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Legal Issues

Legal Issues

by Mike Masnick


Filed Under:
mp3s, sales, the beatles

Companies:
bluebeat, emi



EMI Sues Music Site Offering Beatles MP3s

from the no-surprise-there dept

Last last week, a bunch of music blogs started noticing that a previously unknown site called Bluebeat.com was selling MP3s for $0.25, including numerous acts that still haven't officially authorized online sales -- such as The Beatles and AC/DC. There was a lot of headscratching among bloggers and reporters who wondered how this could possibly be legal. The answer, of course, is that it wasn't. The site didn't even make any attempt whatsoever to claim that they had licensed this music. They just said they thought that $0.25 was a better price for music. Not surprisingly, it took just a few days before EMI sued the site, and I'd imagine other lawsuits will quickly follow as well. It's not clear what the folks at Bluebeat were thinking -- other than that they were about to get a ton of publicity in the form of lawsuits, but it's hard to see what good that publicity is if the site is forced out of business.

30 Comments | Leave a Comment..

 
Legal Issues

Legal Issues

by Mike Masnick


Filed Under:
michael robertson

Companies:
emi, mp3tunes



EMI Back To Trying To Personally Bankrupt Michael Robertson

from the despicable dept

It's one thing to try to influence politicians and laws to protect an incredibly obsolete business model. It's another thing to try to shut down innovative companies who are better serving the market than you can. But it's in an entirely different class of evil to go after individuals personally for the actions of companies, in an attempt to bankrupt them. Stand up and take a bow, EMI, for not just doing the latter, but then paying a witness, getting her to change her deposition and get a lawsuit reinstated against an individual after the judge had already tossed it out. EMI has leapfrogged to the front of the line for the most despicable record labels out there. No wonder their artists are jumping ship as fast as possible.

You may recall that EMI not only sued Michael Robertson's most recent company, MP3Tunes, but also sued Robertson personally, which is an intimidation technique that creates tremendous chilling effects for any executive or founder of any company. We thought it was good news a year ago, when the court dismissed the part against Robertson directly. The whole lawsuit seems crazy anyway. MP3Tunes isn't set up for infringement -- it just sets up a way for you to store your own songs online in a music locker for your own personal access. So the whole lawsuit is questionable anyway, but seems to be part of EMI's greater strategy of suing every innovative music startup.

However, a new ruling has apparently put Robertson personally back in the firing line, after MP3Tunes' former president gave a new deposition (after she was fired, and well after her original deposition). The new testimony apparently convinced the judge to reinstate the personal lawsuit against Robertson, though the judge doesn't seem to discount the fact that Emily Richards had been fired by Robertson (so her new testimony should be suspect already) and the rather interesting fact that EMI paid Richards $10,000. That combination of facts should raise plenty of credibility questions, but apparently did not.

So, once again, we're left with an incredibly chilling situation, where execs of companies are being sued personally -- exactly what the entire corporate structure is designed to prevent. So, congrats, EMI, for reaching a new low in misguided copyright-related lawsuits.

53 Comments | Leave a Comment..

 
Legal Issues

Legal Issues

by Mike Masnick


Filed Under:
lawsuits, negotiation

Companies:
emi, grooveshark



Negotiating Through Lawsuit Continues: EMI Drops Lawsuit, Signs Deal With Grooveshark

from the all-in-the-negotiation dept

We've noticed a troubling trend in how legitimate online music services are being pressured into deals with the major record labels. The labels begin the negotiations on licenses... and then sue the company. That, of course, makes life difficult for the startup, which is then pressured to offer even better (read: ridiculously onerous) terms to the labels. We've seen it happen over and over again, and saw it happening when EMI sued Grooveshark this past summer. And, of course, a few months later, the lawsuit is dropped and a licensing deal has been reached, though you can bet the terms are not quite what Grooveshark originally intended. That's what happens when part of the "negotiation" involves a lawsuit.

8 Comments | Leave a Comment..

 
Culture

Culture

by Mike Masnick


Filed Under:
copyright, educational campaigns, propaganda, uk

Companies:
emi



More Industry Anti-Piracy Propaganda: Former EMI Anti-Piracy Boss Launches 'Educational' Program

from the 2+2=? dept

With the school year having only recently started up, we had already covered the RIAA's silly propaganda campaign masked as an "educational resource." Of course, that's not the only such program. The MPAA has offered up its own "copyright education" as has The Copyright Alliance -- an operation whose entire purpose appears to be to push entertainment industry nonsense and propaganda without any factual support or basis. It looks like there's another such program coming out of the UK as well. Torrentfreak alerts us to the news that EMI's former anti-piracy boss just happened to have "left" EMI in time to create her own "educational campaign" about copyright for school children as young as five. The good news, though, is that the reporter from The Daily Mail wasn't buying any of it, raising questions about why five year olds should be learning about copyright from industry supplied sources. The article also questions the claim that this campaign was financed independently from the recording industry, calling out the fact that the woman's own LinkedIn profile indicated otherwise, until she changed it right after being interviewed (funny, that...).

