainwash students. In the comments, someone pointed out that Tarleton Gillespie wrote up a paper last year examining such "educational materials" from the RIAA, MPAA, BSA, ASCAP and others, and found them to be quite lacking. Rather than actually teaching the ins and outs of copyright, most were focused on normative statements of a world those industries want to exist, as well as seriously questionable descriptions of what copyright is supposed to do and how those industries work. None of the materials seem to recognize that technology has also changed the production, promotion and distribution of new works, and none seem to recognize that content creation can come from those outside of the big corporate entities who paid for these materials in the first place. Again, it's worth asking: why does any educational institution or education professional use such obviously biased (and at times misleading) educational materials?

24 Comments | Leave a Comment..

 
Politics

Politics

by Mike Masnick


Filed Under:
david lammy, elton john, paul mccartney, peter mandelson, three strikes, uk

Companies:
mpaa



UK IP Minister Defends Kicking People Off The Internet, As Rockstars Come Out Against It

from the who-is-this-protecting-again? dept

Despite the UK gov't insisting recently that a policy of kicking file sharers off the internet was off the table, a nice dinner between UK Business Secretary Peter Mandelson and Hollywood bigshot David Geffen created a sudden new interest in the subject, which quickly turned into it being right back on the table -- creating massive complaints from just about everyone not associated with the RIAA or MPAA. Mandelson has tried to defend the idea, but his reasoning came up short, and demonstrated that he got his talking points direct from Hollywood and that he hasn't actually spent much time actually understanding the issue at all.

But, it's not just Mandelson in the gov't pushing this now. The UK's Intellectual Property Minister, David Lammy, got to hang around with the MPAA and gave a speech "defending" kicking people off of the internet. Now doesn't that seem strange? It's the MPAA that's among those pushing for such a plan in the first place. So, Lammy is preaching to the choir. Why not "defend" the plan in front of actual consumers or ISPs or musicians who are up in arms about this idea? You don't "defend" the idea to the people who already want it and who were already wining and dining you to get it back on the table after you'd taken it off.

And, yes, I said musicians who are up in arms about this -- and not just small indie musicians either. Michael Geist notes that folks like Paul McCartney and Elton John have come out against the proposal as well. So, ISPs think it's terrible. Music fans think it's terrible. Musicians think it's terrible. Who's left? Oh, just some dying industries who have done everything possible not to innovate for a decade. But they sure do spend money on lobbyists.

15 Comments | Leave a Comment..

 
(Mis)Uses of Technology

(Mis)Uses of Technology

by Mike Masnick


Filed Under:
drm, dvr, mpaa, selectable output control, soc

Companies:
mpaa



Hollywood Asks FCC For Permission To Break Your DVR Again

from the because-pissing-off-consumers-is-always-a-good-strategy dept

Every few months for the past year and a half or so, the MPAA has basically begged the FCC to let it make use of "selectable output control" on televisions to block DVRs from recording stuff shown on TV. The MPAA claims this is necessary to release certain movies on TV, but that's hogwash. Rather than focusing on what consumers want, the movie studios are simply trying to add in yet another "window" to try to squeeze more money out of people. And, of course, like any DRM system, it won't do a damn thing to stop file sharing of the content (all anyone needs is one copy, and by the time any movie is broadcast on TV, it's too late, the content is out there). All this would do is piss off legitimate viewers, who are pissed off because their TiVos didn't record some movie, despite it being on TV.

In the MPAA's most recent attempt, it's back to begging the FCC, but Matthew Lasar notes that the MPAA is finally admitting that if it gets its way, it may actually require some people to buy new equipment. So, not only will the plan functionally break lots of DVRs by not letting them do the one thing they're designed to do (record what's on TV), but they may break other parts of the process as well, such that people will need to buy new equipment.

And all for what? It won't stop or even slow down file sharing. But it will piss off a lot of people. The MPAA insists that it physically cannot release movies on TV prior to its DVD release unless it gets this DRM enabled. But that's ridiculous. If the studios wanted to they could absolutely release the movies for TV viewing prior to the DVD release. It won't change a thing. But they really, really, really want to believe the myth that somehow file sharing magically goes away, and no legitimate customers get annoyed, when they try to lock up their content.