23 Comments | Leave a Comment..

 
Say That Again

Say That Again

by Mike Masnick


Filed Under:
copying, copyright, infringement, lily allen, mix tapes, three strikes

Companies:
emi



A Teaching Moment For Lily Allen [Update: And *Poof* Goes Her Blog]

from the missing-the-point dept

In my last post about Lily Allen's hypocrisy in uploading tons of songs without authorization, while saying it's good to cut off internet access for regular uploaders, one of the commenters made a good point: we should use this as a teaching moment, to try to show Ms. Allen why her position is wrong, rather than focusing on calling her a hypocrite. And, indeed, that would be great, but it seems like a difficult lesson for some -- including Ms. Allen -- to grasp. Her response to my post seems to come up with a variety of excuses, none of which actually touch on the actual point:

i made those mixtapes 5 years ago, i didn't have a knowledge of the workings of the music industry back then...
The point is that, thanks to today's technology, it's quite easy for people to infringe while doing what they think is a good and reasonable thing. Lily, you created these mixtapes to promote both your own music and the music of others you liked. That's a perfectly reasonable thing to do. But it's infringing. Think of all the other people who are just like you 5 years ago. They don't have knowledge of the workings of the music industry, and they're trying to promote themselves or share music they like. But, based on the laws that you yourself now support, the Lily of 5 years ago might not have an internet connection. Even though the "infringement" you did was for entirely innocent reasons. How is that fair or just?

The point (and this was the same point we tried to make with our original post about copying a Techdirt post) is that incidental infringement is almost impossible to avoid. Everyone infringes in some way or another in the course of a day. One paper found that people infringe many times over in the course of a single day. Everyone does. And while your infringements are a bit more... um... blatant than most, it highlights the problem of having such a draconian action against file sharers. Cutting them off from the internet for something that everyone is doing all the time seems quite problematic, doesn't it?

So, a quick question for you, Lily: Is "well I uploaded those songs before I knew how the music industry worked" a reasonable defense to prevent Lord Mandelson from taking away your internet access or the internet access of anyone else?
As your article clearly states , lilyallenmusic.co.uk is an EMI run website, which is exactly why i don't acknowledge it (i think theres a link to it on my myspace(which i do run), thats purely because, my record contract states i cant sell my merchandise online anywhere else on the net . i don't post on there, i dont even look at it. the record company run it.
Fair enough, but really the fact that it's a major label owned site was a separate issue (having to do with EMI's claims in its lawsuit against MP3Tunes). It still doesn't change the fact that you created these mixtapes, and used them to advance your career. And now you are claiming that the very same tactics should not be allowed for others?

In your original post pushing back on the Featured Artists Coalition, you complained about how they were all big stars, and how their plan would hurt the up-and-coming artist. And yet, when you yourself were an up-and-coming artist, you used free music distribution to your own advantage. Now you're not only looking to take that option away from up-and-coming artists, you're looking to kick them entirely offline for a period of time. It seems like that's a much bigger "harm" to up-and-coming artists than people sharing their music and promoting them for free.

But just like you mocked the FAC artists for having an unfair advantage for being big, you seem to be in the same position. You want to take away tools from up-and-coming artists that you yourself used.
Anyway the snippets of songs you hear on those mixtapes are about 30 seconds to 1 minute in length, in traditional mixtape style, it is infringement, correct, but it's not my site, it's EMI's. i am not a hypocrite, i don't illegally download music, and i still think unauthorised file sharing is wrong.
But you were the one who created the mixtapes, correct? You were the one who infringed and uploaded them and offered them to the world. That they're now on a site controlled by EMI is quite besides the point.

If you truly believe that regular uploaders should have their internet access taken away, why not make an example of yourself? Why not take away your own internet access for a year to prove the point? Or do you not think the laws you want to apply to everyone else should apply to you?

Again, the whole point here is that what you did was entirely natural and made plenty of sense. Lots of people do it today. They do it because they love music. There's nothing wrong with that, and you know it (or, apparently, knew it at one point in the past). And, there are many ways to take advantage of that fact. Just as 50 Cent does. Just as you did. Going to war with the fans who made you who you are today, in part because of your own infringing behavior, just doesn't make any sense. You keep saying that file sharing harms artists, but it existed five years ago as well, and didn't harm you. It helped you. So why would you want to take that away from everyone else?

Update: Wow. In the half an hour or so that I took to write this post, Lily erased the blog post where she responded (I've got a screenshot if anyone wants to see it), and just added a note to Twitter, saying that she's shut down the entire blog due to too much abuse. Lily, it's not abuse if we're just asking you to rethink your positions that appear to not be particularly well thought out.

203 Comments | Leave a Comment..

 
Surprises

Surprises

by Mike Masnick


Filed Under:
copying, copyright, infringement, lily allen, mix tapes, three strikes

Companies:
emi



Lily Allen Distributing Tons Of Copyrighted Music; Blows Way Past Three Strikes

from the put-the-stone-down-lily,-that's-a-big-glass-house dept

Really don't want to turn this into an all Lily Allen all the time blog, but reader Peter has sent in something rather interesting: When Lily was first trying to get attention, she created a couple of mixtapes with a ton of songs from other artists... available as MP3 downloads, and mixing in her own tracks. This is a well-known tradition in some circles and a great way to get some attention. We're all for it. But... it seems quite hypocritical of Ms. Allen to claim that file sharing is somehow evil and destroying the industry when she appears to be an active participant and used it to promote herself (oh my goodness! free music working as promotion!). According to the tracklisting of the second mixtape, it included 19 tracks by artists other than Lily Allen. Both mixtapes (mixtape 1 and mixtape 2) are available directly off of Lily's website, LilyAllenMusic.com, which has a copyright notice at the bottom from EMI.

So, when Lily notes on her anti-piracy blog that:

Also the government legislation is targeting uploaders -- people that make music available illegally
It appears that she actually qualifies. Quite directly. She's offering music from, among others, Jay-Z, Jefferson Airplane, The Specials and The Kinks. Admittedly, it's just a quick look around, but it appears many of the artists whose works she's distributing for free have no connection with EMI. Even if they did, remember EMI was recently claiming that it's never authorized MP3s for distribution for publicity purposes. Uh oh.

So... while the hypocrisy of Allen's copying a Techdirt post was still misunderstood by some (including Ms. Allen), I'm curious how anyone can say she isn't in serious trouble at this point. She claims that people who make music available illegally should have their internet connections removed. Yet, these two mixtapes, hosted directly on her own (EMI copyrighted) website, seem to suggest a pretty massive illegal distribution attempt. Given how much the music industry was awarded from Jammie Thomas and Joel Tenenbaum for distributing significantly fewer songs... not only should Allen be kicked offline, but she should be fined too. Or am I missing something from the recording industry's "education campaign" on this topic?

Honestly, this whole thing is so insane, I'm beginning to wonder if the blog and the statements from Lily Allen are really from her. How could someone who is still directly distributing free music from others from her own major label site claim a moral high ground against music being free?

92 Comments | Leave a Comment..

 
(Mis)Uses of Technology

(Mis)Uses of Technology

by Mike Masnick


Filed Under:
crowdsourcing, lies, michael robertson, mp3s

Companies:
emi, mp3tunes



Michael Robertson Wants To Crowdsource Proof Of EMI's Lies: You Lie EMI Bookmarklet Available

from the have-fun-with-it dept

EMI has been involved in a lawsuit with MP3Tunes for a while now. The whole lawsuit seems weird, since MP3Tunes is about creating a storage locker for the songs you already have. But one of the points that MP3Tunes made in response to EMI's claims is that EMI was lying in saying that it has never authorized MP3s to be available online. Yet, MP3Tunes had found plenty of promotional tracks that EMI had clearly put online, and it was wondering why others were allowed to link to them, but EMI claimed it was infringement for MP3Tunes to point to those same songs. In presenting this point in court, MP3Tunes has been looking for more evidence of authorized EMI mp3s, and Michael Robertson has announced the "You Lie EMI" bookmarklet (found via Hypebot), that lets anyone help MP3Tunes find more authorized EMI mp3s. Basically, as you surf around, if you come across authorized songs that are available, you can click the bookmarklet, and it checks to see if the artists is an EMI artist, and then lets you submit the details. Whatever happens with the lawsuit itself, it's cool to see someone crowdsourcing data for their defense.