36 Comments | Leave a Comment..

 
Surprises

Surprises

by Mike Masnick


Filed Under:
bittorrent, copyright, file sharing, infringement, proof

Companies:
isohunt, mpaa



Judge In IsoHunt Case Tells MPAA It Needs To Actually Prove Infringement By US Residents

from the well,-that's-a-first dept

This is a first. In the trial that the movie studios have brought against torrent search engine Isohunt, the judge has pushed back on the MPAA's claims, noting that it has failed to show any evidence of actual infringement by US users. In the past, groups like the MPAA and the RIAA have been able to get by without ever proving real infringement, but just by suggesting it must be happening. So this is quite a surprise. It makes the Isohunt case one to watch more seriously. The company may still lose the lawsuit, but at least the judge seems to want to see actual evidence, rather than having Hollywood execs insisting that these sites are killing their business just because they say so.

62 Comments | Leave a Comment..

 
Culture

Culture

by Mike Masnick


Filed Under:
copyright, due process, new zealand, three strikes

Companies:
fact, mpaa



Hollywood Says Due Process Is Too Damn Slow

from the yeah,-that'll-work dept

Apparently, a New Zealand anti-copyright group controlled by the Hollywood movie studios is upset that a new three strikes proposal includes the ability to have a tribunal review a case from a user who feels wrongly accused. The Federation Against Copyright Theft (FACT) is worried that everyone accused of infringing will file for such a review, and it will clog up the system. Yes, due process is apparently too messy for the Hollywood studios. It would prefer a system where arbiters are able to process review requests in bulk. Because nothing says a fair and full hearing of your rights like a guy rushing to get through a batch of such complaints in a single process... I'm amazed that the studios haven't picked up on the French plan of giving judges only five minutes to review any such appeal.

40 Comments | Leave a Comment..

 
Legal Issues

Legal Issues

by Mike Masnick


Filed Under:
anti-circumvention, copyright, dmca, dvd copying, marilyn patel, realdvd

Companies:
mpaa, realnetworks



As Expected, Judge Still Bans Real From Selling RealDVD

from the no-surprise dept

This will come as absolutely no surprise to folks who have followed Hollywood's self-defeating battle against Real Network's RealDVD offering. If you don't recall, Real announced a product that would let users back up a DVD in their possession. Now, it's important to understand a few basic facts: under copyright law, you are allowed to make a personal backup of something like a CD or software. That's been found to be perfectly legal fair use. So, what's the problem? Well, one of the worst aspects of the DMCA is that it includes a totally unnecessary (and constitutionally questionable) anti-circumvention clause. Basically, the DMCA says that if you circumvent (or offer tools to circumvent) any kind of DRM, you've broken the law (and here's the ridiculous part) even if the actual copying you then do is perfectly legal. Yes, it's like saying that breaking into your own house is illegal. It makes no sense at all.

Real tried to get around this issue in a clever way. It figured that if you really were limited only to being able to make a backup copy (rather than an unencrypted copy that could be passed around), then a court would have a hard time finding it illegal. And, in fact, it had some legal precedent on its side. Two years ago, a court found that Kaleidescape, makers of a super high-end DVD jukebox, was perfectly legal, since the device was clearly only designed to make personal backups, and couldn't be used to distribute content.

Unfortunately, it appears that judge Marilyn Patel (who was also the judge who killed the original Napster) disagrees. She's issued yet another injunction blocking Real from selling RealDVD, saying that it violates copyright law. Again, this isn't a surprise. She had issued an initial injunction last year, and seemed quite skeptical of Real's arguments earlier this years, declaring:

"They have the copyright. That's the issue here right? They have the copyright. They have the right to exclude."
This is only partially true. They have some rights to exclude, but those rights are limited. The question is whether or not Real's actions fall outside that limit. But Judge Patel seems to disagree entirely with the Kaleidescape ruling, on that point.

Of course, the real issue here is how pointless a move this is for Hollywood, anyway. There are tons of DVD ripping software offerings out there -- which don't even have the limitations that RealDVD does. I can't fathom who would buy Real's product in the first place, knowing that there are much better, non-limiting products out there. Yet, here was a product that was doing everything it possibly could to play within the rules to make DVDs more valuable by letting people make use of their legal right to back up a DVD they had purchased, and Hollywood wants to crack down on it? The only thing that will do is drive more people to use the other versions of DVD ripping software out there. So, congrats, Hollywood, on pushing more people -- people who wanted to be good, legal, customers of your DVDs -- to go around the law to back up their DVDs, leaving them more open to file sharing.