6 Comments | Leave a Comment..

 
Failures

Failures

by Mike Masnick


Filed Under:
cory ondrejka

Companies:
emi



EMI Loses Its Other Silicon Valley Wiz

from the that-didn't-take-long dept

Well so much for that. About a year ago, it seemed like perhaps (just perhaps) EMI would be the first of the big major record labels to really learn how to embrace the digital era. First, it talked about leaving the RIAA and IFPI. Then, it talked about the importance of learning from Radiohead's success with the "pay-what-you-want" experiment. Finally, it hired some Silicon Valley stars. First, it hired Google's CIO Doug Merrill, and soon after that brought on Second Life's co-founder Cory Ondrejka. Suddenly, we began to wonder what would happen if a major record label actually had management talent that understood digital technologies.

But... it quickly became clear that this was not to be the case. EMI seemed to view both Merrill and Ondrejka as being in the "digital silo." And, if there's one thing we've learned, if you have a chief digital officer in a media company, you're doing it wrong. Pretending that digital is a "silo" is wrong. Digital impacts every area of your business, and pretending that it's separate suggests you don't have the right strategy in place.

And, of course, the fact that EMI become one of the most aggressive companies suing every potentially innovative startup out there didn't engender much confidence that the company had figured out how to embrace the new online world.

So it wasn't much of a surprise when Doug Merrill left after less than a year. However, the company then promoted Ondrejka. I saw Ondrejka speak at least year's Midem, and he talked up all these pie-in-the-sky ideas that never actually seemed to show up. Last month, when EMI's CEO admitted the company had lost touch with consumers and didn't know how to fix it, you had to wonder what the company had been doing.

And, now comes the news that Cory Ondrejka is also leaving EMI. He lasted just slightly longer than Merrill, sticking around for an entire 14 months, where it doesn't appear that EMI did anything particularly creative on the digital side, but did sue a whole bunch of innovators. Oh yeah, and it launched a blog. As far as I can tell, that's about the most innovative digital thing it's done in a while (yes, there's sarcasm there).

Oh well. It makes you wonder what could have been.

11 Comments | Leave a Comment..

 
Say That Again

Say That Again

by Mike Masnick


Filed Under:
customers, elio leoni-sceti, lost touch, record labels

Companies:
emi



EMI's CEO Admits Company 'Lost Touch' But Doesn't Seem To Know How To Fix It

from the perhaps-by-not-suing-everyone dept

Well, this is rather incredible. EMI was one of the major labels that, for a brief period of time, seemed like it might actually have figured stuff out. You see, it got taken over by some folks from outside the recording industry, and they talked about how they needed to pay attention to experiments like Radiohead's and learn how to better respond to customer desires like that. That was two years ago. The company was also the first of the major labels to dump DRM. It then pulled back on its support for the RIAA and IFPI (after threatening to withdraw completely), saying that the strategy of suing fans was a dead end. On top of all that, it hired some Silicon Valley techies. For a while, we actually thought EMI might be the most interesting of the major record labels to follow.

But... old habits die really hard, apparently. The company has been suing pretty much every innovative startup that comes along, often targeting execs personally in attempts to bankrupt them. Sometimes it's been going after hobbyists or investors beyond just the actual companies. Often times, the company seems to be negotiating with innovators on the one hand, while filing unexpected lawsuits at the same time. One of the key techies it hired, Doug Merrill from Google, left after less than a year. More recently, the company refused to agree to more reasonable (but still high) streaming rates to get music back on YouTube in the UK.

Basically, it appears that EMI said it wanted to do something new, but couldn't resist doing everything it could to snuff out innovation. It takes more than words to actually convince both consumers and musicians that you're really adapting. Is it any wonder that people aren't fans? EMI's CEO is now admitting that the company "lost touch" with consumers:

"Music is in demand and the demand is growing all the time, but we've clearly lost touch with our consumers. I passionately believe that if we listen to our consumers, this gap will become our opportunity."
Ok, so start listening! STOP SUING INNOVATORS. Stop suing executives and investors in those innovators. Stop using lawsuits as a negotiation tactic. Start focusing on giving fans what they want. Start focusing on enabling new business models that work for artists. Stop thinking about getting a transaction on every piece of music played, but start looking at ways to use the music to create additional products people want to buy. Stop trying to limit users and limit musicians. Enable them both. Also, over a year ago, Topspin's Ian Rogers wrote a brilliant open letter to EMI execs suggesting a rather smart way it could leverage its existing artist relationships. It doesn't seem like EMI listened at all.

If EMI wants help in listening, why not contact some of us who have been presenting solutions and showing what works? We're not that hard to reach, and I'm sure plenty of folks in our community would be more than willing to provide some incredibly useful suggestions.

22 Comments | Leave a Comment..

 
Culture

Culture

by Mike Masnick


Filed Under:
royalty rates, streaming music, uk

Companies:
emi, prs



Dear EMI: Pretending The Old World Still Exists Won't Get You Into The 21st Century

from the economic-efficiency-anyone? dept

As you may know, over in the UK, the music collection society PRS has been in rather contentious negotiations with various online services over streaming rates. Due to these fights, services like Pandora have shut down in the UK, and YouTube has pulled major label music videos. A couple months ago, PRS tried to compromise by announcing lower rates, which the press hailed as the record labels finally recognizing that their old monopoly rent royalty rates were no longer sustainable. Except... not everyone got the message. Even though these lower rates have been rejected as too high by the various online music streaming services, apparently EMI is arguing in the opposite direction, refusing to license its catalog at the lower rates.

It's difficult to see what EMI gets out of being stubborn here. It's clear that streaming services won't even accept these rates. All EMI is doing is pissing off artists on the label who can't figure out why their fans can't hear their music, making it harder for them, as musicians, to build up the necessary popularity to put in place any number of smart business models (you know, the models that EMI seems incapable of helping them implement).

10 Comments | Leave a Comment..

 
Legal Issues

Legal Issues

by Mike Masnick


Filed Under:
licensing, music, negotiations, streaming

Companies:
emi, grooveshark



Record Labels Continue 'Negotiating Through Lawsuit'

from the it's-why-they're-so-lovable dept

We've noted in the past that the record labels have a pretty well established operating procedure when it comes to "negotiating" with startups that are actually doing the innovative things in the music delivery and promotion space. They open "negotiations" with these startups... and then after a certain point, they file a lawsuit. It's purely a negotiating tactic (and a way for record label lawyers to keep busy), that makes the "negotiation" a lot more antagonistic, and often ends with the startup agreeing to give up way too much. Warner Music perfected this trick, such as when it sued iMeem only to then invest in the company as part of the settlement. Of course, because iMeem had no choice but to cave in order to deal with the lawsuit, the terms of the deal were so onerous that iMeem nearly went out of business -- until Warner Music wrote off the investment and recently renegotiated.

As unbelievable as it may be, the major record labels apparently don't recognize that "deals" negotiated at the end of the barrel of a gun tend not to work out very well in the long run. They're certainly not mutually beneficial.

And yet... the process continues. While Warner Music has done a bunch of these sue-to-negotiate deals, EMI seems to be involved in many of the more recent lawsuits of this nature. Its latest target is GrooveShark, one of a bunch of sites that lets you listen to streaming music online. Apparently the two companies had been negotiating terms... and then suddenly EMI sued. Par for the course. In the meantime, if you're a music startup hoping to do a licensing deal with a major label, make sure you have some litigators on your legal team. You're going to need them.

8 Comments | Leave a Comment..

 
Culture

Culture

by Mike Masnick


Filed Under:
blank cd-r, copyright, danger mouse, legal fight, music

Companies:
emi



New Danger Mouse CD Released As A Blank CD-R Due To Legal Fight With EMI

from the now-that's-creative dept

If you follow copyright issues, you're no doubt aware of Danger Mouse. He's the DJ who got quite a lot of attention a few years back for creating one of the very first mainstream mashups -- mixing the Beatle's The White Album with Jay-Z's The Black Album to create the rather unique The Grey Album. Of course, one of the main reasons why the album became so well known was because EMI sent cease-and-desist letters to everyone who posted copies of the album, and then to anyone who posted that they were going to participate in the "Grey Tuesday" protest. The whole thing seemed pretty silly. It's not as if anyone listening to The Grey Album would find it a substitute for either of the other albums.

Since then, of course, DJ Danger Mouse has gone on to even more mainstream success with his Gnarls Barkley project, a collaboration between Danger Mouse and Cee-Lo Green. However, it looks like DJ Danger Mouse has another album that he's been working on, in association with Mark Linkous (of Sparklehorse). Yet, due to ongoing legal troubles with EMI, he can't actually release the music. So he's come up with a rather creative solution. Found via Andrew Dubber, the news is that the next album will be released as album artwork with a blank recordable CD.

Yes, a blank CD-R.

There is no music on it. Because if there were music on it, it would get him in more trouble with EMI. Yet, if you have that blank CD and all the artwork, you certainly could (not that they're suggesting you do...) find that music elsewhere and burn it to the CD. The statement from Danger Mouse reads:

Danger Mouse's new project Dark Night Of The Soul consists of an album length piece of music by Danger Mouse, Sparklehorse and a host of guest vocalists, along with a collection of original David Lynch photography inspired by and based on the music.

The photographs, which provide a visual narrative for the music, are compiled in a limited edition, hand numbered 100+ page book which will now come with a blank, recordable CD-R. All copies will be clearly labeled: 'For Legal Reasons, enclosed CD-R contains no music. Use it as you will.'