It's difficult to fathom how anyone could think this was a smart move by Hollywood, or even how this is a "victory" for Hollywood.

50 Comments | Leave a Comment..

 
Overhype

Overhype

by Mike Masnick


Filed Under:
australia, journalism, movies, piracy, terrorism

Companies:
afact, mpaa



Australian Press Prints Movie Industry Myths About Piracy Funding Terrorism

from the does-skepticism-exist-down-under? dept

Isn't the press supposed to actually investigate claims handed to them by industry lobbyists? Apparently not. A bunch of folks have sent in the fact that the Sydney Morning Herald has published a totally one-side and unsubstantiated article claiming that "movie pirates fund terrorism." There are just a few problems with this -- including the fact that the so-called evidence for this is weak or non-existent, and the only evidence that is provided comes directly from the movie industry itself, who has every incentive to push this ridiculous story, despite the fact that the movie business continues to have record breaking years at the box office, and attendance is way up this year so far -- despite a massive worldwide recession.

None of that makes it into this article, by two supposedly professional reporters.

Instead, we're told that "piracy" costs the Australian movie industry $233 million per year and "affects at least 50,000 workers." Affects how? That we're not told. As for the $233 million number, that comes from AFACT -- the Australian Federation Against Copyright Theft, hardly an unbiased party, though the gullible reporters seem to take its spokesperson's words as gospel that cannot be questioned. About the only thing that said spokesperson, Neil Gane, can show as someone being impacted is that "the people who own the local DVD shop who are having to lay off staff." Uh huh. And the people who own the local CD shop are doing so also -- but it's not because of "piracy" but because of competition. You know who's staffing up, though? Apple stores and video game retailers... Hmmm... Why is it that AFACT doesn't count their job growth in its numbers? I wonder...

Then there's the claim from the Media Entertainment and Arts Alliance's director, Simon Whipp, claiming that all this piracy is impacting the least well paid people in the industry: "We're talking about a group of people who earn an average wage of about $15,000 a year." Honestly, all I can think is that (1) why is the industry paying people such crappy wages and (2) they're probably a lot better off in other jobs then, where they might earn a bit more. I don't see that as a problem of piracy. It seems like the movie studios aren't paying those employees enough to keep them in their jobs.

From there, the article moves on to the absolutely ridiculous, promising to "show how movie piracy is being used to fund terrorist groups including Hezbollah and Jemaah Islamiah, responsible for the Bali bombings in 2002." That would, indeed, be quite interesting, but the article fails to even come close. Instead, it talks about a guy in Sydney who camcorded some films and uploaded them to one of many online groups. What the article doesn't mention is that the same films were almost certainly uploaded by numerous other people, and there's a good chance that most of those films pretty quickly had official (non-camcorded) versions leaked online by industry insiders. But, wait, we're supposed to be learning how this one guy's movies are connected to terrorists.

But, we don't. Instead, we find out that the movies he recorded (but no mention as to whether it's specifically his recordings) showed up in Britain, the United States, Mexico, Spain, Malaysia and the Philippines. We're told that the movies are manufactured and sold in the streets. That's great, but it ignores the fact that, thanks to all this "online movie piracy" the whole "counterfeit DVD" business has been going downhill. In fact, if you must connect the sale of counterfeit DVDs to terrorists, then you should be happy for online piracy taking away that market.

Is any of this suggested in the article? Of course not.

But wait, weren't we supposed to be finding the elusive missing link between movie downloading and terrorism? We were following the camcorded movie recorded by the one guy in Sydney, which showed up in other places... but there the trail ends cold. Instead, we're told to just trust the experts. Ganes (quoted earlier) shows up again to claim: "It has been recognised by governments... that there is a link between movie piracy and terrorist funding." Oh really? It has been recognized by whom? Only by a study funded by the MPAA which didn't really talk about online piracy, but about counterfeiting, and which had numerous methodological problems. At least the article admits that the study was funded by the MPAA, but never considers that it may be biased because of this.