Due to an ongoing dispute with EMI, Danger Mouse is unable to release the recorded music for Dark Night Of The Soul without fear of being sued by EMI.

Danger Mouse remains hugely proud of Dark Night Of The Soul and hopes that people lucky enough to hear the music, by whatever means, are as excited by it as he is.
In some ways, this is reminiscent of what the band Green Day did many years ago, offering up blank CDs with artwork for fans who had downloaded the music from unauthorized sources. Yet, in this case, it's even more interesting since there are no authorized sources at all for the music. It'll be fun to see how EMI reacts. Update: Meanwhile, the folks at NPR alert us to the fact that they're hosting a streaming version of the album for anyone who wants to hear it.

45 Comments | Leave a Comment..

 
Too Much Free Time

Too Much Free Time

by Mike Masnick


Filed Under:
blogs, record labels

Companies:
emi



Perhaps The Major Record Labels Will Discover Twitter In 2015

from the a-bit-slow-on-the-uptake dept

Wired's Epicenter blog notes that a division of EMI has announced the first major record label blog. While it does appear to be true that this is the first such blog, the very fact that it's only happening now is somewhat stunning. What's even more amazing, really, is that EMI is promoting the fact that they're so far behind the times. Yes, they beat the other three major record labels, but just starting to blog now isn't exactly something to hype up. In fact, prior to this, I'd never even thought about the fact that the labels had no blogs -- but in calling that fact out, it simply reminds everyone how the major record labels are so far behind in embracing any type of modern technology. It's sort of like a horse and buggy manufacturer putting out a press release that it had installed telephones in its office decades after such things were common.

13 Comments | Leave a Comment..

 
Failures

Failures

by Mike Masnick


Filed Under:
bankruptcy, innovation, lawsuits, music

Companies:
emi, seeqpod, warner music



Congrats, Recording Industry: You May Now Have Killed Seeqpod Too

from the shut-'em-down dept

The record labels' animosity towards Seeqpod has never made much sense. Seeqpod is a basic search engine that seeks out music files online. Some of these files are, undoubtedly, unauthorized copies, but Seeqpod has always been focused on streaming the music rather than letting you download the tracks. Seeqpod, itself, has no way of knowing whether the tracks are illegal or not, just as a search on Google using "filetype:mp3" doesn't distinguish between illegal and legal files. Yet, of course, the major record labels have decided that there can be no innovation without the record labels owning a piece of it, and so both Warner Music and EMI (two labels, by the way that have been the loudest in insisting that they've changed and are no longer anti-innovation) sued Seeqpod for daring to run a search engine.

And, now, thanks to mounting legal bills, the company has filed for Chapter 11 bankruptcy protection, and is cutting off some developers who were using its API. It seems like yet another example of the major record labels stamping out innovation through lawsuits. Of course, others will rise in their place (most likely in foreign countries where it's harder for the labels to sue). But, it's pretty sad that the labels have been so successful in using questionable lawsuits to make sure that no one can innovate without their stamp of approval.

61 Comments | Leave a Comment..

 
Failures

Failures

by Mike Masnick


Filed Under:
digital, doug merrill

Companies:
emi, google



So Much For That Plan: Google CIO Doesn't Even Last A Year At EMI

from the whoops dept

Nearly a year ago, we were surprised, but hopeful when it was announced that Doug Merrill, former CIO of Google was joining EMI to head up its digital initiatives. It definitely seemed like the big record labels could use a nice injection of Google-style thinking -- though, we were worried that Merrill would be pigeonholed as a "techie" rather than someone integrated into the wider strategy. And, indeed, watching EMI continue to make a series of self-destructive moves left us wondering how much influence, if any, Merrill had on the firm. Just a few weeks ago, we pointed out that Merrill should be ashamed to be associated with a company that is actively stomping out innovation left and right.

Who knows what the real reason is, but it looks like Merrill didn't work out at EMI. Less than a year after taking the job, Merrill is no longer employed by EMI. Neither side is talking about why -- though EMI said something about how it's unnecessary to have a separate "digital division." That goes back to our original fears: suggesting Merrill was limited just to digital issues, rather than overall strategy. But, the fact that he's totally gone from the company so quickly suggests that perhaps he tried to shift the direction of the company and was unable to get very far. That's a loss for EMI and the big record labels, who never seem to miss an opportunity to make things worse for themselves.

33 Comments | Leave a Comment..

 
Culture

Culture

by Mike Masnick


Filed Under:
cory ondrejka, doug merrill, innovation

Companies:
emi, seeqpod, swurl



Congrats EMI! You've Killed Some Innovation

from the nice-work dept

Remember how EMI insisted it was going in a new direction that wouldn't be anti-technology and anti-fan? The company even hired some well-respected Silicon Valley techies for street cred. And then... it just kept on suing any and every innovation that came, often making it personal. Last month we wrote about yet another such lawsuit that had numerous troubling implication. The lawsuit targeted a developer of a service, Swurl, who just used an API for another service, Seeqpod, that was being sued. It's quite troublesome to claim that one company is liable for simply using an API of another company who, itself, is probably not doing anything infringing. But, EMI is a big company with lots of money (though, it's dwindling) and the developer it sued, Ryan Sit, was just a guy working on a fun project -- so, he's now pulled down the project. So, congrats, EMI for killing an innovative service. Great way to show how you're "different" and how much you "get" Silicon Valley. If I were Doug Merrill or Corey Ondrejka -- EMI's two big digital gurus -- I'd be ashamed to be employed by such a company. You're helping to stomp out innovation rather than enable it.

11 Comments | Leave a Comment..

 
Legal Issues

Legal Issues

by Mike Masnick


Filed Under:
innovation, investors, lawsuits, music

Companies:
emi, favtape, seeqpod



EMI Continues Suing Innovators And Their Investors

from the someone-smack-them-down dept

Warner Music has led the way for the big record labels to combat any innovation: it tends to sue every new startup that does anything remotely innovative with music, and as part of any "settlement" demands they either shut down or give a big equity stake to Warner Music. It's extortion by lawsuit -- and it's designed to prevent any sort of innovation. However, it looks like EMI is quickly following suit. Despite its new (non record industry) owners who declared that it was time for EMI to take a new approach to the industry, and even hiring some tech industry hotshots, the company just can't stop suing small innovative startups. It's sued MP3Tunes for letting people store and listen to their own, legally purchased music. It's sued Hi5 and VideoEgg for having user-uploaded videos that include music -- despite the DMCA's safe harbors that remove liability from them.

Even worse, however, is EMI's habit of trying to drag other parties into the lawsuit. For example, in the MP3Tunes lawsuit, beyond suing just the company, EMI sued founder Michael Robertson personally. The latest case is another example of that. EMI has sued both Seeqpod and Favtape. EMI is a bit behind Warner Music on this one. Warner sued Seeqpod last year. Favtape is similar to a number of other rather useful online services for creating playlists. It actually uses Seeqpod as its main search engine. Seeqpod is merely a search engine for music, looking across a variety of public sources for music. It doesn't host any of its own music, and has no way of knowing whether or not the music it finds is authorized or not. It's quite difficult to see how Seeqpod is doing anything illegal at all, and since Favtape is simply built on top of that, using Seeqpod's APIs, it's even less obvious how Favtape is doing anything wrong. In fact, this raises some very troubling legal issues: if you use someone's APIs, are you legally liable for the actions of the company powering the underlying service? That would create a massive chilling effect on innovation if true.

But, of course, EMI is making the situation even worse. Rather than just suing the companies, it's also suing investors and the founders personally. This isn't just highly unusual, it's a clear attempt to pressure these companies into settling, as no matter how legitimate your stance is, it's quite a scary thing to be sued personally, and potentially have personal assets at risk. Suing the founders personally is legal bullying. It's a clear abuse of the legal system to try to force a settlement, rather than an actual attempt to raise a legal issue.

Suing the investors is equally as ridiculous -- and is a clear attempt to try to get those investors to push the companies to settle. This tactic has been used in the past a few times by the big record labels, initially with Universal Music's attempt to sue Napster's investors. Most recently, Universal Music tried to do the same thing with Veoh, but a court slapped them down. Hopefully, the investors in question will point this ruling out to the court in question in asking for a quick dismissal. Furthermore, hopefully a judge will sanction EMI for abusing the legal process to bully these companies and individuals.

13 Comments | Leave a Comment..

 
Legal Issues

Legal Issues

by Mike Masnick


Filed Under:
copyright, music

Companies:
emi, mp3tunes



MP3Tunes Points Out EMI's Own Actions Contradict Its Lawsuit

from the authorized,-not-authorized dept

EMI's lawsuit against Michael Robertson's MP3Tunes has never made much sense. MP3Tunes isn't distributing any MP3s. It just lets you upload and store your own music, or, if the songs are publicly available elsewhere, to access those tunes. EMI threatened MP3Tunes if it didn't remove all EMI music, and then eventually sued. Yet, in MP3Tunes defense, it's pointing out that EMI, itself, has flooded the internet with its own free MP3s, thereby authorizing others to link to those tunes (exactly what MP3Tunes was doing). So, the argument goes, how is it okay for EMI to authorize the MP3s for everyone to link to except MP3Tunes? Given cases in the past that deal with the legality of deep linking, this seems like it could be a pretty strong argument...