The article quotes the authors of the study, claiming: "If you buy pirated DVDs, there is a good chance that at least part of the money will go to organised crime." Of course, organized crime is not the same as terrorists, but does the article mention that? Nope. It wants you to assume they're the same thing. It also doesn't discuss the declining sales of counterfeit DVDs.

But it does jump back to the Philippines, where local actor Eduardo Manzano has the definitive proof of the link to terrorists. It's because he says so! "In this country, we have the triad, and we have terrorist organisations which are being suspected now of using profits derived from DVDs for possible terrorist activities." Then, in dramatic fashion, the reporters discuss a raid on counterfeit DVDs, and from there we're told that the guy who camcorded movies in Sydney didn't get a big enough sentence.

Got it? With some gullible reporters, a lack of fact checking, questionable information, a lack of context, a total dearth of anyone who might question the bogus information put forth in the article, we have an article promising to show the link between piracy and terrorism that does nothing of the sort. Now who's out there complaining again about how these professional reporters need to have special protection since they actually do real investigative reporting?

22 Comments | Leave a Comment..

 
Overhype

Overhype

by Mike Masnick


Filed Under:
copyright, piracy, rhetoric, story

Companies:
bsa, mpaa, riaa



Could The RIAA Stop Piracy By Coming Up With A More Compelling Story?

from the maybe-that-and-a-memory-eraser-ray dept

GregSJ points us to an analysis of a recent paper on "the rhetoric of copyright policy." The original paper is actually called Meh. The Irrelevance of Copyright in the Public Mind. The original is a worthwhile read (as is the analysis), but the basic point is that people continue to ignore copyright law because they simply don't "believe" the story of "harm" that the copyright holders are spinning. This actually echoes Rep. Robert Wexler's recent remarks to the World Copyright Summit, where it's all about "the story."

The paper argues that some of the fault is with the media who has portrayed these battles over copyright "as a land grab that benefited only copyright holders." Hmm. Perhaps that's because it's, I don't know... true? Also, it's worth pointing out that it isn't completely true that the media portrays the copyright battles in this manner. The media has often been quite supportive of copyright expansionist policies -- after all, many of the media's current business models rely somewhat on copyright as well.

Still, even if it is true, the paper argues that the RIAA/MPAA/BSA just needs to come up with a good story (which doesn't need to be true!) to convince people of the harm of unauthorized downloading. As a part of that, they suggest that copyright maximalists have to become trustworthy. Try to read the following without cracking up (I couldn't):

To be successful, copyright holders and legislators must consider the construction of ethos and credibility. This is done not only through the reputation that one gains, but also through the discourse itself. Legislators and copyright holders must portray themselves as trustworthy. More specifically, the recording industry must appear to be treating artists and fans fairly, and legislators must appear to be acting in the public interest.... Legislators and copyright holders must maintain a stance that encourages the public to obey copyright laws. When legislators consider altering copyright terms, the public domain is necessarily affected, and great consideration must be given to how the public will react to the proposed action. When the public sees little incentive to honor the ostensibly limited protection granted under copyright law, copyright law will increasingly become unenforceable. However, if the public is provided with compelling reasons why term limits are in the public interest, they may be more likely to support these terms. Likewise, copyright holders must make more compelling arguments concerning why the public should obey copyright law. If the people have a compelling narrative to follow, they will do so--whether it is true or not. The challenge, then, is not to craft better law; the challenge is to craft better rhetoric.
The problem, of course, is that this doesn't pass the laugh test. It's pretty difficult to find anyone who believes that the copyright holders and legislators are doing anything in the public interest. And, I guess if it were possible to come up with rhetoric that made the opposite case, then perhaps people would change their actions. I just question how they could come up with such a story when all of the evidence points to the contrary.

Beyond that, let's face it, the RIAA actually has controlled the "story" for ages. It has convinced people it represents artists' interests, even though it does not. It's convinced people that potential copyright infringement is "stealing" or "piracy" when it's quite a different beast altogether. They've convinced people that copyright is the only way to make money off of content. The problem is that when anyone scratches the surface, they realize quite quickly, that none of this makes any sense at all.

57 Comments | Leave a Comment..

 

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