3 Comments | Leave a Comment..

 
Too Much Free Time

Too Much Free Time

by Mike Masnick


Filed Under:
cat stevens, coldplay, copyright, fair use, joe satriani, mashup, music

Companies:
emi



EMI Claims Controversial Satriani/Coldplay Mashup Video Violates Coldplay Copyright

from the ironically-stupid dept

A few weeks ago, there was quite the lively discussion over a video mashing up Coldplay's song Viva La Vida with Joe Satriani's If I Could Fly. While the video had been on YouTube for quite some time, Satriani had decided to sue Coldplay over it, demanding all profits from its song. There are a number of reasons why this didn't make much sense, but folks in our comments did a fantastic job sniffing out the details -- including the fact that the video mashing up both videos had actually altered to make them sound alike, and if you listened to the originals, they were not nearly as close. They are in different tempos/keys to make them sound alike. That same user also pointed us to a Cat Stevens song Love/Heaven from (at least) 1973 that sounds quite similar as well, suggesting that if Coldplay owes Satriani any money, Satriani actually owes Cat Stevens quite a bit as well. Or there's the song Hearts by Marty Balin of Jefferson Starship... written in 1981. Or any of the other dozen or so songs that others have pointed out sound quite similar -- and if mixed professionally to change the tempo could probably sound like a pretty exact match.

Either way, it appears the story has now taken a turn towards the totally ridiculous, as EMI, who holds the copyright on Coldplay songs has gone around claiming copyright on the Satriani/Coldplay mashup videos that were out there. It is true that whoever put those videos together, did a really good job adjusting the two songs to make them work together. Because of that, many people hear the mashup and immediately assume that it's so close that Coldplay absolutely must have copied Satriani. But, there's little actual evidence to support that -- and, given that both songs were actually adjusted to make the video, it's quite misleading. Still, for EMI to then go and demand those videos be taken down (while leaving up plenty of other videos of just Coldplay's music) is just dumb. First of all, the mashup video is almost certainly fair use. It's used for criticism and/or reporting, and not for profit (well, unless you're Joe Satriani).

But, more importantly, in pulling down the video it makes it look like EMI and Coldplay have something to hide, while calling even more attention to the whole thing. It takes a special kind of short-sightedness to claim that a video supposedly demonstrating your own copyright violations violates your copyright. When the whole story first broke, Coldplay quickly denied any connection, saying that, if there were any similarities it was a coincidence. The band should have left it at that... or, if EMI were really smart (stop laughing), it should have produced a professional mashup of some of those other songs as well, demonstrating how common that particular melody is in music, and how one can distort a few songs to make them sound the same. Instead, it chose the worst option of all: acting guilty and abusing copyright law to try to hide stuff.

41 Comments | Leave a Comment..

 
Overhype

Overhype

by Mike Masnick


Filed Under:
advertising, clickthroughs, music, portals, selling

Companies:
emi, google, youtube



EMI Sets Up Its Own Online Store As YouTube Tries Selling Music

from the try,-try-again dept

Lots of folks are trying to figure out new business models in the music space, and here we have two separate big companies testing out ideas that seem unlikely to work all that well. First up is EMI, the big record label that keeps insisting that its going a different route but can't seem to reign in its lawyers from taking the same old route. This time around, it's launching its own music download site, where it's promising lots of extras and goodies -- including some stuff for free. It will be interesting to see how the actual site is set up, but the idea of setting up just a label specific site seems destined to fail. People want a one-stop shop. They don't want to have to know that the music they like is on EMI. Imagine, back when people bought CDs, if they had to go to a different store for each record label. Maybe there's more to it than what's being described, but at first pass, this sounds like more of the same: a big record label sticking a square peg into a round hole, covering it with shiny paint, and talking about how awesome it is.

Then there's Google, which has been struggling mightily to come up with ways to make money off of YouTube. At the same time, record labels have been complaining about how much "music" (accompanied by videos, of course) is available on YouTube, and the folks at Google put two and two together and will start offering options to buy the songs you hear on YouTube at partner sites such as Amazon or iTunes. While it's not a bad idea (why not offer people a chance to buy if they want it), it's hard to see this really getting that much traction. Some people may go ahead and buy out of convenience, but it's hard to see people actually doing that much music "shopping" this way.

20 Comments | Leave a Comment..

 

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